INT. HOSPITAL ROOM - DAY (B&W)
SUPER: GLENWOOD SPRINGS CHILDREN'S HOSPITAL 1962
JAMES RUSSELL (8) lies in bed reading the Adventures of Wyatt
Earp.
His MOTHER and FATHER stand in conversation with a DOCTOR.
A COWBOY (30s) enters--unnoticed by everyone except James.
James waves.
The Cowboy tips his hat, listens in on the conversation.
DOCTOR
I'm sorry, we just don't have
the facilities to handle a case of
this nature. But there’s a hospital
in Pennsylvania I can refer you to.
The Father nods. The Mother gazes sadly at her son.
The Cowboy walks over to the James, kneels down and whispers
something, then places a shiny bullet into his small hand.
James stares at it--mesmerized.
INT. PITTSBURGH PA / ANTIQUE STORE - PRESENT DAY
The same bullet--now old and tarnished--rests in JAMES (70)
weathered palm. He places it into a ring box.
A bell DINGS as the shop’s entrance door opens.
MELISSA RUSSELL (30s), beautiful, smart, and carrying the
emotional exhaustion of someone who recently threw a man’s
golf clubs off a balcony, enters with luggage.
She shakes snow off her hat, tosses it onto a buffalo head
mounted on the wall.
JAMES
Looks like you're ready. Damn
shame--just got ya back.
MELISSA
Dad, I’m not running away. I’m...
relocating. Temporarily.
A beat.
MELISSA
And for the record, he deserved the
nine-iron to the windshield.
James smirks--he’s heard the story.
JAMES
You sure Vegas is where you wanna
start over?
MELISSA
It’s either Vegas or a convent. And
I don’t look good in black and
white.
James chuckles, hands her the ring box.
JAMES
Take this.
(voice like a fortune
teller)
Its special powers will keep you
safe from gypsies, thieves... and
hopefully husbands with wandering
hands.
MELISSA
Dad.... You and that magical bullet
of yours.
She shakes her head, with a sigh.
JAMES
Hey, its powers kept me safe.
MELISSA
I know the story well. The
mysterious cowboy that gives an
eight-year-old a bullet. Who in
their right mind would give a--
JAMES
Just promise, you won't lose it.
MELISSA
Daddy, I'm not a little girl.
JAMES
You'll always be my little girl.
She softens, glances outside. Snow falls.
MELISSA
There's my Uber.
JAMES
You sure you gave yourself enough
time to stop in Colorado?
She nods.
JAMES
Do you have the address?
MELISSA
How hard could it be to find
in a one-horse town?
Melissa kisses his cheek and heads out.
I./E. COLORADO HIGHWAY / FORD EXPLORER (MOVING) - DAY
Melissa gazes at the snow-capped Rocky Mountains as she
drives down Route 70.
MELISSA
(to herself)
Fresh start. New job. No men. No
more golf clubs.
She sips her coffee.
A beat.
Her GPS glitches.
GPS (V.O.)
Recalculating... recalculating.
MELISSA
Story of my life.
Genres:
["Drama","Western","Family"]
Ratings
Scene
2 -
Mysterious Encounters in Leadville
EXT. LEADVILLE STREET - DAY
Melissa peers into an empty storefront. She tries the door.
Locked.
She walks toward the busier part of town and sees a MAN (30s),
standing alone on the corner.
Except... there are actually two men in long black coats and
wide brim hats. Only one is visible to her.
She approaches.
MELISSA
Hi--sorry--can you tell me where--
Melissa holds her cellphone screen towards him, points to it.
MELISSA
--this antique store is?
The Man startles, steps back, and silently points down the
street.
Melissa frowns. Odd. But she heads off.
The two men exchange a look--one confused, one amused.
INT. BLUE MOON ANTIQUE STORE - DAY
An ELDERLY WOMAN in a rocker sits behind a glass case filled
with antique jewelry.
MELISSA
Hi. I'm looking for Jack Hart--
ELDERLY WOMAN
Dead.
Melissa blinks.
MELISSA
Dead? My father just talked to him
last month.
ELDERLY WOMAN
People die, ya know. Why ya lookin’
fer him?
MELISSA
He and my dad had business.
The woman spits on the floor.
MELISSA
Okay... so customer service isn’t
your thing.
Melissa lightly taps her fingers on the glass countertop.
MELISSA (CONT'D)
Is someone else running his store?
ELDERLY WOMAN
Nope. Everything went to a dealer
in Glenwood, ‘cept what the Silver
Dollar had dibs on. Those sons-a-
bitches never asked me if I wanted
anything. Far as I care, they can
all go da hell.
MELISSA
How do I find the Silver Dollar?
ELDERLY WOMAN
Round the corner.
Melissa nods, starts toward the door.
ELDERLY WOMAN (CONT'D)
What zackly ya lookin fer?
MELISSA
Oh, just something my dad wanted.
In the antique mirror behind her--the reflection of
mysterious man from the street watching her.
Melissa pauses at the door with one brief glance behind her.
Genres:
["Drama","Mystery","Western"]
Ratings
Scene
3 -
Mysteries at the Silver Dollar Saloon
EXT. LEADVILLE SIDEWALK - DAY
Melissa walks back toward the main street, pauses at mural of
Old West Women painted on a building--guns, corsets,
attitude. She snaps a picture with her phone.
MELISSA
(to herself)
If reincarnation is real, I was
definitely the one with the
shotgun.
She captures a picture of it with her cellphone.
Continues to the saloon.
INT. SILVER DOLLAR SALOON - DAY
An old smoke shop wooden Indian stands guard outside.
Melissa pushes through the swinging doors.
A BARKEEP, a burly Irishman with a handlebar mustache,
brightens.
BARKEEP
Good day, young lady.
MELISSA
Can I get a Diet Coke
and maybe a clue to the universe.
He chuckles, pours the drink.
MELISSA
I’m looking for something Jack Hart
sold--
BARKEEP
You’ll want the owner.
He sets the drink on the bar. Disappears into the back room.
Melissa takes in the saloon--old photos, poker tables, a
dusty piano. She turns back as the OWNER (50s) appears.
OWNER
You wanted to see me?
MELISSA
Yes. My father bought a Colt revolver from Jack
Hart--supposedly Doc Holliday’s.
OWNER
(stunned)
Doc's gun? Are you shittin’ me?
MELISSA
I wish. I’ve been on the road for
two days and my GPS hates me.
The Owner grins.
OWNER
Ya know, Doc lived in this very
building.
(points)
Dealt faro in that back room.
Melissa glances--and freezes.
The mysterious man from earlier sits at a corner table,
shuffling cards. He stands, lifts his long black coat from a
chair, folds it over his arm and walks toward them, cool and
smooth. With a wink, he tips his hat at her.
Melissa stares at him.
MELISSA
Is there an Old West show in town?
OWNER
No. Why?
MELISSA
That guy... who is he?
OWNER
What guy?
MELISSA
He just went out the door.
OWNER
I didn't see anybody.
MELISSA
C'mon, are you kidding? He walked
right past us. Tall, good-looking,
mustache, and wearing a gun.
OWNER
What?
MELISSA
Yeah, he's dressed like a sheriff,
like you'd see in a western. No,
more like a gambler. Yeah! Like
Maverick--the Mel Gibson one.
OWNER
I don't know what you saw but,
I'm sure it was nothing.
Melissa blinks. He’s serious.
OWNER
Maybe Devlin knows about the gun.
Jake Devlin in Glenwood Springs. He
bought the estate.
Genres:
["Western","Mystery","Drama"]
Ratings
Scene
4 -
A Fresh Start and a Colt's Legacy
INT. BED & BREAKFAST BEDROOM - NIGHT
Melissa enters a cozy room and collapses onto the brass bed,
phone in hand.
MELISSA
(into phone)
Hi, Dad!... Yes, I’m here. It's
beautiful, but... Dad, he's dead.
Heart attack.
(MORE)
MELISSA (CONT'D)
No one seems to know anything. His
stuff went to a dealer in Glenwood
Springs. I'll go there tomorrow...
I think so, it's on the way... Yes,
I’ll be careful... Love you too!
She hangs up, sighs, and stares at the ceiling.
MELISSA
Fresh start, Melissa. Preferably
one without ghosts.
INT. JAKE DEVLIN ANTIQUE STORE - DAY
Melissa enters.
JAKE DEVLIN (40s), handsome in a rugged, catalog-cowboy way,
stands behind a glass case filled with antique guns.
He smiles.
She smiles back--politely, not romantically.
MELISSA
Are you the Marlboro Cowboy?
JAKE
(laughs)
Only on weekends. What can I do for
you?
MELISSA
I’m looking for a Colt revolver
from Jack Hart’s estate.
JAKE
And what's so special about it?
MELISSA
It belonged to Doc Holliday.
JAKE
Shit. Doc’s colt? You sure?
MELISSA
My dad’s a collector. Hart sold it
to him. I came to pick it up.
A faint sound outside catches her attention She turns--
nothing there.
Jake rubs his hands together.
JAKE
I wonder where it is?
Seeing nothing, Melissa turns back toward Jake.
MELISSA
That’s what I’d like to know.
JAKE
Let's take a walk down to Doc's
Tavern, see if they know anything
about it.
Genres:
["Western","Mystery","Drama"]
Ratings
Scene
5 -
Haunted Whispers at the Tavern
EXT. THE DOC HOLLIDAY TAVERN - DAY
A neon sign of a giant gun and holster glows above the
entrance.
JAKE
Some say it's haunted.
Melissa snaps a picture. Tilts her head, as she stares at a
drawing of Doc etched in the glass.
JAKE (CONT'D)
He's buried up the hill. Folks say
he keeps an eye on the place.
Melissa stiffens.
JAKE (CONT'D)
(grins)
I’m just pulling your leg, ma’am.
INT. DOC HOLLIDAY TAVERN - DAY
Melissa and Jake sit at the bar.
The BARMAID (late 30s), a tall blonde with hair to her waist,
lights up at the sight of Jake.
BARMAID
Well, well, Jake Devlin. Looks
like you've been up on the range.
Jake blushes.
BARMAID (CONT'D)
What can I get you two?
MELISSA
Beer. Please.
JAKE
Make that two.
The Barmaid grabs two frosted mugs.
JAKE (CONT'D)
Hey, Barb, you heard anything about
a gun of Doc's floatin' around?
BARMAID
Haven't seen anything of Doc's for
a long time.
As the Barmaid pours, Melissa’s gaze drifts to an old
painting above the bar of Doc Holliday and a woman. She
stares at the man’s eyes and shivers.
The Barmaid sets down the mugs, eyeballs Melissa.
BARMAID (CONT'D)
Something wrong?
MELISSA
Ah... no. It's just that the man in
that painting looks familiar.
BARMAID
He should! That's Doc Holliday.
Melissa looks back up at the painting.
MELISSA
And who's that next to him?
BARMAID
His one and only true love - Kate
was her name.
Melissa looks again--uneasy.
Across the room, the mysterious man sits at a table.
Invisible to everyone--including Melissa this time.
MELISSA
I should get going.
JAKE
What about the gun?
Melissa shrugs.
MELISSA
Don't know. And honestly? I’m too
tired to chase ghosts today. I’ve
gotta get to Vegas.
BARMAID
Gonna try your luck?
MELISSA
No, I have a job waiting. Well,
thanks for the beer.
She grabs her purse, heads for the door.
JAKE
Hey, what's your name?
MELISSA
Melissa Russell.
The door closes.
BARMAID
You thinking what I’m thinking?
Jake gives a sly nod.
Across the room, the mysterious man’s eyes narrow at Jake.
Genres:
["Western","Mystery","Drama"]
Ratings
Scene
6 -
Encounter at the Grave
EXT. CEMETERY - DAY
Melissa climbs the rocky hill, following small wooden signs
toward Doc Holliday's grave. The wind whistles through the
pines
MELISSA
(to herself, muttering)
I’m not chasing ghosts. I’m just...
proving there aren’t any.
She reaches the iron gate surrounding the grave. A red
western scarf tied around the stone marker. Flowers, playing
cards, and poker chips scatter the grass like offerings.
Melissa snaps a picture, kneels to read the inscription.
A man's voice--Southern, smooth.
MAN (O.S.)
Why do you think they still care?
Without looking up:
MELISSA
The love of a legend, I'd say.
She lifts her head--and freezes.
It’s him. The mysterious man from Leadville. He steps closer,
calm as moonlight.
MAN
The wild flowers are my favorite.
Melissa’s eyes widen. She falls backward onto the dirt.
MELISSA
Ohmigod--it is you!
The man--DOC HOLLIDAY--gazes down at her, unbothered. He
pulls out a cigarette, flicks a match on the iron gate,
lights it.
MELISSA (CONT'D)
You're him... The guy I saw in...
The one who looks like --
DOC
(tips his hat)
Doctor John Henry Holliday.
Melissa scrambles backward on her hands and knees, circling
around the grave.
MELISSA
Get outta here! This is crazy!
DOC
Why?
MELISSA
Why? You’re a freakin’ ghost!
DOC
That’s the rumor.
He takes a slow drag, utterly composed.
Melissa stands--shaking, but determined--brushes dirt off her
jeans.
Doc flicks the cigarette away, reaches into his coat, and
takes out a small tin of Brown & Haley mints. Pops one into
his mouth. Offers her one.
She stares, dumbfounded.
MELISSA
Why can I see you? No one else can.
DOC
I calculate it's what you need.
MELISSA
What?
DOC
Aren't you looking for the Colt?
MELISSA
Did you follow me from Leadville?
Doc says nothing--just watches her with those haunting blue
eyes.
MELISSA (CONT'D)
Why?
DOC
The gun isn't here.
MELISSA
What do you know about it?
DOC
It's mine, isn't it?
MELISSA
Well...yeah, it was. Where is it?
DOC
Leadville.
MELISSA
I looked there.
DOC
Did you?
MELISSA
As much as you've been following me
around, you should know I did.
DOC
So you checked with an old woman
who you didn't trust--and should
have. A huckleberry in a bar--which
you did, and shouldn't have. And a
gun collector who wants it more
than you do.
Melissa folds her arms.
MELISSA
If you're so damned smart, who has
it then?
DOC
His widow?
MELISSA
Whose widow?
DOC
Hart’s.
MELISSA
I didn't know--
DOC
The others know.
MELISSA
What others?
DOC
The others you informed about the
gun.
MELISSA
Why didn't you talk to me about
this in Leadville?
DOC
You weren't ready for me.
MELISSA
I'm still not ready for you.
DOC
You'll come around.
He leans casually against the tree shading the grave.
DOC (CONT'D)
We're going back to Leadville.
MELISSA
“We” as in... us? You and me?
Doc nods, matter-of-fact.
MELISSA (CONT'D)
Why are you helping me?
DOC
Beauty and brains--that can be a
mighty powerful combination.
He turns and starts down the hill.
Melissa stays frozen, processing everything.
Doc stops, glances back.
DOC (CONT'D)
You stand still too long in this
place, and someone’s liable to
throw a shovel of dirt on you.
Melissa breaks--just barely--into a smile.
DOC
C’mon, Darlin’. Enough questions
for now.
She follows him down the hill. The town spreads out below
them---quaint, quiet, unsuspecting.
Genres:
["Western","Mystery","Supernatural"]
Ratings
Scene
7 -
Secrets and Flirts
INT. FORD EXPLORER - DAY
Melissa drives.
Doc sits in the back seat like a man who’s been riding in
carriages his whole life and finds this contraption beneath
him.
Melissa checks the rearview mirror.
MELISSA
You’re really back there.
DOC
Now head back to Leadville. And
don't tell anyone about me.
MELISSA
Like who would believe me? They’d
lock me in a rubber room and throw
away the key.
(beat)
Wait, what about my --
DOC
No. Not even your father.
Melissa exhales, grips the wheel tighter.
I./E. FORD EXPLORER (MOVING) - NIGHT
The sun dips behind the mountains. The sky glows purple.
DOC
It's getting late. You should stop
for the night.
Melissa catches him in the rearview mirror again.
DOC (CONT'D)
Don't fear. I've never been
anything but a gentleman my entire
being.
(very quiet, teasing)
Even though... you are very
tempting.
Melissa nearly swerves.
MELISSA
Okay, no flirting from the dead
guy. That’s a rule.
Doc smirks.
EXT. MOTEL - DAY
Melissa exits her room, coffee in hand.
