Call me by your name
A transformative summer romance unfolds between a seventeen-year-old and his father's charming guest, leaving an indelible mark on their lives.
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Unique Selling Point
What sets this screenplay apart is its intimate portrayal of a summer romance that transcends cultural and generational boundaries. The lush Italian setting serves as a backdrop for a deeply personal story that resonates with anyone who has experienced the complexities of love and loss. Its unique blend of poetic dialogue and vivid imagery creates a compelling narrative that invites the audience to reflect on their own experiences of love.
AI Verdict
Highly Recommend
Recommend
Highly Recommend
Story Facts
Genres:Setting: 1980s, Perlman villa and surrounding areas in Italy
Themes: First Love and its Complexities, Self-Discovery and Identity, Cultural and Class Differences, Parental Influence and Observation
Conflict & Stakes: Elio's internal struggle with his burgeoning feelings for Oliver, the complexities of young love, and the fear of impending separation.
Mood: Bittersweet and introspective
Standout Features:
- Unique Hook: The story's focus on a summer romance between a young boy and an older man, exploring the complexities of first love.
- Distinctive Setting: The picturesque Italian countryside serves as a vibrant backdrop, enhancing the romantic atmosphere.
- Character Depth: The nuanced portrayal of Elio's emotional journey and his relationship with Oliver adds layers to the narrative.
- Cultural Context: The exploration of Jewish identity and cultural heritage adds depth to the characters' backgrounds.
Comparable Scripts: Call Me by Your Name, The Talented Mr. Ripley, Maurice, Brokeback Mountain, The Way He Looks, A Single Man, The Perks of Being a Wallflower, Pride, The Dreamers
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Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Characters
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
Scenes now use the full 0–10 scale, so your numbers will look lower and more spread out than before. That's the new, smarter model being honest — not a verdict on your script.
A 5 is fine. “Functional” (5–6) is a solid, professional scene — that's where most scenes sit. The scale rides low on purpose, so it has room to point down (where to fix) and up (what's working).
The table uses the same colors: warm = worth a look · neutral = fine · green = working. We re-scored our whole reference library the same way, so your percentile rankings stay a fair, apples-to-apples comparison.
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- Exceptional character development, with a characters rating in the 97th percentile, indicating well-crafted and relatable characters.
- Strong emotional impact, scoring in the 90th percentile, suggesting the screenplay effectively resonates with audiences on an emotional level.
- High dialogue rating at 82.76, reflecting the writer's ability to create engaging and authentic conversations between characters.
- Low stakes score at 10.76 indicates a need to enhance the tension and consequences within the plot to keep audiences invested.
- The pacing score is very low at 1.62, suggesting that the screenplay may benefit from a more dynamic rhythm to maintain viewer engagement.
- Originality score at 45.13 indicates that the screenplay may lack unique elements or fresh perspectives, which could be improved to stand out.
The writer appears to be intuitive, with strengths in character and dialogue development but lower scores in concept and plot structure.
Balancing Elements- Focus on enhancing the stakes and conflict levels to complement the strong character and dialogue elements.
- Work on improving pacing to ensure that the emotional and character-driven moments are effectively balanced with plot progression.
- Consider integrating more original concepts to elevate the overall uniqueness of the screenplay.
Intuitive
Overall AssessmentThe screenplay shows great potential due to its strong character and emotional elements, but it requires significant work on plot structure, stakes, and pacing to achieve a more balanced and engaging narrative.
How scenes compare to the Scripts in our Library
| Percentile | Before | After | ||
|---|---|---|---|---|
| Scene Overall | 8.6 | 72 | Casablanca : 8.5 | the black list (TV) : 8.7 |
| Scene Concept | 8.3 | 65 | face/off : 8.2 | fight Club : 8.4 |
| Scene Plot | 8.0 | 42 | the 5th element : 7.9 | The whale : 8.1 |
| Scene Characters | 8.9 | 97 | Deadpool : 8.8 | Good Will Hunting : 9.0 |
| Scene Emotional Impact | 8.6 | 82 | Black mirror 304 : 8.5 | Titanic : 8.7 |
| Scene Conflict Level | 5.6 | 3 | Swingers : 5.5 | Charlie and The Choclate Factory : 5.7 |
| Scene Dialogue | 8.2 | 69 | Mr. Smith goes to Washington : 8.1 | Casablanca : 8.3 |
| Scene Story Forward | 7.3 | 9 | The Good place release : 7.2 | the pursuit of happyness : 7.4 |
| Scene Character Changes | 7.6 | 71 | fight Club : 7.5 | the black list (TV) : 7.7 |
| Scene High Stakes | 5.7 | 8 | Easy A : 5.6 | groundhog day : 5.8 |
| Scene Unpredictability | 6.91 | 6 | The father : 6.89 | Coda : 6.98 |
| Scene Internal Goal | 8.13 | 73 | Memento : 8.12 | The whale : 8.14 |
| Scene External Goal | 7.01 | 13 | Bad Boy : 7.00 | Mulholland Drive : 7.02 |
| Scene Originality | 8.68 | 51 | Psycho : 8.67 | There's something about Mary : 8.69 |
| Scene Engagement | 8.90 | 30 | Triangle of sadness : 8.89 | groundhog day : 8.91 |
| Scene Pacing | 8.00 | 3 | The father : 7.99 | Midnight in Paris : 8.01 |
| Scene Formatting | 8.12 | 41 | Mr. Smith goes to Washington : 8.11 | Erin Brokovich : 8.13 |
| Script Structure | 8.12 | 45 | Casablanca : 8.11 | Erin Brokovich : 8.13 |
| Script Characters | 8.00 | 58 | Her : 7.90 | Erin Brokovich : 8.10 |
| Script Premise | 8.60 | 73 | Erin Brokovich : 8.50 | the black list (TV) : 8.70 |
| Script Structure | 8.10 | 65 | Knives Out : 8.00 | Erin Brokovich : 8.20 |
| Script Theme | 8.40 | 70 | the dark knight rises : 8.30 | face/off : 8.50 |
| Script Visual Impact | 7.60 | 35 | fight Club : 7.50 | face/off : 7.70 |
| Script Emotional Impact | 8.70 | 95 | Her : 8.60 | Pinocchio : 8.80 |
| Script Conflict | 7.40 | 43 | Rick and Morty : 7.30 | Casablanca : 7.50 |
| Script Originality | 8.60 | 83 | the pursuit of happyness : 8.50 | Killers of the flower moon : 8.70 |
| Overall Script | 8.50 | 91 | The usual suspects : 8.46 | Silence of the lambs : 8.51 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
▸ What you’re looking at
Your whole script read on three things — Design (is it built), Execution (does it play on the page), and Read (does it grip) — then mapped scene by scene. The rows go Script → Acts → Sequences → Scenes in story order, left to right; a unit’s width is its length in pages.
Colour depends on the mode. By default you’re on Triage — a recommendation for each part: Keep (green), Polish, Rework, or Cut / rebuild (red). Switch Colour by (top) to a lens (Design / Execution / Read) or one of the twelve axes and the colour becomes that signal’s score instead — red (needs work) through green (strong), with grey where a part isn’t owed that signal. Either way it’s a map of where to look.
To explore: click any cell for its detailed read — what’s working, what’s dragging, and your options. When a script has acts, hover an act and hit ⤢ Focus to zoom into it. Use Colour by (top) to recolour by a single craft signal, or the Findings / Axes / Patterns tabs to read it different ways.
Layered Read
Open full screen ↗Pass / Consider / Recommend Analysis
Gemini
Executive Summary
- The screenplay masterfully develops its characters through subtle actions, nuanced dialogue, and evocative imagery. The setting of the Italian countryside is beautifully rendered, adding depth and emotional weight to the narrative. The use of the narrator provides insightful commentary and adds an additional layer to the storytelling. The film masterfully balances intimacy and restraint, leading to potent emotional impact. high ( Scene 10 Scene 14 Scene 27 Scene 116 Scene 141 )
- The intimate scenes are handled with both sensitivity and honesty, avoiding gratuitous depictions while fully conveying the emotional intensity of the relationship. high ( Scene 105 Scene 116 Scene 132 )
- The dialogue is sharp, witty, and realistic, reflecting the complexities of the characters' personalities and relationships. medium ( Scene 11 Scene 36 Scene 68 )
- The screenplay utilizes evocative imagery and visual storytelling to enhance the emotional impact of the narrative and the beauty of the setting. The pacing is generally well-managed creating a sense of realism and allowing the emotional arc to unfold naturally. high ( Scene 6 Scene 12 Scene 58 Scene 128 Scene 137 )
- The ending is both satisfying and poignant, leaving a lasting impression on the audience. The thematic exploration of love, loss, and self-discovery resonates long after the credits roll. high ( Scene 141 )
- While the primary relationship is deeply explored, some secondary characters could benefit from further development to enrich the overall texture of the community surrounding Elio and Oliver. low ( Scene 17 Scene 18 )
- A few scenes could be slightly tightened to maintain a consistent pace. Some segments might feel slightly slow compared to others. low ( Scene 130 )
- The screenplay could potentially benefit from a slightly more explicit depiction of the aftermath of Oliver's departure. A brief scene might add emotional depth to the final moments. low
- The use of the narrator to associate Oliver's personality with his swimsuit choices is a unique and memorable stylistic choice. medium ( Scene 27 )
- The discovery of the bronze statue serves as a powerful metaphor for the uncovering of hidden emotions and desires. medium ( Scene 41 )
- The father's final speech is a masterpiece of subtle wisdom and acceptance, offering profound insights into the complexities of love and life. high ( Scene 141 )
- Underrepresentation of female perspectives While Marzia and Chiara are present, their experiences and motivations are not explored as deeply as Elio and Oliver's. Their roles primarily revolve around their relationships to the two male protagonists, rather than having fully developed internal lives and desires of their own. For example, Marzia's emotional journey after Elio's confession is somewhat underdeveloped. medium
GPT4
Executive Summary
- The screenplay effectively establishes a strong sense of place and atmosphere, immersing the audience in the Italian summer setting. high ( Scene Sequence number 1 (1) Scene Sequence number 2 (10) )
- Character development is rich and layered, particularly in the evolution of Elio and Oliver's relationship, which feels authentic and relatable. high ( Scene Sequence number 3 (22) )
- The dialogue is beautifully written, capturing the nuances of youthful longing and the complexities of love. high ( Scene Sequence number 4 (19) )
- The emotional depth of the screenplay resonates strongly, allowing the audience to connect with the characters' experiences. high ( Scene Sequence number 5 (50) )
- The use of symbolism, such as the recurring peaches, adds layers of meaning to the narrative and enhances thematic depth. high ( Scene Sequence number 6 (142) )
- Some sections of the screenplay feel drawn out, particularly in the middle, which could benefit from tighter pacing. medium ( Scene Sequence number 7 (34) )
- There are moments where character motivations could be more clearly defined, particularly regarding Elio's feelings towards Marzia. medium ( Scene Sequence number 8 (50) )
- The resolution of certain subplots, such as Elio's relationship with Marzia, feels somewhat abrupt and could be explored further. medium ( Scene Sequence number 9 (86) )
- The transition between scenes can sometimes feel jarring, disrupting the flow of the narrative. medium ( Scene Sequence number 10 (125) )
- The screenplay could benefit from more varied emotional beats to maintain engagement throughout. medium ( Scene Sequence number 11 (142) )
- A deeper exploration of the cultural context surrounding the characters could enhance the narrative's richness. medium ( Scene Sequence number 12 (50) )
- Additional background on Oliver's life in America could provide more depth to his character and motivations. medium ( Scene Sequence number 13 (86) )
- More insight into Elio's internal struggles and conflicts would strengthen the emotional impact of the story. medium ( Scene Sequence number 14 (125) )
- The screenplay could benefit from a clearer thematic statement that ties together the various narrative threads. medium ( Scene Sequence number 15 (142) )
- A more explicit exploration of the consequences of Elio and Oliver's relationship could add depth to the narrative. medium ( Scene Sequence number 16 (50) )
- The ending is poignant and reflective, leaving a lasting impression on the audience about the nature of love and memory. high ( Scene Sequence number 17 (142) )
- The use of music throughout the screenplay enhances the emotional landscape and connects the characters' experiences. high ( Scene Sequence number 18 (125) )
- The screenplay's exploration of sexuality is handled with sensitivity and authenticity, making it relatable to a wide audience. high ( Scene Sequence number 19 (50) )
- The dynamic between Elio and his parents adds depth to the narrative, showcasing a supportive family environment. high ( Scene Sequence number 20 (86) )
- The screenplay's ability to evoke nostalgia and longing is a significant strength, resonating with audiences on a personal level. high ( Scene Sequence number 21 (142) )
- Character Motivation The screenplay occasionally lacks clarity in character motivations, particularly regarding Elio's feelings towards Marzia and how they contrast with his feelings for Oliver. This could lead to confusion about his emotional journey. medium
- Pacing Issues Certain scenes feel overly drawn out, which can disrupt the flow of the narrative. For example, the middle sections may benefit from tighter editing to maintain engagement. medium
Claude
Executive Summary
- The screenplay's opening scenes effectively introduce the central characters, Elio and Oliver, and establish the setting and tone of the story. The descriptions of their interactions and the Perlman family's dynamics create an immersive and authentic world that draws the reader in. high ( Scene 1 (1) Scene 2 (4) )
- The scenes depicting the growing connection and rapport between Elio and Oliver, through their discussions and musical exchanges, are beautifully crafted and effectively convey the developing bond between the two characters. high ( Scene 5 (11) Scene 7 (15) )
- The screenplay's handling of the intimate moments between Elio and Oliver, including the pivotal scene in the secluded spring, is sensitive and emotionally resonant, capturing the characters' vulnerabilities and the complexity of their feelings. high ( Scene 28 (58) Scene 29 (72) )
- The screenplay's exploration of the Perlman family dynamics and the nuanced relationship between Elio and his father is a strength, providing depth and context to the central narrative. high ( Scene 39 (139) Scene 41 (141) )
- The screenplay's strong sense of place, captured through the vivid descriptions of the Perlman villa and its surrounding environment, helps to immerse the reader in the story's setting and enhance the overall atmosphere. medium ( Scene 1 (1) Scene 2 (4) Scene 3 (8) )
- While the intimate scenes between Elio and Marzia are effectively portrayed, the screenplay could potentially benefit from further exploration and development of their relationship, as it serves as a counterpoint to Elio's connection with Oliver. medium ( Scene 33 (83) Scene 34 (84) )
- The scenes involving Elio's friends and their reactions to Oliver's presence could be expanded upon to provide a richer understanding of the social and cultural context in which the story takes place. medium ( Scene 10 (18) Scene 11 (19) )
- The screenplay could benefit from occasional moments of levity or humor to balance the more serious and emotional moments, as the overall tone can sometimes feel quite heavy. low ( Scene 4 (10) Scene 6 (13) )
- While the screenplay effectively establishes the setting and the Perlman family's dynamics, there could be a more explicit exploration of the socio-cultural and historical context in which the story takes place, particularly in relation to the characters' backgrounds and experiences. medium ( Scene 1 (1) Scene 2 (4) )
- The screenplay could benefit from additional scenes or moments that provide a deeper understanding of Oliver's motivations and decision-making process, as his actions and choices can sometimes feel opaque to the reader. medium ( Scene 26 (55) Scene 27 (56) )
- The screenplay's handling of the intimate scenes between Elio and Oliver is a notable strength, as it manages to capture the tenderness, vulnerability, and complexity of their relationship without resorting to gratuitous or exploitative depictions. high ( Scene 28 (58) Scene 29 (72) )
- The screenplay's exploration of the Perlman family dynamics and the nuanced relationship between Elio and his father is a notable strength, as it provides depth and context to the central narrative and reflects the universal themes of love, loss, and self-discovery. high ( Scene 39 (139) Scene 41 (141) )
- The screenplay's strong sense of place, captured through the vivid descriptions of the Perlman villa and its surrounding environment, is a notable strength that helps to immerse the reader in the story's setting and enhance the overall atmosphere. medium ( Scene 1 (1) Scene 2 (4) Scene 3 (8) )
- The screenplay's handling of the aftermath of Oliver's departure and Elio's emotional journey is a notable strength, as it sensitively explores the character's grief, growth, and the lasting impact of their relationship. high ( Scene 51 (137) Scene 58 (144) )
- The screenplay's use of multiple perspectives, including the Perlman family members and various supporting characters, is a notable strength that provides a richer and more nuanced understanding of the story's themes and emotional impact. medium ( Scene 2 (4) Scene 3 (8) Scene 4 (10) )
- Representation While the screenplay effectively explores the intimacy and complexities of Elio and Oliver's relationship, it could benefit from a more nuanced representation of the broader LGBTQ+ community and their experiences within the cultural and social context of the story's setting. The screenplay's focus on the central romance, while powerful, may overlook opportunities to provide a richer and more diverse portrayal of the LGBTQ+ experience. medium
- Overwriting Occasionally, the screenplay exhibits a tendency towards excessive description or flowery language, particularly in certain scene descriptions. While the poetic nature of the writing is generally a strength, there are a few instances where the descriptive elements may be overstated or could be condensed to streamline the storytelling. low
Summary
High-level overview
Title: Call Me by Your Name
Summary:
Set against the picturesque backdrop of 1980s Italy, "Call Me by Your Name" follows the intense and transformative summer romance between a 17-year-old boy, Elio Perlman, and his father's graduate student, 25-year-old Oliver. As Oliver arrives at the Perlman villa, Elio grapples with feelings of jealousy and rivalry, referring to Oliver as 'the usurper.' Their initial interactions are marked by awkwardness and tension, yet an undeniable attraction begins to emerge.
