Set in the summer of 1983 in Northern Italy, 'Call Me by Your Name' follows the passionate and transformative relationship between Elio Perlman, a 17-year-old boy, and Oliver, a 24-year-old American graduate student who comes to stay with Elio's family for the summer. Elio, who is intelligent and introspective, spends his days transcribing music and exploring the beautiful Italian countryside. When Oliver arrives, he is immediately captivated by the older man's charm and confidence, which contrasts sharply with his own more reserved nature.

As the summer unfolds, Elio and Oliver engage in a series of flirtatious encounters, filled with tension and unspoken desires. Elio's initial feelings of jealousy and confusion about his attraction to Oliver are compounded by his relationship with Marzia, a local girl with whom he shares a brief romance. However, it is Oliver who occupies Elio's thoughts, leading to a complex emotional journey as Elio grapples with his burgeoning sexuality and the societal expectations of the time.

The two young men eventually find themselves drawn together, sharing intimate moments that deepen their connection. They explore the lush landscapes of Italy, swim in the river, and share their thoughts on life, love, and art. Their relationship culminates in a passionate encounter that changes both of their lives forever. However, as the summer comes to an end, Oliver must return to America, leaving Elio heartbroken and longing for the connection they shared.

In the aftermath of their summer romance, Elio reflects on the impact Oliver had on his life, grappling with the bittersweet memories of their time together. The film concludes with a poignant moment of realization for Elio, as he learns to embrace the beauty of love, loss, and the fleeting nature of youth. 'Call Me by Your Name' is a tender exploration of first love, identity, and the complexities of human relationships, set against the backdrop of a sun-soaked Italian summer.

• In this scene, 17-year-old Elio observes the arrival of 25-year-old Oliver at the Perlman villa, feeling a mix of jealousy and rivalry as he refers to Oliver as 'the usurper.' Accompanied by Marzia, Elio is instructed by his mother, Annella, to assist Oliver with his luggage. The tension escalates as Elio and Oliver are formally introduced in Professor Perlman's study, where their handshake reveals Oliver's non-committal demeanor, leaving Elio grappling with his emotions.
• Elio and Oliver arrive at the Perlman villa, where Elio offers to share his room with the tired Oliver. As they pass Marzia, Oliver shows curiosity, hinting at potential interest. Once in the room, Oliver quickly falls asleep, leaving Elio to manage the situation alone. The scene captures the contrast between Elio's eagerness and Oliver's exhaustion, setting the stage for their developing relationship.
• In a dimly lit Perlman villa, Elio wakes Oliver to inform him about dinner. Oliver, disoriented and reluctant, decides to skip the meal and asks Elio to excuse him to his mother. Elio, feeling a mix of concern and embarrassment, agrees and leaves Oliver to return to sleep. The scene captures the awkward yet intimate dynamic between the two, setting the stage for their evolving relationship.
• During breakfast at the Perlman villa, Oliver struggles to crack a soft-boiled egg, prompting Mafalda to assist him. As the family engages in light conversation about local towns and Oliver's needs, Elio offers to show him around, revealing his fascination with Oliver. The atmosphere is playful yet tense, highlighted by Oliver's self-awareness when he declines a third egg, leaving Elio feeling intimidated.
• In Professor Perlman's study, he attempts to organize his correspondence with the help of Oliver and Elio. Annella brings apricot juice, sparking a discussion about the word's etymology. Oliver corrects Perlman's assertion about the word's origins, impressing the group with his knowledge. The atmosphere is light-hearted, filled with playful banter and camaraderie, as Perlman concedes to Oliver's correctness. The scene concludes with Perlman jokingly claiming he was testing Oliver, while Annella and Elio share a knowing smile.
• On a hot summer day in Crema, Elio and Oliver ride bicycles to a cafe where they share coffee and discuss their lives as Jewish individuals in small towns. Elio opens up about his summer activities, while Oliver appears distracted. As they prepare to leave, Oliver steadies Elio when he loses his balance, but ultimately rides off, leaving Elio alone in the almost empty town square, highlighting a mix of camaraderie and isolation.