Doc lounges in the back seat of the Explorer, hat tipped over
his eyes like he’s sunbathing.
MELISSA
Do ghosts sleep?
DOC
Only when the company’s dull.
She rolls her eyes and gets in.
Genres:
["Western","Mystery","Supernatural"]
Ratings
Scene
8 -
The Negotiation at Hart House
EXT. HART HOUSE - DAY
Melissa and Doc approach the modest home.
Doc pauses--an UNEARTHLY MAN stands on the sidewalk,
invisible to Melissa. The man tips his hat and strolls away.
DOC
(to himself)
Well, hell.
Melissa knocks.
I./E. HART HOUSE / FRONT PORCH - CONTINUOUS
VIRGINIA HART (50s), in a nurse's uniform, opens the door.
She can’t see Doc standing right beside Melissa
MELISSA
Mrs. Hart?
VIRGINIA
Yeah?
MELISSA
I'm Melissa Russell. I'm here about
a gun your husband sold to my
father.
VIRGINIA
He doesn't have a gun. He's dead!
MELISSA
I know. I’m sorry. But before he
passed, he made a deal --
VIRGINIA
It wasn't his to sell.
MELISSA
He accepted ten thousand dollars
for it.
VIRGINIA
The gun's mine! It belonged to my
great-grandmother. And now it's
all I have left. Jack was so busy
wheeling and dealing he forgot to
pay his bills--including his damn
life insurance!
MELISSA
I’m sorry, but a deal's a deal.
VIRGINIA
Take that up with Jack! You can
find him in the Leadville Baptist
Cemetery.
Virginia tries to shut the door. Melissa blocks it with her
foot.
MELISSA
Let's try and work this out. You do
want to sell the gun, don't you?
Virginia hesitates--greed flickering.
VIRGINIA
Well...yes. Funny thing--before
yesterday, no one even knew I had a
gun. Now suddenly it's a hot item!
DOC
Your friend the Marlboro man.
Melissa shoots him a look--shhh.
DOC (CONT'D)
She can’t hear me.
MELISSA
(to Virginia)
Can I see the gun?
Virginia opens the door wider. Melissa and Doc enter.
Genres:
["Western","Mystery","Drama"]
Ratings
Scene
9 -
Confrontation at Hart House
INT. HART HOUSE - CONTINUOUS
The living room is a museum of mismatched antiques and dust.
VIRGINIA
I'll get it. Wait here.
Doc wanders, inspecting knick-knacks like a man revisiting a
bad Airbnb.
He lifts a crystal decanter, sniffs it, recoils.
DOC
Did I tell you she killed him?
Melissa eyes widen.
MELISSA
(whispers)
She did not.
Doc drags a finger through dust, blows it off--right into
Melissa’s face. She coughs.
Virginia returns with a leather box. She opens it.
Inside a stunning Colt revolver with gold trim and a mother-
of-pearl handle. Engraved on the hammer: J. H. HOLLIDAY.
MELISSA (CONT'D)
Whoa... beautiful!
DOC
Oh, my sweet innocent Melissa. Keep
gushing and the price will go up.
VIRGINIA
Isn't it? Which is why I can't part
with it for a mere ten thousand. A
man in Glenwood Springs offered me
thirty-five.
MELISSA
Jake Devlin?
VIRGINIA
Why yes. A friend of yours?
The phone RINGS. Virginia answers.
Melissa leans toward Doc.
MELISSA
(whispers)
How?
Doc inspects the gun.
DOC
How what?
MELISSA
How did she kill him?
DOC
She stuck a needle in his arm.
MELISSA
Maybe it was a medicine.
Doc shakes his head.
Virginia hangs up.
VIRGINIA
That was Jake Devlin again. I told
him you were here. He wants the
last bid.
MELISSA
You can't sell it to him! My father
already bought it.
VIRGINIA
I can do whatever I want.
DOC
It's time to shake her down.
MELISSA
I have a cancelled check.
VIRGINIA
Consider it a down payment.
(beat)
In fact... now that I think about
it... the gun’s worth at least
fifty thousand.
MELISSA
You can't be serious?
VIRGINIA
I'm dead serious.
MELISSA
You have a funny way with words.
VIRGINIA
What?
MELISSA
Never mind.
VIRGINIA
I think it's time you leave. You're
getting on my nerves.
MELISSA
Is that what you said to Jack
before you killed him?
Virginia freezes.
VIRGINIA
What are you talkin’ about?
MELISSA
Like you don't know.
VIRGINIA
Get out of my house or I'll call
the police!
MELISSA
Great idea.
DOC
He fell on the floor, drunk. She
put the needle in his arm. A shot
of air stops the heart.
MELISSA
I can tell them how Jack was drunk
and you decided to put an end to
him. A shot of...
VIRGINIA
You’re crazy! You couldn't know
that--
MELISSA
Oh, but I do. Look--maybe he had it
coming. I don't know, I don't care.
I just want the gun.
VIRGINIA
Fifty thousand.
MELISSA
Give it up. You've lost your
bargaining power.
Melissa grabs the leather box and heads for the door.
Virginia snatches the crystal decanter, raises it to smash
Melissa’s skull.
DOC
Watch your back!
Melissa spins just as Doc grabs the decanter mid-air.
Virginia stares--the decanter floats above her, then tips.
Thick, sticky liqueur pours over her head.
VIRGINIA
Wha--wha--what the hell?
Melissa steps forward, calm and steady.
MELISSA
As you can plainly see, Missus
Hart... you're way out of your
league. Even for a murderer.
The decanter drops and shatters.
Virginia faints.
INT. FORD EXPLORER - DAY
Melissa and Doc sit in the car, the leather box between them.
DOC
Well... that went smoother than
expected.
Melissa stares ahead, still processing.
MELISSA
I need... a minute.
DOC
You did a fine job, Darlin. I’d say
that was just what the doctor
ordered.
MELISSA
Ohmigod, Doc! Should I report her?
Doc tips his hat down over his eyes.
DOC
The drunken junk dealer will take
care of her.
Outside, JACK HART--the Unearthly Man--walks toward his
house.
Genres:
["Western","Mystery","Drama"]
Ratings
Scene
10 -
Dreams on the Road to Vegas
EXT. LEADVILLE POST OFFICE - DAY
Melissa steps out, mailing receipt in hand.
Doc leans against the building like he’s been waiting a
century for her--which, technically, he has.
MELISSA
Dad should get it in the morning. I
sent it express.
(smiles)
Well, thank you for--
DOC
My pleasure. Your company has put a
spark into my dreary days.
Melissa blushes despite herself.
MELISSA
It’s been fun.
(then softer)
Really fun.
A beat. The reality of leaving hits her.
MELISSA
Well... I should get going.
DOC
Ah, yes--the job.
She nods, turns toward her car... hesitates.
MELISSA
Doc... you're a gambler, right?
DOC
In my day. Why do you ask?
MELISSA
Do you miss it?
Doc’s expression shifts--wistful, almost human.
I./E. FORD EXPLORER (MOVING) - DAY
“Viva Las Vegas” plays as the Explorer cuts through the
Nevada desert.
Doc sits in the passenger seat now, staring out the window,
lost in thought.
Melissa watches him.
MELISSA
Whatcha thinking?
DOC
What do you really want out of
life?
Melissa laughs--surprised.
MELISSA
Wow. Deep thoughts from the dead
guy. Didn’t see that coming.
DOC
Everyone needs a reason to wake up in
the morning. What’s yours?
Melissa considers.
MELISSA
Honestly? Just trying to get by. Be
happy.
DOC
And how’s that going for you?
She snorts.
MELISSA
Let’s see... I ditched a lying,
cheating husband who drained my
bank account.
(sighs)
Now I’m hoping for new adventures.
DOC
And happiness? You expect to find
that in Vegas? A town of drunks,
drugs, and hookers?
MELISSA
It’s a stepping stone. I want a
little ranch someday. Bring my dad
out. He lived here as a kid. He
won’t admit it, but he misses it.
DOC
If that's what you want--do it.
MELISSA
I can't afford it. Not yet.
DOC
We can get the money you need in
Vegas.
MELISSA
What, gamble? Employees aren’t
allowed to gamble.
Her phone RINGS. She answers.
MELISSA (CONT'D)
(into phone)
Hi, Dad... You’re welcome!
(covers receiver)
He got the gun.
Doc smiles, proud.
MELISSA (CONT'D)
(into phone)
I’m having a great time. Better
than I ever dreamed.
She glances at Doc. He looks away, pleased.
MELISSA (CONT'D)
Don't ever sell that gun! You can't
even imagine what Doc and I went
through--
(realizes)
Doc? Did I say Doc?
Doc winces.
MELISSA (CONT'D)
(fake laugh)
Not literally. I meant... in
spirit.
She rolls her eyes at herself.
MELISSA (CONT'D)
No, I did have some help... Um, how
‘bout we talk later? I really
shouldn’t be on the phone while
driving--you know it increases the
risk of a crash.
Not another car in sight.
MELISSA (CONT'D)
Okay, Dad. I’ll call you later.
Love you. Bye.
Doc lowers his hat over his eyes.
EXT. VEGAS STRIP - DAY
Glitter. Neon. Chaos. Vegas in all its loud, unapologetic
glory.
Genres:
["Western","Drama","Mystery"]
Ratings
Scene
11 -
Job Loss and Realization
INT. CASINO PERSONNEL OFFICE - DAY
Melissa sits across from the CASINO BOSS (50s), a weasel in a
suit two sizes too big.
CASINO BOSS
I'm sorry, Miss Russell. That job
is no longer available.
MELISSA
What? Why?
CASINO BOSS
The manager gave it to his niece.
MELISSA
So what am I supposed to do now?
He looks her over like she’s a menu item.
CASINO BOSS
We have a cocktail waitress
position. You're very attractive.
It would be lucrative for you to--
HALLWAY OUTSIDE PERSONNEL OFFICE - CONTINUOUS
Doc leans against the wall, lights a cigarette.
Melissa storms out, slams the door.
MELISSA
They gave my damn job away!
Doc smiles--like he’s been waiting for this exact moment.
MELISSA (CONT'D)
Didn’t you hear me? I just lost a
freakin’ good job.
Doc blows a perfect smoke ring.
Melissa waves it away, annoyed.
DOC
Looks like you’re no longer an
employee.
Melissa stops. Realization dawns.
Genres:
["Drama","Mystery"]
Ratings
Scene
12 -
Jackpot Triumph
INT. CASINO SLOT MACHINES - DAY
The casino floor is a symphony of bells, cheers, and despair.
Melissa and Doc weave through the chaos to a quieter row of
slots.
Doc stops at a Mega Bucks machine boasting a ten-million-
dollar jackpot.
MELISSA
Slots? Doesn’t poker have better
odds?
DOC
Better odds, but we don’t have the
time or the bankroll.
(MORE)
DOC (CONT'D)
(leans in)
Let’s see what I can do here.
MELISSA
Isn’t rigging a machine grand
theft?
DOC
I’m not rigging anything, dear. I’m
just... evening the playing field.
Melissa watches GAMBLERS feeding machines like sacrificial
lambs.
DOC (CONT'D)
They tighten the machines and
sucker you in with big jackpots.
Why do you think they call them one-
armed bandits?
He gives her a look--half teasing, half accusing.
DOC (CONT'D)
You should know the games they
play. You worked in the industry.
MELISSA
I was in charge of entertainment,
not gaming.
DOC
Then you hired yourself a magician
who’s about to make your dreams
come true.
He wiggles his fingers.
DOC (CONT'D)
I’ve been told these fingers can
work magic.
MELISSA
Maybe with the ladies. Right now we
need some real luck.
She digs into her jeans pocket and pulls out the bullet.
MELISSA (CONT'D)
And I may have just the thing.
She flips it--Doc catches it mid-air.
DOC
A gal after my own heart.
Unexpected... but they’ve always
been lucky for me.
Melissa snatches it back, rubs it between her palms.
MELISSA
C’mon, Daddy. This one’s for you.
She slips a fifty into the machine.
A COCKTAIL WAITRESS passes by.
DOC
Order me a Wild Turkey, dear.
LATER
The Cocktail Waitress returns with two more drinks and
removes a tray full of empties surrounding the machine.
WAITRESS
Miss, are you drinking these
doubles of Wild Turkey and the gin
and tonics?
MELISSA
Of course I am. Do you see anybody
else here?
Doc’s hand reaches from behind the machine for the whiskey.
Melissa grabs it first, downs it, chases it with gin.
MELISSA (CONT'D)
Keep ‘em coming.
WAITRESS
Sorry, Miss. I think you’ve had
enough.
Melissa sighs dramatically.
DOC (O.S.)
Put another twenty in, Darlin’.
I think I’ve got it.
MELISSA
This is it, Doc. I’m tired, drunk,
and broke. And right now? Not
feeling real happy.
She digs for a bill out of her bra.
MELISSA (CONT'D)
Peter had get-rich-quick schemes
too.
DOC (O.S.)
Peter?
MELISSA
My ex.
A grumpy OLD LADY hovers behind Melissa.
OLD LADY
Excuse me, honey, are you going to
play that machine or just talk to
it?
Melissa gestures at the empty machines around her.
MELISSA
(slurring)
Park your butt over there, Granny.
I’m about ready to end this
relationship.
The Old Lady clutches her purse and flops into a nearby seat.
Melissa feeds one more twenty in, slams the SPIN button.
The reels whirl.
First stop MEGA. Second stop MEGA. Third... MEGA.
BELLS. LIGHTS. CHAOS.
Melissa SCREAMS--loud, long, triumphant.
The Old Lady scrunches up her face and stomps away.
PEOPLE rush over.
The FLOOR MANAGER (30s), arrives.
MANAGER
Congratulations!
Doc appears beside Melissa, removes his hat, bows.
Melissa curtsies--to the crowd, but really to him.
A PHOTOGRAPHER (20s), snaps a Polaroid. Doc places his hand
at the small of her back just as the flash goes off.
The Photographer hands Melissa the picture.
Melissa and Doc watch it develop.
Melisssa gasps--then smiles.
INSERT: A Polaroid of BOTH of them.
Genres:
["Drama","Mystery","Thriller"]
Ratings
Scene
13 -
Discovering the Ghost Town
INT. RANCH HOUSE - DAY
A REAL ESTATE AGENT (40s), leads Melissa through a charming
old farm house. Large rooms. Antique furniture. Sunlight
spills across worn hardwood floors.
Melissa takes it in--hopeful, a little stunned.
EXT. RANCH - DAY
Melissa and the Agent walk the stables.
AGENT
The horses are at the ranch down
the road. The owner came and got
them when Mister Powers died.
Melissa scans the property. In a distance--a cluster of run-
down structures.
MELISSA
What's that? Those buildings?
AGENT
Oh, just an old abandoned town.
Melissa glances around--no one else in earshot.
MELISSA
(whispers)
A ghost town?
The Agent chuckles... then realizes she’s serious.
AGENT
No need to worry, Miss Russell.
I’m pretty sure it's not haunted.
Melissa is already heading toward it. The Agent hurries to
keep up.
EXT. GHOST TOWN - DAY
Melissa walks down a dirt road. A tumbleweed rolls past her
feet. Wind whistles through broken windows.
An old hotel. A saloon. A barbershop. A sheriff's office. A
few buildings too far gone to name.
As they approach, Doc steps out of the hotel, lights a
cigarette, leans against the railing--casual, like he never
left.
MELISSA
Is this all on the property?
AGENT
Yes, but it’ll be leveled before
the title transfers. It’s in the
contract.
MELISSA
Well then take it out of the
contract. I think it’s awesome.
The Agent stares--baffled. Melissa spins in a delighted 360.
MELISSA
Is there a good contractor in town?
Genres:
["Western","Mystery","Drama"]
Ratings
Scene
14 -
A New Beginning at Darlin's
EXT. GHOST TOWN - DAY
Snow drifts across the deserted town.
A CONTRACTOR stands with Melissa. Doc looks over her shoulder
like a foreman.
CONTRACTOR
I'll bring a crew out tomorrow.
We should be done by early spring.
MELISSA
Great! See you tomorrow then.
The Contractor leaves.
Melissa turns to Doc.
MELISSA
What should we name the saloon?
DOC
You name it, Darlin'.
Melissa thinks... then grins.
MELISSA
Hmm... Darlin’s. I like the sound
of that.