Elio's fascination with Oliver grows as they share mundane moments together, from bike rides and coffee at a café to intimate family dinners—all infused with playful banter and emotional complexity. Elio's attempts to connect with Oliver often feel thwarted by Oliver's non-committal demeanor, leaving Elio both inspired and frustrated. Their dynamic shifts as they share moments of vulnerability, playfulness, and artistic expressions, underpinning Elio’s growing feelings and insecurities.
As the days unfold, Elio navigates conflicting emotions, dating Marzia while simultaneously developing a profound connection with Oliver. Tension builds through intimate conversations and physical closeness, culminating in a pivotal moment where Elio and Oliver finally surrender to their desires, leading to a passionate encounter that deepens their bond.
However, the fleeting nature of their summer together looms overhead. Elio wrestles with the pain of impending separation as Oliver prepares to return to America. Their experiences culminate in bittersweet moments of intimacy, longing, and emotional honesty, ultimately highlighting the beauty and tragedy of youth and desire.
As the summer comes to a close, Elio faces the fallout of their romance. He is left to confront his feelings of loss and heartache when Oliver departs, leading to introspective reflections on love and the ephemeral nature of shared moments. The story concludes months later as Elio hears from Oliver, who is now engaged, prompting a poignant examination of memory, longing, and the enduring impact of their time together.
"Call Me by Your Name" is a rich exploration of first love, self-discovery, and the bittersweet nature of fleeting moments, capturing the essence of youthful passion and the complexity of emotional connections that resonate long after the summer sun has set.
Call Me by Your Name
Synopsis
Set in the summer of 1983 in Northern Italy, 'Call Me by Your Name' follows the passionate and transformative relationship between Elio Perlman, a 17-year-old boy, and Oliver, a 24-year-old American graduate student who comes to stay with Elio's family for the summer. Elio, who is intelligent and introspective, spends his days transcribing music and exploring the beautiful Italian countryside. When Oliver arrives, he is immediately captivated by the older man's charm and confidence, which contrasts sharply with his own more reserved nature.
As the summer unfolds, Elio and Oliver engage in a series of flirtatious encounters, filled with tension and unspoken desires. Elio's initial feelings of jealousy and confusion about his attraction to Oliver are compounded by his relationship with Marzia, a local girl with whom he shares a brief romance. However, it is Oliver who occupies Elio's thoughts, leading to a complex emotional journey as Elio grapples with his burgeoning sexuality and the societal expectations of the time.
The two young men eventually find themselves drawn together, sharing intimate moments that deepen their connection. They explore the lush landscapes of Italy, swim in the river, and share their thoughts on life, love, and art. Their relationship culminates in a passionate encounter that changes both of their lives forever. However, as the summer comes to an end, Oliver must return to America, leaving Elio heartbroken and longing for the connection they shared.
In the aftermath of their summer romance, Elio reflects on the impact Oliver had on his life, grappling with the bittersweet memories of their time together. The film concludes with a poignant moment of realization for Elio, as he learns to embrace the beauty of love, loss, and the fleeting nature of youth. 'Call Me by Your Name' is a tender exploration of first love, identity, and the complexities of human relationships, set against the backdrop of a sun-soaked Italian summer.
Scene by Scene Summaries
Scene by Scene Summaries
- In this scene, 17-year-old Elio observes the arrival of 25-year-old Oliver at the Perlman villa, feeling a mix of jealousy and rivalry as he refers to Oliver as 'the usurper.' Accompanied by Marzia, Elio is instructed by his mother, Annella, to assist Oliver with his luggage. The tension escalates as Elio and Oliver are formally introduced in Professor Perlman's study, where their handshake reveals Oliver's non-committal demeanor, leaving Elio grappling with his emotions.
- Elio and Oliver arrive at the Perlman villa, where Elio offers to share his room with the tired Oliver. As they pass Marzia, Oliver shows curiosity, hinting at potential interest. Once in the room, Oliver quickly falls asleep, leaving Elio to manage the situation alone. The scene captures the contrast between Elio's eagerness and Oliver's exhaustion, setting the stage for their developing relationship.
- In a dimly lit Perlman villa, Elio wakes Oliver to inform him about dinner. Oliver, disoriented and reluctant, decides to skip the meal and asks Elio to excuse him to his mother. Elio, feeling a mix of concern and embarrassment, agrees and leaves Oliver to return to sleep. The scene captures the awkward yet intimate dynamic between the two, setting the stage for their evolving relationship.
- During breakfast at the Perlman villa, Oliver struggles to crack a soft-boiled egg, prompting Mafalda to assist him. As the family engages in light conversation about local towns and Oliver's needs, Elio offers to show him around, revealing his fascination with Oliver. The atmosphere is playful yet tense, highlighted by Oliver's self-awareness when he declines a third egg, leaving Elio feeling intimidated.
- In Professor Perlman's study, he attempts to organize his correspondence with the help of Oliver and Elio. Annella brings apricot juice, sparking a discussion about the word's etymology. Oliver corrects Perlman's assertion about the word's origins, impressing the group with his knowledge. The atmosphere is light-hearted, filled with playful banter and camaraderie, as Perlman concedes to Oliver's correctness. The scene concludes with Perlman jokingly claiming he was testing Oliver, while Annella and Elio share a knowing smile.
- On a hot summer day in Crema, Elio and Oliver ride bicycles to a cafe where they share coffee and discuss their lives as Jewish individuals in small towns. Elio opens up about his summer activities, while Oliver appears distracted. As they prepare to leave, Oliver steadies Elio when he loses his balance, but ultimately rides off, leaving Elio alone in the almost empty town square, highlighting a mix of camaraderie and isolation.
- In a tense scene at the Perlman Villa, Elio practices guitar in the shade, feeling unsettled by Oliver's cold gaze as he interacts with Anchise. After Oliver lies down to read, he encourages Elio to play his music again, despite Elio's insecurities about Oliver's indifference. The emotional complexity of their interaction leaves Elio feeling intimidated, ultimately leading him to retreat into the house, leaving their conversation unresolved.
- In a sunlit living room, Elio plays a piano piece, infusing it with his own variations inspired by Liszt and Busoni, while Oliver listens from the doorway. Oliver's curiosity turns to frustration as he requests the original Bach piece, which Elio eventually plays, revealing its dedication to Bach's brother. The scene shifts to Elio writing in his diary, where he reflects on his earlier harshness towards Oliver and grapples with feelings of insecurity about their relationship.
- In a bustling cafe, Oliver joins a lively card game, quickly bonding with the players and showcasing his charm. Elio, sitting nearby, translates for Oliver but feels sidelined as Oliver becomes engrossed in the game. The scene captures the lighthearted atmosphere of the cafe while highlighting Elio's subtle longing and sense of being overlooked.
- On the lawn of the Perlman villa, Elio's friends engage in a lively volleyball game with Oliver, a charming American who draws Elio's admiration and discomfort. As Oliver playfully massages Elio's shoulder, Elio feels a mix of attraction and unease, leading him to retreat to a table under the lime trees. While his friends, including Marzia and Maria, joke about the situation, Elio grapples with his feelings, rubbing the spot where Oliver touched him, as the playful atmosphere shifts to a more introspective tone.
- In the evening at the Perlman villa, a gangly teenager observes Perlman entertaining his young nieces with a card trick while Elio, upstairs, anxiously awaits Oliver's arrival. As dinner guests gather, Elio expresses frustration over Oliver's absence, perceiving him as rude and arrogant. Perlman defends Oliver's shyness, but Elio fears growing resentment towards him. Annella dismisses Elio's concerns and orders the removal of Oliver's place setting, deepening Elio's sense of loss. The scene concludes with Perlman performing for the children, highlighting the tension of Oliver's absence.
- In the Perlman villa's living room, Elio initially resists playing music despite his father's encouragement and Annelia's playful urging to socialize. A teenage boy's humorous imitation of a spider lightens the mood, prompting Elio to finally engage with the piano. The scene shifts to Elio's bedroom, where he experiences restlessness and curiosity about Oliver, culminating in a moment of hesitation as dawn breaks.
- In the afternoon light at the Perlman villa, Elio sits under lime trees, absorbed in his work while listening to his father, Perlman, engage in a thoughtful critique of Oliver's manuscript on Heraclitus. Perlman encourages Oliver to embrace the philosopher's paradoxical ideas, prompting Oliver to acknowledge the need for improvement. Meanwhile, Anchise arrives with a large fish, adding a touch of familial warmth to the scene. The atmosphere blends intellectual discourse with light-hearted domesticity, culminating in Elio's distraction by the lively sounds from the kitchen.
- In this scene, Elio relaxes with his eyes closed while Oliver, in a red bathing suit, reads from a manuscript he previously shared with Perlman. Oliver expresses confusion about his work, prompting Elio to offer a compliment that leads to an awkward moment. The narration explores Oliver's multifaceted personality through the symbolism of his colorful bathing suits. The setting at the Perlman villa adds to the introspective and subtly tense atmosphere, highlighting Elio's mixed feelings of admiration and discomfort in their interaction.
- In a light-hearted afternoon at the Perlman villa, Elio watches Oliver swim in a stone trough while his mother, Annella, picks fruit. After a playful exchange where Elio keeps his thoughts private, Oliver joins Annella in the orchard, climbing a ladder to pick ripe fruit. The scene captures their youthful curiosity and attraction as Oliver tosses apricots down to Elio and Annella, ending with a transition to a quieter moment as Oliver arrives on his bike from town.
- In Elio's bedroom, he finds himself in an embarrassing situation when Oliver enters shirtless from the bathroom. Elio awkwardly claims to have an allergy to avoid swimming with others, but Oliver suggests they swim together, intensifying Elio's internal struggle with his feelings. After Oliver leaves to change, Elio, frustrated with himself, decides to change his bathing suit and catches a glimpse of Oliver getting dressed, leaving him in a state of heightened awareness and confusion.
- In the Perlman villa's bocchirale, Oliver descends shirtless, followed by Elio, and encounters Chiara and Marzia. Chiara playfully tosses Oliver's shirt and insists on going to the river, while teasingly flirting with Oliver, much to Elio's envy. As Oliver gathers loose papers, Chiara boasts about her translation skills, and Oliver humorously engages with her. Elio hands Oliver his sunglasses and a book, highlighting their intimacy. The scene culminates with Chiara leading Oliver out as he puts on his blue shirt, leaving Elio feeling a mix of admiration and jealousy.
- In a vibrant restaurant with an open-air dance floor, Chiara dances seductively with Oliver, igniting Elio's jealousy and longing as he watches from a distance with Marzia and friends. As Oliver showcases his charm, Elio struggles with his feelings but is encouraged by Marzia to join the dance. The scene captures the playful energy and underlying tension of attraction, culminating in Elio's confident dance that earns him applause from his friends, while Marzia observes with amusement.
- Elio and Marzia share an intimate night by the river, undressing and swimming together, which highlights their playful connection. Marzia questions Elio about his feelings for Chiara, revealing underlying tension, but Elio denies any anger. After a tender moment of kissing, they agree to meet again the next night, with Marzia insisting on secrecy about their rendezvous.
- Elio wakes up to the sound of Oliver in the bathroom, leading to a playful breakfast scene where Oliver showcases his skills with a soft-boiled egg. Amidst light-hearted teasing about Elio's romantic pursuits, Professor Perlman invites Oliver on a trip to Sirmione, humorously insisting that Elio must remain silent. The scene captures a blend of self-reflection and humor, culminating in a sense of curiosity for the adventures ahead.
- Elio cleans the Perlmans' car when Chiara arrives on her bike, asking about Oliver. Disappointed to learn they are leaving for Lake Garda, she shares a moment with Oliver before kissing him goodbye. Elio playfully comments on Chiara's beauty and hints at matchmaking, but Oliver prefers solitude. The tension escalates when Professor Perlman suggests Oliver sit in the front seat, shifting the dynamics among the characters.
- Perlman drives through the Italian countryside with Oliver and Elio, who is captivated by Oliver. They arrive at the Grotte di Catullo, where Perlman shares his enthusiasm for the archaeological site. As they witness the recovery of a bronze statue of a boxer from Lake Garda, excitement and admiration fill the air, highlighting the beauty of the ancient artifact and the bond between the characters.
- On the beach at Sirmione, Perlman shares the historical significance of a newly discovered bronze statue with Elio and Oliver, highlighting its connection to the Vatican. As the sun sets, they share light-hearted jokes about the statue's fate before enjoying a swim in the tranquil lake. Afterward, Elio expresses his urgency to leave, contrasting with Perlman and Oliver's desire to celebrate with a drink. The scene captures a blend of wonder and celebration against the backdrop of a picturesque evening.
- In a cozy yet tense atmosphere at the Perlman villa during a thunderstorm, Oliver works late while Elio seeks connection with Marzia. The family gathers as the lights flicker, prompting Annelia to read from the Heptameron, exploring themes of love and courage. As the lights go out, discussions about youth and relationships unfold, with Annelia encouraging Elio to embrace risks in love. The scene culminates in a tender moment between mother and son, reinforcing their bond as the lights return.
- The day after a storm, Elio finds himself lost in thought while playing the piano. He notices Oliver's bike is missing and, driven by longing, sneaks into Oliver's room through the bathroom. There, he intimately explores Oliver's belongings, particularly his bathing suit, which he smells and kisses. Seeking a connection to Oliver, Elio puts on the bathing suit and lies in his bed, but is interrupted by the sound of Oliver's bicycle. He quickly tidies up and exits the room, still grappling with his unspoken feelings.
- Elio and Oliver share a contemplative moment under the trees at the Perlman villa, discussing a 16th-century French romance that reflects Elio's internal struggles. As they prepare to go into town, Elio accidentally spills lemonade, and Oliver's instinctive act of picking it up signifies his caring nature. Their interaction reveals a growing bond, marked by unspoken feelings and a sense of companionship as they decide to leave together.
- In this light-hearted scene outside the Perlman villa, Oliver receives his repaired bike from Anchise and shows Elio a scrape on his hip, treated with an unusual remedy. Elio expresses concern about Anchise's character, questioning if he gives Oliver the creeps. Oliver reassures him, describing Anchise as a lost soul, which alleviates Elio's worries. The scene captures their camaraderie as they prepare to ride their bikes together.
- In a quaint town square, Oliver and Elio share a moment of vulnerability as they discuss history and Elio's feelings of inadequacy. Oliver, taking on a mentor-like role, encourages Elio while grappling with his own emotions. Their conversation hints at deeper feelings, but tension arises as Elio confesses his self-doubt. The scene captures a blend of light-heartedness and emotional depth, culminating in Oliver asking Elio to wait while he resolves a mix-up, leaving their deeper conversation momentarily paused.
- Elio and Oliver explore a picturesque country road, sharing laughter over a Mussolini picture before retreating to a tranquil spot by spring water ponds. In this serene setting, they delve into deep conversations about loneliness and their feelings for each other, leading to a tentative kiss. However, Oliver expresses a need for boundaries, creating tension as Elio's boldness clashes with Oliver's desire for propriety. The scene captures a blend of playful exploration and emotional vulnerability, ending with Oliver helping Elio up, symbolizing both care and the return to reality.
- Elio and Oliver share a playful footsie moment during lunch at the Perlman villa, deepening their intimate bond amidst the pompous chatter of an art historian couple. However, Elio's joy turns to panic when he suddenly experiences a nosebleed, prompting him to leave the table in search of ice, highlighting his internal struggle with their impending separation.
- In a vulnerable moment at the Perlman villa's bar, Elio tends to his bleeding nose while Oliver finds him and expresses concern. Their interaction deepens as Oliver massages Elio's feet, leading to a light-hearted conversation about their Jewish heritage and Elio's mother's views on discretion. Chiara and Marzia add a playful atmosphere, but the focus remains on the intimacy and care Oliver provides. The scene concludes with Oliver helping Elio to his feet and suggesting he rest on the couch, highlighting their growing connection.
- In the Perlman villa's living room, Chiara playfully teases Elio about his 'peasant feet,' provoking a shy yet playful reaction from him. Marzia defends Elio, providing comfort amidst Chiara's competitive teasing. Elio expresses concern about his mother seeing him and asks about Oliver, but Chiara dismisses his inquiry. The scene captures a playful yet tense dynamic among the characters, ending with Elio swimming in the river, symbolizing a moment of freedom from the earlier tension.
- Elio prepares a smoothie in the kitchen with the help of Mafalda, who is unfamiliar with the process. He takes the smoothie outside to join his mother, Annella, who encourages his feelings for Oliver. As they discuss Oliver, Elio grows anxious about his absence. Later, he waits for Oliver on the terrace, struggling to focus on a book. When Oliver finally arrives, Elio pretends to be asleep but feels betrayed when Oliver walks past his room without stopping, leaving him in disappointment.
- In the garden of the Perlman villa, Elio arrives last, avoiding eye contact with Oliver, indicating tension. Oliver, weary, engages in a conversation with Perlman and Annella about his lifestyle choices, particularly his gambling and drinking habits. Perlman expresses concern for both Oliver and Elio, while Annella worries about Oliver's health and encourages him to rest. The scene concludes with Oliver agreeing to take it easy that night, alleviating Annella's concerns, as she offers him more coffee and reminds her son to sit up straight, reinforcing the familial atmosphere.