• In a tense scene at the Perlman Villa, Elio practices guitar in the shade, feeling unsettled by Oliver's cold gaze as he interacts with Anchise. After Oliver lies down to read, he encourages Elio to play his music again, despite Elio's insecurities about Oliver's indifference. The emotional complexity of their interaction leaves Elio feeling intimidated, ultimately leading him to retreat into the house, leaving their conversation unresolved.
• In a sunlit living room, Elio plays a piano piece, infusing it with his own variations inspired by Liszt and Busoni, while Oliver listens from the doorway. Oliver's curiosity turns to frustration as he requests the original Bach piece, which Elio eventually plays, revealing its dedication to Bach's brother. The scene shifts to Elio writing in his diary, where he reflects on his earlier harshness towards Oliver and grapples with feelings of insecurity about their relationship.
• In a bustling cafe, Oliver joins a lively card game, quickly bonding with the players and showcasing his charm. Elio, sitting nearby, translates for Oliver but feels sidelined as Oliver becomes engrossed in the game. The scene captures the lighthearted atmosphere of the cafe while highlighting Elio's subtle longing and sense of being overlooked.
• On the lawn of the Perlman villa, Elio's friends engage in a lively volleyball game with Oliver, a charming American who draws Elio's admiration and discomfort. As Oliver playfully massages Elio's shoulder, Elio feels a mix of attraction and unease, leading him to retreat to a table under the lime trees. While his friends, including Marzia and Maria, joke about the situation, Elio grapples with his feelings, rubbing the spot where Oliver touched him, as the playful atmosphere shifts to a more introspective tone.
• In the evening at the Perlman villa, a gangly teenager observes Perlman entertaining his young nieces with a card trick while Elio, upstairs, anxiously awaits Oliver's arrival. As dinner guests gather, Elio expresses frustration over Oliver's absence, perceiving him as rude and arrogant. Perlman defends Oliver's shyness, but Elio fears growing resentment towards him. Annella dismisses Elio's concerns and orders the removal of Oliver's place setting, deepening Elio's sense of loss. The scene concludes with Perlman performing for the children, highlighting the tension of Oliver's absence.
• In the Perlman villa's living room, Elio initially resists playing music despite his father's encouragement and Annelia's playful urging to socialize. A teenage boy's humorous imitation of a spider lightens the mood, prompting Elio to finally engage with the piano. The scene shifts to Elio's bedroom, where he experiences restlessness and curiosity about Oliver, culminating in a moment of hesitation as dawn breaks.
• In the afternoon light at the Perlman villa, Elio sits under lime trees, absorbed in his work while listening to his father, Perlman, engage in a thoughtful critique of Oliver's manuscript on Heraclitus. Perlman encourages Oliver to embrace the philosopher's paradoxical ideas, prompting Oliver to acknowledge the need for improvement. Meanwhile, Anchise arrives with a large fish, adding a touch of familial warmth to the scene. The atmosphere blends intellectual discourse with light-hearted domesticity, culminating in Elio's distraction by the lively sounds from the kitchen.
• In this scene, Elio relaxes with his eyes closed while Oliver, in a red bathing suit, reads from a manuscript he previously shared with Perlman. Oliver expresses confusion about his work, prompting Elio to offer a compliment that leads to an awkward moment. The narration explores Oliver's multifaceted personality through the symbolism of his colorful bathing suits. The setting at the Perlman villa adds to the introspective and subtly tense atmosphere, highlighting Elio's mixed feelings of admiration and discomfort in their interaction.
• In a light-hearted afternoon at the Perlman villa, Elio watches Oliver swim in a stone trough while his mother, Annella, picks fruit. After a playful exchange where Elio keeps his thoughts private, Oliver joins Annella in the orchard, climbing a ladder to pick ripe fruit. The scene captures their youthful curiosity and attraction as Oliver tosses apricots down to Elio and Annella, ending with a transition to a quieter moment as Oliver arrives on his bike from town.