Doc’s smile is small but unmistakably proud.
EXT. MELISSA'S RANCH - DAY
A bright, beautiful morning. The ranch looks alive again.
Genres:
["Western","Mystery","Drama"]
Ratings
Scene
15 -
Unspoken Tensions
INT. MELISSA’S KITCHEN - DAY
Melissa is on the house phone. Doc enters. She smiles at him.
MELISSA
Dad, I told you at least a hundred
times--I bought this ranch for the
two of us. You deserve to retire
somewhere you love. And hey, we can
still root for the Steelers no
matter what state we live in.
Doc raises an eyebrow. Melissa covers the receiver.
MELISSA (CONT'D)
(to Doc, whispering)
He thinks he’s intruding.
She shakes her head, returns to the call.
MELISSA (CONT'D)
Dad, I miss you. Quit being as
stubborn as a mule and get your
behind over here. I need help
running this ranch I bought us.
She smiles, listening.
MELISSA (CONT'D)
Good!... A train?... Yes, very
scenic... When?...Your lucky
charm?... No, I didn't lose it!...
Okay! I'll bring it... I will, I
promise. See ya then... Love ya,
too. Bye.
She hangs up.
Doc looks... irritated? Hurt? Something in between.
MELISSA (CONT'D)
He's finally coming!
She notices Doc’s expression.
MELISSA (CONT'D)
Something wrong?
DOC
You bought? I may have had a little
something to do with your windfall.
Melissa opens her mouth to respond--but Doc is gone.
Vanished.
Genres:
["Western","Family Drama"]
Ratings
Scene
16 -
Reunion at the Train Station
EXT. TRAIN STATION - DAY
A train hisses to a stop.
James steps down, one leather bag in his hand, another slung
over his shoulder.
He sets them down just as Melissa runs toward him.
A few feet back, Doc lingers--giving them space.
James lifts Melissa off the ground in a full twirl. They hug
tight. When he sets her down, he studies her face.
JAMES
You look beautiful. Colorado agrees
with you.
MELISSA
It does. It really does.
Melissa pats her pockets dramatically.
MELISSA (CONT'D)
Now where did I put it...
James gives her the “don’t mess with me” dad look.
She grins, pulls out the bullet.
MELISSA (COND’T)
You didn’t think I’d lose one of
your most treasured keepsakes, did
you?
James opens his palm. She places the bullet in it.
MELISSA (CONT'D)
I must admit... I think it brought
me some luck.
She takes his hand.
MELISSA (CONT'D)
C'mon. I can't wait till you see
the ranch.
James doesn’t move. He’s staring past her--at Doc.
JAMES
Hello, Doc.
Doc freezes.
Melissa's eyes fly wide.
JAMES (CONT'D)
I see you’ve been taking good care
of my little girl.
MELISSA
You... can see him? You know him?
JAMES
We met many years ago in Glenwood
Springs. I was just a child.
Doc absorbs this--quietly shaken.
JAMES (CONT'D)
You look good, Doc.
DOC
Death has a way of curing what ails
you, sir.
James flips the bullet into the air.
Doc catches it effortlessly.
Sunlight hits the engraving: 4JR.
Recognition softens Doc’s face.
JAMES (CONT'D)
I'm glad you never used that one on
Johnny Ringo.
Melissa slaps a hand over her mouth.
MELISSA
Oh my God.
(points at Doc)
You're the mysterious cowboy.
PASSENGERS pass by, giving Melissa and James odd looks--two
people talking to empty space.
MELISSA (CONT'D)
All this time... you didn’t say
anything. Did you know?
JAMES
I had a feeling someone was helping
you. Not that you’re aren’t capable
--you are--but...
(pauses)
When I talked to you the day the
gun arrived, something told me you
weren’t alone.
Melissa turns to Doc.
MELISSA
And you--why did you talk to me
that first day? Why me?
DOC
Darlin', why me? You spoke to me
first, remember?
Melissa thinks... replaying the moment.
MELISSA
Yes... yes I did. You were standing
on the corner--
DOC
Well, actually, dear, my friend
Morgan and I were standing on the
corner.
MELISSA
Morgan?
Doc nods.
James and Melissa exchange a look.
JAMES
As in Morgan Earp?
DOC
One and the same.
Melissa glances around the platform
MELISSA (CONT'D)
Umm... Just how many of you...
uh...
(MORE)
MELISSA (CONT'D)
(chooses her words
carefully)
old-timers are hanging around here?
Doc steps closer to them--conspiratorial.
Before he can answer, the TRAIN WHISTLE BLARES, drowning out
his reply.
Genres:
["Western","Mystery","Family"]
Ratings
Scene
17 -
A Night at Darlin's Saloon
EXT. DARLIN'S SALOON - NIGHT
The SOUNDS OF A ROWDY CROWD spill into the night.
Melissa paces nervously. Doc waits, patient and amused.
MAN'S VOICE (O.S.)
Yee-haw!
Melissa jumps. Doc takes her hand.
DOC
Come on, Melissa. It's time you
met my friends.
MELISSA
Whoa--wait, Doc, I'm not ready.
DOC
Ready or not, they're here.
He leads her forward. She stops again, biting her lower lip.
DOC
Don't fret now. Just put on that
beautiful smile of yours and you'll
melt their hearts.
He pulls gently toward the door.
INT. DARLIN'S SALOON - NIGHT
The room hushes as Doc and Melissa enter through the swinging
doors.
The saloon is filled with COWBOYS--not of this century.
The crowd parts as Doc escorts Melissa toward two men at the
bar: WYATT (40s), and MORGAN EARP (30s).
DOC
Melissa, I'd like you to meet
Wyatt Earp--my very dear friend who
saved my ass more than once.
WYATT
Just tryin' to even up the score.
(to Melissa)
Couldn't have asked for a better
man to watch my back.
Morgan hands Doc a glass of whiskey.
MORGAN
Okay, Doc--finish your
introductions.
DOC
I apologize, old friend. Darlin',
this is Morgan Earp--Wyatt's
little brother.
MORGAN
Little brother! Damn, Doc--
do you have to embarrass me
in front of the lady?
(removes his hat)
Ma’am, it is a great pleasure
to finally meet you.
Melissa stares, mouth open. Doc nudges her.
DOC
I believe the lady's a bit
apprehensive.
MELISSA
(swallows hard)
It's a pleasure to meet you, too...
Morgan. And Wyatt.
MORGAN
Everyone--this is Melissa!
A chorus of greetings fills the saloon.
DOC
(whispers to Melissa)
You're trembling.
Melissa grabs his whiskey, downs it in one gulp. She hands
him the empty glass.
DOC
Now, Morgan--I could have handled
that myself.
MORGAN
Sure, but it would’ve taken you
forever. No offense--you are
a Southerner.
Melissa spots her father behind the bar. He smiles proudly.
Two women at a nearby table wave her over.
DOC
You might want to meet the ladies.
Melissa approaches the table.
One woman is clearly mortal--DIXIE (30s). The other is not--
JOSIE (40s), elegant in a burgundy silk gown.
Melissa, so fixated on Josie, walks straight into a table.
DIXIE
Hi there! A little nervous, I see.
MELISSA
Oh--no no...
(stuttering)
Well... maybe a little.
Melissa sits. EMMYLOU (30s), arrives with 4 beers.
DIXIE
Don't be. They take
some gettin' used to, but --
EMMYLOU
Some? Dixie, let’s be real--it took
us months of therapy.
(hands Melissa a beer)
Thought you could use this.
DIXIE
This is Emmylou--she’s with Bat.
Bat Masterson.
MELISSA
Which one's Bat?
Emmylou nods toward the piano.
EMMYLOU
The gorgeous hunk leaning on the
piano. Next to him is Sherman
McMasters.
BAT glances over. Emmylou blows him a kiss. Sherman teases
him (inaudible). Bat blushes.
EMMYLOU (CONT'D)
I know it can’t last forever--
(shrugs)
But hell, have fun while you can,
right? I’ll be back--gotta get this
party started.
She heads toward Bat.
DIXIE
Emmylou’s a little scatterbrained.
Josie extends her hand.
JOSIE
Josie Earp, Wyatt’s wife.
Melissa stares--unsure whether to shake or curtsy. Josie in
stunning: upswept curls, satin gown, regal posture.
Melissa leans toward Dixie.
MELISSA
Please pinch me. I need to know if
I’m dreaming.
JOSIE
If only life were as beautiful as a
dream.
Morgan taps a few keys on the piano.
MORGAN
Hey, Doc--play that tune? You know--
the one Kate loved so much.
Doc waves him off.
JOSIE
Chopin. I never cared much for
Kate, but she did have fine taste
in music.
MELISSA
And men.
DIXIE
Yeah, they sure don’t make ‘em like
they used to. I had a real jerk of
a husband until the day Morgan
wandered into my bar down in New
Mexico. Scared the hell outta me--
and put that wife-beatin’ a-hole in
his place. Been having the time of
my life ever since. How’d you and--
MELISSA
(to Josie)
Can I ask you something?
Josie and Dixie lean in.
MELISSA (CONT'D)
Why some... and not all?
(gestures toward
Wyatt/Morgan)
Didn’t Wyatt have more brothers? I
remember one from Tombstone.
Virgil.
JOSIE
Purgatory, my dear.
(glances at the ghosts)
We are not good enough for heaven,
or bad enough for hell. Now Virgil--
well, heaven got themselves a good
man
DOC
Ladies.
DIXIE
Hello, Doc.
JOSIE
Good to see you again, Mister
Holliday.
Doc tips his hat.
DOC
I do hope you’re all enjoying
yourselves.
JOSIE
Being here stirs up memories.
DOC
Some I’d sooner forget.
JOSIE
You can’t erase the past, Doc. And
you shouldn’t change the future.
People can get hurt.
Doc studies her--a warning received. He takes Melissa’s hand.
DOC
Hope you ladies don’t mind if I
borrow Melissa.
He leads her toward the door.
Genres:
["Western","Supernatural","Drama"]
Ratings
Scene
18 -
A Dance Under the Stars
EXT. DARLIN’S SALOON - NIGHT
Doc leans against the railing, lights a cigarette.
DOC
You’ve adapted well.
MELISSA
Piece of cake.
Doc smiles.
MELISSA (CONT'D)
I’m still confused though.
DOC
About?
MELISSA
How you all exist without people
noticing? Like your cigarette
--why can’t anyone see it? Or the
smoke?
DOC
When I touch something lifeless, it
becomes part of my world. In my
world, you see what I want you to
see.
MELISSA
But you were surprised I saw you
that first day.
DOC
I won’t pretend to have all the
answers. But I’m sure there’s a
reason our paths crossed.
A slow song begins--“AT LAST” by Etta James.
MELISSA
I love this song.
Doc gives a gentlemen’s bow.
DOC
May I have the honor of this dance,
Miss Russell?
Melissa curtsies.
MELISSA
Why, I’d be delighted, Doctor
Holliday.
They step off the boardwalk. Melissa’s arm slips around his
shoulder; her fingers graze the back of his neck. His hand
settles at the small of her back, drawing her close.
They dance--slow, intimate. Cheeks touch. Eyes close. They
turn their heads, eyes locking. Doc brushes her cheek with
his fingertips. He leans in for a--
MORGAN (O.S)
Hey, Doc! We need you to--
Morgan freezes..
MORGAN
Oh--excuse me. Not important. Take
your time. It’ll wait.
(under his breath)
Oh, hell.
Doc sighs, shakes his head, and takes Melissa’s hand. He
leads her back through the swinging doors.
Genres:
["Western","Romance","Supernatural"]
Ratings
Scene
19 -
Ghost Town Dreams
INT. MELISSA’S KITCHEN - DAY
Melissa pours herself coffee. She’s glowing--energized.
Doc enters, still a little rumpled from last night’s
whiplash.
MELISSA
Morning, Doc! Just in time for
coffee.
DOC
Morning, Darlin’.
MELISSA
I could not sleep last night. I got
the coolest idea. Not just cool--
profitable. Very profitable!
DOC
Alright. You have my attention.
MELISSA
We should open up the saloon.
DOC
We have.
MELISSA
No, I mean for real. Advertise it
as a ghost town saloon. I ran some
numbers--
DOC
No.
MELISSA
What? Why not?
DOC
Maybe because I have a passion for
a little piece and quiet.
MELISSA
Passions don’t pay bills, Doc. Do
you know how much it costs to run a
ranch these days? Let me show you--
She turns to grab her laptop. When she turns back, he’s gone.
Genres:
["Western","Supernatural","Drama"]
Ratings
Scene
20 -
Ghosts of the Past
INT. DARLIN’S SALOON - DAY
The place is alive--with GHOSTS.
A PIANO PLAYER tickles the ivories while a SALOON GIRL drapes
herself across the piano, singing a sultry tune.
DANCE HALL GALS flirt with COWBOYS.
Wyatt deals cards at a poker table.
Morgan pours a draft beer and slides it toward an OLD GOLD
MINER--who passes out before it arrives. The mug hits the
floor, shatters.
Doc enters--and stops dead.
DOC
OUT! Get the hell out!
The entire room freezes. The Old Miner snaps awake.
Doc’s hand drops to his revolver.
DOC (CONT'D)
On the count of three.
The ghostly patrons fade like smoke.
Doc stalks toward the broken glass--furious.
DOC (CONT'D)
(swiping arm)
You do know all this cost real
money? You’re donating our fortune
to drifters.
He looks down at the mess.
DOC (CONT'D)
(to Morgan)
You gonna clean that up, or am I
doing everything today?
Morgan raises his hands, grabs a broom.
Wyatt steps behind the bar, pours a whiskey, hands it to Doc.
WYATT
Alright, friend. What’s got you
riled up this time?
DOC
(downs the whiskey)
Why can’t anyone be satisfied just
settling down? Living a nice quiet
life?
WYATT
Settle down? Doc, you ain’t never
settled down a day in your life.
Always chasing the next adventure.
That’s what got Kate so fired up.
DOC
People change.
WYATT
At your age? You ain’t never gone
change.
Morgan joins them.
DOC
Melissa wants to open this place
for business.
MORGAN
Sounds like a damn good idea to me.
DOC
Who the hell asked you?
Morgan whistles--a long, falling bomb-drop.
MORGAN
I seem to be in your line of fire
today. But if this is a lover’s
spat, you’re aiming at the wrong
target, friend.
DOC
That’s not why we bought it.
WYATT
Why did you?
DOC
It was supposed to be our hideaway.
WYATT
Whose? Yours... or Melissa’s?
DOC
No. For all of us.
MORGAN
You really think we need to hide?
WYATT
You can’t build your own little
world here, Doc. That’s not how it
works.
Doc scowls.
WYATT (CONT'D)
We had our turn.
DOC
We never discussed it. She took it
upon herself --
MORGAN
That gal’s got gumption. That ain’t
a bad thing.
Doc softens--just a little.
WYATT
Reminds you of Kate, doesn’t she?
You always did like a strong-minded
woman.
Doc looks away--because Wyatt’s right.
Genres:
["Western","Supernatural","Drama"]
Ratings
Scene
21 -
Tension in the Law Office
INT. DURANGO COLORADO / LAW OFFICE - DAY
A small country office. Boxes everywhere. A bell DINGS as
Melissa and Doc enter.
MATT (O.S.)
Be with you in a minute.
Melissa leans toward Doc. Whispers.
MELISSA
Last chance to back out. And no
more disappearing on me.
DOC
I gave you my word. In my day, that
was as good as a contract. No need
for high-priced attorneys--just the
shake of a man’s hand.
MELISSA
You telling me no one ever lied in
your day?
DOC
I may play with the truth now and
then, but never lie. And for those
who did--
MATT MORRISON (late 30s), handsome in a grounded, real-world
way, enters carrying an armful of files.
MATT
Sorry about the mess--just getting
set up.
MELISSA
I’m looking for Attorney Brown.
MATT
Can I help you? I’m his nephew,
Matt Morrison. Uncle Joe retired--
I’m taking over his practice.
MELISSA
I’m Melissa Russell. I recently
bought the--
MATT
--Powers Estate.
Melissa raises an eyebrow.
He smiles--warm, confident, not trying too hard.
MATT(CONT'D)
Ghost towns make for great dinner
conversation. Nice to finally meet
my neighbor.
Doc studies Matt with the same suspicion he once reserved for
card cheats and snake-oil salesmen.