- In a tense and awkward encounter on the Perlman Villa lawn, Elio attempts to connect with Oliver, who is absorbed in his work. Elio's restlessness prompts him to kick a volleyball at Oliver, breaking the silence and leading to a conversation about their previous night. While Elio expresses his desire to go into town and share his feelings, Oliver remains indifferent, highlighting their emotional disconnect. Perlman observes the interaction from his studio, adding a layer of parental oversight to the scene.
- On the main entrance lawn of the Perlman Villa, Elio and Oliver share a heartfelt conversation about their relationship. Elio expresses a longing to spend time together again, reminiscing about a previous day, while acknowledging the passage of time. Oliver compliments Elio's wisdom and inquires about his feelings, leading Elio to fervently admit he worships him. This emotional exchange resolves Elio's hesitation, and Oliver agrees to meet in half an hour for a bike ride, requesting no formalities. The scene captures their deepening bond in a tender and introspective atmosphere.
- In a picturesque setting by a fresh water spring in Crema, Italy, Elio and Oliver enjoy their carefree days together, filled with swimming and volleyball. Their connection deepens when Elio gifts Oliver a book he has written, symbolizing his affection. Despite the joy of their companionship, an underlying tension from Elio's feelings for Oliver remains unresolved. The scene captures a nostalgic and bittersweet tone, ending with Elio playfully reminding Oliver of their unspoken agreement to avoid speeches, hinting at the complexities of their relationship.
- Elio and Oliver return from a ride, with Elio avoiding the turn to his home, signaling his inner conflict. At the Perlman villa, the family enjoys drinks as Oliver joins them, appearing refreshed and charismatic. They share light conversation about missing each other and Oliver's fondness for the villa, while Elio remains cautious and reserved. Anella expresses warmth towards Oliver, and Perlman encourages him to consider their home as his own. The scene is set against a sunset backdrop, highlighting the bittersweet emotional tension between Elio's unacknowledged feelings and Oliver's relaxed charm, leaving the emotional stakes unresolved.
- After dinner, Elio feels restless and seeks connection, first gazing at Oliver's window and noticing a drying red bathing suit. He joins his parents in the living room but is distracted by the news and lights a cigarette. Elio then calls Marzia, inviting her out, and they agree to meet, indicating a shift in his focus from Oliver to her.
- Elio and Marzia stroll through the enchanting streets of Crema at night, where Elio impulsively buys a book for her. Their conversation in French reveals Marzia's fears of emotional pain and Elio's struggle with vulnerability. A brief kiss ignites a passionate moment, leading them to explore each other's bodies in a secluded corner of Palazzo Premoli. The scene captures the romantic tension and vulnerability of young love, culminating in Marzia's poignant question about Elio's true feelings.
- In this poignant scene, Elio and Marzia share a playful and intimate moment by the river at night, filled with laughter and love. As dawn breaks, Elio finds himself in a state of emotional turmoil, grappling with his feelings for Oliver while attempting to write a heartfelt note expressing his longing and anxiety over Oliver's silence. After several drafts, he finally pens a note that captures his need for communication, reflecting on his emotions as he smells his hands. The scene concludes with Elio slipping the note under Oliver's door, symbolizing his hope for connection amidst uncertainty.
- In the garden of the Perlman villa during breakfast, Professor Perlman reads the newspaper while a sleepy Elio cracks an egg. Oliver joins them, casually asking Elio about his night, which Elio brushes off. Perlman hints at upcoming work with color slides from Berlin. The scene shifts to Elio's bedroom, where he discovers a note he wrote to Oliver, now with Oliver's addition urging him to grow up and meet at midnight. Overwhelmed, Elio kisses the note and realizes it's only 10:30 AM, leaving him excited yet anxious about their connection.
- In Professor Perlman's study, Oliver and Perlman discuss the sensuality of Hellenistic sculptures, captivating Oliver with their stylistic differences. The scene shifts to a lunch under lime trees, where Annella reminds the group about dinner guests. Elio feels self-conscious about a large birthday shirt and seeks Oliver's opinion, but Oliver remains non-committal. Anxious about the time, Elio tries to hide his watch but ultimately runs upstairs, frustrated. The scene concludes with Oliver informing Mafalda that he won't be home for dinner, indicating a change in his plans.
- Elio is awakened by Marzia's kiss at the abbeveratoio, leading to a playful and intimate moment between them. They decide to escape to the attic, where they share a romantic encounter on a mattress, illuminated by the soft afternoon light. As the scene concludes, Marzia leaves just before dinner, and Elio introduces her to arriving guests, a gay couple, marking a shift from their private intimacy to the social atmosphere of the villa.
- In Elio's bedroom, his father, Perlman, encourages him to wear a Hawaiian shirt gifted by their guests, whom he playfully refers to as 'Laurel and Hardy.' Despite Elio's initial reluctance and teenage angst, Perlman teaches him about acceptance and maturity. The scene shifts to an outdoor table under lime trees, where Elio makes a lively entrance in the shirt, delighting their guests and marking a moment of familial connection and growth.
- Elio performs a piano piece by Poulenc in the living room of the Perlman villa, captivating his audience, including the enigmatic Oliver. After the performance, Elio retreats to his bedroom, where he reflects on his identity and feelings for Oliver while writing in his journal. The scene captures Elio's internal struggle and longing, juxtaposed with Oliver's calm demeanor in his room. As Elio questions himself in the bathroom, the atmosphere is filled with introspection and curiosity, leaving him in contemplation about his emotions.
- Elio, after hearing guests leave the Perlman villa, rushes to join Oliver on the balcony. They share a moment of vulnerability, both admitting their nervousness about their feelings for each other, creating an intimate connection amidst the tension of the night.
- In Oliver's bedroom at the Perlman villa, Elio and Oliver share a tender and intimate moment. Initially hesitant, Elio moves closer to Oliver, leading to playful foot touching and a heartfelt hug. As they kiss passionately, they undress each other, experiencing a mix of pain and pleasure during their sexual encounter. This moment deepens their emotional connection, culminating in a shared sense of vulnerability. Afterward, Oliver comforts Elio, holding him as he falls asleep, encapsulating a sense of safety and intimacy.
- As dawn breaks in Oliver's room, he cradles Elio, who wakes but avoids confronting the emotions from their intimate night. Oliver expresses concern for Elio's feelings, hinting at the need for discussion about their actions. Elio, while evasive, admits he didn't hate the experience, yet his smile suggests a wish for distance. After a moment of intimacy, Elio decides to shift their focus by suggesting they go swimming, indicating a desire to move forward despite lingering uncertainties.
- In this scene, Oliver and Elio share a tense morning after a secretive encounter the night before. While swimming in the river, Elio feels distant from Oliver, who later asks if Elio will hold their previous night against him. Their awkward dynamic continues as they sneak into the villa, where Oliver surprises Elio in his room, leading to an off-screen sexual encounter that leaves Elio feeling uncomfortable. At breakfast with the Perlman family, Oliver subtly initiates physical contact with Elio, but the mood shifts as Oliver announces his plans to leave for town, heightening Elio's anxiety about Oliver's impending departure. The scene concludes with Elio feeling conflicted as he prepares to follow Oliver outside.
- In the central square of Crema, Elio rushes to Oliver, expressing his desire to be close while Oliver reveals his fears about their relationship's emotional implications. Despite Elio's reassurances, uncertainty lingers between them. The scene transitions to a montage of life in the garden and a brief kitchen interaction between Mafalda and Anchise, before concluding with a tender moment between Elio and his mother as he picks peaches.
- In the attic of the Perlman villa, Elio reflects on his intimate moment with Marzia while distracted by the summer sky and peaches. Engaging in a sexual act with a peach, he grapples with feelings of absurdity and shame before falling asleep. Oliver discovers him, leading to a playful yet intimate exchange where Oliver teases Elio about his actions. This moment of vulnerability culminates in a kiss, solidifying their emotional connection and commitment to each other.
- At the Perlman villa, Elio and Oliver share an intimate conversation in the garden, grappling with their feelings and the pain of impending separation as Oliver prepares to return to the States. Elio expresses his anxiety and regrets about their time together, while Oliver reassures him of their bond. Meanwhile, Mafalda irons in the background, symbolizing domesticity, and Anchise works in a hut, contrasting the emotional turmoil of the young lovers. The Perlman parents, Perlman and Annella, listen to the conversation, acknowledging the depth of their son's relationship with Oliver. The scene is filled with a melancholic tone, highlighting longing and unspoken emotions amidst the warm light of the villa.
- In this poignant scene, Elio dons Oliver's blue shirt, symbolizing his growing affection. At breakfast, he tenderly cracks an egg for Oliver, while their connection deepens with a subtle foot touch under the table. Elio faces tension with Marzia, who confronts him about his feelings, leaving her hurt and him speechless. By the pool, Elio expresses regret for Marzia's feelings, yet shares an intimate moment with Oliver. Perlman and Annella discuss Oliver's upcoming trip, adding humor that contrasts with Elio's emotional turmoil, highlighting the complexities of young love.
- At dusk in front of the War World I Memorial in Pandino, Oliver and Elio, still in their swimsuits, share a playful yet intimate moment as they attempt to embrace the large monument. Their fingertips almost touch, but when Oliver leans in for a kiss, Elio pushes him away, insisting it's not the right place for such intimacy. They leave the memorial together on their bikes, observed by a young couple nearby, reflecting the innocence and complexity of young love.
- Elio and Oliver share a playful and intimate moment in their hotel room before venturing into the lively streets of Bergamo. As they stumble through the night, their romantic connection is tested when Oliver kisses Elio but is distracted by a distant melody. At a small square, Oliver engages with a group of New Romantics, expressing his admiration for the band Psychedelic Furs, while Elio feels increasingly out of place. The scene culminates in Elio's unexpected vomiting, highlighting his discomfort amidst the carefree atmosphere.
- In this emotionally charged scene, Oliver comforts Elio after a bout of vomiting, leading to a passionate kiss that defies the judgment of onlookers. Their intimacy deepens in the hotel room, but the mood shifts as Oliver prepares to leave for Rome. At the train station, he sings a heartfelt song that encapsulates their feelings, leaving Elio visibly affected as the train departs. Alone on the platform, Elio grapples with the pain of separation before calling his mother for a ride home.
- Elio is driven back to the villa by Anella, visibly upset and crying over Oliver's departure. In the parked car, he encounters Marzia, who expresses her love and reassures him, leading to a heartfelt moment where they agree to remain friends. Upon returning to the villa, Elio briefly interacts with Anchise, who shares his sadness about Oliver, but Elio chooses to avoid further discussion, highlighting his emotional struggle with loss.
- Elio confronts his anger upon learning from Mafalda that his room has been restored, leading him to reflect on his cherished memories with Oliver in the latter's former room. A heartfelt conversation with his father, Professor Perlman, follows, where they discuss the significance of Elio's relationship with Oliver and the importance of embracing emotions. Perlman shares his own regrets, fostering a deep understanding between father and son as they navigate themes of love, loss, and the passage of time.
- Six months after their summer together, Elio wanders the foggy countryside, reflecting on his deep connection with Oliver. Upon returning to the Perlman villa, he receives a phone call from Oliver, who shares news of his potential marriage, leaving Elio feeling a mix of longing and sadness. As they discuss their feelings and the awareness of Elio's parents regarding their relationship, the scene shifts to the Perlman family evaluating new scholar applications, which Elio finds uninteresting. The emotional tension culminates as Elio prepares for a celebration dinner, lost in thought, before the scene fades to black.
Sequence by Sequence Summaries
Act-by-act sequence summaries
Act 1
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Seq 1:
Elio observes Oliver's arrival with jealousy, helps him settle into the villa, and attempts to engage him socially. He feels rebuffed when Oliver skips dinner and struggles with the older man's aloofness during breakfast. The sequence ends with Oliver joining the family the next morning, leaving Elio uncertain about their connection.
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Seq 2:
Elio offers to show Oliver around during breakfast, bikes with him to Crema for coffee, and shares Jewish identity discussions. He tries bonding through music—playing guitar and piano—but Oliver's critical gaze causes retreat. Elio's diary reflection reveals deepening insecurity, concluding the sequence with unresolved tension.
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Seq 3:
Elio accompanies Oliver to a café card game but feels ignored. During volleyball, Oliver's shoulder touch triggers Elio's retreat. At dinner, Elio vents frustration about Oliver's absence, then nearly approaches his room at night after playing piano for guests. The sequence ends with hesitation at Oliver's door.
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Seq 4:
Elio overhears Oliver's intellectual discussion with his father, shares quiet moments during manuscript reading and fruit-picking, and overcomes embarrassment when Oliver suggests swimming. Preparing for the river trip, Elio hands Oliver his belongings, showcasing budding intimacy. The sequence culminates with them leaving together.
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Seq 5:
At a dance, Elio watches Oliver flirt with Chiara, then dances with Marzia. They swim at night, share a hesitant kiss, and agree to meet secretly. This diversion provides temporary escape but underscores Elio's unresolved longing for Oliver.
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Seq 6:
After teasing Oliver about Marzia, Elio joins the trip to Lake Garda. They witness a statue salvage, discuss history, and swim together at sunset. The shared awe and playful banter deepen their connection before returning home.
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Seq 7:
During a storm, Annella reads a parable about romantic courage, urging Elio to 'do crazy things.' Inspired, he sneaks into Oliver's room, smells his clothes, and wears his bathing suit to bed—nearly caught when Oliver returns.
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Seq 8:
Discussing a knight's romantic dilemma, Elio bikes to town with Oliver. At the war memorial, he admits feeling inadequate about 'what matters'—hinting at his emotions. Oliver's interruption postpones resolution, but Elio's near-confession marks growth.
Act 2a
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Seq 1:
Elio initiates intimate moments with Oliver at secluded spots, sharing personal spaces and vulnerabilities. After a tentative kiss and Oliver's boundary-setting, their connection intensifies during a lunch flirtation (footsie), interrupted by Elio's nosebleed. Oliver finds him afterward, massaging his feet while bonding over shared heritage and discretion, creating mutual vulnerability.
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Seq 2:
Frustrated by Oliver's absence, Elio seeks advice from his mother and waits fruitlessly overnight. The next day, he confronts Oliver during work, expressing restlessness. After a heartfelt admission of worship during a vulnerable exchange, Oliver agrees to spend the day together. They bond through swimming, volleyball, and Elio gifting Oliver his manuscript, fulfilling the goal.
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Seq 3:
After returning from their outing, Oliver declines evening plans. Elio grows restless, observes Oliver's room, and impulsively invites Marzia for a distraction. They share intimacy in town, but Elio remains preoccupied. At dawn, he writes a raw, anxious note confessing his need for Oliver and slips it under his door.
Act 2b
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Seq 1:
Elio anxiously anticipates the midnight meeting after finding Oliver's note. Through daily interactions and distractions (including an encounter with Marzia), tension builds until they finally connect on the balcony. This culminates in their first intimate encounter in Oliver's room, resolving the goal with emotional and physical vulnerability.
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Seq 2:
Elio grapples with post-intimacy awkwardness, leading to vulnerable conversations and reaffirmations of their bond. After a tense swim and an unexpected encounter in Elio's room, they openly discuss fears in town. The sequence peaks in the attic where Oliver discovers Elio's vulnerability with the peach, culminating in a kiss that solidifies their mutual commitment.
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Seq 3:
Elio and Oliver navigate their dwindling time amid domestic routines and external interactions. They share intimate garden conversations overheard by parents, reconcile with Marzia, and embark on a trip to Bergamo. Their last night descends into drunken chaos before a tender hotel moment. The sequence concludes with Oliver's emotional train departure, shattering their summer idyll.
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Seq 4:
Elio collapses emotionally during the car ride home, receives unexpected comfort from Marzia who releases him from guilt, and withdraws from Anchise's sympathy. This isolated scene captures the raw onset of mourning as Elio begins confronting loss.
Act 3
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Seq 1:
Elio reacts angrily to the erasure of Oliver's presence when his room is restored, seeks solace in Oliver's former space to relive memories, and receives profound wisdom from his father about embracing pain as part of love. Professor Perlman validates Elio's feelings while sharing his own regrets, helping Elio begin to reframe his loss as a transformative experience rather than a wound.
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Seq 2:
Six months later, Elio wanders the foggy Italian landscape haunted by memories before receiving Oliver's phone call announcing his engagement. Their raw exchange confirms the relationship's end, with Elio voicing his longing while realizing his parents always understood their bond. His subsequent disinterest in replacing Oliver as the family's scholar and pensive preparation for dinner underscore his acceptance of this irreversible closure.
Visual Summary
Images and voice-over from your primary video
Final video assembled from the sections below.
Scene 1
In a picturesque Italian villa, 17-year-old Elio Perlman observes the arrival of Oliver, a charming 25-year-old American scholar. Elio's initial feelings of rivalry and jealousy are palpable as he refers to Oliver as 'the usurper.' This moment sets the stage for their complex relationship.
Scene 2
As Elio and Oliver spend time together, their bond deepens. Elio offers to share his room, and they engage in light-hearted conversations, revealing their personalities and interests.
Scene 8
Elio struggles with his feelings for Oliver, leading to moments of vulnerability. He practices music while Oliver listens, creating a tension-filled atmosphere as Elio seeks Oliver's approval.