• In Elio's bedroom, he finds himself in an embarrassing situation when Oliver enters shirtless from the bathroom. Elio awkwardly claims to have an allergy to avoid swimming with others, but Oliver suggests they swim together, intensifying Elio's internal struggle with his feelings. After Oliver leaves to change, Elio, frustrated with himself, decides to change his bathing suit and catches a glimpse of Oliver getting dressed, leaving him in a state of heightened awareness and confusion.
• In the Perlman villa's bocchirale, Oliver descends shirtless, followed by Elio, and encounters Chiara and Marzia. Chiara playfully tosses Oliver's shirt and insists on going to the river, while teasingly flirting with Oliver, much to Elio's envy. As Oliver gathers loose papers, Chiara boasts about her translation skills, and Oliver humorously engages with her. Elio hands Oliver his sunglasses and a book, highlighting their intimacy. The scene culminates with Chiara leading Oliver out as he puts on his blue shirt, leaving Elio feeling a mix of admiration and jealousy.
• In a vibrant restaurant with an open-air dance floor, Chiara dances seductively with Oliver, igniting Elio's jealousy and longing as he watches from a distance with Marzia and friends. As Oliver showcases his charm, Elio struggles with his feelings but is encouraged by Marzia to join the dance. The scene captures the playful energy and underlying tension of attraction, culminating in Elio's confident dance that earns him applause from his friends, while Marzia observes with amusement.
• Elio and Marzia share an intimate night by the river, undressing and swimming together, which highlights their playful connection. Marzia questions Elio about his feelings for Chiara, revealing underlying tension, but Elio denies any anger. After a tender moment of kissing, they agree to meet again the next night, with Marzia insisting on secrecy about their rendezvous.
• Elio wakes up to the sound of Oliver in the bathroom, leading to a playful breakfast scene where Oliver showcases his skills with a soft-boiled egg. Amidst light-hearted teasing about Elio's romantic pursuits, Professor Perlman invites Oliver on a trip to Sirmione, humorously insisting that Elio must remain silent. The scene captures a blend of self-reflection and humor, culminating in a sense of curiosity for the adventures ahead.
• Elio cleans the Perlmans' car when Chiara arrives on her bike, asking about Oliver. Disappointed to learn they are leaving for Lake Garda, she shares a moment with Oliver before kissing him goodbye. Elio playfully comments on Chiara's beauty and hints at matchmaking, but Oliver prefers solitude. The tension escalates when Professor Perlman suggests Oliver sit in the front seat, shifting the dynamics among the characters.
• Perlman drives through the Italian countryside with Oliver and Elio, who is captivated by Oliver. They arrive at the Grotte di Catullo, where Perlman shares his enthusiasm for the archaeological site. As they witness the recovery of a bronze statue of a boxer from Lake Garda, excitement and admiration fill the air, highlighting the beauty of the ancient artifact and the bond between the characters.
• On the beach at Sirmione, Perlman shares the historical significance of a newly discovered bronze statue with Elio and Oliver, highlighting its connection to the Vatican. As the sun sets, they share light-hearted jokes about the statue's fate before enjoying a swim in the tranquil lake. Afterward, Elio expresses his urgency to leave, contrasting with Perlman and Oliver's desire to celebrate with a drink. The scene captures a blend of wonder and celebration against the backdrop of a picturesque evening.
• In a cozy yet tense atmosphere at the Perlman villa during a thunderstorm, Oliver works late while Elio seeks connection with Marzia. The family gathers as the lights flicker, prompting Annelia to read from the Heptameron, exploring themes of love and courage. As the lights go out, discussions about youth and relationships unfold, with Annelia encouraging Elio to embrace risks in love. The scene culminates in a tender moment between mother and son, reinforcing their bond as the lights return.