MELISSA
So you’re the one who bought that
ranch on Woodbine.
MATT
Guilty. Just moved here from New
York.
MELISSA
Ah--another East Coast deserter.
MATT
You from New York too?
MELISSA
Born and raised in Pennsylvania.
Worked in Atlantic City.
DOC
Spare me the pleasantries. Let us
take care of the matters we came
for before I do change my mind.
Matt blinks--confused by Melissa’s “interruption.”
Melissa forces a smile.
Genres:
["Western","Drama"]
Ratings
Scene
22 -
A Walk on the Wild Side
EXT. DURANGO SIDEWALK - DAY
Melissa and Doc exit the office.
MELISSA
What was that all about?
DOC
What?
MELISSA
Your attitude.
(imitating him)
“Spare me the pleasantries.”
DOC
We were there for business, not
pleasure.
MELISSA
Oh, come on--he’s new to town. I
was just being friendly.
TWO LADIES walk by, giving Melissa a startled look--she
appears to be talking to herself. Melissa smiles awkwardly.
Doc tips his hat.
DOC
No need to prolong the visit with
gratuitous chit-chat. His payment
will be thanks enough.
Melissa shakes her head, laughs.
MELISSA
You’re definitely no Casper.
Doc frowns, puzzled by this remark.
MELISSA (CONT'D)
Casper. You know--the friendly
ghost.
DOC
I can’t say I ever met a Casper.
Melissa bites back a grin, takes his arm.
MELISSA
If I didn’t know better, Id say you
were acting a little jealous in
there.
DOC
My eyes are blue, dear, not green.
I only mean to protect you.
Melissa’s expression softens--she’d almost prefer jealousy.
MELISSA
Well, thank you for your concern,
but I can protect myself just fine.
The Wild West days are long gone.
Doc doesn’t answer--but the look he gives her says he’s not
convinced
Genres:
["Western","Supernatural","Drama"]
Ratings
Scene
23 -
Whispers in the Dust
INT. NEW MEXICO BAR - DAY
A dusty, sun-bleached bar.
BUDDY (40s), tall, thin and worn from life on the road, drops
onto a barstool.
The BARTENDER (40s) approaches.
BARTENDER
Buddy! How ya doing? Haven’t seen
you in a while. Still drinking
lite?
Buddy nods. The Bartender pours a beer.
BARTENDER (CONT'D)
So where you been hidin’?
BUDDY
Had a job in Durango.
BARTENDER
Yeah? Doing what?
BUDDY
Fixing up a ghost town.
BARTENDER
Come again?
BUDDY
Yep. You heard me right. Some
pretty little rich gal--seems to
have more money than she knows what
to do with.
At the next stool, SORREL (50s) perks up at the word the
rich. He leans in, listening.
Beside him--unseen by all--sits KATE, Doc’s Kate.
Rhinestones, feathers, off-the-shoulder gown, lace gloves,
choker. She leans against the bar, elegant and dangerous.
BARTENDER
Loaded, huh?
BUDDY
Loaded--and loco. She was always
talkin’ to herself.
BARTENDER
Maybe she’s talkin’ to one of them
ghosts.
He wiggles his fingers, making a spooky noise.
ANOTHER CUSTOMER
Hey! Can I get a drink down here?
The Bartender moves away. Sorrel slides closer.
SORREL
Buddy, nice to meet ya!
(extends hand)
Name’s Sorrel! Couldn’t help
overhearin’ you mention Durango.
Haven’t been out that way in years.
Don’t recall any ghost town around
there.
BUDDY
Used to be the Powers estate till
he died. This gal--Melissa Russell--
up and bought it. Heard she paid in
cash. But if she plays her cards
right, she’ll get it all back.
SORREL
How’s that?
BUDDY
Well, she rebuilt that whole old-
west town. Saloon, hotel, the
works. Fussed over every detail,
every penny. Insisted on doin’ some
of the work herself. Don’t know how
she did it--must’ve had help, but I
never saw anybody around.
Buddy leans in, lowers his voice.
BUDDY (CONT'D)
It turned out real nice... but it
gives you the creeps. Felt like
someone was always watchin’ me.
(back to normal voice)
Anyway--mark my word--it’ll pay off
big time.
SORREL
Yeah, if she promotes it right.
City folk from the East love this
kinda thing.
BUDDY
They’ll flock there once word
spreads they can visit ghosts from
the wild, wild west. Wouldn’t be
surprised if she hired some actors
to play, maybe, Doc Holliday--
Kate head snaps toward Buddy. She grabs Sorrel’s shot of
whiskey and downs it.
BUDDY (CONT'D)
--or Wyatt Earp. Money’ll come
rollin’ in.
Sorrel lifts his shot glass--finds it empty. He glances
around, confused, but shrugs it off.
SORREL
Good point, Buddy. Care for another
beer?
Genres:
["Western","Supernatural","Drama"]
Ratings
Scene
24 -
Caught in the Moment
EXT. MELISSA’S PORCH - DAY
Doc lounges on the porch, smoking. In the distance, Melissa
leaves the saloon and heads toward the house. She waves.
For a split second, her image flickers into Kate’s--same
walk, same silhouette. Doc blinks hard. Melissa is herself
again.
MELISSA
Hey! I thought you said you were
giving those things up!
DOC
Old habits die hard.
MELISSA
Well, it’s ready to go! I can’t
believe everything fell into place
so easily. Dad’s having a blast--he
thinks Rege is a hoot, and the new
waitress is a spitfire. I knew this
would be good for him. Keeps him
busy.
She opens the screen door.
MELISSA (CONT'D)
You gotta sweet tooth? I feel like
baking a cake.
DOC
Bake? How domestic of you.
MELISSA
I still have talents you don’t even
know about.
DOC
I’ll bet you do, Darlin’.
Melissa disappears inside.
Doc flicks his cigarette toward the spot where Kate appeared.
He straightens, unsettled.
DOC (CONT'D)
I do need to give those things up.
INT. MELISSA’S KITCHEN - DAY
Country music plays.
Doc sits at the table, takes a swig from his flask.
Melissa slides a cake pan into the oven. “THE SHAKE” by Neil
McCoy comes on.
Melissa comes alive--dancing with perfect rhythm, hips sway,
hair bounces. She grabs a beater, uses it as a microphone.
MELISSA
Shake it to the left, shake it to
the right--
DOC
(replacing the lyric)
C’mon, Darlin’, you know what I
like.
She tosses flour at him. He smirks.
EXT. MELISSA’S HOUSE - CONTINUOUS
Matt steps out of his SUV, briefcase in hand, walks onto the
porch. He knocks on the front door--no answer.
Hearing the music, he follows the wraparound porch to the
side entrance, glances through the kitchen window and sees
Melissa dancing. He smiles, charmed.
INT. MELISSA’S KITCHEN - CONTINUOUS
Melissa grabs Doc’s hand, spins around him, then encircles
his chair. With a playful tug, he pulls her onto his lap.
She laughs--then their smiles fade. Their lips drift
closer... closer... inches apart.
EXT. MELISSA’S PORCH - CONTINUOS
Matt, startled by the sight of Melissa embracing an empty
chair, knocks over a flowerpot.
CRASH
INT. MELISSA’S KITCHEN - CONTINUOS
Melissa jumps. She sees Matt at the window.
DOC
Looks like we are caught red-
handed, my dear.
Genres:
["Western","Supernatural","Romance"]
Ratings
Scene
25 -
Chaos on the Porch
EXT. MELISSA’S PORCH - CONTINUOUS
Matt drops to his knees, scoops up shards and soil with both
hands, trying to salvage the plant. He’s fully absorbed in
the mess--head down, back to the window.
His hands are instantly covered in dirt and clay. He wipes
them on his jeans, making it worse.
INT. MELISSA’S KITCHEN - CONTINUOUS
Melissa scrambles up--her apron strings snag on Doc’s gun.
The gun flies out of the holster, skids across the floor.
She lunges, stumbles, bangs her shin.
MELISSA
Ouch, ouch, ouch!
DOC
Tsk, tsk, tsk. I just cleaned that.
Melissa grabs the gun and instinctively points it at him.
Doc raises his hands.
DOC (CONT'D)
Watch where you point that.
MELISSA
It’s loaded?!
DOC
Why of course. An unloaded gun
doesn’t do you any good.
KNOCK-KNOCK
Matt stands at the screen door, holding pieces of the broken
flowerpot.
Melissa inhales, straightens her apron, smooths her hair--
resets her entire life in two seconds-- then opens the door.
MELISSA
Matt! What a pleasant surprise.
MATT
Uh... maybe I should’ve called
first. If you’re busy, I can come
back.
MELISSA
No, no--come in.
Matt hands her the broken pieces.
MATT
I’m real sorry about this--
Melissa tosses them in the trash.
MELISSA
Don’t be silly. Accidents happen.
(notices his filthy hands)
Oh--your hands. Here, let me get
you a towel.
MATT
(embarrassed)
Yeah. I kinda wrestled the
flowerpot.
(glances at his jeans)
And the flowerpot won.
DOC
(mutters)
Amateur. The key to good
eavesdropping is not getting
caught.
Melissa shoots Doc a look.
MELISSA
Can I get you something to drink?
MATT
Sure. Anything cold.
Matt moves to sit--in Doc’s chair.
MELISSA
No! Not there!
Matt jumps back.
MELISSA (CONT'D)
Uh... it’s got a bad leg.
She pulls out another chair, brushes flour off the table,
grabs a soda.
MELISSA
Excuse the mess. I was just in the
middle of baking.
MATT
It sure smells good.
Doc rolls his eyes. Melissa giggles.
MELISSA
I don’t know what you must be
thinking.
MATT
What do you mean?
MELISSA
I must’ve looked pretty silly, huh?
(chuckles)
(MORE)
MELISSA (CONT'D)
A song came on the radio that we
used to do a skit to in my college
drama club. I couldn’t resist
reliving the glory days.
Matt smiles--relieved.
MATT
Oh--a skit. I was wondering.
Actually... you were pretty good.
DOC
Well played. I almost believe you.
Melissa shoots Doc a smug look as Matt opens his briefcase.
MATT
I just need your signature on some
papers--
He lays them out. The top sheet floats to the floor.
Matt reaches for it--it slides away from his fingers.
Doc nudges it with his boot.
Melissa glares at Doc, mouths: Be nice. Doc stops.
Matt retrieves the paper, confused, sets it down, hands
melissa a pen.
MATT (CONT'D)
You’ll just need to sign by the--
Doc tips Matt’s soda. It spills across his papers and into
Matt’s lap.
Matt jumps up, grabbing the wet documents.
MELISSA
(gasps)
Why’d you do that?
MATT
Did I do that? I don’t think I--
MELISSA
No, no--I was talking to myself. I
must’ve bumped the table.
EXT. MELISSA’S DRIVEWAY - DAY
Matt stands by his vehicle.
MELISSA
I’m so embarrassed --
MATT
Don’t be. Like you said, accidents
happen. I’ll have them fax me
another set of documents. Stop over
any time tomorrow, I’ll be home all
day.
Genres:
["Western","Romance","Supernatural"]
Ratings
Scene
26 -
A Serene Reunion
EXT. MATT’S RANCH - DAY
Nestled in the mountains sits a lovely ranch. The setting is
breathtaking, tranquil, captivating.
The sky is the prettiest shade of blue, the clouds are fluffy
white.
The voice of a child interrupts the stillness of the moment.
SARA (O.S.)
I think that’s Mommy, Daddy.
MATT (O.S.)
Where?
A cloud in the shape of an angel floats above them.
SARA (O.S.)
Right there, Daddy. Don’t you see
her?
MATT (O.S.)
Oh, yes, honey. I see her now. She
looks just like an angel.
Matt and his daughter SARA (5) lie on the grass, gaze at the
clouds. Sara’s as cute as a button, with big brown eyes that
sparkle. Her dog, a Beagle pup named ANNIE, lies beside her.
I./E. MELISSA’S JEEP (MOVING) - DAY
Melissa turns into Matt’s driveway, admires the view,
notices Matt and Sara lying in the grass, pointing at the
sky. She smiles--something warm and unexpected stirring.
EXT. MATT'S RANCH - CONTINUOUS
With a quivering howl, Annie darts off.
Matt and Sara sit up, see a Jeep pull into their long
driveway.
Melissa parks, gets out of the jeep with a cake dish in hand.
Annie greets her first with a friendly wag of her tail.
Melisssa kneels to pet her.
MELISSA
Hi, little puppy! Aren’t you a
cutie?
Sara arrives next, having chased after Annie.
SARA
Her name’s Annie.
MELISSA
And what’s your name?
SARA
Sara.
MELISSA
Hello, Sara. My name’s Melissa.
Matt approaches, greets her with a warm smile.
Genres:
["Drama","Family"]
Ratings
Scene
27 -
Moments of Memory and Connection
INT. MATT’S LIVING ROOM - DAY
Matt and Melissa enter. He takes the cake from Melissa.
MATT
Let me get some coffee on. Make
yourself comfortable.
Matt heads off to the kitchen.
Melissa walks around, looks at photos scattered throughout
the room. She smiles at Sara’s baby pictures.
She stops at one picture in particular, of a beautiful young
lady kneeling beside Sara as she blows out a number 3 candle
sitting on top of a birthday cake. Both the young lady and
Sara have on matching gold lockets.
Matt re-enters. He hesitates when he sees Melissa looking at
that picture.
MELISSA
Is this your wife? She’s very
pretty.
Matt nods.
MELISSA (CONT'D)
Has she arrived yet? I’d love to
meet her.
MATT
She died two years ago, shortly
after that photo was taken.
MELISSA
Oh... I’m so sorry.
Melissa carefully replaces the picture to the table.
MAGGIE (early 60s), slender, a few streaks of gray grace her
shoulder length hair, enters with a tray of coffee and cake.
MAGGIE
Boy this cake sure looks good!
Maggie sees the solemn expression on Matt’s face.
MAGGIE (CONT'D)
I’m sorry, am I interrupting?
MATT
Aunt Maggie, this is Miss Russell.
(to Melissa)
My Aunt lives over in Maple
Heights. Don’t know what I’d do
without her, she’s been a real God-
send.
Aunt Maggie sets the tray on the coffee table.
MAGGIE
I’m too young to spend my days
playing bingo, bridge, and bocce.
This is a nice change of pace.
(smiles)
So nice to meet you, Miss Russell.
MELISSA
Please, call me Melissa.
MAGGIE
If you need anything else, Matt,
just give a yell. I’ll be outside
with Sara.
EXT. MATT’S PORCH - DAY
BACKGROUND MUSIC PLAYS
Matt and Melissa sit on the porch swing, talk (inaudible)
while they finish their cake and coffee. It appears
conversation flows easily between the two--their expressions
and gestures show an instant camaraderie.
Genres:
["Drama","Family"]
Ratings
Scene
28 -
Reflections by the Lake
EXT. MELISSA’S PROPERTY - DAY
A glass-still lake tucked into a woodland clearing at the
base of a snow-capped mountain. Sunlight filters through the
trees. The steady plunk of a fishing lure breaks the quiet.
James stands at the water’s edge, casting the line. A small
cooler and net sit nearby.
Doc approaches on horseback. They exchange a silent nod--two
men who understand each other without words.
Doc dismounts, ties the reins to a branch.
DOC
Nice spot you’ve got here.
JAMES
This is the life.
DOC
It certainly is... How they bitin’?
James lifts the cooler lid--a few beers on ice.
JAMES
A bad day of fishing is better than
a good day at work.
DOC
Many men go fishing all their lives
without knowing that it is not the
fish they’re after.
James sets down the pole, grabs two beers, hands one to Doc.
Doc accepts.
JAMES
I’ve been meaning to talk to you.
DOC
We do have some unanswered
questions, don’t we, sir?
JAMES
I know life can be a mystery, but
I’ve been looking for answers for
sixty-some years.
DOC
Fire away.
JAMES
Why did we meet?
DOC
Your guess is as good as mine. But
I believe it has something to do
with the book you were reading.
James frowns, curious.
DOC (CONT'D)
The Adventures of Wyatt Earp--my
dearest friend. It struck a cord
with me. I was a sickly child
growing up, spent many a day in the
hospital--lying there without a
friend in the world.
Doc takes a swig of beer.