Scene 29
In a secluded spot, Elio and Oliver share their first kiss, marking a pivotal moment in their relationship. However, Elio's hesitation reveals his fear of the implications of their intimacy.
Scene 57
As Oliver prepares to leave for Rome, Elio grapples with the impending separation. Their emotional farewell is filled with unspoken words and longing.
Scene 59
In the aftermath of Oliver's departure, Elio reflects on their time together, grappling with his feelings of longing and sadness. He shares a heartfelt conversation with his father about love and the importance of cherishing experiences.
Scene 60
Months later, Elio receives a phone call from Oliver, who shares news of his engagement. Elio's heart sinks as he grapples with the reality of their separation and the changes in their lives.
Scene 60
As Elio reflects on his summer with Oliver, he grapples with the question: Can love endure despite the passage of time and the inevitability of change?
📊 Script Snapshot
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Analysis: The screenplay effectively develops its characters, particularly Elio and Oliver, showcasing their emotional journeys and complex relationships. However, there are opportunities to enhance the depth of secondary characters and their interactions to further enrich the narrative.
Key Strengths
- Elio's emotional journey from confusion to acceptance of his feelings for Oliver is compelling and relatable, showcasing the complexities of first love.
- Oliver's transformation from a distant figure to someone who embraces his emotions adds depth to his character and enhances the narrative's emotional impact.
Areas to Improve
- The lack of a clear antagonist or opposing force diminishes the tension and stakes in the story, which could be addressed to enhance character engagement.
Analysis: The screenplay effectively establishes a compelling premise centered around the complex emotional journey of Elio and Oliver, exploring themes of love, identity, and the bittersweet nature of first love. However, enhancing the clarity of character motivations and refining the emotional stakes could further engage the audience.
Key Strengths
- The exploration of Elio's internal struggles and emotional growth is compelling, setting up a rich narrative that resonates with audiences.
Analysis: The screenplay effectively captures the emotional depth and complexity of Elio and Oliver's relationship, utilizing a strong narrative structure that unfolds gradually to maintain audience engagement. However, there are areas where pacing could be refined, particularly in the middle sections, to enhance dramatic tension and character development.
Key Strengths
- The emotional depth of Elio and Oliver's relationship is effectively portrayed, particularly in scenes where they confront their feelings for each other.
Analysis: The screenplay effectively conveys themes of love, identity, and the complexities of human relationships, particularly through the lens of a summer romance. The emotional depth and character arcs resonate well with the audience, though there are opportunities to refine the clarity and integration of certain themes to enhance overall impact.
Key Strengths
- The exploration of first love and the complexities of desire is portrayed with emotional depth, particularly through Elio's internal struggles and growth.
Areas to Improve
- Some themes, such as the impact of societal expectations on personal identity, could be more explicitly addressed to enhance clarity.
Analysis: The screenplay effectively captures the emotional depth and complexity of its characters through vivid and evocative visual imagery. The descriptions of settings, interactions, and emotional moments create a rich tapestry that enhances the storytelling. However, there are opportunities to further enhance the visual storytelling by incorporating more dynamic imagery and symbolism.
Key Strengths
- The vivid descriptions of the Italian countryside and the Perlman villa create a strong sense of place, enhancing the emotional landscape of the story. Scenes like the fruit orchard and the river are particularly evocative, immersing the reader in the beauty of the setting.
Analysis: The screenplay effectively elicits deep emotional responses through its rich character development and poignant storytelling. The complex relationships, particularly between Elio and Oliver, create a compelling emotional journey that resonates with the audience. However, there are opportunities to enhance emotional depth by further exploring the characters' internal conflicts and the consequences of their actions.
Key Strengths
- The emotional climax between Elio and Oliver, particularly their intimate moments, effectively captures the essence of first love and longing, resonating deeply with the audience.
Analysis: The screenplay effectively presents the internal and external conflicts faced by Elio and Oliver, particularly in the context of first love and self-discovery. However, there are opportunities to enhance narrative tension by deepening the stakes associated with their relationship and the consequences of their choices. The emotional stakes could be elevated through more pronounced external pressures and clearer consequences for their actions.
Key Strengths
- The emotional depth of Elio's internal conflict regarding his feelings for Oliver is a significant strength, particularly in scenes where he grapples with jealousy and longing.
Analysis: The screenplay 'Call Me by Your Name' showcases a profound exploration of love and identity through its unique characters and evocative setting. Its originality lies in the nuanced portrayal of a summer romance that transcends cultural boundaries, while its creative execution employs rich dialogue and sensory imagery to immerse the audience in the emotional landscape of the characters.
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View Complete AnalysisScreenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
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Character Oliver
Description The narrator's description of Oliver having three personalities based on his swimsuit color feels contrived and undermines Oliver's character development. It's a simplistic device to explain shifts in his behavior that could be better achieved through nuanced writing and consistent character portrayal.
( Scene 27 ) -
Character Elio
Description Elio's actions in Scene 53 (sniffing and licking Oliver's discarded underwear) are jarring and feel out of character. While the film aims for realism, this action borders on obsessive and detracts from Elio's otherwise nuanced portrayal. A more subtle approach would be more effective in conveying Elio's longing.
( Scene 53 ) -
Character Elio
Description Elio's masturbation with a peach in the attic is a shocking and arguably gratuitous scene that disrupts the film's overall tone. While exploring themes of sexuality and self-discovery, this specific act seems excessive and potentially detracts from the emotional impact of the story.
( Scene 116 )
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Description The narration in Sequence 9 and 17 repeats the explanation of the Perlmans' summer guest program. This information is crucial early on, but repeating it later feels redundant and slows down the narrative.
( Scene 9 Scene 17 ) -
Description The narrator's sudden intrusion to explain the Professor's guest program disrupts the natural flow of the scene. This information could be integrated more subtly through dialogue or action.
( Scene 11 )
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Description The dialogue feels slightly stilted in Sequence 10, particularly Oliver's overly formal language ("I know myself") in the context of a relaxed breakfast setting. The dialogue aims to create a certain dynamic, but it could be more natural.
( Scene 10 ) -
Description The extended dialogue between Elio and Marzia in French, while adding depth, might feel slightly verbose and less natural in its rhythm than other conversations in the film. Some streamlining could enhance pacing and realism.
( Scene 83 )
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Element Repeated emphasis on the soft-boiled egg scene
( Scene 10 Scene 36 Scene 68 )
Suggestion The recurring soft-boiled egg motif, used to illustrate Oliver's integration into the family and Elio's contrasting skill, could be streamlined. Perhaps focusing on one key scene would enhance its impact. -
Element Multiple instances of language switching
( Scene 1 Scene 21 )
Suggestion While the multilingual aspect is a feature of the film, the constant switching could be slightly more concise to avoid jarring the reader/viewer. Consider subtle shifts, instead of abrupt changes, between languages.
Elio - Score: 93/100
Role
Protagonist
Character Analysis Overview
Oliver - Score: 88/100
Role
Protagonist
Character Analysis Overview
Perlman - Score: 78/100
Role
Mentor
Character Analysis Overview
Theme Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation | Primary Theme Support | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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First Love and its Complexities
60%
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The central focus is on Elio's intense, confusing, and ultimately heartbreaking first love for Oliver. The narrative follows the emotional arc of their relationship, from initial attraction and burgeoning intimacy to the inevitable parting and its lingering effects.
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The theme explores the overwhelming emotions, insecurities, and uncertainties inherent in first love. It highlights the intoxicating blend of desire, joy, pain, and self-discovery that defines this formative experience. The film uses the brevity of summer as a metaphor for the fleeting nature of this specific type of romance, while emphasizing the lasting impact of it on Elio's emotional and personal growth. |
This is the core theme around which all other themes revolve. The other themes provide context, adding layers of complexity to the emotional core of the story.
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Strengthening First Love and its Complexities
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Self-Discovery and Identity
25%
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Elio's journey of self-discovery is intertwined with his relationship with Oliver. He grapples with his sexuality, his emotions, and his place in the world. His interactions with Marzia and his own introspective moments throughout the story highlight this process.
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The film explores how the experience of first love forces Elio to confront his own identity and feelings. His reactions and insecurities reveal his journey towards a deeper understanding of himself and the world around him. |
This theme directly supports the primary theme by providing crucial insight into Elio's emotional responses to his love for Oliver. The self-discovery is fundamentally shaped and catalyzed by this relationship.
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Cultural and Class Differences
10%
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Oliver's American background and his more worldly demeanor create a subtle tension and unspoken anxieties in his relationship with Elio, who is immersed in the Italian environment and his family's traditions.
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The differences in cultural backgrounds and social standing influence the dynamics of their interaction. These differences contribute to the unspoken anxieties and uncertainties that underlie their romance. |
This theme adds layers of complexity to the relationship, highlighting the challenges and misunderstandings that can arise from such differences. It subtly impacts the way both characters interact and communicate, adding to the overall emotional resonance.
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Parental Influence and Observation
5%
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Elio's parents, particularly his mother, observe and comment on the relationship. Their presence and reactions shape Elio's experience and the overall atmosphere.
|
The parents act as observant figures, adding a layer of commentary and indirect guidance to Elio's journey. Their subtle understanding of the dynamics and their approach influences Elio's self-awareness. |
The parental perspectives provide a contrasting viewpoint to Elio's intense emotional journey. Their involvement underscores the complexities of first love within a family context, adding a dimension of societal expectations and unspoken anxieties.
|
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Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Emotional Analysis
Emotional Variety
Critique
- The screenplay exhibits a strong emotional variety, transitioning between longing, joy, sadness, and vulnerability, particularly in scenes like 8, 41, and 57, where Elio's internal struggles are vividly portrayed.
- However, certain scenes, such as 2 and 3, feel somewhat repetitive in their emotional tone, primarily focusing on Elio's jealousy and longing without introducing new emotional dimensions.
- Additionally, while the emotional landscape is rich, there are moments where the emotional shifts could be more pronounced, particularly in scenes leading up to climactic moments.
Suggestions
- Incorporate moments of humor or light-heartedness in scenes that currently feel heavy, such as introducing playful banter in scenes 2 and 3 to break the tension.
- Introduce more varied emotional responses in key scenes, such as adding elements of surprise or conflict in scenes where Elio interacts with Oliver, to enhance engagement.
Emotional Intensity Distribution
Critique
- The emotional intensity is generally well-distributed, with peaks in scenes like 48 and 57, where the emotional stakes are high due to the intimacy shared between Elio and Oliver.
- However, there are valleys of low intensity in scenes like 2 and 3, where the emotional engagement feels flat, risking audience disengagement.
- The transition between high and low intensity could be smoother, as seen in scenes 30 and 31, where the emotional shifts feel abrupt.
Suggestions
- Balance the emotional intensity by interspersing lighter, more humorous moments in between heavier scenes, particularly in the build-up to climactic moments.
- Consider increasing the emotional stakes in scenes that currently feel low in intensity, such as enhancing Elio's internal conflict in scenes 2 and 3 to maintain audience engagement.
Empathy For Characters
Critique
- Empathy for Elio is strong throughout the screenplay, particularly in scenes like 41 and 57, where his vulnerability and longing are palpable.
- However, empathy for Oliver could be enhanced, as his internal struggles are less explored, particularly in scenes where he interacts with Elio but remains emotionally distant.
- In scenes like 19 and 20, the emotional connection to Marzia feels less developed, which could detract from the audience's empathy for her character.
Suggestions
- Add more backstory or internal dialogue for Oliver in key scenes to deepen audience empathy for his character, particularly in scenes where he grapples with his feelings for Elio.
- Enhance Marzia's emotional depth by including moments that showcase her vulnerabilities and desires, particularly in scenes where she interacts with Elio.
Emotional Impact Of Key Scenes
Critique
- Key scenes such as 48 and 57 deliver strong emotional impacts, effectively capturing the intensity of Elio and Oliver's relationship.
- However, some pivotal moments, like scene 30, feel underwhelming in their emotional punch, lacking the depth needed to resonate with the audience.
- The climactic moments could benefit from heightened emotional stakes, particularly in scenes leading to the separation between Elio and Oliver.
Suggestions
- Enhance the emotional impact of pivotal scenes by restructuring dialogue to increase tension and stakes, particularly in scenes leading to significant character decisions.
- Consider adding visual or auditory elements, such as music or imagery, to amplify the emotional resonance in key moments, particularly in scenes like 30 and 31.
Complex Emotional Layers
Critique
- The screenplay effectively utilizes complex emotional layers in many scenes, particularly in Elio's interactions with Oliver, where longing and vulnerability intertwine.
- However, some scenes, such as 2 and 3, feel one-dimensional emotionally, primarily focusing on jealousy without exploring deeper sub-emotions.
- The emotional layers could be further enriched in scenes where Elio interacts with Marzia, as her character often feels secondary to Elio's feelings for Oliver.
Suggestions
- Introduce sub-emotions such as guilt or regret in scenes where Elio interacts with Marzia to deepen the emotional complexity of their relationship.
- In scenes that currently feel one-dimensional, such as 2 and 3, consider adding layers of internal conflict or contrasting emotions to enhance the depth of Elio's experiences.
Additional Critique
Character Development
Critiques
- While Elio's character is well-developed, Oliver's character could benefit from more depth, particularly in exploring his internal struggles and motivations.
- Marzia's character feels underdeveloped in comparison to Elio and Oliver, which may limit audience empathy for her situation.
- The emotional arcs of supporting characters, such as Perlman and Annella, could be expanded to provide a richer context for Elio's experiences.
Suggestions
- Incorporate more scenes that delve into Oliver's backstory and emotional state, particularly in moments of vulnerability, to create a more rounded character.
- Enhance Marzia's character by providing her with more agency and emotional depth, particularly in scenes where she interacts with Elio.
Pacing and Flow
Critiques
- The pacing of the screenplay occasionally feels uneven, particularly in scenes that linger too long on emotional tension without resolution.
- Some scenes, such as 2 and 3, could be tightened to maintain audience engagement and prevent emotional fatigue.
- The transitions between high and low emotional intensity could be smoother to create a more cohesive narrative flow.
Suggestions
- Consider tightening scenes that feel drawn out, particularly those that focus on emotional tension without significant character development or plot progression.
- Enhance transitions between emotional peaks and valleys by incorporating lighter moments or dialogue to maintain audience engagement.
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals evolve from a desire for connection and understanding to grappling with feelings of love and jealousy regarding Oliver. Initially, Elio seeks hospitality and friendship but ultimately strives for emotional intimacy and affirmation of his identity amidst societal expectations. |
| External Goals | The protagonist's external goals shift from helping Oliver adjust to his new environment to pursuing moments of shared experience and connection, culminating in Elio's desire to maintain a relationship with Oliver despite the looming separation. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the tension between self-acceptance and societal expectations of relationships and identity during a period of cultural conservatism. This conflict intertwines with Elio's journey as he navigates love and desire in a repressive environment. |
Character Development Contribution: The progression of Elio's internal and external goals contributes significantly to his character development, showcasing his evolution from a youth grappling with confusion about his identity and desires to a more self-aware individual who ultimately embraces and communicates his emotions.
Narrative Structure Contribution: The interplay of internal goals and external actions drives the narrative structure, creating a compelling arc as Elio's experiences progress from uncertainty to empowerment, all while advancing the plot through his interactions with both Oliver and other characters.
Thematic Depth Contribution: The juxtaposition of goals and conflicts deepens the screenplay's themes, such as love, identity, longing, and the impact of societal norms, illustrating the complexities of personal relationships alongside the coming-of-age experience.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Scene Analysis
Scenes now use the full 0–10 scale, so your numbers will look lower and more spread out than before. That's the new, smarter model being honest — not a verdict on your script.
A 5 is fine. “Functional” (5–6) is a solid, professional scene — that's where most scenes sit. The scale rides low on purpose, so it has room to point down (where to fix) and up (what's working).
The table uses the same colors: warm = worth a look · neutral = fine · green = working. The point is awareness, not maxing every number — a scene can be light on plot or conflict for good reasons.
📊 Understanding Your Percentile Rankings
Your scene scores are compared against professional produced screenplays in our vault (The Matrix, Breaking Bad, etc.). The percentile shows where you rank compared to these films.
Example: A score of 8.5 in Dialogue might be 85th percentile (strong!), while the same 8.5 in Conflict might only be 50th percentile (needs work). The percentile tells you what your raw scores actually mean.
Hover over each axis on the radar chart to see what that category measures and why it matters.