• The day after a storm, Elio finds himself lost in thought while playing the piano. He notices Oliver's bike is missing and, driven by longing, sneaks into Oliver's room through the bathroom. There, he intimately explores Oliver's belongings, particularly his bathing suit, which he smells and kisses. Seeking a connection to Oliver, Elio puts on the bathing suit and lies in his bed, but is interrupted by the sound of Oliver's bicycle. He quickly tidies up and exits the room, still grappling with his unspoken feelings.
• Elio and Oliver share a contemplative moment under the trees at the Perlman villa, discussing a 16th-century French romance that reflects Elio's internal struggles. As they prepare to go into town, Elio accidentally spills lemonade, and Oliver's instinctive act of picking it up signifies his caring nature. Their interaction reveals a growing bond, marked by unspoken feelings and a sense of companionship as they decide to leave together.
• In this light-hearted scene outside the Perlman villa, Oliver receives his repaired bike from Anchise and shows Elio a scrape on his hip, treated with an unusual remedy. Elio expresses concern about Anchise's character, questioning if he gives Oliver the creeps. Oliver reassures him, describing Anchise as a lost soul, which alleviates Elio's worries. The scene captures their camaraderie as they prepare to ride their bikes together.
• In a quaint town square, Oliver and Elio share a moment of vulnerability as they discuss history and Elio's feelings of inadequacy. Oliver, taking on a mentor-like role, encourages Elio while grappling with his own emotions. Their conversation hints at deeper feelings, but tension arises as Elio confesses his self-doubt. The scene captures a blend of light-heartedness and emotional depth, culminating in Oliver asking Elio to wait while he resolves a mix-up, leaving their deeper conversation momentarily paused.
• Elio and Oliver explore a picturesque country road, sharing laughter over a Mussolini picture before retreating to a tranquil spot by spring water ponds. In this serene setting, they delve into deep conversations about loneliness and their feelings for each other, leading to a tentative kiss. However, Oliver expresses a need for boundaries, creating tension as Elio's boldness clashes with Oliver's desire for propriety. The scene captures a blend of playful exploration and emotional vulnerability, ending with Oliver helping Elio up, symbolizing both care and the return to reality.
• Elio and Oliver share a playful footsie moment during lunch at the Perlman villa, deepening their intimate bond amidst the pompous chatter of an art historian couple. However, Elio's joy turns to panic when he suddenly experiences a nosebleed, prompting him to leave the table in search of ice, highlighting his internal struggle with their impending separation.
• In a vulnerable moment at the Perlman villa's bar, Elio tends to his bleeding nose while Oliver finds him and expresses concern. Their interaction deepens as Oliver massages Elio's feet, leading to a light-hearted conversation about their Jewish heritage and Elio's mother's views on discretion. Chiara and Marzia add a playful atmosphere, but the focus remains on the intimacy and care Oliver provides. The scene concludes with Oliver helping Elio to his feet and suggesting he rest on the couch, highlighting their growing connection.
• In the Perlman villa's living room, Chiara playfully teases Elio about his 'peasant feet,' provoking a shy yet playful reaction from him. Marzia defends Elio, providing comfort amidst Chiara's competitive teasing. Elio expresses concern about his mother seeing him and asks about Oliver, but Chiara dismisses his inquiry. The scene captures a playful yet tense dynamic among the characters, ending with Elio swimming in the river, symbolizing a moment of freedom from the earlier tension.
• Elio prepares a smoothie in the kitchen with the help of Mafalda, who is unfamiliar with the process. He takes the smoothie outside to join his mother, Annella, who encourages his feelings for Oliver. As they discuss Oliver, Elio grows anxious about his absence. Later, he waits for Oliver on the terrace, struggling to focus on a book. When Oliver finally arrives, Elio pretends to be asleep but feels betrayed when Oliver walks past his room without stopping, leaving him in disappointment.
• In the garden of the Perlman villa, Elio arrives last, avoiding eye contact with Oliver, indicating tension. Oliver, weary, engages in a conversation with Perlman and Annella about his lifestyle choices, particularly his gambling and drinking habits. Perlman expresses concern for both Oliver and Elio, while Annella worries about Oliver's health and encourages him to rest. The scene concludes with Oliver agreeing to take it easy that night, alleviating Annella's concerns, as she offers him more coffee and reminds her son to sit up straight, reinforcing the familial atmosphere.