DOC (CONT'D)
When I was left to roam this earth,
I liked to visit the children. See
if I could lift their spirits. I
saw you reading that book. I saved
Wyatt from his worst enemy with a
bullet... maybe I could save you,
too.
James smiles--soft, nostalgic.
JAMES
Melissa used to laugh when I told
her that story. I can hear her now:
“Who in their right mind would give
an eight-year-old a bullet?” I
don’t think she ever truly believed
me.
DOC
(grins)
Some say, I was never in my right
mind. I don’t know why I gave it to
you. It was my symbol of strength,
is all.
The fishing pole jerks--movement at last. James grabs it,
reels in a fish.
Genres:
["Western","Drama"]
Ratings
Scene
29 -
Emotions and Encounters
EXT. MATT’S RANCH - DAY
Matt and Sara (and Annie trotting beside them) walk with
Melissa to her Jeep.
MATT
I’ll get that paperwork in first
thing Monday morning. It shouldn’t
take too much longer.
MELISSA
Well, thank you.
MATT
My pleasure.
Melissa gets in her Jeep. Matt closes the driver’s door for
her. They all wave as she drives off.
INT. MELISSA’S BEDROOM - NIGHT
Melissa kneels in front of a large cedar chest. She opens it
and lifts out a small music box.
She opens the lid. A soft melody plays.
Inside is a worn photo of a WOMAN with a little girl--about
Sara’s age.
A tear slips down Melissa’s cheek. She closes the lid gently.
EXT. CORRAL AREA - DAY
Doc and James watch RANCH HANDS work with a colt. They turn
at the sound of a vehicle approaching.
EXT. MELISSA’S FRONT YARD - CONTINUOUS
Melissa weeds her flower bed, Airpods in, singing along--
oblivious.
Matt pulls into the long drive and up near the house.
INTERCUT--CORRAL AREA / FRONT YARD
JAMES
Who’s that?
DOC
The local attorney.
Matt, empty cake dish in hand, walks toward Melissa with Sara
beside him and Annie trailing behind.
Annie springs forward like a caffeinated squirrel, launches
herself into Melissa’s space.
Melissa yelps an unintentional high note, flails backward
into the dirt.
Sara clamps a hand over her mouth, but a giggle escapes.
Matt hurries over and offers Melissa a hand up.
JAMES
I’ve been wanting to meet him.
Melissa says he’s been real
helpful.
Matt gently brushes dirt from Melissa’s cheek.
Doc’s jaw tightens--he does not like that.
Melissa sets the cake dish on the porch, takes Sara’s hand.
The three of them walk toward the corral.
Genres:
["Western","Drama"]
Ratings
Scene
30 -
A Warm Welcome at the Corral
EXT. CORRAL AREA - CONTINUOUS
MELISSA
Dad, I’d like you to meet our
attorney, Matt Morrison, and his
daughter, Sara.
James shakes Matt’s hand.
JAMES
Nice to meet you, Matt. Name’s
James Russell.
(to Sara)
Hello, Sara.
The beagle circles Doc, then nervously backs up to Sara.
James and Matt continue talking while Melissa helps Sara sit
on the railing to watch a frisky filly prance around.
Melissa and Doc stand beside Sara.
A gentle mare approaches. Melissa strokes her muzzle.
SARA
She’s beautiful.
MELISSA
Yes, she is. Maybe someday you’d
like to take a ride on her.
SARA
I don’t know how to ride a horse.
MELISSA
I’ll teach you. We western gals
gotta know how to ride.
Doc watches Melissa--the ease, the warmth, the instant bond
with this child.
James and Matt step over to join them.
Matt’s phone buzzes once. He checks it.
MATT
Lost reception again.
MELISSA
Happens a lot in these mountains.
That’s why you better keep your
landline. Come on inside--use my
house phone.
JAMES
We’ll keep Sara company.
Melissa gives him a look.
JAMES (CONT'D)
I mean--you go with Matt, of
course. I’ll keep an eye on Sara.
Genres:
["Western","Drama"]
Ratings
Scene
31 -
Celebration in the Living Room
INT. MELISSA’S LIVING ROOM - CONTINUOUS
With the cake dish in hand, Melissa heads for the kitchen.
MELISSA
The phone’s right there.
Matt makes his call.
MATT
Hi. Did you just call?... Oh,
okay... Perfect timing... Thanks
for calling, Aunt Maggie. Bye.
He hangs up, then notices the Vegas photo on the table. He
picks it up just as Melissa returns.
MATT (CONT'D)
Looks like you were a winner.
Melissa smiles.
MATT (CONT'D)
The man with you looks familiar.
What’s his name?
MELISSA
Umm... John. John Henry--an old
friend of mine.
MATT
(teasingly casual)
Oh, and before I forget-- that
call? Looks like you’re good to go.
MELISSA
What?
MATT
Your license came.
Melissa pumps a fist.
MELISSA
Yes!
She hugs him--warm, natural, comfortable.
Genres:
["Drama","Romance"]
Ratings
Scene
32 -
A Day of Goodbyes and Tensions
EXT. MELISSA’S HOUSE - DAY
Matt and Sara say their goodbyes. Matt buckles Sara into her
booster seat.
JAMES
We’ll see you at the opening then?
MATT
Wouldn’t miss it!
Melissa stands with Doc by her side, waves as they drive off.
JAMES
Nice neighbors. He seems like a
real good guy--good father, too.
It’s hard to raise a child all by
yourself.
Doc stiffens. Turns and heads for the saloon.
MELISSA
Where you going, Doc?
DOC
I think I could use a drink.
MELISSA
I’ll getcha a beer.
DOC
At this moment I need something
stronger than a beer.
He vanishes.
JAMES
Something I said?
MELISSA
Naw. It’s just Doc being Doc.
She links her arm through her father’s.
MELISSA (CONT'D)
C’mon, Dad. I could use a cold one
myself. We’ve got some celebrating
to do.
Genres:
["Western","Drama"]
Ratings
Scene
33 -
The Mysterious Player Piano
INT. DARLIN’S SALOON - DAY
REGE (30s), small build, stands on a ladder hanging a sign
above the liquor bottles: “FINE SPIRITS WITHIN”.
KAREN (30s), a red-headed spitfire, wears headphones as she
inspects glasses for water spots.
Rege drills in the last screws just as Doc enters.
Doc storms past him--unseen--pours a tall whiskey, downs it,
and leaves the dirty glass on the bar.
The drill stops.
Doc crosses to the piano, sits, and plays a haunting melody.
REGE
Karen! Turn your headphones down--
you’re going to go deaf.
She doesn’t hear him.
Rege freezes. The piano keys are moving. His eyes widen. He
leans back for a better look--the ladder wobbles.
He lets out a high-pitched scream.
Doc stops playing. Gone.
Karen pulls off her headphones, ready to complain about the
dirty glass--but hears Rege’s scream instead. She rushes over
and steadies the ladder.
KAREN
Geez Louise, Rege! Pull yourself
together.
REGE
That--that piano! It was playing a
song... all by itself!
Karen rolls her eyes.
KAREN
Well, tough guy, it is a player
piano. And next time wash your own
damn glass. I ain’t your maid.
Genres:
["Western","Supernatural","Mystery"]
Ratings
Scene
34 -
Ghostly Revelry at Darlin's Saloon
INT. DARLIN’S SALOON - NIGHT
The place is packed for opening night. Country music plays.
INTERCUT - BAR / TABLES / POOL ROOM
Mortal customers mingle with unseen figures: BURLY COWHANDS,
GUNSLINGERS, DIRTY SCRUFFY CATTLEMEN, DANCE HALL GALS--a full-
color ghostly crowd.
In the pool room, mortal men shoot a game with Morgan and Bat
At the bar--Doc, Wyatt, and James.
WYATT
(to Doc)
I know Melissa can’t see them, but
you oughta do something about this.
It’s starting to look like a Boot
Hill reunion.
Melissa clears a table of empty mugs. On her way, she stops
at Dixie, Emmylou, and Josie’s table.
Matt enters.
EMMYLOU
Who’s that good-looking dish that
just walked in?
They all glance toward Matt.
DIXIE
He’s one tall drink of iced tea.
Matt spots Melissa and smiles.
MELISSA
Matt Morrison--our attorney.
JOSIE
Impressive.
Matt takes a seat at the bar beside James.
Behind the bar, Rege and CHASE (30s), Native American, long
black hair, dark eyes, tend to drinks.
THREE LADIES at the bar swoon over Chase; every shy smile he
gives them fattens his tip jar.
Doc spots Sherman McMasters and TURKEY CREEK JOHNSON enter.
DOC
Excuse us, James.
Doc and Wyatt meet them.
WYATT
Well look what the cat just drug
in! Creek Johnson! How the hell you
been?
CREEK
Been busy--stayin’ on the run.
DOC
This picture seems upside down.
Weren’t you always doing the
chasing?
CREEK
Boot’s on the other foot now.
(to Wyatt)
Met a dame worse than our posse
ever was. Like a tick on a hound.
(to Doc)
Shoulda known better than to get
hooked up with a mortal.
Melissa slips behind the bar with her tray.
MELISSA
Hey, Matt! Can I get you two some
refills?
JAMES
Sure can! Did you know Matt was
born and raised in these parts
before he moved east? Seems
we have a lot in common.
Doc and Creek step behind the bar; Wyatt stays in front. Doc
pours himself a whiskey, lights a cigarette, takes a deep
drag, as he eyes Melissa and Matt in conversation.
Melissa refills their mugs.
Creek, right behind her, refills his own.
Chase sees tap running, reaches for the handle--but it stops
on its own.
Matt pulls out his wallet.
MELISSA
Put your money away, Matt.
Tonight’s on the house.
Doc scowls.
DOC
(to Wyatt)
First, she’s worried about finances
—-now she’s giving away the
profits.
WYATT
It’s hers to give, isn’t it?
Doc walks off, passing by Matt, James, and Melissa. Unseen,
he dunks his cigarette into Matt’s beer.
LATER
Doc, Wyatt, and Creek at the bar.
DOC
I’ve been meaning to ask you, Creek
--what is that God-awful scent?
CREEK
Whadaya mean God-awful? This
cologne comes all the way from Gay-
Pari. A gift from that previous
acquaintance of mine.
DOC
It does smell like a French whore.
Footsteps on wooden planks. A pair of snakeskin boots appear
outside the saloon doors.
An URBAN COWBOY (40s)--10 gallon hat, 10 pound belt buckle--
enters.
The doors swing open again, nearly knocking him over. He
spins, sees nothing, shrugs, swaggers up to the bar.
MELISSA
You look thirsty, cowboy. What can
I getcha?
URBAN COWBOY
(heavy New York Accent)
Give me two fingers of red-eye.
MELISSA
Real cowboys wash the trail dust
down with a cold draft.
URBAN COWBOY
Doc Holliday didn’t.
Melissa glances toward Doc, smiles.
WYATT
Doc, you hear that? You gotta fan
at the bar.
At the jukebox, a LADY STALKER (50s)--cougar type--selects a
song, then sniffs the air.
CREEK
Oh, shit!
(ducks behind the bar)
She found me again!
DOC
Need I remind you, my dear friend,
the lady cannot see you.
Creek peeks over the bar.
CREEK
(points)
That’s her.
WYATT
She looks like a damn bloodhound
that just treed a coon.
The Stalker shivers as she nears them.
STALKER
I’m think I’m getting closer.
DOC
I detect a slight hint of sarcasm.
Rege steps up, scrunches up his nose, sniffing.
REGE
(to Chase)
Do you smell something?
WYATT
I’ll be damned, Creek--she’s marked
you.
CREEK
What?
WYATT
Like a dog pisses on a tree.
Creek’s eyes widen. He bolts outside.
EXT. DARLIN’S SALOON - CONTINUOUS
Creek rushes past Melissa’s Real Estate Agent and DATE. The
Agent grabs his hat as a gust nearly blows it off.
Creek vaults into the water trough, scrubbing furiously. A
splash lands at the Agent’s feet.
AGENT
What the--
(jaw drops)
Special effects!
He looks around at the MILLING CROWD taking selfies with the
restored ghost town.
AGENT (CONT'D)
Unbelievable. This property’s gonna
make her a fortune.
Genres:
["Western","Drama","Comedy"]
Ratings
Scene
35 -
Karma at Darlin's Saloon
INT. DARLIN’S SALOON - CONTINUOUS
THREE ROUGH-LOOKING MEN sit at a table. Karen approaches.
KAREN
What can I get you, boys?
MAN # 1
Three beers’ll do for now...
(strokes his cheek, then
grabs her backside)
But later--what time do you get
off, sugar?
His buddies snicker.
Sherman notices.
Karen twists the man’s wrist--quick, controlled. He winces.
KAREN
Try ordering something you can
handle.
She heads to the bar. Sherman watches, impressed.
MAN # 2
Brrr. She’s got ice in them veins.
MAN # 1
How much you wanna bet I melt that
iceberg before the night’s over?
Sherman follows Karen back with their beers.
MAN # 1 (CONT'D)
Mmm, sweetcheeks...
(touches her again)
Whadaya say we start over?
Karen sets the beers down. Before she can react-- CLINK.
Sherman flicks a finger against the glass. Beer sloshes
straight into the man’s lap.
MAN # 1 (CONT'D)
(jumps up)
Hey, you bitch!
KAREN
(folds arms)
Not me. Must be karma.
Rege rushes over with a towel, scrubbing the man’s crotch
before he realizes what he’s doing. He freezes. Awkward.
Karen strolls away, leaving Rege to apologize. Sherman
follows.
KAREN (CONT'D)
(muttering)
Nobody touches me unless I want
them to.
Sherman places a gentle hand on her lower back.
KAREN (CONT'D)
Mmm.
She glances over her shoulder--sees no one.
LATER
The crowd has thinned.
Dixie, Morgan, Josie, and Wyatt sit at one table. Emmylou,
Bat, and Creek at another.
MORGAN
You shoulda seen their faces when I
ran that rack! Priceless
CREEK
I thought that guy would crap his
drawers when you started sinkin’
balls he wasn’t even aimin’ at.
The Stalker continues sniffing around, passes right by Creek.
The Urban Cowboy, tipsy, stumbles off his stool, bumps into
her.
URBAN COWBOY
Are you in my way or am I in yours?
Her wicked smile returns.
STALKER
Mmm, honey, you smell good. Let me
help you to your car.
BEHIND THE BAR
Doc and Melissa stand together as Chase and Rege clean up.
Matt prepares to leave, pats James on the back. James signals
Melissa.
JAMES
Matt’s taking off--gotta get home
to Sara.
Melissa smiles--one that can melt a heart just like Doc said.
MELISSA
Glad you came, Matt.
Doc eyes narrow. Arms fold. He is not pleased.
MATT
Looks like you really knocked it
outta the park with this theme of
yours.
He points to the “FINE SPIRITS WITHIN” sign.
MATT (COND’T)
(smiles)
I’m not one to believe in ghosts,
but I swear--and I don’t know how
you did it--I felt some spirits
from the past.
Doc’s hand drifts to his holster. James notices.
JAMES
And some of them aren’t so
friendly.
Doc meets James’s eyes--relaxes his hand.
MATT
One of these days, you’ll have to
tell me how’s it done.
MELISSA
Do I look like the type to give
away trade secrets?
MATT
(slight chuckle)
You’re right--some secrets are
worth the wait.
He casts a lingering glance over his shoulder as he leaves.
LATER
Darlin’s is closed. Only Melissa, Doc, James, Rege, Karen,
Chase, and Emmylou remain.
Doc and James sit at the bar, chatting with Melissa as she
washes glasses. As always, Rege, Karen and Chase cannot see
or hear Doc.
JAMES
Well, if tonight was any
indication, I think we’re
(MORE)
JAMES (CONT'D)
gonna need more drinks and a
bigger dance floor.
MELISSA
We don’t have a dance floor.
JAMES
Exactly.
Emmylou approaches with a professional camera.
EMMYLOU
Melissa, before I go, let me get a
picture to commemorate this big day
of yours.
(to everyone)
Come on, don’t be camera shy. Let’s
do it right here at the bar.
Everyone gathers--except Doc, who stays out of frame. Melissa
tugs his sleeve, pulling him close. He slides his arm around
her waist.
EMMYLOU (CONT'D)
Say, Darlin’s!
FLASH.
Genres:
["Western","Drama","Mystery"]
Ratings
Scene
36 -
Unexpected Revelations
INT. MELISSA’S KITCHEN - DAY
James sits at the table with coffee and newspaper.