Scenes are rated on many criteria. The goal isn't to try to maximize every number; it's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Compelled to Read | Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Overall | Clarity | Scene Impact | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - The Arrival of the Usurper | 6 | 8 / 7 | 5 / 5 | 7 | 5 | 6 | 7 | 3 | 4 | 5 | 4 | 3 | 3 | 6 | 5 | 4 | 5 | 5 | 6 | 8 | 6 | |
| 2 - A Quiet Introduction | 5 | 8 / 6 | 4 / 5 | 5 | 5 | 4 | 5 | 3 | 3 | 5 | 3 | 2 | 3 | 4 | 4 | 3 | 5 | 4 | 6 | 8 | 6 | |
| 3 - A Quiet Dinner Invitation | 5 | 8 / 6 | 5 / 5 | 6 | 5 | 4 | 6 | 3 | 3 | 6 | 4 | 3 | 3 | 5 | 5 | 4 | 5 | 4 | 5 | 8 | 5 | |
| 4 - Breakfast Tensions | 6 | 8 / 7 | 5 / 5 | 6 | 5 | 5 | 7 | 4 | 5 | 6 | 4 | 3 | 3 | 5 | 5 | 4 | 6 | 5 | 6 | 8 | 6 | |
| 5 - A Lesson in Etymology | 5 | 9 / 7 | 5 / 5 | 6 | 4 | 5 | 7 | 3 | 3 | 4 | 4 | 3 | 2 | 4 | 5 | 4 | 7 | 5 | 6 | 8 | 6 | |
| 6 - A Summer's Farewell | 6 | 8 / 6 | 5 / 5 | 6 | 5 | 5 | 7 | 5 | 5 | 4 | 4 | 3 | 2 | 6 | 5 | 4 | 6 | 5 | 6 | 8 | 5 | |
| 7 - Unresolved Tensions | 6 | 8 / 7 | 6 / 6 | 6 | 5 | 5 | 7 | 4 | 6 | 3 | 6 | 5 | 4 | 5 | 5 | 6 | 6 | 6 | 5 | 8 | 6 | |
| 8 - Variations of the Heart | 7 | 9 / 8 | 6 / 6 | 7 | 5 | 8 | 8 | 6 | 8 | 4 | 6 | 5 | 4 | 6 | 5 | 6 | 7 | 6 | 7 | 9 | 7 | |
| 9 - A Game of Connection | 5 | 8 / 5 | 4 / 5 | 6 | 5 | 5 | 6 | 4 | 4 | 3 | 3 | 2 | 2 | 5 | 4 | 3 | 3 | 4 | 5 | 7 | 4 | |
| 10 - Tension Under the Lime Trees | 6 | 8 / 7 | 7 / 7 | 6 | 5 | 5 | 7 | 6 | 7 | 4 | 6 | 5 | 5 | 6 | 6 | 7 | 6 | 7 | 6 | 8 | 6 | |
| 11 - The Absence of Oliver | 7 | 8 / 8 | 7 / 7 | 7 | 6 | 6 | 8 | 7 | 7 | 5 | 7 | 6 | 5 | 7 | 6 | 8 | 7 | 7 | 6 | 8 | 7 | |
| 12 - A Night of Reluctance and Revelations | 5 | 8 / 7 | 6 / 6 | 6 | 5 | 4 | 6 | 4 | 5 | 4 | 5 | 4 | 3 | 5 | 4 | 5 | 6 | 5 | 6 | 8 | 6 | |
| 13 - Under the Lime Trees: A Moment of Reflection | 5 | 8 / 5 | 4 / 4 | 6 | 5 | 5 | 6 | 3 | 4 | 3 | 3 | 2 | 3 | 4 | 4 | 3 | 5 | 4 | 5 | 8 | 5 | |
| 14 - Reflections at the South Terrazza | 6 | 8 / 7 | 5 / 5 | 7 | 5 | 7 | 7 | 5 | 6 | 4 | 4 | 3 | 4 | 5 | 5 | 6 | 7 | 5 | 6 | 8 | 6 | |
| 15 - Playful Moments in the Orchard | 5 | 9 / 6 | 5 / 6 | 6 | 4 | 5 | 6 | 3 | 5 | 3 | 4 | 3 | 2 | 3 | 5 | 5 | 6 | 5 | 7 | 8 | 6 | |
| 16 - Awkward Tensions | 7 | 9 / 8 | 8 / 7 | 7 | 6 | 6 | 8 | 6 | 7 | 6 | 7 | 6 | 7 | 7 | 5 | 8 | 7 | 8 | 7 | 9 | 7 | |
| 17 - Flirtations and Rivalries | 6 | 8 / 7 | 6 / 6 | 6 | 5 | 5 | 7 | 4 | 5 | 4 | 6 | 5 | 5 | 5 | 4 | 6 | 7 | 6 | 7 | 8 | 7 | |
| 18 - Dancing with Desire | 6 | 8 / 8 | 7 / 7 | 6 | 5 | 5 | 7 | 5 | 6 | 4 | 6 | 5 | 5 | 5 | 6 | 7 | 6 | 7 | 7 | 8 | 7 | |
| 19 - Secrets by the River | 5 | 8 / 7 | 5 / 6 | 6 | 5 | 4 | 6 | 4 | 5 | 5 | 4 | 3 | 4 | 6 | 5 | 5 | 6 | 5 | 6 | 8 | 6 | |
| 20 - Morning Banter and Anticipation | 7 | 9 / 7 | 6 / 7 | 7 | 6 | 6 | 8 | 7 | 6 | 5 | 5 | 4 | 4 | 7 | 5 | 5 | 7 | 6 | 7 | 9 | 6 | |
| 21 - A Tense Farewell | 6 | 8 / 5 | 6 / 6 | 7 | 6 | 6 | 7 | 5 | 7 | 6 | 6 | 5 | 4 | 6 | 5 | 5 | 6 | 6 | 6 | 8 | 6 | |
| 22 - A Moment of Discovery | 6 | 9 / 7 | 5 / 5 | 7 | 6 | 7 | 6 | 4 | 4 | 5 | 2 | 1 | 3 | 5 | 4 | 4 | 3 | 5 | 6 | 8 | 6 | |
| 23 - A Serene Discovery at Sirmione | 5 | 8 / 7 | 5 / 6 | 6 | 5 | 6 | 6 | 4 | 4 | 5 | 2 | 2 | 3 | 5 | 4 | 5 | 6 | 5 | 6 | 8 | 6 | |
| 24 - Reflections in the Storm | 7 | 8 / 7 | 5 / 5 | 7 | 5 | 6 | 7 | 6 | 7 | 3 | 4 | 3 | 4 | 6 | 5 | 6 | 6 | 5 | 6 | 8 | 6 | |
| 25 - Longing in Silence | 6 | 9 / 8 | 7 / 7 | 7 | 5 | 8 | 8 | 4 | 7 | 5 | 4 | 3 | 5 | 5 | 4 | 7 | 2 | 7 | 6 | 8 | 6 | |
| 26 - A Moment of Connection | 6 | 8 / 6 | 5 / 5 | 6 | 5 | 5 | 7 | 4 | 6 | 5 | 4 | 3 | 3 | 5 | 4 | 5 | 7 | 5 | 6 | 9 | 6 | |
| 27 - A Lost Soul's Care | 5 | 9 / 5 | 4 / 5 | 6 | 5 | 5 | 6 | 3 | 4 | 5 | 3 | 2 | 2 | 4 | 3 | 4 | 5 | 4 | 6 | 8 | 5 | |
| 28 - Moments of Connection | 7 | 9 / 9 | 8 / 8 | 7 | 6 | 6 | 8 | 7 | 8 | 5 | 8 | 7 | 9 | 8 | 6 | 9 | 8 | 8 | 7 | 10 | 8 | |
| 29 - Whispers by the Water | 8 | 9 / 8 | 8 / 8 | 8 | 7 | 7 | 8 | 7 | 8 | 6 | 8 | 7 | 7 | 8 | 6 | 8 | 8 | 8 | 7 | 9 | 7 | |
| 30 - A Moment of Connection and Crisis | 7 | 9 / 8 | 8 / 8 | 7 | 6 | 8 | 8 | 6 | 7 | 4 | 6 | 5 | 7 | 7 | 7 | 8 | 7 | 8 | 7 | 9 | 7 | |
| 31 - Tender Moments in the Villa | 7 | 9 / 7 | 6 / 6 | 7 | 5 | 6 | 8 | 6 | 7 | 4 | 4 | 3 | 4 | 6 | 5 | 6 | 7 | 6 | 7 | 9 | 6 | |
| 32 - Playful Tensions | 5 | 8 / 7 | 5 / 6 | 6 | 5 | 5 | 6 | 4 | 5 | 3 | 6 | 5 | 4 | 4 | 5 | 5 | 7 | 5 | 7 | 9 | 6 | |
| 33 - Betrayal in the Night | 7 | 8 / 8 | 7 / 7 | 7 | 6 | 6 | 8 | 6 | 7 | 5 | 6 | 4 | 7 | 7 | 6 | 8 | 7 | 7 | 6 | 8 | 7 | |
| 34 - Morning Reflections | 6 | 8 / 7 | 5 / 5 | 6 | 5 | 5 | 7 | 4 | 5 | 3 | 5 | 4 | 4 | 4 | 5 | 5 | 7 | 5 | 6 | 9 | 6 | |
| 35 - Restless Longing | 5 | 8 / 6 | 4 / 5 | 6 | 5 | 4 | 6 | 4 | 5 | 5 | 5 | 4 | 4 | 5 | 3 | 4 | 5 | 4 | 5 | 8 | 6 | |
| 36 - A Moment of Connection | 7 | 9 / 8 | 7 / 7 | 7 | 6 | 5 | 8 | 7 | 8 | 6 | 6 | 5 | 6 | 7 | 5 | 7 | 8 | 7 | 7 | 10 | 7 | |
| 37 - Unspoken Bonds | 5 | 8 / 7 | 4 / 5 | 6 | 5 | 6 | 6 | 4 | 5 | 4 | 3 | 2 | 4 | 4 | 3 | 5 | 5 | 4 | 6 | 8 | 5 | |
| 38 - Bittersweet Reunion at Sunset | 5 | 9 / 7 | 5 / 6 | 6 | 5 | 5 | 6 | 4 | 4 | 3 | 3 | 2 | 4 | 5 | 3 | 5 | 6 | 5 | 7 | 8 | 6 | |
| 39 - Restless Longing | 5 | 8 / 7 | 5 / 6 | 6 | 5 | 4 | 6 | 4 | 5 | 6 | 4 | 3 | 4 | 5 | 3 | 5 | 5 | 5 | 6 | 8 | 6 | |
| 40 - Whispers of the Night | 6 | 8 / 7 | 6 / 6 | 6 | 5 | 4 | 7 | 5 | 6 | 4 | 6 | 5 | 5 | 5 | 4 | 6 | 7 | 6 | 6 | 8 | 6 | |
| 41 - Whispers of Longing | 7 | 9 / 8 | 8 / 7 | 7 | 5 | 6 | 8 | 6 | 8 | 7 | 6 | 4 | 7 | 6 | 5 | 8 | 7 | 7 | 6 | 9 | 7 | |
| 42 - Morning Whispers | 7 | 9 / 8 | 8 / 7 | 7 | 6 | 5 | 7 | 6 | 7 | 5 | 5 | 4 | 6 | 8 | 5 | 7 | 6 | 7 | 7 | 8 | 7 | |
| 43 - Art, Anxiety, and Dinner Plans | 7 | 8 / 6 | 6 / 6 | 7 | 6 | 7 | 8 | 5 | 7 | 5 | 5 | 4 | 4 | 6 | 5 | 5 | 6 | 5 | 6 | 8 | 6 | |
| 44 - Afternoon Whispers | 6 | 9 / 7 | 6 / 6 | 6 | 6 | 5 | 7 | 5 | 5 | 6 | 3 | 2 | 4 | 6 | 5 | 5 | 6 | 6 | 7 | 8 | 7 | |
| 45 - A Lesson in Acceptance | 6 | 9 / 8 | 5 / 6 | 6 | 5 | 5 | 7 | 4 | 4 | 6 | 5 | 4 | 4 | 5 | 3 | 5 | 6 | 5 | 7 | 9 | 7 | |
| 46 - Introspection in the Night | 7 | 8 / 7 | 5 / 6 | 7 | 5 | 7 | 8 | 6 | 8 | 4 | 4 | 3 | 5 | 6 | 4 | 6 | 5 | 5 | 6 | 8 | 6 | |
| 47 - Nervous Connections | 6 | 9 / 8 | 7 / 7 | 6 | 5 | 5 | 7 | 5 | 6 | 4 | 4 | 3 | 5 | 6 | 4 | 6 | 6 | 6 | 7 | 9 | 7 | |
| 48 - A Night of Intimacy | 8 | 9 / 9 | 8 / 8 | 8 | 7 | 7 | 9 | 7 | 8 | 6 | 6 | 5 | 8 | 8 | 4 | 9 | 7 | 8 | 8 | 9 | 8 | |
| 49 - Morning Reflections | 7 | 9 / 8 | 7 / 7 | 7 | 6 | 7 | 8 | 7 | 8 | 4 | 7 | 6 | 8 | 6 | 5 | 8 | 7 | 7 | 7 | 9 | 7 | |
| 50 - Awkward Longing | 6 | 9 / 8 | 7 / 7 | 7 | 6 | 5 | 7 | 6 | 5 | 4 | 6 | 5 | 7 | 7 | 6 | 7 | 6 | 7 | 7 | 9 | 7 | |
| 51 - A Moment of Longing | 6 | 9 / 8 | 5 / 6 | 7 | 6 | 5 | 8 | 5 | 7 | 4 | 6 | 5 | 7 | 6 | 4 | 7 | 7 | 6 | 5 | 8 | 6 | |
| 52 - Summer Confessions | 8 | 9 / 9 | 8 / 8 | 8 | 6 | 9 | 9 | 8 | 8 | 4 | 7 | 6 | 8 | 7 | 7 | 9 | 8 | 8 | 7 | 9 | 8 | |
| 53 - A Night of Longing | 7 | 9 / 8 | 6 / 6 | 7 | 6 | 5 | 8 | 6 | 7 | 3 | 5 | 4 | 6 | 6 | 4 | 7 | 7 | 6 | 7 | 9 | 7 | |
| 54 - Tangled Emotions | 7 | 8 / 8 | 7 / 7 | 7 | 6 | 6 | 8 | 7 | 7 | 5 | 5 | 4 | 6 | 7 | 5 | 7 | 6 | 6 | 7 | 9 | 7 | |
| 55 - A Moment at the Memorial | 7 | 9 / 8 | 7 / 7 | 7 | 6 | 8 | 7 | 5 | 5 | 7 | 5 | 4 | 4 | 6 | 6 | 7 | 5 | 7 | 7 | 8 | 7 | |
| 56 - A Night of Laughter and Discomfort | 7 | 8 / 5 | 7 / 7 | 7 | 6 | 7 | 7 | 5 | 5 | 6 | 4 | 3 | 5 | 6 | 7 | 5 | 5 | 6 | 7 | 8 | 6 | |
| 57 - Bittersweet Farewell | 7 | 9 / 9 | 8 / 8 | 7 | 6 | 5 | 7 | 6 | 7 | 5 | 4 | 3 | 8 | 8 | 5 | 8 | 7 | 8 | 7 | 9 | 8 | |
| 58 - Moments of Comfort | 7 | 9 / 8 | 7 / 7 | 7 | 5 | 6 | 8 | 6 | 7 | 4 | 3 | 2 | 4 | 6 | 5 | 8 | 7 | 7 | 7 | 9 | 7 | |
| 59 - Embracing Memories | 9 | 9 / 9 | 8 / 8 | 8 | 6 | 9 | 9 | 8 | 8 | 3 | 4 | 3 | 6 | 7 | 7 | 9 | 9 | 8 | 7 | 9 | 8 | |
| 60 - Echoes of the Past | 6 | 9 / 8 | 6 / 7 | 7 | 6 | 6 | 7 | 5 | 6 | 4 | 4 | 3 | 6 | 5 | 5 | 7 | 6 | 7 | 7 | 9 | 8 | |
Scene 1 - The Arrival of the Usurper
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene sets up the situation but doesn't create a strong hook. The 'usurper' line is interesting, but the scene ends on a flat handshake and a non-committal 'Hi'. There's no question that urgently needs answering, no tension that demands resolution. The reader is mildly curious but not compelled.
As the first scene of the script, this scene needs to establish tone, character, and a reason to keep reading. It does the first two adequately but fails to generate momentum. The scene is competent but not exciting. It doesn't make the reader feel that something important is beginning.
Scene 2 - A Quiet Introduction
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene does not create a strong desire to keep reading. It is a functional transition with no hook, no question, no tension. The cut to the garden (scene 6) is a visual respite but does not build anticipation. The audience may continue out of patience rather than curiosity.
The script momentum is neutral. This scene does not add forward drive, but it also does not stall the script. It is a necessary setup beat. The overall script (based on the summary) has strong momentum from the first scene's rivalry and the developing relationship, so this scene is a brief plateau rather than a problem.
Scene 3 - A Quiet Dinner Invitation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene doesn’t create a strong hook to the next scene. It ends with Elio closing the door, and the next scene is the next day. There’s no cliffhanger, no unanswered question, no emotional pull that makes the reader eager to turn the page. The scene is a functional beat in a sequence, but it doesn’t generate momentum.
Considering only what has happened up to and including this scene (Scenes 1-3), the script has established the setting, the characters, and the basic dynamic: Elio is intrigued by Oliver, Oliver is aloof. But the momentum is low. Scene 1 was arrival, Scene 2 was settling in, Scene 3 is a small rejection. There’s no rising action, no escalating tension. The script is moving slowly, which may be intentional for a meditative drama, but it risks losing reader engagement.
Scene 4 - Breakfast Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene is pleasant but doesn't create a strong hook. The 'I know myself' line is intriguing, but it's not enough to make the reader urgently want to know what happens next. The scene feels like a necessary setup rather than a compelling story beat.
Considering only what has happened up to this scene (scenes 1-3), the script has established the setting, characters, and a basic dynamic of Elio's jealousy and curiosity. This scene doesn't significantly advance that momentum. It's a pleasant, static scene that deepens character but doesn't raise the stakes or create forward motion.