• In a tense and awkward encounter on the Perlman Villa lawn, Elio attempts to connect with Oliver, who is absorbed in his work. Elio's restlessness prompts him to kick a volleyball at Oliver, breaking the silence and leading to a conversation about their previous night. While Elio expresses his desire to go into town and share his feelings, Oliver remains indifferent, highlighting their emotional disconnect. Perlman observes the interaction from his studio, adding a layer of parental oversight to the scene.
• On the main entrance lawn of the Perlman Villa, Elio and Oliver share a heartfelt conversation about their relationship. Elio expresses a longing to spend time together again, reminiscing about a previous day, while acknowledging the passage of time. Oliver compliments Elio's wisdom and inquires about his feelings, leading Elio to fervently admit he worships him. This emotional exchange resolves Elio's hesitation, and Oliver agrees to meet in half an hour for a bike ride, requesting no formalities. The scene captures their deepening bond in a tender and introspective atmosphere.
• In a picturesque setting by a fresh water spring in Crema, Italy, Elio and Oliver enjoy their carefree days together, filled with swimming and volleyball. Their connection deepens when Elio gifts Oliver a book he has written, symbolizing his affection. Despite the joy of their companionship, an underlying tension from Elio's feelings for Oliver remains unresolved. The scene captures a nostalgic and bittersweet tone, ending with Elio playfully reminding Oliver of their unspoken agreement to avoid speeches, hinting at the complexities of their relationship.
• Elio and Oliver return from a ride, with Elio avoiding the turn to his home, signaling his inner conflict. At the Perlman villa, the family enjoys drinks as Oliver joins them, appearing refreshed and charismatic. They share light conversation about missing each other and Oliver's fondness for the villa, while Elio remains cautious and reserved. Anella expresses warmth towards Oliver, and Perlman encourages him to consider their home as his own. The scene is set against a sunset backdrop, highlighting the bittersweet emotional tension between Elio's unacknowledged feelings and Oliver's relaxed charm, leaving the emotional stakes unresolved.
• After dinner, Elio feels restless and seeks connection, first gazing at Oliver's window and noticing a drying red bathing suit. He joins his parents in the living room but is distracted by the news and lights a cigarette. Elio then calls Marzia, inviting her out, and they agree to meet, indicating a shift in his focus from Oliver to her.
• Elio and Marzia stroll through the enchanting streets of Crema at night, where Elio impulsively buys a book for her. Their conversation in French reveals Marzia's fears of emotional pain and Elio's struggle with vulnerability. A brief kiss ignites a passionate moment, leading them to explore each other's bodies in a secluded corner of Palazzo Premoli. The scene captures the romantic tension and vulnerability of young love, culminating in Marzia's poignant question about Elio's true feelings.
• In this poignant scene, Elio and Marzia share a playful and intimate moment by the river at night, filled with laughter and love. As dawn breaks, Elio finds himself in a state of emotional turmoil, grappling with his feelings for Oliver while attempting to write a heartfelt note expressing his longing and anxiety over Oliver's silence. After several drafts, he finally pens a note that captures his need for communication, reflecting on his emotions as he smells his hands. The scene concludes with Elio slipping the note under Oliver's door, symbolizing his hope for connection amidst uncertainty.
• In the garden of the Perlman villa during breakfast, Professor Perlman reads the newspaper while a sleepy Elio cracks an egg. Oliver joins them, casually asking Elio about his night, which Elio brushes off. Perlman hints at upcoming work with color slides from Berlin. The scene shifts to Elio's bedroom, where he discovers a note he wrote to Oliver, now with Oliver's addition urging him to grow up and meet at midnight. Overwhelmed, Elio kisses the note and realizes it's only 10:30 AM, leaving him excited yet anxious about their connection.