Melissa enters, kisses his cheek.
MELISSA
Mornin’, Dad! Coffee smells good.
She pours herself a cup.
JAMES
Good morning, honey. Nice picture.
MELISSA
What?
James lifts the newspaper for her to see. She snatches it
from him.
INSERT - NEWSPAPER ARTICLE
Photo of all of them--including Doc--under the headline:
SPIRITS RETURN TO THE GHOST TOWN AS DARLIN’S OPENS ITS DOORS
BACK TO SCENE
MELISSA
What the heck! I didn’t know she
was gonna put it in the paper--
(lowering her voice)
--or I wouldn’t have...
She trails off.
JAMES
Well, what did you think? That’s
where Emmylou works.
MELISSA
I guess I wasn’t thinking.
(shrugs)
But hey--free advertising, right?
I’ll have to thank her.
INT. MATT’S KITCHEN - SAME DAY
Matt drinks his coffee, reads the newspaper.
Maggie enters.
MAGGIE
You see Melissa’s picture yet?
Matt nods.
MAGGIE
Who’s that handsome gentleman
standing next to her?
MATT
It’s an old friend of hers. John.
John Henry.
(beat)
Strange... I didn’t see him there.
Genres:
["Western","Drama"]
Ratings
Scene
37 -
A Race Against Time
INT. MELISSA’S KITCHEN - DAY
James works a crossword puzzle. Melissa rinses her mug.
MELISSA
What do you have planned for the
day?
JAMES
Nothing much. Just gonna take it
easy. How ‘bout you?
MELISSA
Doc and I are gonna take the horses
out for a ride. Didn’t get to spend
much time together last night.
JAMES
Didn’t spend much time with Matt
either.
Melissa doesn’t respond.
JAMES (CONT'D)
You should get to know him better.
He’s really a great guy.
MELISSA
I know he is, Dad... but what about
Doc?
James sets down his pencil, looks at her gently.
JAMES
You know how I’ve always felt about
Doc. Long before you were even
born. He’s a legend. But you’re
forgetting something important.
He’s a ghost.
He places his hand over hers.
JAMES (CONT'D)
You’re getting too attached,
Melissa. I don’t want you to get
hurt.
A quiet beat.
MELISSA
Mom wasn’t a ghost. I remember the
hurt in your eyes.
She notices Doc standing in the doorway.
MELISSA (CONT'D)
Doc... mornin’!
DOC
Good morning, Darlin’. James.
Ready for that ride?
JAMES
Want some coffee first?
DOC
No, thank you. Already had some.
Melissa hugs her father, whispers:
MELISSA
Don’t worry ‘bout me, Daddy, I’m
all grown up now.
(kisses his cheek)
Love you.
She grabs her Stetson from the hook.
MELISSA (CONT'D)
(to Doc)
Race ya! Loser saddles up!
She bolts out the door.
DOC
I’d never hurt her, James.
JAMES
I know you wouldn’t, Doc. Not
intentionally. Better hurry or
you’ll be--
Doc vanishes.
INT. MELISSA’S STABLE - DAY
Doc leans against a stall door, chewing a piece of straw.
Melissa runs in, breathless--then freezes when she sees Doc
already waiting.
DOC
What took you so long, dear?
MELISSA
You cheated!
DOC
Now, Darlin’, don’t be such a sore
loser.
He hands her the saddle blankets with a smug flourish.
Genres:
["Western","Drama"]
Ratings
Scene
38 -
A Moment of Serenity
EXT. MELISSA’S PROPERTY - DAY
Melissa and Doc gallop through open fields of wildflowers,
wind in their hair, laughter carried by the breeze.
They slow the horses to a stop, letting them rest.
EXT. GRASSY HILL IN THE MOUNTAINS - DAY
Doc lies stretched out on the grass, propped on one elbow.
Melissa sits beside him. They take in the sweeping beauty
around them--mountains, sky, silence.
MELISSA
Thank you.
DOC
For what?
MELISSA
For this. For all of it. I love it
here. My dad’s finally back where
he belongs. Without you, none of
this would’ve happened.
DOC
You don’t have to thank me,
Darlin’. But it is nice to hear.
An eagle circles overhead, lands in a nearby tree, settling
into its nest.
MELISSA
Aww... I wonder if there are babies
in that nest?
DOC
If not, I imagine there soon will
be.
(beat)
Have you thought about having
children, Melissa?
MELISSA
At one time I did. But Peter wasn’t
the fatherly type, so I put it on
the back burner... got busy with my
career... and, well... time passes.
A doe and her fawn wander close, nibbling at the fresh
greenery.
MELISSA (CONT'D)
I’m afraid that one day I’ll wake up
and find that this was all a dream.
DOC
I know it’s hard to comprehend...
but you’re not dreaming. Our paths
crossed for a reason. I just don’t
know what that reason is yet.
Genres:
["Drama","Romance"]
Ratings
Scene
39 -
Revelations and Reactions
INT. NEW MEXICO BAR - DAY
The bartender reads THE DURANGO TIMES. Only a few patrons
linger. At a corner table, MEN play cards.
Beside them Kate, her hand resting on the shoulder of a
BUSINESSMAN with a pile of chips--clearly winning.
Sorrel enters, takes a seat at the bar.
The bartender looks up.
SORREL
You still reading that rag, Kenny?
BARTENDER
Gotta keep up with the town gossip.
Someday I’m moving back to Durango.
Getting sick of this heat.
He sets the paper down, pours Sorrel a draft, moves to help
ANOTHER CUSTOMER.
Kate drifts behind the bar, pours herself a Scotch.
Both she and Sorrel glance down at the newspaper.
Front and center: Emmylou’s article announcing the grand
opening of Darlin’s Saloon--complete with the group photo.
KATE SORREL
I’ll be damned! I’ll be damned!
Kate picks up a matchbook, strikes a match, and holds it to
the article. The paper ignites instantly.
SORREL
What the hell!
He dumps his beer on the flames, extinguishing them.
INT. ATTORNEY RICHARD DICK’S OFFICE - DAY
Sorrel enters a dim, dingy office. Fluorescent lights
flicker. Certificates in cheap frames hang crookedly on the
wall.
He shakes hands with ATTORNEY RICHARD DICK (60s)--heavy,
sweaty, cigar-smoking. A man who looks like he’s never met an
ethical boundary he didn’t step over.
INT. MELISSA’S KITCHEN - DAY
Melissa enters, flipping through the mail.
The first piece goes straight into the trash.
The next one catches her eye: Return address--Attorney
Richard Dick.
She opens it. Reads. Her expression shifts. She picks up her
phone.
Genres:
["Western","Drama"]
Ratings
Scene
40 -
Nostalgia in the Attic
EXT. RANGE - DAY
Doc, Wyatt, Morgan, Bat, and Sherman thunder across the open
range on horseback, kicking up a cloud of dust.
INT. MELISSA’S HOUSE LIVING ROOM - DAY
A KNOCK at the front screen door.
Melissa opens it. Matt steps inside.
MELISSA
Matt, you didn’t need to---
MATT
I wanted to see that letter.
MELISSA
I already read it to you.
Matt gives her a look.
MELISSA (CONT'D)
Okay, okay. I’ll get it. It’s in
the kitchen. Want something to
drink?
MATT
No, I’m good.
KITCHEN
Matt reads the letter.
MATT
You understand he’s contesting the
will. He wants this property.
MELISSA
Can he do that?
MATT
His attorney thinks he can. They’re
claiming the will specifies that
the property stays in the Powers
bloodline if possible--and he
wasn’t notified. I need to take a
good look at the original will.
Matt glances around--antique hutch, antique table.
MATT (CONT'D)
When you bought this place, was it
already furnished?
MELISSA
Yeah, it was, why? You don’t like
it either?
She laughs lighty.
MATT
No...
(laughs)
I was just wondering if you came
across any old documents. Family
Bible, papers... anything left
behind.
Melissa shakes her head.
MATT (CONT'D)
You ever check the attic?
ATTIC
Melissa and Matt enter the dusty attic.
Matt spots a cedar chest and heads straight for it.
Melissa wanders, taking in the relics:
A seamstress mannequin wearing a shredded Victorian dress. A
silver candelabra sits on a dusty dresser. An old hobbyhorse.
Melissa kneels beside it, brushing away cobwebs.
INT. MELISSA’S CHILDHOOD HOME - FLASHBACK
A Christmas tree. Melissa, (5), bounces on a hobbyhorse. A
younger James beams as he places a cowgirl hat on her head.
Her MOTHER (30s)--the woman from the music box photo--watches
with a soft sadness, holding the same music box.
INT. ATTIC - BACK TO PRESENT
Melissa rises, eyes glistening.
She opens a dusty hatbox--and elegant Sunday bonnet inside.
She coughs as dust swirls.
Matt turns at the sound, watches her.
Melissa places the bonnet on her head, poses in front of a
smoky mirror.
Matt smiles.
MATT
Wear that to church and you’ll be
the envy of all the ladies.
MELISSA
I’d be the talk of the town, that’s
for sure. Oh wait... I already am.
Her giggle makes Matt laugh too.
She sets the bonnet on top of the mannequin.
Genres:
["Drama","Mystery"]
Ratings
Scene
41 -
Secrets of the Attic
EXT. RANGE - DAY
RANCH HANDS round up cattle. They look toward a distant dust
cloud--but see no riders.
INT. ATTIC - DAY
Matt holds an old Bible and several papers.
MELISSA
You think those will--
She steps towards him. A floorboard CREAKS--then breaks. She
stumbles forward.
Matt catches her--close, breath warm against her cheek. Her
hand rests over his heartbeat. She pulls back, flustered.
EXT. RANGE - DAY
The horses at full gallop. Close on Doc--focused, intense.
INT. ATTIC - DAY
Melissa sits, rubbing her ankle.
MELISSA
I’m okay, really.
She avoids Matt’s eyes--notices something beneath the broken
board.
She reaches in, pulls out faded letters tied with a blue
ribbon, attached to an old diary.
MELISSA (CONT'D)
Look at this.
Matt sits beside her, opens the diary.
The name on the cover: MARY ELIZABETH STUART.
He flips through yellowed pages, stops on one dated May 1,
A woman’s voice fills the air:
LADY’S VOICE (V.O.)
I met a handsome Southern gentleman
today. His name is John Powers. I
believe he has stolen my heart...
Melissa stands abruptly, clutching the letters.
MELISSA
We shouldn’t be reading this.
MATT
Why not?
MELISSA
It’s her diary. Those words were
written for her eyes only.
MATT
She’s been gone over a hundred
years, do you--
MELISSA
You don’t know that!
She turns away from Matt. Out of the corner of her eye--a
shadow.
She gasps--then exhales when she realizes it’s only the
mannequin.
MATT
(confused)
What?
MELISSA
That... what’s in there will even
help.
MATT
And you don’t know that it won’t.
MELISSA
Haven’t you heard of privacy? Or
isn’t that a word lawyers use?
MATT
This isn’t like you, Melissa.
MELISSA
You don’t even know me, Matt.
MATT
I’m not going to let some two-bit
con-man take advantage of you just
to respect the privacy of a ghost.
Melissa hears HORSES outside.
She goes to the attic window--sees Doc and his friends tying
their horses at the saloon.
She returns, hands Matt the letters.
MELISSA
You don’t understand. And I
shouldn’t expect you to. I know you
mean well. Please--just take these
with you.
Genres:
["Drama","Mystery","Romance"]
Ratings
Scene
42 -
Tension and Reflection
INT. MELISSA’S KITCHEN - DAY
Doc reads the letter from Attorney Dick.
His expression darkens. He bolts upright, the paper crumpling
in his fist as he storms toward the door.
Melissa steps in front of him.
MELISSA
Wait. Slow down, Doc. This isn’t
Dodge City. We’ll let Matt handle
this one.
Doc gives her a sharp look--a silent, simmering disagreement.
He vanishes.
Melissa sighs.
MELISSA (CONT'D)
Damn, he’s not good at
confrontation.
INT. MELISSA’S BATH - NIGHT
Melissa relaxes in a bubble bath; eyes closed, candle burns,
a half-empty wine glass at her side.
INT. DARLIN’S SALOON - SAME
Doc sits at the piano, plays a classical piece. A glass of
whiskey sits on the piano lid.
Genres:
["Western","Drama"]
Ratings
Scene
43 -
Morning Lessons and Hidden Rivalries
EXT. MELISSA’S CORRAL AREA - MORNING
Clad in protective gear, Sara sits atop the gentle mare.
Melissa walks beside her, guiding her hands over the reins,
demonstrating the subtle pull needed to turn. Sara nods in
understanding.
With a small, encouraging gesture, Melissa picks up the pace,
coaxing the mare into a trot. A smile spreads across Sara’s
face as she moves with the rhythm.
From a distance, seated on the fence, Doc and James watch.
JAMES
She’s catching on real fast, only
been a couple weeks. Not afraid at
all.
DOC
She has an excellent teacher.
JAMES
She reminds me of Melissa at that
age.
DOC
You’ve done a remarkable job
raising Melissa on your own.
JAMES
She’s told you?
DOC
No. I was hoping you might. I need
to understand this connection she
has to Sara.
A commotion, a few corrals over, distracts their attention.
A RANCH HAND (30s), works with a stallion.
RANCH HAND
Whoa! Whoa! Easy there, fella.
Ain’t nobody gonna hurt you.
JAMES
Her mother had a wild streak, like
that stallion. Just couldn’t be
tamed. Wanted more than our simple
life, and took off to follow her
dreams. Somehow we didn’t fit into
her picture.
Doc nods, watches the Stallion buck.
DOC
I once knew a lady like that, very
very well. A sweet, soft Hungarian
devil.
Matt arrives. Walks up to James. Annie, follows, careful to
keep her distance from Doc. Matt watches Sara and Melissa.
JAMES
(to Matt)
Got any good news yet?
MATT
Matter of fact, I do.
James nods with a smile.
JAMES
I knew you’d handle it.
MATT
I can’t wait to tell Melissa.
Doc scowls.
JAMES
So how’d it play out?
MATT
Mister Sorrel thought he’d ask for
the moon and stars and when all was
said and done, he’d walk away with
something worth his while. But he
had no real connection to the
Powers. It was like he was playing
the Six Degrees of Kevin Bacon.
James laughs. Doc looks puzzled by the comparison.
JAMES
(for Doc’s sake)
Well, I guess if you go back far
enough we’re probably all related.
INSIDE THE CORRAL AREA
Melissa looks up at Sara, still mounted on the mare.
MELISSA
I’m so proud of you, honey.
Sara looks down, somewhat sad looking.
SARA
That’s what my mommy used to say...
before she went to heaven. She was
always proud of me. I miss her,
Melissa.
Sara touches her locket.
SARA (CONT'D)
She gave me this...
She opens it, inside is a picture of Sara and her mother.
She shows Melissa.
SARA (CONT'D)
I wish she could see me ride.
MELISSA
She sees you, sweetheart. Every
ride, every smile, every moment--
she’s right there with you,
cheering you on.
(beat)
And she’d be so proud.
Sara smiles, as she swipes away a stray tear.
Sara notices her dad.
SARA
Daddy, Daddy watch this!
Sara trots toward the fence. Melissa jogs behind. Sara stops
a few feet away, turns her horse completely around, backs it
up, then forward, to land in front of Matt.
SARA (CONT'D)
I’m getting good, huh, Daddy?
Matt smiles at the two of them. Melissa helps Sara dismount.
MATT
Yep! Guess I got myself a real
cowgirl now!
Sara takes her helmet off, climbs through the railed fence,
stands beside her dad and Annie.
MELISSA
We need to find her a pony.
SARA
Oh! Can we?
MATT
(laughs)
First a puppy, now a pony! Whadaya
gonna want next?
Doc watches Melissa--not angry, but aching--James notices.
SARA
(folds hands together)
Please.
MELISSA
(winks at Sara)
Give him time, honey. I think he’ll
come around.
MATT
(huffs)
We’ll see.
(smiles at Melissa)
I got some good news for you.
MELISSA
You did it, didn’t you?
MATT
(nods)
He wasn’t any more related to
Powers than I am.
Melissa beams, goes in for a hug, but catches Doc out of the
corner of her eye.
Matt prepares for a hug, but at the last second it turns into
an awkward high-five.