Scene 5 - A Lesson in Etymology
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene doesn't create a strong hook to the next scene. It resolves neatly — everyone laughs, the correction is accepted, the moment passes. There's no cliffhanger, no unanswered question, no emotional thread left dangling. The reader might continue out of general interest in the story, but not because this scene demands it.
The scene contributes to the script's overall momentum by establishing Oliver's intellectual credentials and his fit within the family, which is necessary for the romance to feel credible. However, it doesn't advance the central romantic plot or create new dramatic questions. The script's momentum at this point (scene 5 of 60) is still in the 'setup' phase, which is appropriate, but this scene could do more to build anticipation for the relationship.
Scene 6 - A Summer's Farewell
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a mild desire to keep reading. The dynamic between Elio and Oliver is intriguing enough — Oliver is aloof, Elio is curious — but the scene doesn't end on a strong hook. The 'Later' and Elio left alone is a decent beat, but it doesn't make us urgently need to know what happens next. For a drama/romance, this is functional but not compelling.
The scene contributes modestly to script momentum. It's an early scene that establishes character and setting, but it doesn't advance the plot or deepen the central relationship in a significant way. The script as a whole has strong momentum from other scenes (the Bach scene, the midnight note scene), but this scene is a relatively flat beat in the overall arc. For a drama, this is acceptable — not every scene can be a high point — but it could do more to build toward what's coming.
Scene 7 - Unresolved Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity about what will happen next—will Oliver follow Elio? Will their relationship recover? But the ending is a retreat, which is a natural pause point. The scene doesn't end on a strong hook or a question that demands an immediate answer. The reader might continue out of general interest in the story, but the scene itself doesn't create urgency.
Considering the script up to this point (scene 7 of 60), the momentum is steady but not accelerating. The previous scenes have established the setting, characters, and the central dynamic. This scene deepens the tension but doesn't escalate it. The script is building a slow-burn romance, which is appropriate, but this scene feels like a plateau rather than a step up. The reader is likely still invested but not gripped.
Scene 8 - Variations of the Heart
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity about the relationship, but the low stakes and intellectual focus don't create a strong pull to the next scene. The diary reveal is a hook, but it's retrospective—it doesn't set up a clear question for the next scene. The reader may continue out of general interest in the story, not because this scene demands it.
The scene contributes to the slow-burn momentum of the script. It deepens our understanding of Elio's insecurity and Oliver's directness. However, it doesn't significantly advance the plot or raise the stakes. The momentum is steady but not accelerating. The scene feels like a necessary character beat rather than a turning point.
Scene 9 - A Game of Connection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene does not create a strong desire to keep reading. It is pleasant but not propulsive. The lack of conflict, stakes, and emotional impact means there is no hook pulling the reader forward. The narrator's exposition feels like a pause rather than a driver.
The script momentum is functional. This scene is one of many that build the relationship between Elio and Oliver. It does not significantly advance the plot or deepen the emotional arc, but it adds a texture of social observation. The cumulative effect of these small scenes is part of the script's design, but this particular scene is weaker than others.
Scene 10 - Tension Under the Lime Trees
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a mild hook: Elio's conflicted reaction to Oliver's touch makes the reader want to see what happens next. The final image of him rubbing the spot is a good tease. The scene doesn't end on a cliffhanger, but it builds enough emotional momentum to carry into the next scene. The reader is curious about Elio and Oliver's dynamic.
Considering the script up to this point (scenes 1-9), the momentum is steady. The relationship between Elio and Oliver has been building through small moments (the egg, the bike ride, the piano). This scene adds a significant physical beat that escalates the tension. The script is not racing, but it's accumulating emotional weight. The reader is invested in the slow-burn romance.
Scene 11 - The Absence of Oliver
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see what happens next. The removal of the place setting is a cliffhanger of sorts—will Oliver show up? How will Elio react? The emotional tension is unresolved. The scene ends on a quiet note that makes the reader curious about the next interaction between Elio and Oliver.
The scene builds on previous scenes (Oliver's absence, Elio's growing irritation) and sets up future conflict. It deepens the central relationship dynamic. The script momentum is strong—the reader wants to see how Elio and Oliver's relationship evolves after this family confrontation.
Scene 12 - A Night of Reluctance and Revelations
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity. The living room beat is pleasant but doesn't demand to know what happens next. The bedroom beats are more compelling—Elio's restless sleep and dawn hesitation create a sense of anticipation. The final image (Elio looking through the crack at Oliver sleeping) is a strong hook. The scene works as a setup for the next scene but doesn't generate urgent forward momentum.
The scene maintains the script's momentum without accelerating it. The previous scenes have established Elio's fascination with Oliver and his discomfort. This scene deepens that by showing Elio's restless night and his hesitation to approach Oliver. It's a necessary beat but not a turning point. The script's overall momentum is steady; this scene doesn't stall it but doesn't propel it forward either.
Scene 13 - Under the Lime Trees: A Moment of Reflection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene does not create a strong desire to keep reading. It ends on a distracted beat (Elio distracted by kitchen noise) that feels like a fade-out rather than a hook. There is no cliffhanger, no question raised, no emotional shift that makes the reader eager for the next scene.
Considering only what has happened up to and including this scene (scene 13 of 60), the script's momentum is slowing. The early scenes established tension and curiosity about Oliver, but recent scenes (the cafe, the volleyball game, the dinner) have been observational and low-stakes. This scene continues that trend without adding new tension or deepening character relationships.
Scene 14 - Reflections at the South Terrazza
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene is pleasant but doesn't create a strong urge to continue. The lack of conflict and low stakes make it feel like a pause rather than a driver. The narrator's section is interesting but doesn't hook the reader for the next scene. The reader may continue out of general interest in the characters, not because of this scene's momentum.
Considering only what has happened up to this scene (scene 14 of 60), the script's momentum is moderate. The relationship between Elio and Oliver is developing slowly, with moments of tension and connection. This scene is a low point in momentum, as it lacks conflict and stakes. The script overall has a languid pace, which is intentional, but this scene doesn't contribute much to forward motion.
Scene 15 - Playful Moments in the Orchard
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene doesn't create a strong hook to turn the page. It ends on a peaceful image (Oliver tossing apricots) and a dissolve. The reader might continue out of general interest in the story, but the scene itself doesn't generate curiosity or urgency.
The script overall has built a gentle, cumulative momentum through the previous scenes. This scene doesn't add much to that momentum, but it doesn't break it either. It's a breather beat. The reader is likely still invested in the overall arc of Elio and Oliver's relationship.
Scene 16 - Awkward Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends on a strong hook: Elio, naked and defiant, goes into the bathroom and glimpses Oliver naked. This creates immediate curiosity about what happens next. The emotional stakes and unresolved tension compel the reader to continue. The only minor cost is that the scene's resolution (Elio's defiance) is slightly undercut by the cut to the bathroom—the reader wants to stay with Elio's emotional state a beat longer.
This scene builds on the script's established tension between Elio and Oliver. It escalates the physical and emotional stakes from previous scenes (e.g., the poolside touch, the piano lesson). The script's momentum is maintained by this scene's forward movement—it pushes the relationship from tension to tentative action. The scene doesn't introduce new plot threads but deepens existing ones. The momentum is strong but not exceptional; the scene is a necessary step in the arc rather than a dramatic turning point.
Scene 17 - Flirtations and Rivalries
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity about what happens next—will Oliver go to the river with Chiara? How will Elio respond? But it doesn't create a strong hook. The reader is interested but not desperate to turn the page. The scene feels like a bridge rather than a cliffhanger.
The scene maintains the script's momentum without accelerating it. It's a necessary beat in the love triangle development, but it doesn't raise the stakes or introduce new complications. The reader is still engaged with the story but not propelled forward by this scene alone.
Scene 18 - Dancing with Desire
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a mild hook: we want to see how Elio's jealousy evolves, whether he acts on his feelings, and how Oliver responds. The ending (Elio dancing, Marzia amused) provides closure but leaves the emotional thread dangling. The scene doesn't end on a cliffhanger, but the unresolved tension between Elio and Oliver carries forward.
The scene maintains the script's momentum by deepening Elio's emotional conflict and showing his growing willingness to assert himself (dancing). It doesn't advance the plot but deepens character. The scene fits the script's rhythm of observation and small action. The reader is likely to continue, invested in Elio's journey.
Scene 19 - Secrets by the River
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a moderate hook: we want to know if the secret meetings will continue and if Oliver will find out. But the scene itself doesn't end with a strong cliffhanger or emotional punch. The final line 'Just don’t tell anyone' is a functional setup but not a compelling one. The scene feels like a necessary step rather than a scene that makes us desperate to turn the page. The emotional flatness of the kiss and the plan reduces urgency.
The scene maintains the script's momentum by advancing the Elio-Marzia subplot and setting up future secret meetings. It connects to the larger story (Elio's distraction from Oliver) and creates a complication that will need to be resolved. However, the scene doesn't add new information or deepen our understanding of the characters. It confirms what we already suspect: Elio is using Marzia. The momentum is steady but not accelerated.
Scene 20 - Morning Banter and Anticipation
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends with a clear hook: the Sirmione trip. The reader wants to see what happens there. However, the scene itself doesn't create a strong emotional cliffhanger. The invitation is a plot hook, not an emotional one. The reader is mildly curious, not urgently compelled.
The script has strong momentum overall. This scene is a minor beat in the larger arc of Elio and Oliver's relationship. It doesn't advance the central conflict significantly, but it maintains the film's tone and character development. The Sirmione trip is a promising setup. The scene doesn't hurt momentum, but it doesn't accelerate it either.
Scene 21 - A Tense Farewell
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity about what will happen next — will Oliver and Elio’s tension escalate on the trip? Will Chiara reappear? But the curiosity is not urgent. The scene resolves too neatly, so the audience doesn’t feel a strong need to see what comes next. The leg touch and the 'See?' smile are hooks, but they’re small. The scene feels like a pause rather than a driver of the narrative.
The scene maintains the script’s overall momentum — it’s another step in the slow-burn romance between Elio and Oliver. It doesn’t stall, but it doesn’t accelerate either. The scene feels like a holding pattern: we know Elio and Oliver are attracted to each other, and this scene confirms that tension without advancing it significantly. The script’s momentum is steady but not building toward a clear climax. The scene is one of many that circle the same dynamic.
Scene 22 - A Moment of Discovery
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene is visually compelling but narratively static. The reader may want to see the statue, but there is no cliffhanger or question driving them to the next scene. The emotional stakes are low, so the reader's curiosity is mild.
The script as a whole has built a slow-burn romance with moments of tension (the footsie, the nosebleed). This scene is a breather, but it doesn't advance the central relationship or raise new questions. The momentum stalls slightly here.
Scene 23 - A Serene Discovery at Sirmione
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a mild desire to see what happens next, primarily through the intercut with Marzia waiting and Elio's urgent departure. The audience wants to know if Elio will meet Marzia and what will happen between them. However, the scene itself does not end on a strong hook—it ends with Perlman and Oliver going for a drink, which is a low-stakes invitation.
The script momentum is functional. The scene does not significantly accelerate or decelerate the narrative. It serves as a necessary breather after the excitement of the statue's discovery, but it does not introduce new complications or deepen existing tensions. The intercut with Marzia maintains a thread of anticipation. Overall, the script continues at a steady, contemplative pace.
Scene 24 - Reflections in the Storm
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene is pleasant but doesn't create a strong desire to know what happens next. The storm and the family conversation feel like a pause in the narrative rather than a propulsion forward. The scene ends on a gentle, resolved note (Annella's 'Do crazy things') that feels like an ending rather than a setup. There's no cliffhanger, no unanswered question, no sense of impending action.
Considering only what has happened up to and including this scene (scene 24 of 60), the script has established a slow, meditative rhythm. The relationship between Elio and Oliver has been built through small moments of tension and connection. This scene, however, is a pause — it doesn't advance the central relationship or create new questions about it. The script's momentum is currently coasting rather than accelerating. The scene feels like it could be moved or cut without affecting the narrative drive.
Scene 25 - Longing in Silence
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see what happens next. Will Oliver notice anything? Will Elio be caught? The interrupted ritual (Oliver's return) is a classic cliffhanger. The audience wants to know the fallout. The scene's emotional intensity also makes the reader invested in Elio's journey.
The scene builds on the accumulated tension from previous scenes (the storm, the mother's reading, Elio's growing obsession). It deepens the central relationship and raises the emotional stakes. The script's momentum is strong—this scene feels like a necessary escalation in Elio's internal journey.
Scene 26 - A Moment of Connection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a mild desire to see what happens next—they're going to town together, which could lead to a meaningful moment. But the scene itself doesn't end on a strong hook or a question that demands an answer. The final beat (Oliver picking up the glass, saying 'I wanted to') is sweet but not compelling enough to make the reader urgently turn the page.
Considering only what has happened up to and including this scene (scene 26 of 60), the script has established a slow-burn romantic tension between Elio and Oliver. This scene continues that trajectory but doesn't accelerate it. The momentum is steady but not building—we're 26 scenes in, and the relationship is still in a tentative, almost platonic phase. The scene doesn't introduce a new complication or raise the stakes for the overall story.
Scene 27 - A Lost Soul's Care
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene does not create a strong desire to read the next scene. It ends on a philosophical note ('lost soul, really, like most of us') that is mildly intriguing but not urgent. There's no cliffhanger, no question, no emotional hook that demands resolution.
The script as a whole has built steady momentum through the growing tension between Elio and Oliver. This scene is a slight dip — a breather — but it doesn't derail the overall trajectory. The audience is still invested in the central relationship, even if this scene doesn't advance it much.
Scene 28 - Moments of Connection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends on a strong hook: Oliver's rejection and the unresolved tension make the reader desperate to know what happens next. The final line ('we can't talk about such things') and the image of them biking off create a compelling cliffhanger. The only minor issue is that the typist beat slightly dilutes the urgency.
This scene is a major turning point in the script—the confession has been building for 27 scenes. It delivers on that buildup and propels the story forward into a new phase (the aftermath of the confession). The momentum is strong, though the typist beat slightly interrupts the flow. Overall, the script gains energy from this scene.
Scene 29 - Whispers by the Water
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends on a strong hook: Oliver's rejection is not final (he helps Elio up, they discuss the pharmacist), and the unresolved tension makes the reader want to see what happens next. The emotional stakes are high, and the relationship is at a critical juncture. The only slight weakness is that the final line ('We can stop by the pharmacist on the way back') is a bit mundane, but it works as a return to normalcy that contrasts with the emotional intensity.
This scene is a major turning point in the script—the first kiss and the first explicit acknowledgment of mutual desire. It builds on the tension established in previous scenes (the volleyball touch, the footsie, the note) and propels the story toward the later intimacy and conflict. The momentum is strong; the reader is invested in whether Oliver will give in or maintain his resistance. The scene does its job of advancing the central relationship.
Scene 30 - A Moment of Connection and Crisis
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends on a strong hook: Elio is in the kitchen looking for ice, but the freezer is empty. This creates immediate tension and a question—what will he do? The reader wants to know if he finds ice, if Oliver follows him, if the nosebleed stops. The scene compels the reader to turn the page.
The script momentum is strong. This scene builds on the previous scene (the spring water kiss) by showing the relationship deepening in a new context (public, risky). The nosebleed is a new complication that promises further development. The reader is invested in the relationship and wants to see how this crisis resolves. The scene maintains the script's emotional and narrative momentum.
Scene 31 - Tender Moments in the Villa
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene is pleasant but doesn't create a strong desire to see what happens next. The ending (Oliver helping Elio up, meeting Chiara and Marzia) is a smooth transition, but it doesn't raise a compelling question. The reader is not on the edge of their seat. The scene feels like a pause rather than a hook.
The scene doesn't significantly advance the script's momentum. It's a quiet, intimate beat that deepens the relationship but doesn't raise stakes, introduce new obstacles, or change the trajectory. The script as a whole has been building toward the romance, and this scene is a warm moment within that build, but it doesn't create forward propulsion.
Scene 32 - Playful Tensions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity about Elio's next move and his feelings for Oliver, but it doesn't generate strong forward momentum. The river scene is a pause rather than a hook. The scene feels like a breather, which is fine for the overall rhythm, but it doesn't compel the reader to urgently turn the page.
Considering the script up to this point, the scene maintains the established tone and character dynamics. It doesn't accelerate the plot but deepens the emotional landscape. The momentum is steady but not driving. The scene fits the film's contemplative pace, but a reader might feel the story is coasting rather than building.
Scene 33 - Betrayal in the Night
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see what happens next. Annella's revelation that Oliver likes Elio more than Elio likes him is a game-changer that demands resolution. The night sequence's rejection creates a cliffhanger of emotional pain—will Elio confront Oliver? Will Oliver explain? The 'Traitor' outburst leaves us wanting to see the fallout. The scene effectively hooks the reader into the next scene.
The scene maintains the script's momentum by deepening the central relationship and raising the emotional stakes. It builds on previous scenes (the growing tension between Elio and Oliver, Elio's insecurity) and sets up future conflict (the fallout from Oliver's rejection). The scene is a turning point: Elio now knows Oliver's feelings but is still rejected, creating a paradox that drives the story forward. The script's overall momentum is strong at this point.
Scene 34 - Morning Reflections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene is pleasant but doesn't create a strong urge to read the next scene. The philosophical discussion is interesting but not cliffhanging. Elio's unresolved jealousy is a hook, but it's too subtle. The reader may feel the story is treading water. The promise of Oliver staying home ('Tonight, I promise') is a mild forward-looking beat.
Considering the script up to this point (scene 34 of 60), the momentum is moderate. The story has built a slow-burn romance with many intimate moments. This scene feels like a plateau—it doesn't escalate the central relationship or introduce new complications. The reader may feel the script is settling into a rhythm of philosophical breakfasts rather than advancing the emotional arc.
Scene 35 - Restless Longing
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene does not create a strong desire to read the next scene. The conflict is low, the stakes are unclear, and the emotional impact is muted. The cut to Perlman watching is a mild hook, but it's not enough to generate momentum. A reader might feel this scene is a placeholder rather than a necessary beat.
Considering the script up to this point (scene 35 of 60), the momentum is moderate. The relationship between Elio and Oliver has been building through small moments, but this scene feels like a step back—it rehashes the dynamic without advancing it. The scene doesn't add new information or deepen the conflict. It's a holding pattern.
Scene 36 - A Moment of Connection
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends with a clear hook: they will meet in half an hour to grab their bikes. The audience wants to see what happens on that ride, especially after the emotional confession. The 'no speeches' rule creates curiosity about whether they can maintain that boundary.
Up to this point, the script has built a slow-burn romance with moments of tension and release. This scene provides a significant emotional payoff and a clear forward direction. The momentum is strong, as the audience is invested in the relationship and wants to see how it develops. The scene doesn't stall the narrative but propels it toward the next encounter.
Scene 37 - Unspoken Bonds
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene does not create a strong desire to keep reading. It resolves on a note of warmth and closure (Oliver thanks Elio, Elio cuts off any further speech), which feels like an ending rather than a bridge. The narrator's reflective tone suggests a summing-up, not a setup. There is no question left dangling, no tension unresolved, no hint of what comes next. The scene feels complete in itself, which is satisfying but not propulsive.
Considering the script up to this point (scene 37 of 60), the momentum is moderate. The relationship between Elio and Oliver has progressed through tension, avoidance, and tentative connection. This scene represents a moment of fragile peace and gift-giving. It doesn't advance the plot significantly, but it deepens the emotional bond. The momentum is not stalled, but it's not accelerated either. The scene feels like a rest beat in a longer arc.
Scene 38 - Bittersweet Reunion at Sunset
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene does not create a strong urge to keep reading. It is pleasant and warm, but lacks a hook, a question, or a rising tension. The audience may feel the impending separation, but the scene itself doesn’t plant a specific curiosity about what happens next. The 'Not tonight. Maybe tomorrow' line is the closest thing to a forward-looking beat, but it’s mild.
The script momentum is maintained but not accelerated. The scene is a natural resting point after the emotional highs of recent scenes (the kiss, the book exchange). It doesn’t stall the story, but it doesn’t push it forward either. The audience is likely to continue reading because of investment in the characters, not because this scene creates momentum.
Scene 39 - Restless Longing
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity—will Elio go out with Marzia? What will happen? But it doesn't generate strong forward momentum. The audience is likely to keep reading because of accumulated investment in the story, not because this scene hooks them.
The script has strong momentum from the accumulated story—Elio and Oliver's tension, the midnight note, the impending intimacy. This scene is a quiet beat that doesn't accelerate that momentum but doesn't derail it either. The audience is carried by what came before.
Scene 40 - Whispers of the Night
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates mild curiosity about what will happen next (will they have sex? will Marzia get hurt?), but it doesn't create strong forward momentum. The scene feels like a pause in the main story (Elio and Oliver) rather than a driver of it. The lack of a cliffhanger or unresolved question means the reader can put the script down here without much urgency to continue.
At this point in the script (scene 40 of 60), the Elio/Oliver relationship is the engine. This scene with Marzia is a detour—important for character but not advancing the main story. The script's momentum is maintained by the overall arc, but this scene doesn't add to it. The reader knows Elio will go back to Oliver, so the scene feels like a pause rather than a step forward.
Scene 41 - Whispers of Longing
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see what happens next: Will Oliver respond? How? The note under the door is a classic cliffhanger. The audience is invested in the outcome of this gesture. The emotional weight of the scene ensures the reader wants to follow the thread.
The script momentum is solid. This scene is a turning point in the Elio-Oliver relationship, and it builds on the tension established in previous scenes (Oliver's silence, Elio's anxiety). The scene advances the central relationship arc. However, the script has many similar scenes of longing and hesitation; this one is effective but not a major escalation.
Scene 42 - Morning Whispers
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong hook. The note's 'I’ll see you at midnight' sets up a clear expectation, and the 10:30 AM time stamp makes the wait feel both exciting and agonizing. The reader wants to know: Will Elio make it to midnight? What will happen when they meet? The emotional investment in Elio's journey is high.
The scene maintains the script's momentum. It follows logically from the previous scene (Elio writing the note) and sets up the midnight meeting. The emotional arc is consistent with the film's slow-burn romance. The scene doesn't introduce new plot threads but deepens the central relationship. The momentum is steady, not explosive, which is appropriate for the genre.
Scene 43 - Art, Anxiety, and Dinner Plans
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates moderate forward momentum. The watch glance and Oliver's teasing create curiosity about their midnight meeting. The final beat (Oliver won't be at dinner) raises the question: where is he going? However, the study scene slows momentum, and the lunch scene's conflict is resolved too easily (Elio runs away). The scene doesn't end on a strong hook—Oliver's kitchen announcement is a plot point, not an emotional cliffhanger.
Considering only what has happened up to and including this scene (scene 43 of 60), the script has established a slow-burn romance with significant emotional depth. The midnight meeting has been set up (scene 42), and this scene advances that thread by showing Elio's anxiety and Oliver's awareness. However, the scene doesn't significantly escalate the relationship or introduce new complications. It's a holding pattern—important for character but not a major turning point. The script's overall momentum is steady but not accelerating.
Scene 44 - Afternoon Whispers
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates moderate forward momentum. We want to see what happens next — specifically, how Elio will navigate his feelings for Oliver while being with Marzia. The arrival of the gay couple at the end is a nice hook (they're a mirror for Elio and Oliver's future?). But the scene itself doesn't end on a strong cliffhanger or question. It resolves the immediate action (they have sex) and then moves on.
The scene maintains the script's overall momentum. It's a necessary beat in Elio's arc — his attempt to use Marzia as a distraction from Oliver. It doesn't advance the central relationship (Elio/Oliver) directly, but it deepens our understanding of Elio's emotional state. The script as a whole is well-paced, and this scene doesn't drag.
Scene 45 - A Lesson in Acceptance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene doesn't create strong forward momentum. It resolves neatly, and the audience is left curious about the dinner but not urgently compelled. The emotional and thematic threads are tied up rather than left dangling.
At this point in the script (scene 45 of 60), the story is in its later stages. The scene maintains the film's gentle, observational tone but doesn't accelerate the plot or deepen the central relationship with Oliver. It's a solid character beat that keeps the script moving without adding significant momentum.
Scene 46 - Introspection in the Night
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates moderate compulsion to keep reading. The audience knows midnight is coming, and the scene ends with Elio in the bathroom, having just whispered to himself. There's a sense of 'what happens next?' But the scene doesn't end on a strong hook. The final image—Elio flushing the toilet and turning off the tap—is anticlimactic. The audience is curious but not desperate to turn the page. The scene needs a stronger closing beat that creates a question or a promise.
Script momentum is solid. The scene is part of a larger arc leading to the midnight meeting (scene 48), and it does its job of building anticipation. However, coming at scene 46 of 60, the script has already established the central relationship and its tensions. This scene doesn't add new information or escalate the stakes significantly. It's a holding pattern. For a script at this stage, the audience needs a sense of acceleration toward the climax. This scene maintains momentum but doesn't increase it.
Scene 47 - Nervous Connections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a moderate desire to keep reading. The accumulated narrative tension (will they or won't they?) is the primary driver. The scene itself ends on a note of shared vulnerability that makes the reader want to see what happens next. However, the scene doesn't generate its own cliffhanger or hook — it relies on the promise of scene 48.
The script momentum is strong at this point. We're 47 scenes in, and the central romantic arc is reaching its climax. The scene does its job of delivering the promised payoff while maintaining the film's signature restraint. The momentum is carried by the narrative arc, not by this scene alone.
Scene 48 - A Night of Intimacy
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene is compelling and makes the reader want to see what happens next—specifically, how the characters will deal with the aftermath of this consummation. The final image of Oliver holding Elio as he falls asleep creates a sense of peace that feels earned, but also raises questions: What will morning bring? Will Oliver leave? The scene ends on a note of closure that still propels forward.
This scene is the emotional climax of the script, and it delivers. The momentum built over 47 scenes pays off here. The reader is invested and wants to see how the relationship evolves after this point. The scene does not stall the script; it propels it into its final act. The only risk is that the post-coital section slightly deflates the intensity, but it's a necessary comedown.
Scene 49 - Morning Reflections
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see what happens next: Will they swim? Will they talk more? Will Elio's withdrawal deepen or heal? The emotional stakes are high enough to pull the reader forward. The only slight weakness is that the scene resolves with a deflection ('Let's go swimming') rather than a cliffhanger, which is appropriate for the tone but slightly reduces urgency.
Considering only what has happened up to this scene (49 of 60), the script has built a rich, slow-burn romance. This scene is a crucial turning point—the first morning after intimacy—and it deepens the emotional complexity. The momentum is steady, driven by character rather than plot. The scene doesn't accelerate the narrative but deepens it, which is appropriate for this genre.
Scene 50 - Awkward Longing
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to keep reading: the unresolved emotional stakes, the new public intimacy, and the shadow of Oliver's departure all push the reader forward. The final image of Elio riding his bike despite the pain is a powerful hook. The only slight drag is the bedroom scene's quick resolution, which may reduce urgency.
The script momentum is strong. This scene is a key turning point in the relationship, and it builds on the previous night's intimacy. The reader is invested in how the relationship will evolve, especially with Oliver's departure looming. The scene maintains the film's tone of quiet, emotional realism. The momentum is slightly slowed by the bedroom scene's quick resolution, but the breakfast and bike ride restore it.
Scene 51 - A Moment of Longing
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The piazza conversation is compelling, but the scene loses momentum after the emotional peak. The 'LIFE IN THE GARDEN' montage is a dead stop — it tells the reader nothing new and does not create anticipation. The kitchen scene with Mafalda and Anchise is pleasant but does not hook the reader into wanting to know what happens next. The scene ends on a neutral image (Elio eating a peach) that does not create a strong desire to turn the page.
The script has strong momentum coming into this scene — the relationship has deepened, Oliver's departure is imminent, and the emotional stakes are high. This scene maintains that momentum through the piazza conversation but then dissipates it with the garden montage and kitchen scene. The script does not lose all momentum (the peach scene in 52 is a strong follow-up), but this scene is a slight dip. The reader is still invested in the story but not urgently turning pages.
Scene 52 - Summer Confessions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends on a strong note of commitment and emotional resolution, which makes the reader want to see what happens next—how this commitment will be tested by Oliver's impending departure. The final line 'They kiss as lovers committing themselves' creates a sense of closure but also raises questions about the future. The scene is compelling enough to make the reader eager for the next scene.
The script momentum is strong. This scene is a major emotional milestone in the Elio-Oliver relationship, and it pays off the buildup from previous scenes. The reader is invested in seeing how this commitment will be tested in the remaining scenes (Oliver's departure is imminent). The scene doesn't stall the narrative—it deepens it.
Scene 53 - A Night of Longing
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a gentle desire to see what happens next—will Oliver really leave? How will Elio cope?—but it doesn't generate urgency. The conversation resolves the emotional tension rather than escalating it. The parents' scene provides closure. For a scene at 53 of 60, the lack of a hook or cliffhanger is appropriate for the genre, but it could be stronger.
The script has strong momentum built over 52 scenes, and this scene maintains it without accelerating. The emotional stakes are clear, but the scene doesn't raise the dramatic temperature or introduce new complications. For a scene this late, it risks feeling like a plateau rather than a step toward the climax. The parents' scene provides a gentle resolution that could signal the story is winding down, which is appropriate but could be more dynamic.
Scene 54 - Tangled Emotions
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a moderate pull to keep reading. The Bergamo plan is a clear hook — we want to see what happens on the trip. Marzia's hurt creates a thread of guilt that may resurface. The parents' knowing complicity raises the question of how much they understand. The scene doesn't end on a cliffhanger but on a warm, forward-looking note that makes the reader curious about the next step.
The scene maintains the script's momentum well. It follows logically from the previous scene (Elio putting on Oliver's shirt) and sets up the Bergamo trip (scene 55-57). The emotional arc of the script — Elio's growing confidence, the cost to others, the parents' support — is advanced. The scene doesn't stall or backtrack. It's a solid, functional step in the larger story.
Scene 55 - A Moment at the Memorial
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a mild hook: the kiss is interrupted, the rejection is gentle but unresolved, and the ride away leaves the reader wondering what happens next. The young couple's final beat ('she lets him keep it there') provides a sense of closure but also a contrast that makes the reader curious about Elio and Oliver's future.
The scene maintains the script's momentum. It is a quiet, intimate beat after the hotel scene (scene 56 in the summary, but here scene 55). It deepens the relationship and introduces a note of restraint that will likely pay off later. The reader is invested in seeing how Elio and Oliver navigate their desire and the world's eyes.
Scene 56 - A Night of Laughter and Discomfort
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene ends with a strong, shocking image (Elio vomiting suddenly and abundantly) that creates a desire to see what happens next—how does Oliver react? How does the night end? The scene's unpredictability and sensory details keep the reader engaged. However, the lack of clear emotional stakes slightly weakens the pull—we're curious but not emotionally invested in the outcome.
The script has strong momentum coming into this scene—we know Oliver is leaving, and this is their last night. The scene maintains that momentum by being unpredictable and ending on a shocking beat. The reader wants to see the aftermath (the train station departure in the next scene). The scene doesn't stall the narrative; it propels it forward through its chaotic, drunken energy.
Scene 57 - Bittersweet Farewell
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see what happens next. The phone call to Maman sets up the next scene (the car ride home). The emotional devastation makes us want to see Elio's recovery. The song and the kiss are memorable enough to carry us forward.
The script has built 56 scenes of tension and intimacy. This scene is a major emotional climax. It pays off the relationship arc and sets up the final three scenes (the car ride, the father's speech, the phone call six months later). The momentum is strong — we want to see how Elio processes this loss.
Scene 58 - Moments of Comfort
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see what happens next — how Elio processes this grief, what his father will say (knowing the famous speech is coming), and how he will ultimately move on. The emotional investment carries forward.
The script has strong momentum entering this scene — Oliver's departure is the climax of the relationship. This scene provides necessary emotional release and sets up the final father-son conversation. The momentum is maintained through emotional investment rather than plot.
Scene 59 - Embracing Memories
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
The scene creates a strong desire to see how Elio processes this conversation. The final line 'Does mother know?' opens a new question. The audience wants to see the aftermath—how Elio carries this wisdom into the final scene. The emotional payoff is so strong that it propels the reader forward.
The script has built 58 scenes of tension, longing, and intimacy. This scene provides the emotional release and thematic payoff. It doesn't advance the plot but deepens the character and theme. The momentum is strong because the audience is invested in Elio's emotional resolution. The final scene (60) will show the long-term impact.
Scene 60 - Echoes of the Past
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
As the final scene, the question of 'compelled to keep reading' is somewhat moot—there is nothing after this. However, within the scene itself, the phone call creates a strong desire to know how Elio will react, and the final close-up leaves the audience wanting to sit with the emotion. The parents' scene slightly reduces this drive by shifting focus away from Elio's internal state.
The script momentum is strong: the scene provides a satisfying emotional and thematic conclusion to the entire story. The callbacks to earlier moments (the Bach piece, the narrator's voiceover) reward the audience's investment. The final image is resonant and lingers. The scene does not need to propel the reader forward because it is the end, but it does make the reader want to reflect on the journey.
Scene 1 — The Arrival of the Usurper — Clarity
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7/10Scene 6 — A Summer's Farewell — Clarity
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6/10Scene 7 — Unresolved Tensions — Clarity
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7/10Scene 8 — Variations of the Heart — Clarity
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8/10Scene 9 — A Game of Connection — Clarity
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5/10Scene 10 — Tension Under the Lime Trees — Clarity
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8/10Scene 12 — A Night of Reluctance and Revelations — Clarity
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7/10Scene 13 — Under the Lime Trees: A Moment of Reflection — Clarity
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5/10Scene 14 — Reflections at the South Terrazza — Clarity
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7/10Scene 15 — Playful Moments in the Orchard — Clarity
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6/10Scene 16 — Awkward Tensions — Clarity
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8/10Scene 17 — Flirtations and Rivalries — Clarity
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7/10Scene 18 — Dancing with Desire — Clarity
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8/10Scene 19 — Secrets by the River — Clarity
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7/10Scene 20 — Morning Banter and Anticipation — Clarity
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7/10Scene 21 — A Tense Farewell — Clarity
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5/10Scene 22 — A Moment of Discovery — Clarity
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7/10Scene 23 — A Serene Discovery at Sirmione — Clarity
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7/10Scene 24 — Reflections in the Storm — Clarity
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7/10Scene 25 — Longing in Silence — Clarity
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8/10Scene 26 — A Moment of Connection — Clarity
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6/10Scene 27 — A Lost Soul's Care — Clarity
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5/10Scene 28 — Moments of Connection — Clarity
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9/10Scene 29 — Whispers by the Water — Clarity
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8/10Scene 30 — A Moment of Connection and Crisis — Clarity
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8/10Scene 31 — Tender Moments in the Villa — Clarity
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7/10Scene 32 — Playful Tensions — Clarity
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7/10Scene 33 — Betrayal in the Night — Clarity
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8/10Scene 34 — Morning Reflections — Clarity
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7/10Scene 35 — Restless Longing — Clarity
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6/10Scene 36 — A Moment of Connection — Clarity
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8/10Scene 37 — Unspoken Bonds — Clarity
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7/10Scene 38 — Bittersweet Reunion at Sunset — Clarity
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7/10Scene 39 — Restless Longing — Clarity
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7/10Scene 40 — Whispers of the Night — Clarity
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7/10Scene 41 — Whispers of Longing — Clarity
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8/10Scene 42 — Morning Whispers — Clarity
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8/10Scene 43 — Art, Anxiety, and Dinner Plans — Clarity
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6/10Scene 44 — Afternoon Whispers — Clarity
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7/10Scene 45 — A Lesson in Acceptance — Clarity
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8/10Scene 46 — Introspection in the Night — Clarity
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7/10Scene 47 — Nervous Connections — Clarity
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8/10Scene 48 — A Night of Intimacy — Clarity
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9/10Scene 49 — Morning Reflections — Clarity
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8/10Scene 50 — Awkward Longing — Clarity
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8/10Scene 51 — A Moment of Longing — Clarity
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8/10Scene 52 — Summer Confessions — Clarity
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9/10Scene 53 — A Night of Longing — Clarity
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8/10Scene 54 — Tangled Emotions — Clarity
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8/10Scene 55 — A Moment at the Memorial — Clarity
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8/10Scene 56 — A Night of Laughter and Discomfort — Clarity
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5/10Scene 57 — Bittersweet Farewell — Clarity
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9/10Scene 58 — Moments of Comfort — Clarity
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8/10Scene 59 — Embracing Memories — Clarity
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9/10Scene 60 — Echoes of the Past — Clarity
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- Physical environment: The screenplay is set in a picturesque villa in Italy, characterized by a blend of old and new elements, including refurbished rooms, a fruit orchard, and serene gardens. The villa's intimate spaces, such as Elio's bedroom and the study, create a cozy yet sophisticated atmosphere, while the surrounding countryside and small town of Crema add to the idyllic setting.
- Culture: Cultural elements are rich and diverse, with characters speaking multiple languages, including Italian and French. The screenplay reflects Italian customs, such as family gatherings, leisurely meals outdoors, and a deep appreciation for art and music. The characters engage in intellectual discussions, showcasing a cultured lifestyle that values education and the arts.
- Society: The societal structure depicted in the screenplay is one of privilege and sophistication, with a close-knit family dynamic. Interactions among characters reveal a sense of hierarchy and formality, particularly in the presence of guests. The screenplay also hints at traditional values, especially regarding relationships and social expectations, particularly in the context of Elio and Oliver's romance.
- Technology: Technological elements are minimal throughout the screenplay, emphasizing a nostalgic and timeless quality. The presence of simple tools, such as bicycles and a walkman, highlights a leisurely lifestyle, while the absence of modern gadgets allows for a focus on interpersonal relationships and emotional connections.
- Characters influence: The unique physical environment and cultural backdrop shape the characters' experiences and actions by providing a setting that fosters intimacy and exploration of emotions. The villa's serene atmosphere allows Elio and Oliver to navigate their complex feelings, while the cultural elements encourage open communication and intellectual engagement. The societal expectations create tension for Elio as he grapples with his identity and desires.
- Narrative contribution: The world elements contribute significantly to the narrative by establishing a rich context for the characters' relationships and experiences. The villa serves as a backdrop for pivotal moments in Elio and Oliver's romance, while the cultural and societal structures create obstacles and tensions that drive the plot forward. The setting enhances the emotional stakes of their relationship, making their connection feel both urgent and poignant.
- Thematic depth contribution: The world elements contribute to the thematic depth of the screenplay by exploring themes of love, identity, and the passage of time. The serene and picturesque environment contrasts with the characters' internal struggles, highlighting the complexities of desire and societal expectations. The cultural richness of the setting allows for a nuanced exploration of intimacy, vulnerability, and the bittersweet nature of first love, ultimately enriching the emotional resonance of the story.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by a subtle, nuanced exploration of complex emotions and interpersonal relationships. It prioritizes internal conflicts and unspoken tensions over overt drama. The style is intimate and introspective, employing rich descriptive language, evocative imagery, and naturalistic dialogue that reveals character through subtext and subtle gestures. A blend of intellectual discourse and playful banter further adds depth and complexity. |
| Voice Contribution | The writer's voice contributes to the script by creating a deeply immersive and emotionally resonant experience. The focus on internal struggles and unspoken desires enhances the themes of first love, self-discovery, and the complexities of human connection. The rich descriptive language and evocative imagery create a strong sense of place and time, enhancing the mood of longing, intimacy, and bittersweet nostalgia. The naturalistic dialogue feels authentic and avoids melodrama, allowing the audience to connect with the characters on a deeply personal level. |
| Best Representation Scene | 3 - A Quiet Dinner Invitation |
| Best Scene Explanation | Scene 3 best encapsulates the author's voice because it perfectly balances rich descriptive language ('dimly lit Perlman villa') with subtle character interaction and unspoken emotions. The narrative description creates a strong sense of intimacy and the dialogue, though sparse, effectively conveys the awkwardness and underlying tension between Elio and Oliver, hinting at the developing relationship without resorting to overt exposition or melodrama. This subtle approach to emotional depth is a consistent hallmark of the writer's style throughout the screenplay. |
Style and Similarities
The screenplay exhibits a consistent style characterized by intimate storytelling, emotional depth, and nuanced character interactions. There's a strong emphasis on exploring complex relationships, internal conflicts, and the subtle nuances of human emotions. Scenes often feature poetic dialogue and evocative visual elements, creating an emotionally resonant and introspective atmosphere. While some scenes incorporate intellectual discourse and witty banter, the prevailing tone leans towards emotional realism and vulnerability.
Style Similarities:
| Writer | Explanation |
|---|---|
| Luca Guadagnino | Luca Guadagnino is overwhelmingly cited across numerous scene analyses (over 40 out of 60). The recurring references to his style – focusing on intimate character relationships, emotional depth, nuanced storytelling, visually stunning settings, and subtle emotional portrayals – strongly suggest his directorial/writing influence pervades the entire screenplay. The repeated comparison to his work on 'Call Me By Your Name' further reinforces this. |
| Call Me By Your Name (James Ivory/André Aciman) | The frequent comparisons to the writing style and themes of 'Call Me By Your Name,' both the film (James Ivory's screenplay) and the novel (André Aciman's work), are almost as pervasive as the Guadagnino references. The similarities consistently highlight shared themes of desire, intimacy, self-discovery, coming-of-age experiences, and the complexities of human relationships, pointing to a clear stylistic and thematic resonance with the source material. |
Other Similarities: While other screenwriters like Woody Allen, Richard Linklater, Noah Baumbach, Greta Gerwig, and Tom Stoppard are mentioned in a few analyses, their influence appears to be less pronounced and more localized to specific scenes. The screenplay seems to largely maintain a cohesive style heavily inspired by Guadagnino's work and the themes of 'Call Me By Your Name', creating a unified emotional and visual landscape across the scenes.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Dialogue and Emotional Impact: A Delicate Balance | Scenes with high Dialogue scores (8 or above) generally correlate with high Emotional Impact scores, except for scenes 5, 6, 9, 13, 20, 22, 24, 26, 30, 31, 34, 36, 37, 38, 42, 45, 46, 52, 53, 58 and 60. These exceptions suggest that while strong dialogue contributes to emotional impact, other factors (perhaps plot points or character actions) can create significant emotional resonance even with less impactful dialogue. Consider exploring ways to enhance the emotional punch of scenes with strong dialogue but lower emotional impact scores, possibly by focusing on character reactions or subtext. |
| Tone and Emotional Impact: The Power of Introspection | Scenes with predominantly 'Introspective' tones tend to show a wider range of Emotional Impact scores, including both high and low values. This suggests introspection doesn't guarantee emotional depth; its effectiveness depends on the narrative execution. Conversely, scenes with more action-oriented tones ('Tense,' 'Playful,' etc.) tend to have more consistently moderate Emotional Impact scores, suggesting a need for more depth in those types of scenes. |
| High Stakes and Move Story Forward: A Consistent Strength | Throughout the screenplay, scenes that effectively 'Move story forward' usually also have a decent 'High stakes' score. This suggests a strong narrative flow, but it might be beneficial to examine if raising the stakes in some scenes might correspondingly improve the narrative momentum. |
| Concept and Plot: A Strong Foundation | The screenplay consistently receives high scores for both 'Concept' and 'Plot,' indicating a strong underlying narrative structure. This is a significant strength and suggests that the core idea is compellingly presented. |
| Character Development Clusters | There are clusters of scenes with high 'Character Changes' scores (7 or above) concentrated in later parts of the screenplay, and these appear to correlate with scenes that employ 'Intimate' and 'Reflective' tones. Scenes towards the end of the screenplay might be particularly strong in character development, possibly due to increased intimacy and reflective moments that are allowing for stronger character arc. But early scenes might require more attention to character development. |
| Emotional Impact Dip in Mid-Story | There's a noticeable dip in 'Emotional Impact' scores in the middle sections (scenes 5-14, 20-26) of the screenplay. This could indicate a potential pacing issue, a lull in character development or conflict. Re-examine this section to ensure sufficient emotional engagement during this phase of the story. |
| Late-Story Surge in Intimacy and High Scores | The last third of the screenplay (scenes 40 onwards) features a significant increase in scenes utilizing 'Intimate' tones, frequently paired with high scores across multiple categories, notably Dialogue, Character, and overall grade. This suggests the screenplay's climax and resolution are particularly strong in terms of emotional resonance and character work. Consider if some of this intimacy and depth could be introduced earlier. |
| The Impact of 'Intimate' Tone | The 'Intimate' tone is heavily used across many scenes with high scores, particularly those near the end. This suggests that this tone is effective in raising emotional impact, dialogue, character development and overall grade. Yet this tone is not employed in scenes with lower emotional scores. Consider the purpose of this tonal choice in each instance, whether it reflects intended story impact. |
Writer's Craft Overall Analysis
The screenplay demonstrates a strong ability to create emotionally resonant scenes with authentic character interactions, particularly focusing on intimacy, vulnerability, and internal conflicts. The writer shows skill in conveying emotions through subtle gestures, dialogue, and evocative descriptions. However, there's a recurring need to deepen character development beyond emotional portrayal and to explore more varied storytelling techniques beyond dialogue-driven scenes and character interactions.
Key Improvement Areas
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Screenplay | Read and analyze 'Call Me By Your Name' (James Ivory), 'Before Sunrise' (Richard Linklater), 'Moonlight' (Barry Jenkins), 'Eternal Sunshine of the Spotless Mind', and 'Lost in Translation'. | These films offer diverse examples of emotional storytelling, nuanced dialogue, intimate character interactions, and different approaches to pacing and structure, addressing the key improvement areas identified. They showcase different methods of conveying internal struggles and desires, beyond simple dialogue exchanges. |
| Screenplay | Read 'The Social Network' (Aaron Sorkin) and study how to craft intellectually stimulating and fast-paced dialogue, to contrast with the more intimate scenes. | This will help diversify the writer's skills beyond focusing on emotional intimacy and incorporate other stylistic elements into their work. |
| Book | Read 'The Screenwriter's Bible' (David Trottier) and 'The Anatomy of Story' (John Truby) to understand screenplay structure, character arcs, and storytelling techniques. | These books provide foundational knowledge in screenwriting principles, helping to improve scene structure, pacing, and overall narrative coherence, which can enhance the impact of emotionally resonant scenes. |
| Video | Watch behind-the-scenes footage and interviews for films like 'Call Me By Your Name' and 'Moonlight', paying attention to directorial choices and actor performances. | This helps understand how emotions are conveyed visually and through performance beyond the page, and further supports the understanding of subtle gestures and emotional depth. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Forbidden Love | ||
| Summer Romance | ||
| Love Triangle | ||
| Coming of Age | ||
| The Usurper | ||
| Intellectual Connection | ||
| The Mentor | ||
| The Best Friend | ||
| The Secret | ||
| The Bittersweet Ending |
Memorable lines in the script:
| Scene Number | Line |
|---|---|
| 36 | ELIO: I worship you. |
| 28 | Elio: Because there is no one else I can say this to but you. |
| 59 | PERLMAN: We rip out so much of ourselves to be cured of things faster, that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. |
| 20 | ELIO: All I had to do was find the courage to reach out and touch, she would have said yes. |
| 14 | Oliver: Does this make any sense to you? Not to me. Nor to your dad. |
Some Loglines to consider:
| A transformative summer romance unfolds between a seventeen-year-old and his father's charming guest, leaving an indelible mark on their lives. |
| In the sun-drenched Italian countryside, a shy teenager experiences a life-altering first love that challenges his perceptions of self and the world. |
| A passionate summer fling between a young man and his older guest leaves an enduring impact on both their lives, forever changing their perspectives on love and self-discovery. |
| Against the backdrop of 1980s Italy, the delicate dance of unspoken desires and fleeting passion unfolds between two young men, forever altering their paths. |
| A coming-of-age story set amidst the beauty of the Italian landscape explores the intoxicating power of first love, the uncertainty of youth, and the bittersweet ache of what might have been. |
| A young man's summer of self-discovery and first love is tested when he falls for his father's 25-year-old summer intern in 1980s Italy. |
| In a transformative summer in 1980s Italy, a 17-year-old boy navigates the complexities of his burgeoning sexuality and the profound impact of his relationship with his father's summer intern. |
| Elio, a precocious teenager, experiences the joys and heartaches of first love when he falls for Oliver, his father's academic intern, in the sun-drenched Italian countryside. |
| A coming-of-age drama about a young man's journey of self-discovery and the bittersweet nature of a summer romance that forever changes his life. |
| In 1980s Italy, a sensitive teenager's world is upended when he embarks on a secret relationship with his father's charming and enigmatic summer intern. |
| In the summer of 1983, a young boy discovers love and heartbreak during a passionate affair with a visiting scholar in Italy. |
| Set against the backdrop of a sun-soaked Italian villa, a teenage boy navigates the complexities of first love and self-discovery. |
| A summer romance blossoms between a 17-year-old and his father's research assistant, challenging their identities and desires. |
| As the summer heat intensifies, so does the emotional connection between a boy and a man, leading to a transformative experience. |
| In a tale of longing and loss, a young man reflects on a fleeting summer romance that forever alters his understanding of love. |
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Scene by Scene Emotions
suspense Analysis
Executive Summary
Suspense in 'Call Me by Your Name' is subtly woven into the narrative, primarily through Elio's internal conflicts regarding his feelings for Oliver. The tension arises from Elio's anticipation of Oliver's reactions and the potential consequences of their budding relationship. For instance, in Scene 1, Elio's jealousy and curiosity about Oliver create a charged atmosphere, leaving the audience eager to see how their dynamic will unfold. However, the suspense is often low, as the story focuses more on emotional exploration than on high-stakes drama.
Usage Analysis
Critique
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fear Analysis
Executive Summary
Fear in 'Call Me by Your Name' manifests primarily through Elio's anxieties about rejection and the implications of his feelings for Oliver. This emotional undercurrent adds depth to Elio's character, as he navigates the complexities of first love and the societal constraints surrounding their relationship. The fear of losing Oliver or not being accepted creates a poignant tension that resonates throughout the screenplay.
Usage Analysis
Critique
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joy Analysis
Executive Summary
Joy in 'Call Me by Your Name' is intricately tied to the moments of connection between Elio and Oliver, as well as the warmth of familial interactions. These joyful moments provide a counterbalance to the underlying tension and sadness, creating a rich emotional tapestry that resonates with the audience. The screenplay effectively captures the fleeting nature of summer love, allowing viewers to experience the highs of Elio's relationship with Oliver.
Usage Analysis
Critique
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sadness Analysis
Executive Summary
Sadness in 'Call Me by Your Name' is a pervasive theme that underscores Elio's journey of self-discovery and the complexities of first love. The emotional weight of Elio's longing for Oliver, coupled with the inevitability of their separation, creates a poignant atmosphere that resonates deeply with the audience. The screenplay effectively captures the bittersweet nature of their relationship, allowing viewers to empathize with Elio's emotional turmoil.
Usage Analysis
Critique
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surprise Analysis
Executive Summary
Surprise in 'Call Me by Your Name' is used sparingly, primarily to highlight moments of emotional revelation or unexpected connections between characters. While the screenplay relies more on emotional depth and character development, the few moments of surprise serve to enhance the overall narrative and engage the audience. The subtle surprises often reflect the complexities of Elio's feelings for Oliver, adding layers to their relationship.
Usage Analysis
Critique
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empathy Analysis
Executive Summary
Empathy in 'Call Me by Your Name' is a driving force that connects the audience to Elio's emotional journey. The screenplay effectively captures Elio's internal struggles, desires, and vulnerabilities, allowing viewers to resonate with his experiences. The emotional depth of the characters and their relationships fosters a strong sense of empathy, making the audience invested in Elio's journey of self-discovery and love.
Usage Analysis
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