• In Professor Perlman's study, Oliver and Perlman discuss the sensuality of Hellenistic sculptures, captivating Oliver with their stylistic differences. The scene shifts to a lunch under lime trees, where Annella reminds the group about dinner guests. Elio feels self-conscious about a large birthday shirt and seeks Oliver's opinion, but Oliver remains non-committal. Anxious about the time, Elio tries to hide his watch but ultimately runs upstairs, frustrated. The scene concludes with Oliver informing Mafalda that he won't be home for dinner, indicating a change in his plans.
• Elio is awakened by Marzia's kiss at the abbeveratoio, leading to a playful and intimate moment between them. They decide to escape to the attic, where they share a romantic encounter on a mattress, illuminated by the soft afternoon light. As the scene concludes, Marzia leaves just before dinner, and Elio introduces her to arriving guests, a gay couple, marking a shift from their private intimacy to the social atmosphere of the villa.
• In Elio's bedroom, his father, Perlman, encourages him to wear a Hawaiian shirt gifted by their guests, whom he playfully refers to as 'Laurel and Hardy.' Despite Elio's initial reluctance and teenage angst, Perlman teaches him about acceptance and maturity. The scene shifts to an outdoor table under lime trees, where Elio makes a lively entrance in the shirt, delighting their guests and marking a moment of familial connection and growth.
• Elio performs a piano piece by Poulenc in the living room of the Perlman villa, captivating his audience, including the enigmatic Oliver. After the performance, Elio retreats to his bedroom, where he reflects on his identity and feelings for Oliver while writing in his journal. The scene captures Elio's internal struggle and longing, juxtaposed with Oliver's calm demeanor in his room. As Elio questions himself in the bathroom, the atmosphere is filled with introspection and curiosity, leaving him in contemplation about his emotions.
• Elio, after hearing guests leave the Perlman villa, rushes to join Oliver on the balcony. They share a moment of vulnerability, both admitting their nervousness about their feelings for each other, creating an intimate connection amidst the tension of the night.
• In Oliver's bedroom at the Perlman villa, Elio and Oliver share a tender and intimate moment. Initially hesitant, Elio moves closer to Oliver, leading to playful foot touching and a heartfelt hug. As they kiss passionately, they undress each other, experiencing a mix of pain and pleasure during their sexual encounter. This moment deepens their emotional connection, culminating in a shared sense of vulnerability. Afterward, Oliver comforts Elio, holding him as he falls asleep, encapsulating a sense of safety and intimacy.
• As dawn breaks in Oliver's room, he cradles Elio, who wakes but avoids confronting the emotions from their intimate night. Oliver expresses concern for Elio's feelings, hinting at the need for discussion about their actions. Elio, while evasive, admits he didn't hate the experience, yet his smile suggests a wish for distance. After a moment of intimacy, Elio decides to shift their focus by suggesting they go swimming, indicating a desire to move forward despite lingering uncertainties.
• In this scene, Oliver and Elio share a tense morning after a secretive encounter the night before. While swimming in the river, Elio feels distant from Oliver, who later asks if Elio will hold their previous night against him. Their awkward dynamic continues as they sneak into the villa, where Oliver surprises Elio in his room, leading to an off-screen sexual encounter that leaves Elio feeling uncomfortable. At breakfast with the Perlman family, Oliver subtly initiates physical contact with Elio, but the mood shifts as Oliver announces his plans to leave for town, heightening Elio's anxiety about Oliver's impending departure. The scene concludes with Elio feeling conflicted as he prepares to follow Oliver outside.
• In the central square of Crema, Elio rushes to Oliver, expressing his desire to be close while Oliver reveals his fears about their relationship's emotional implications. Despite Elio's reassurances, uncertainty lingers between them. The scene transitions to a montage of life in the garden and a brief kitchen interaction between Mafalda and Anchise, before concluding with a tender moment between Elio and his mother as he picks peaches.
• In the attic of the Perlman villa, Elio reflects on his intimate moment with Marzia while distracted by the summer sky and peaches. Engaging in a sexual act with a peach, he grapples with feelings of absurdity and shame before falling asleep. Oliver discovers him, leading to a playful yet intimate exchange where Oliver teases Elio about his actions. This moment of vulnerability culminates in a kiss, solidifying their emotional connection and commitment to each other.
• At the Perlman villa, Elio and Oliver share an intimate conversation in the garden, grappling with their feelings and the pain of impending separation as Oliver prepares to return to the States. Elio expresses his anxiety and regrets about their time together, while Oliver reassures him of their bond. Meanwhile, Mafalda irons in the background, symbolizing domesticity, and Anchise works in a hut, contrasting the emotional turmoil of the young lovers. The Perlman parents, Perlman and Annella, listen to the conversation, acknowledging the depth of their son's relationship with Oliver. The scene is filled with a melancholic tone, highlighting longing and unspoken emotions amidst the warm light of the villa.
• In this poignant scene, Elio dons Oliver's blue shirt, symbolizing his growing affection. At breakfast, he tenderly cracks an egg for Oliver, while their connection deepens with a subtle foot touch under the table. Elio faces tension with Marzia, who confronts him about his feelings, leaving her hurt and him speechless. By the pool, Elio expresses regret for Marzia's feelings, yet shares an intimate moment with Oliver. Perlman and Annella discuss Oliver's upcoming trip, adding humor that contrasts with Elio's emotional turmoil, highlighting the complexities of young love.
• At dusk in front of the War World I Memorial in Pandino, Oliver and Elio, still in their swimsuits, share a playful yet intimate moment as they attempt to embrace the large monument. Their fingertips almost touch, but when Oliver leans in for a kiss, Elio pushes him away, insisting it's not the right place for such intimacy. They leave the memorial together on their bikes, observed by a young couple nearby, reflecting the innocence and complexity of young love.
• Elio and Oliver share a playful and intimate moment in their hotel room before venturing into the lively streets of Bergamo. As they stumble through the night, their romantic connection is tested when Oliver kisses Elio but is distracted by a distant melody. At a small square, Oliver engages with a group of New Romantics, expressing his admiration for the band Psychedelic Furs, while Elio feels increasingly out of place. The scene culminates in Elio's unexpected vomiting, highlighting his discomfort amidst the carefree atmosphere.
• In this emotionally charged scene, Oliver comforts Elio after a bout of vomiting, leading to a passionate kiss that defies the judgment of onlookers. Their intimacy deepens in the hotel room, but the mood shifts as Oliver prepares to leave for Rome. At the train station, he sings a heartfelt song that encapsulates their feelings, leaving Elio visibly affected as the train departs. Alone on the platform, Elio grapples with the pain of separation before calling his mother for a ride home.
• Elio is driven back to the villa by Anella, visibly upset and crying over Oliver's departure. In the parked car, he encounters Marzia, who expresses her love and reassures him, leading to a heartfelt moment where they agree to remain friends. Upon returning to the villa, Elio briefly interacts with Anchise, who shares his sadness about Oliver, but Elio chooses to avoid further discussion, highlighting his emotional struggle with loss.
• Elio confronts his anger upon learning from Mafalda that his room has been restored, leading him to reflect on his cherished memories with Oliver in the latter's former room. A heartfelt conversation with his father, Professor Perlman, follows, where they discuss the significance of Elio's relationship with Oliver and the importance of embracing emotions. Perlman shares his own regrets, fostering a deep understanding between father and son as they navigate themes of love, loss, and the passage of time.
• Six months after their summer together, Elio wanders the foggy countryside, reflecting on his deep connection with Oliver. Upon returning to the Perlman villa, he receives a phone call from Oliver, who shares news of his potential marriage, leaving Elio feeling a mix of longing and sadness. As they discuss their feelings and the awareness of Elio's parents regarding their relationship, the scene shifts to the Perlman family evaluating new scholar applications, which Elio finds uninteresting. The emotional tension culminates as Elio prepares for a celebration dinner, lost in thought, before the scene fades to black.