DOC
(to James)
Look at him takin’ a victory lap.
This race is far from over. Only a
fool would think he can get rid of
a cockroach that easy.
Genres:
["Drama","Family","Western"]
Ratings
Scene
44 -
Chasing Adventure
INT. MATT’S KITCHEN - DAY
Sara sits at the table. Takes the last bite of her sandwich.
Maggie picks up her plate and empty glass.
SARA
Can I go outside and play now?
MAGGIE
Sure, babe. Don’t leave the yard
though.
SARA
I won’t!
EXT. MATT’S YARD - CONTINUOUS
Sara plays fetch with Annie. She tosses the ball, it rolls to
the edge of the mowed area. Annie chases after it, but
suddenly picks up on a scent. The pup continues past the ball
and into the field.
SARA
Annie! Where you going, girl?
Come back here!
Sara chases after her.
SARA
Stop, Annie! You’re gonna get us
in big trouble!
EXT. WOODS - DAY
Annie’s unstoppable - nose to the ground, locked onto the
trail. She springs over a fallen tree, ears flapping like
tiny wings. Sara pursues, slowed by the tree trunk. An old
barn stands in a clearing. Annie enters.
INT. BARN - MOMENTS LATER
Sara enters, pauses to catch her breath. Bales of hay,
stacked high in uneven rows, fill the barn. Sara scans the
dim space, eyes darting as she searches for Annie.
SARA
Annie! Annie!
Sara spots the pup on top of one of the stacks--its nose
buried in a crevice, whimpers in frustration.
Slowly Sara starts the climb. She almost falls, but steadies
herself. Her locket catches on the binding of a bail and
unfastens, falls to the hay-covered floor, unnoticed by Sara.
A rabbit scampers down the stack, out the door.
Annie howls. Sara scoops her up in arms, cradles her.
Genres:
["Drama","Adventure"]
Ratings
Scene
45 -
A Storm Approaches
EXT. MATT’S PORCH / YARD - DAY
Maggie walks out onto the porch with two glasses of lemonade.
She spots Sara back on the swing-set. Annie curled at her
feet.
INT. MATT’S KITCHEN - DAY
Maggie loads the dishwasher with dinner plates. Matt enters.
MATT
I’ve got it, Aunt Maggie. You
should head home before the storm
rolls in - they’re saying it’s
going to be a rough one.
Maggie glances out the window, above the sink. Fluffy cotton-
like cumulus clouds stretch across the sky.
MAGGIE
Yeah, they look friendly enough
now, but I best get moving before
those clouds start throwing a
tantrum.
INT. SARA’S BEDROOM - DAY
The room is bright and cheerful.
A small bed, with a cozy comforter sits against the wall.
Plush toys and dolls scattered across the bed and floor, a
joyful chaos.
Sara sits at her child-sized table, coloring a princess
picture. Annie sleeps at her feet, on the plush pink carpet.
Matt enters.
MATT
Aunt Maggie went home early, so if
you need anything, babe, I’ll be in
my office working.
SARA
Okay, Daddy.
Matt leaves.
Sara looks through her box of crayons, looking for just the
right color for the princess’s jewelry. She reaches for her
own locket and finds it missing.
Sara searches through her things, checking her trinket boxes
on the small dresser.
Genres:
["Drama","Family"]
Ratings
Scene
46 -
A Day of Love and Lost Treasures
INT. MELISSA’S KITCHEN - DAY
James stretches back in his chair, hand on his stomach.
Pushes his empty plate away.
JAMES
I ate too much! That was good.
MELISSA
No room for dessert?
JAMES
Can’t eat another bite.
James stands, holds his back, starts to clean up.
MELISSA
Dad, I’ll get that.
(takes the plate from him)
Your back bothering you again?
JAMES
These ol’ bones never fail to tell
me when the rains are coming.
Think I’ll curl up with a good book
and call it a night.
James kisses Melissa’s cheek.
MELISSA
Night, Dad. Love you.
JAMES
Love you too, honey.
INT. SARA’S BEDROOM - DAY
Sara whispers into Annie’s ear.
SARA
Wake up, girl. We have to find my
locket.
EXT. WOODS - DAY
Sara retraces her steps, Annie trotting behind. She scans the
path anxiously.
SARA
It’s gotta be here somewhere. It’s
not in the house.
The once-fluffy clouds now carry ominous shadows.
Raindrops begin to fall as they reach the barn.
Genres:
["Drama","Family"]
Ratings
Scene
47 -
A Rainy Revelation
EXT. MELISSA’S PORCH - DAY
Rain taps softly on the roof. Distant thunder rumbles. A slow
song hums from the radio.
Wrapped in a blanket, Melissa relaxes on the porch swing
beside Doc. Half-asleep, her head drifts onto his shoulder.
Doc watches her--quietly, tenderly.
A weather advisory cuts through the music. Melissa startles,
shivers.
MELISSA
I’m getting cold. Gonna go inside.
You coming?
DOC
Think I’ll call it a night, Darlin.
MELISSA
Am I gonna see you tomorrow, or do
you have plans? You’ve been
spending a lot of time in town
lately.
DOC
Just keeping an eye on things.
A phone rings. Melissa rises.
MELISSA
Gotta get that. Hopefully I’ll see
you after church.
She goes inside.
Doc lights a cigarette, takes a long drag, watches the sun
sink behind the mountain.
MELISSA (O.S.)
Doc!
He turns. Melissa rushes out.
MELISSA (CONT’D)
Sara’s missing!
Genres:
["Drama","Mystery"]
Ratings
Scene
48 -
Stormy Urgency
EXT. WOODS - NIGHT
Wind howls through the trees. Rain needles their skin.
Lightning splinters the sky, illuminating the drenched path.
Sara’s locket--now back around her neck--glimmers in a flash.
INT. MATT’S KITCHEN - NIGHT
Matt places the phone’s receiver in its cradle just as the
phone rings. The caller I.D. reads: MELISSA RUSSELL. Matt
quickly answers.
MATT
Did he find her!... Oh..
(heavy sigh)
I just spoke with the Sheriff’s
office again. They’re trying to
send someone out, but the road’s
blocked, lots of trees down.
Matt rakes his hand through his hair.
MATT
I can’t wait like this, Melissa,
I gotta go look for her.
INT. MELISSA’S KITCHEN - SAME
Melissa’s on the phone.
MELISSA
Matt, you can’t. What if she comes
back? She’ll be so scared. I
promise you, John will find her.
Genres:
["Drama","Mystery"]
Ratings
Scene
49 -
Night of Longing
EXT. WOODS - NIGHT
The wail of wind broken by an EERIE HOWL.
Sara freezes. Annie stiffens, hackles raised, growling.
A lone coyote poised on a nearby ledge--muscles twitching,
eyes glowing. It SNARLS and leaps.
GUNFIRE
The coyote collapses.
A shadow approaches through the storm--a man on horseback.
Lightning reveals his face.
Sara backs away, breath trembling.
DOC
Don’t be afraid, Sara. Melissa,
sent me to find you.
EXT. MELISSA’S PORCH - NIGHT
Melissa paces. At the sight of Doc, she runs into the rain.
Doc lowers Sara into her arms. Sara clings to Melissa. Annie
peeks her nose out from inside Doc’s long coat.
INT. MELISSA’S LIVING ROOM - NIGHT
Candles flicker--the power is out.
Matt stands in the doorway, Sara asleep in his arms, wrapped
in a blanket.
Doc leans against the door frame, Annie beside him.
MELISSA
Don’t be too hard on her, Matt.
That locket means the world to her.
MATT
I don’t think I’ve ever been that
scared in my life. I don’t know
what I’d have done without you and
your friend John.
Doc steps closer to Melissa.
MATT (CONT’D)
I better get her home and into a
warm bed before she catches cold.
Thank you again, Melissa--and tell
John--
MELISSA
He knows.
Matt nods and leaves. Melissa closes the door.
DOC
You best get out of those wet
things yourself.
Melissa nods, starts to walk away, but turns back.
MELISSA
Don’t go.
DOC
I had no intention of leaving you.
Doc kneels at the fireplace, starts a fire.
LATER
Melissa returns in a warm robe, carrying two glasses of
brandy. She hands one to Doc and sits on the hearth. He
stands before her.
They sip quietly, watching the flames.
MELISSA
What was Kate like?
DOC
Now what makes you ask that?
MELISSA
Because I need to know. Did you
love her?
DOC
There is an old Indian saying: “One
should not speak of the dead.”
MELISSA
How about to the dead? Is she still
here?
DOC
Is this question of real importance
to you, Melissa?
She nods.
DOC
Yes, Darlin’. She’s still here--
though I haven’t seen her in years.
Last I heard, she was in New
Mexico. What was she like?...
He thinks.
DOC (CONT'D)
She was a living contradiction.
Saved my neck more times than I can
count--and almost got it hung just
as many.
Melissa rises, touches his neck gently.
MELISSA
How could she?
Doc sets his glass down on the mantel. Their eyes lock.
They’re so close. Lips about to meet--
BLAST!
Jerry Lee Lewis explodes from the radio as the power returns.
Melissa jumps, knocks Doc’s glass to the hearth. It shatters.
Another moment lost.
LATER
Doc stands at the screen door, looking out.
DOC
Looks like the storm’s passed. I
should be going.
MELISSA
Doc--
He turns. She stammers.
MELISSA (CONT'D)
I, uh... I was wondering if you’d
like to... ah --
DOC
Yes, Melissa?
A small smile touches his lips.
MELISSA
Go to church with me in the
morning.
His smile fades--not what he had hoped for.
DOC
Church?
She nods.
DOC (CONT'D)
I’m afraid I must pass on that
invitation.
He steps outside. Melissa stands at the screen door.
MELISSA
Did you love her?
EXT. SCREEN DOOR - SAME
Doc pauses, looks back over his shoulder.
DOC
People come and go, takin’ a piece
of your heart with ‘em. You get
over it.
He turns away.
DOC (CONT'D)
Good night, Darlin’.
He vanishes.
INT. MELISSA’S UPSTAIRS HALLWAY / JAMES’ BEDROOM - NIGHT
Melissa passes her father’s room. The door is ajar, light
still on.
James lies on the bed fully dressed, glasses crooked, book
resting on his stomach. He snores softly.
Melissa enters, gently removes his glasses and book, sets
them on the nightstand. She pulls a blanket over him, kisses
his forehead, and turns off the light.
INT. GHOST TOWN HOTEL / DOC’S ROOM - NIGHT
Doc stands by the window, lit only by the dim glow of street
lamps. He strikes a match--the flare briefly illuminates his
face as he lights a cigarette.
In the distance, Melissa’s bedroom light turns on.
INT. MELISSA’S BEDROOM - SAME
Melissa stands at her window, gazing toward the ghost town.
Genres:
["Western","Drama","Mystery"]
Ratings
Scene
50 -
A Church Gathering and Unexpected Connections
INT. CHURCH - DAY
Melissa and James enter. The pews are full.
As they walk down the aisle, Maggie spots them, scoots over,
gestures for them to sit. Beside her are Matt and Sara.
Soft whispers of introduction:
MELISSA
Hi, Maggie! This is my dad, James.
MAGGIE
Nice to meet you, James.
JAMES
Maggie.
The PASTOR begins his sermon.
LATER
The service ends with a hymn.
PASTOR
A reminder--our annual fundraiser
meeting begins shortly.
(MORE)
PASTOR (CONT'D)
This year’s donations will go to
the Children’s Hospital in Glenwood
Springs. Anyone interested in
helping, please remain seated.
He steps out to greet those leaving.
MELISSA
Isn’t that the hospital you were
in?
JAMES
Isn’t that a strange coincidence?
MELISSA
I’m gonna stay. See if there’s
anything I can do.
They stand to let Maggie and Sara out.
MAGGIE
Nice seeing you, Melissa. James.
James tips his chin with a warm smile.
Sara pauses, wraps her arms around Melissa’s waist.
MELISSA
Bye, sweetie.
Matt approaches. Melissa smiles.
MELISSA
She looks just fine, doesn’t she?
MATT
Thanks to you and your friend. She
told me all about him--she was
mighty impressed. I’d like to thank
him personally. Can I have his
number?
MELISSA
Believe it or not, he doesn’t own a
phone.
MATT
What? In this day and age--
PASTOR
Alright, let’s get started.
JAMES
That’s our cue, Matt. Meet you
outside, honey.
I./E. JEEP (MOVING) - DAY
Melissa drives. James watches her--thoughtful.
JAMES
Melissa.
MELISSA
Hmm?
JAMES
What’s Doc gonna think about this?
DOC (V.O.)
You what!?
Genres:
["Drama"]
Ratings
Scene
51 -
Communication and Construction
INT. MELISSA’S KITCHEN - DAY
Melissa slowly closes the cupboard door, peeking around it
with a grin.
DOC
And what do you find so amusing, my
dear?
MELISSA
You’re still here. You didn’t
just... poof.
DOC
Can’t say that it didn’t cross my
mind.
MELISSA
You really should stop doing that.
Real couples fight now and then.
DOC
Do you want to fight about not
fighting, or are you just avoiding
my question, Darlin’?
Melissa raises her hands in surrender.
MELISSA
I should’ve talked to you first.
But listen--if it wasn’t for that
hospital, I would’ve never met you.
DOC
(softens)
Touche. Point well taken.
EXT. MELISSA’S PROPERTY - DAY
Construction underway. Booths going up. Melissa directs
workers, unloads bags of stuffed animals from a pickup.
Emmylou strolls through the bustle, snapping photos.
Genres:
["Drama","Romance"]
Ratings
Scene
52 -
The Big Prize Scheme
INT. DURANGO BAR - DAY
Sorrel and Buddy sit at a corner table. Buddy holds up a
newspaper, reading the comics, chuckling.
On the front page facing Sorrel: ANNUAL FUND RAISER--with a
photo of Melissa and the ghost town.
SORREL
Well, look at that, would ya?
Buddy lowers the paper, confused.
BUDDY
What?
Sorrel snatches the paper, slaps it on the table, points at
the article. Buddy leans in.
BUDDY
So what? They always have a
fundraiser this time of year.
Usually lots a gambling though.
Wanna give it a shot?
SORREL
I ain’t looking to play Bingo,
Buddy. I got my eye on the big
prize--all of it.
Buddy’s eyebrows lift.
SORREL (CONT'D)
You didn’t notice the picture, did
ya?
Buddy finally sees Melissa--ghost town behind her.
SORREL (CONT'D)
This time I’m gettin’ something for
my troubles. You in?
Buddy nods.
At the next table sits Doc.
Genres:
["Drama","Mystery"]
Ratings
Scene
53 -
Community Fair Fun
EXT. MELISSA’S RANCH - DAY
The Community Fair in full swing--rides, games, food trucks,
crafts. The whole town is out.
Melissa and Doc stroll through the crowd. Melissa eats cotton
candy.
They pass Dixie and Morgan at the shooting gallery. Morgan’s
arms wrapped around Dixie, guiding her aim.
SHOOTING GALLERY MAN
And the lady wins again!
They move on--past a pie-eating contest, a blueberry-smeared
WINNER grinning proudly.
Wyatt and Josie stroll arm and arm. Doc tips his hat.
Emmylou and Bat ride the Ferris wheel.
Melissa and Doc reach Maggie’s craft booth. James leans
against a post. Inside are Maggie and Sara.
Melissa offers Sara cotton candy. Sara takes a bite, smiling--
once again, unable to see Doc.
JAMES
Hey, Melissa.
(nods to Doc)
Just look at these quilts Maggie
made!
Colorful hand-stitched quilts hang everywhere.
MELISSA
Maggie, these are gorgeous!
After admiring a few, Melissa winks at her dad.
MELISSA
I think I’m gonna check out that
face-painting booth.
Sara’s face lights up. Melissa pretends to leave, turns back.
MELISSA
Wanna go with me?
SARA
Can I, Aunt Maggie?
MAGGIE
Of course, honey.
Sara crawls out from under the booth.
MAGGIE
Matt’s taking his turn in the
dunking booth. Sara might get a
kick out of that too.
DOC
I may enjoy that myself.
FACE PAINTING BOOTH
A LITTLE GIRL walks away with a Cinderella on her cheek.
Sara studies samples--cartoon characters, flowers--and
chooses a daisy.
MELISSA
A daisy? Why a daisy?
SARA
‘Cause your friend John said I was
a daisy.
MELISSA
He did, did he?
Sara straightens, trying to imitate Doc’s seriousness.
SARA
He said--
(deep voice)
My dear, you are a daisy. You stand
straight and tall even in the mid--
(stumbles over that word)
Midst of a storm.
Doc grins.
SARA (CONT'D)
I really like him, Melissa.
Melissa glances at Doc
MELISSA
Me too, sweetie.
The ARTIST paints a daisy on Sara’s arm.
SARA
Melissa, can I ask you something?
MELISSA
Of course. Anything.
SARA
Will you marry my daddy? ‘Cause he
really likes you... and so do I.
Melissa freezes--surprised. She looks at Doc.
As Melissa pays, Sara studies more samples.
SARA
You should get this one.
(points at a rose)
‘Cause you’re beautiful. Just like
this rose.
Doc watches them--Sara’s joy, Melissa’s warmth--taking it all
in.
DUNKING BOOTH
The Pastor emerges dripping wet, shaking water from his ear.
Matt stands nearby, shirtless--surprisingly fit.
PASTOR
Your turn, son. Prepare yourself
for a dousing.
He walks off. Matt climbs into the booth, settling onto the
seat.
Doc, Melissa, and Sara arrive as Rege steps up.
Sara waves at her dad. Matt waves back.
Rege throws--misses.
Karen watches with Sherman McMasters.
KAREN
Man, you throw like a sissy. My
grandma could throw better--and
she’s eighty-six.
MATT
(to Karen)
Hey, isn’t that part of my job?
You know--harassing the pigeons.
Melissa chuckles. Doc scowls.
KAREN
(to Matt)
Oh, don’t worry, I gotcha covered.
Rege glares and throws again--worse.
REGE
You think you can do any better?
KAREN
Can’t do no worse.
Rege pulls out a ten-dollar-bill.
REGE
Put up or shut up.
Sherman strolls to the target.
Karen buys three balls. Her first throw misses badly. Rege
smirks.
The second ball passes right through Sherman--SWISH.
Sherman pats his stomach.
SHERMAN
I think my lady could use some
assistance.
Karen’s final throw--close enough. Sherman hits the target.
SPLASH! Matt drops into the tank.
Doc gives Sherman a subtle nod of approval.
Karen snatches the ten from Rege and tucks it into her bra.
Rege turns to Melissa, bewildered.
REGE
Did you see what I saw? I swear
that didn’t hit the target!
Melissa shrugs.
Matt climbs back onto his seat, dripping but smiling.
MATT
(to Melissa)
You know you’re gonna owe me one
for this.
Melissa smiles back. Sara tugs on her shirt.
SARA
Can I be next? That looks like fun!
Melissa overhears TWO WOMEN admiring Matt.
FIRST WOMAN
My, my, my.
(fans herself)
Who do we have here?
SECOND WOMAN
That’s the new attorney in town.
FIRST WOMAN
Then please--somebody sue me.
Genres:
["Drama","Romance","Family"]
Ratings
Scene
54 -
A Night of Dance and Departure
INT. BARN DANCE - NIGHT
A COUNTRY BAND plays a slow tune, music echoing through the
rafters.
Melissa and Doc watch the dancers--Wyatt and Josie among them
Melissa spots Matt and Sara. Sara balances on her daddy’s
boots as he dips her gently. She throws her head back with a
delighted giggle.
Melissa smiles, her expression softening at the sight.
Doc slips a watch from his vest pocket, checks the time, then
gives Wyatt and Morgan a subtle nod.
The band kicks into “The Devil Went Down To Georgia”.
Energy surges. Feet tap. Fiddles fly.
DOC
Darlin, I must leave you for a
little while.
MELISSA
Where you going?
DOC
I won’t be long. Enjoy yourself.
Melissa watches Doc, Wyatt and Morgan slip out of the barn.
Genres:
["Drama","Romance","Western"]
Ratings
Scene
55 -
Ghostly Showdown at Darlin's Saloon
INT. DARLIN’S SALOON - NIGHT
Doc satnds at the bar, whiskey in hand.
Wyatt and Morgan watch from the window.
Rege enters with a moneybag, whistling. He ducks behind the
bar, opens the safe, deposits the cash and leaves--keys
jingling as he locks the door.
A moment later, the door iggles.
Sorrel and Buddy enter. Buddy closes the door--but a large
boot stops it.
Buddy reopens it for MAD DOG (30s), six-foot-six, 230 pounds
of pure muscle.
BUDDY
Hey, Mad Dog! Glad you could make
it!
SORREL
Who the hell is he?
BUDDY
It’s all right. He’s my cuz.
SORREL
I ain’t sharing--
BUDDY
No man--he ain’t in it for the
dough! He just likes the act-tion.
He’s one mean S.O.B.
Morgan sizes him up.
SORREL
He can stand guard then.
Sorrel heads to the safe--where Doc now stands. Buddy
follows. Mad Dog stays at the door.
Sorrel leans in, ear to the safe, turning the dial.
SORREL
This is like takin’ candy from a
baby.
Buddy turns away to pour a drink.
Doc gives Sorrel a sharp shove with his boot--sending him
face-first to the floor.
Sorrel glares at Buddy.
SORREL
What’d you push me for!
Buddy turns, baffled.
BUDDY
Who you talkin’ to?
SORREL
You! You dumb ass!
BUDDY
I didn’t push you!
SORREL
Like hell you didn’t!
Wyatt covers Buddy. Doc covers Sorrel. Morgan squares off
with Mad Dog.
Sorrel dusts himself off--Doc shoves him again, this time
pinning him down with a boot to the throat.
Sorrel gags, clawing at his neck.
Buddy pulls a gun, waving it wildly.
Wyatt grabs Buddy’s wrist, squeezing hard. Buddy WINCES.
Mad Dog growls and charges--Morgan trips him, sending him
crashing face-first to the floor.
Wyatt twirls Buddy’s pistol--spinning it fast, side to side,
showy and precise.
Buddy freezes, watching his own gun spin in mid-air.
DOC
Looks like someone’s been
practicing.
WYATT
(shrugs)
Had a lotta time on my hands.
(serious)
Think I could take Ringo down now,
Doc?
DOC
No doubt, my friend. But you don’t
want to pay hell a visit.
SORREL
(gagging)
Don’t just stand there--do
something!
Buddy tries to lift Sorrel but can’t budge him. Doc keeps
Sorrel pinned, calmly finishing his whiskey.
Rege returns, still whistling--just as Mad Dog rises.
MAD DOG
I’m gonna kill you!
He charges Rege, hands outstretched.
Rege squeezes his eyes shut, braces for death--
POW!
The ghost of JOHN WAYNE appears, delivering a lightning-fast
jab to Mad Dog’s jaw. Mad Dog’s head snaps back--he see
stars--melts to the floor.
Rege faints.
Morgan and the Duke drag the semi-conscious Mad Dog across
the floor. Mad Dog stares blankly as he slides.
They prop him against the bar.
Doc releases Sorrel. Sorrel crawls toward the door.
Doc grabs him and tosses him beside Mad Dog.
Buddy tries to escape--Wyatt grabs him by the neck and shoves
him over with the others.
Wyatt tosses Buddy’s pistol to Morgan--it flips several times
before landing perfectly in Morgan’s palm.
Wyatt and Doc draw their guns.
Sorrel, Buddy, and Mad Dog look into the mirror behind the
bar--and see the ghostly vision of Doc, Wyatt, and Morgan
aiming guns at the back of their heads.
They turn--and see only three guns being COCKED in perfect
unison.
Arms flailing, the three stumble out the door.
DOC
(to himself)
Now that’s how you get rid of a
cockroach.
Genres:
["Western","Action","Thriller"]
Ratings
Scene
56 -
Tensions Under the Moonlight
INT. BARN DANCE - NIGHT
Melissa stands by a table with Dixie, Josie, Emmylou and Bat.
Across the crowded room, Matt watches her.
A slow song begins. Matt starts toward her--but James reaches
her first.
Melissa smiles and dances with her father.
INT. DARLIN’S SALOON - NIGHT
Doc steps over Rege, still passed out on the floor.
MORGAN
Why you rushin’ off, Doc?
DOC
Don’t want to keep the lady
waiting.
Doc exits.
THE DUKE
(raising a beer)
That was fun! Haven’t kicked up my
spurs in years. Been down in New
Mexico bored to death.
MORGAN
Yeah, a kick-ass session now and
then is good for a man’s heart.
Gets the blood pumpin’.
They laugh, clink bottles.
WYATT
(to the Duke)
So, what brought you to these
parts?
THE DUKE
Came across a lovely lady itchin’
to get here. Seemed in a real
hurry. Thought I’d tag along.
Kate’s her name.
Morgan, mid-swig, chokes.
EXT. DARLIN’S SALOON / BARN - NIGHT
Doc walks down the boardwalk, past the stable, turning the
corner--
A hand reaches from the shadows, touching his arm.
Kate steps into the moonlight.
KATE
(Hungarian Accent)
My loving man... we must talk.
At the barn entrance, James sees both Doc and a woman.
Kate clings to Doc’s arm. He brushes her off, turns away. She
embraces him again. Their voices rise--indistinct, heated.
Kate kisses Doc. This time, he doesn’t push her away.
James shakes his head and slips back inside the barn.
Genres:
["Drama","Romance","Western"]
Ratings
Scene
57 -
Dancing Shadows
INT. BARN DANCE - CONTINUOUS
A fast song plays.
Maggie meets James at the door, takes his hand.
MAGGIE
How ‘bout we show them how it’s
done, James.
He follows her onto the dance floor--and they can still cut a
rug.
Beside them, Sara dances with a a NEW FRIEND (6), a boy.
The song ends. Breathless, James and Maggie head for the
punch bowl.
BAND MAN
Last one, folks. Slow it down and
cuddle up.
Melissa stands with Maggie and James. Matt steps beside her.
They watch as Sara and her new friend attempt a slow dance.
MATT
I seem to have lost my partner.
Melissa smiles. Matt extends his hand.
MATT (CONT'D)
May I have this dance, Melissa?
She hesitates, glances around--then takes his hand.
They dance. Matt looks at her; she shyly looks away,
breathes, then meets his gaze with a soft smile.
Doc enters the barn--agitated. James notices.
Doc spots Melissa dancing with Matt. His hand drifts to his
pistol as he moves toward them--
James steps in front of him.
JAMES
Doc... what are you going to do?
Keep her from living?
(softening)
He’s good for her.
DOC
And I am not?
(shakes his head)
Why? Because of my past?
JAMES
We all have pasts. You and the
Earps brought justice to this God-
forsaken land.
DOC
Then why, Sir?
JAMES
Because you are a ghost.
DOC
Mortality is only an illusion.
JAMES
But it’s all we know. I don’t want
you out of her life, Doc--just out
of her heart.
The song ends. Melissa says goodnight to Matt, Maggie and
Sara. She notices Doc and her dad and walks to them.
Matt watches her go.
MAGGIE
(to Matt)
Looks like you’re falling for her.
MATT
Wish I could say the feeling’s
mutual.
MAGGIE
Give her time. How long can she
resist that boyish charm of yours?
MATT
(blushes)
Something’s holding her back. Sure
wish I knew what is was.
James walks away. Doc pulls Melissa aside.
MELISSA
Where’ve you been, Doc? You always
seem to be leaving me.
She doesn’t wait for an answer.
MELISSA (CONT'D)
Don’t you look handsome? I love
this tie.
She straightens it.
Doc takes her hands, draws her closer. Her smile fades--
nerves flicker. He turns her palms and kisses them.
DOC
Darlin’... the time has come to
redefine the nature of our
relationship.
A cluster of OLDER LADIES stare, whispering.
Doc releases her hands, nodding toward them--though they
can’t see him.
DOC
Let us not add fuel to their fire.
Melissa exhales--a flicker of relief.
EXT. FAIRGROUNDS / MELISSA’S PROPERTY - NIGHT
The fair winds down. Rides come apart. Booths fold. Food
trucks rumble away.
Melissa and James walk toward the house. Melissa quiet.
JAMES
Why so quiet, honey? I thought I’d
hear nonstop chatter from you. You
surely raised a lot of--
MELISSA
I don’t know what I’m gonna do.
James looks at her, concerned.
MELISSA (CONT'D)
You know how I feel about Doc.
JAMES
Unfortunately, I do.
Melissa rolls her eyes, shakes her head, bites her lip.
MELISSA
I’m starting to have feelings for
Matt, too.
Genres:
["Drama","Romance"]
Ratings
Scene
58 -
Whispers of the Past
EXT. MATT’S PORCH - NIGHT
Matt relaxes on his porch swing, beer in hand. He finishes,
leans back, stares into the darkness.
Suddenly he sits upright.
MATT
(mutters)
No... it can’t be.
INT. MATT’S HOUSE / OFFICE- NIGHT
Matt opens a desk drawer, pulls out a newspaper clipping--
the opening of Darlin’s.
LIVING ROOM
He crosses to a bookcase, scans the shelves, pulls out
LEGENDS OF THE WILD WEST.
He flips through pages--stops on DOCTOR JOHN HENRY HOLLIDAY.
MATT
Oh my God... it is!
INT. MELISSA’S BEDROOM - NIGHT
Moonlight drifts through the curtains.
Melissa sleeps, hair tousled, a thin sheet draped over her.
Doc stands beside her, watching.
He gently brushes the hair from her face, kisses her
forehead. His fingers graze her temple. She stirs, touches
his hand--but sees nothing.
Doc steps back, sits in a chair near the bed. He looks at the
framed photo from Darlin’s opening night.
He settles in and watches her sleep.
INT. MELISSA’S BEDROOM - DAY
The chair now empty.
Melissa awakes.
EXT. DARLIN’S SALOON - DAY
Melissa walks up the boardwalk.
INT. DARLIN’S SALOON - DAY
Doc plays a haunting melody on the piano.
Melissa enters, sits beside him.
He finishes the piece.
MELISSA
That’s such a sad melody.
Doc rises, goes behind the bar, pours a whiskey.
Melissa stays on the piano bench.
Genres:
["Western","Romance","Drama"]
Ratings
Scene
59 -
A Bittersweet Farewell
EXT. MELISSA’S PORCH - SAME
Matt stands with James, talking quietly. James points toward
the saloon.
INT. DARLIN’S SALOON - SAME
Doc returns from behind the bar.
Melissa stands.
MELISSA
Where is everyone?
Doc faces her.
DOC
They’re gone.
MELISSA
What do you mean they’re gone?
DOC
It’s time we move on.
(softly touches her cheek)
I’m finding it much too difficult
to restrain my feelings for you.
Melissa steps closer.
MELISSA
Doc... you do know how I feel about
you, right?
Doc steps back.
DOC
That’s what I’m afraid of, my dear.
MELISSA
You’ve never been afraid in your
life.
DOC
We are not in my life. We are in
yours--and I do not belong here.
MELISSA
Don’t. Don’t ever say that.
She steps forward, hands on his waist, forehead resting on
his chest.
At the saloon doors, Matt watches--he can’t see Doc.
Doc looks up--and allows Matt to see him.
Matt freezes, stunned.
Doc closes his eyes, then gently pushes Melissa away.
DOC
Go marry Matt.
MELISSA
Doc, you’re jumping to conclusions.
He hasn’t even asked me.
DOC
He will.
Tears fill her eyes.
MELISSA
Doc... I’m going to miss you.
He wipes a tear from her cheek--smiles softly--and vanishes.
Genres:
["Romance","Drama"]
Ratings
Scene
60 -
The Final Bargain
EXT. DARLIN’S SALOON - CONTINUOUS
Matt stands frozen in the doorway. Silence hangs heavy.
A hand lands on his shoulder.
Matt turns--Doc stands before him, cold blue eyes steady.
DOC
Allow me to introduce myself. I am
Doctor John Henry Holliday.
Matt says nothing--just stares.
DOC (CONT'D)
And you, sir, seem to be my worst
nightmare--Lucifer in disguise, who
finally won my soul.
Kate approaches, stopping a few feet away. Doc nods to her,
then turns back to Matt.
DOC (CONT'D)
If I should ever find that you do
not fulfill your end of this
bargain... you will see me again.
Doc offers his arm to Kate. She takes it. Matt watches as
they stroll away--fading, fading--gone.
He turns and pushes through the swinging doors.
FADE OUT: