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Scene Map 60
# PG SLUGLINE
1 2
EXT ST. DISMAS UNIVERSITY -- QUAD NIGHT
2 4
EXT ST. DISMAS UNIVERSITY -- GARDEN DISTRICT DAY
3 5
INT DORM HALL -- LOBBY DAY
4 7
INT ST. DISMAS UNIVERSITY -- REGISTRAR’S OFFICE DAY
5 8
INT ST. DISMAS UNIVERSITY –- HISTORY HALL -– DAY
6 10
EXT ST. DISMAS UNIVERSITY -- GIRLS’ DORM BALCONY NIGHT
7 11
EXT ST. DISMAS UNIVERSITY - QUAD DUSK
8 12
EXT ST. DISMAS UNIVERSITY -- QUAD NIGHT
9 14
EXT ST. DISMAS UNIVERSITY -- CAMPUS QUAD CONTINUOUS
10 16
EXT ST. DISMAS UNIVERSITY -- QUAD MORNING
11 18
EXT ST. DISMAS UNIVERSITY -- BREEZEWAY DUSK
12 20
EXT ST. DISMAS HALL NIGHT
13 22
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER NIGHT
14 25
INT ST. DISMAS UNIVERSITY -- HISTORY LECTURE HALL DAY
15 26
EXT GARDEN DISTRICT -- ABANDONED TOWNHOUSE NIGHT
16 28
INT TOWNHOUSE -- FOYER CONTINUOUS
17 30
EXT TOWNHOUSE -- FRONT STEPS LATER
18 31
INT ST. DISMAS UNIVERSITY -- UNDERGROUND CHAPEL NIGHT
19 33
INT ST. DISMAS UNIVERSITY -- DORM ROOM MORNING
20 34
INT NEW ORLEANS MUSEUM OF CULTURE – NIGHT
21 36
EXT GARDEN DISTRICT CEMETARY NIGHT
22 39
EXT ST. DISMAS UNIVERSITY –- CAMPUS – NIGHT
23 39
EXT CAMPUS GROUNDS – CONTINUOUS
24 40
EXT SCULPTURE GARDEN -– CONTINUOUS
25 41
INT IVY’S DORM ROOM — NIGHT
26 43
EXT FRENCH QUARTER — DAY
27 45
EXT FRENCH QUARTER -- LA CROIX’S TOWNHOUSE NIGHT
28 47
EXT INDUSTRIAL DISTRICT – NIGHT
29 48
INT ABANDONED WAREHOUSE – CONTINUOUS
30 50
INT CHURCH BASEMENT – NIGHT
31 52
INT UNIVERSITY LIBRARY -- RARE MANUSCRIPTS ROOM NIGHT
32 53
EXT METAIRIE -- BOUDREAUX HOME AFTERNOON
33 55
INT BOUDREAUX HOUSE -- KITCHEN LATER
34 57
EXT ALLEY BEHIND THE FRENCH MARKET NIGHT
35 58
INT ST. DISMAS HALL -- COUNCIL CHAMBER NIGHT
36 60
INT ST. DISMAS HALL -- HALLWAY CONTINUOUS
37 62
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER NIGHT
38 63
EXT HOTEL MONTECLARE -– FRENCH QUARTER – NIGHT
39 65
EXT ST. DISMAS UNIVERSITY -- QUAD NIGHT
40 67
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER DAY
41 68
INT ROYAL ORLEANS HOTEL -- LOBBY NIGHT
42 70
EXT FRENCH QUARTER -- ST. PETERS STREET CONTINUOUS
43 71
EXT BOURBON STREET -– CONTINUOUS
44 71
EXT SERVICE ALLEY – CONTINUOUS
45 74
EXT JACKSON SQUARE / ST. LOUIS CATHEDRAL COURTYARD –
46 84
EXT JACKSON SQUARE -- MINUTES LATER
47 85
INT THE SANCTUM NIGHT
48 87
INT LA CROIX’S STUDY NIGHT
49 89
INT DORM ROOM – NIGHT
50 91
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER DAY
51 94
INT DORM ROOM NIGHT
52 95
EXT OLD WAREHOUSE – NIGHT
53 98
INT VAN -- MOVING NIGHT
54 99
INT MAISON LA CROIX -- PARLOR DAWN
55 101
EXT GAS STATION NIGHT
56 103
EXT HIGHWAY TO THE BAYOU NIGHT
57 105
INT VAN MOMENTS LATER
58 106
INT MAISON LA CROIX –- RITUAL HALL -– NIGHT
59 115
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER DAY
60 118
INT BOUDREAUX HOUSE -- KITCHEN DAY
Scene Map
60
# PG SLUGLINE
1 2
EXT ST. DISMAS UNIVERSITY -- QUAD NIGHT
EXT. ST. DISMAS UNIVERSITY -- QUAD -- NIGHT
EXT. ST. DISMAS UNIVERSITY -- QUAD -- NIGHT The air is thick and warm. Heavy with the scent of magnolia and the buzz of cicadas. Gas lamps line the walkways of St. Dismas University, nestled in the Garden District in New Orleans, their amber glow cutting through pockets of drifting
2 4
EXT ST. DISMAS UNIVERSITY -- GARDEN DISTRICT DAY
EXT. ST. DISMAS UNIVERSITY -- GARDEN DISTRICT -- DAY
EXT. ST. DISMAS UNIVERSITY -- GARDEN DISTRICT -- DAY A new day. Sunlight filters through Oak branches heavy with moss. The same quad that was empty and haunted last night is now alive - students laughing, unloading boxes, tour groups snaking through the courtyard.
3 5
INT DORM HALL -- LOBBY DAY
INT. DORM HALL -- LOBBY -- DAY
INT. DORM HALL -- LOBBY -- DAY Cinderblock walls, too-bright lights, the smell of detergent and coffee. The hallway is chaos - parents and students lug suitcases, boxes, and laundry baskets. She’s local - but she’s doing this on her own, no parents in sight.
4 7
INT ST. DISMAS UNIVERSITY -- REGISTRAR’S OFFICE DAY
INT. ST. DISMAS UNIVERSITY -- REGISTRAR’S OFFICE -- DAY
INT. ST. DISMAS UNIVERSITY -- REGISTRAR’S OFFICE -- DAY The space is calm and academic - beige walls, plaques, shelves of old student files and glowing computer monitors. Outside the window, the campus hums with life. MARCEL DUVALL stands at the counter. Late 30s, French-Creole
5 8
INT ST. DISMAS UNIVERSITY –- HISTORY HALL -– DAY
INT. ST. DISMAS UNIVERSITY –- HISTORY HALL -– DAY
INT. ST. DISMAS UNIVERSITY –- HISTORY HALL -– DAY The lecture hall is filled by the hum of ceiling fans and the soft creak of wooden chairs. Sunlight slants through tall windows framed in wrought iron, throwing gold patterns across the wooden floor.
6 10
EXT ST. DISMAS UNIVERSITY -- GIRLS’ DORM BALCONY NIGHT
EXT. ST. DISMAS UNIVERSITY -- GIRLS’ DORM BALCONY -- NIGHT
EXT. ST. DISMAS UNIVERSITY -- GIRLS’ DORM BALCONY -- NIGHT The sun is just sinking behind the oaks that ring the Garden District campus. Jazz drifts from somewhere near the student center, lazy and alive. A few lights flicker on across the quad as groups set up folding chairs for Movie on the Lawn.
7 11
EXT ST. DISMAS UNIVERSITY - QUAD DUSK
EXT. ST. DISMAS UNIVERSITY - QUAD -- DUSK
EXT. ST. DISMAS UNIVERSITY - QUAD -- DUSK A long figure - Duvall - stands half in shadow, watching from behind a pillar as Hannah and Monica exit their dorm hall and head off to watch the movie. The two are talking as they walk, unaware that he is watching them. Duvall checks the
8 12
EXT ST. DISMAS UNIVERSITY -- QUAD NIGHT
EXT. ST. DISMAS UNIVERSITY -- QUAD -- NIGHT
EXT. ST. DISMAS UNIVERSITY -- QUAD -- NIGHT The campus glows under streetlamps and Spanish moss. Cicadas hum, the air still thick with August heat. Hannah and Monica walk back from a movie night on the student lawn, paper cups of lemonade in hand.
9 14
EXT ST. DISMAS UNIVERSITY -- CAMPUS QUAD CONTINUOUS
EXT. ST. DISMAS UNIVERSITY -- CAMPUS QUAD -- CONTINUOUS
EXT. ST. DISMAS UNIVERSITY -- CAMPUS QUAD -- CONTINUOUS Flashing blue lights slice through the humid dark. A police cruiser idles near the library steps. Students cluster behind yellow tape, whispering, filming, speculating. Hannah sits on a stone bench wrapped in a blanket, he knees
10 16
EXT ST. DISMAS UNIVERSITY -- QUAD MORNING
EXT. ST. DISMAS UNIVERSITY -- QUAD -- MORNING
EXT. ST. DISMAS UNIVERSITY -- QUAD -- MORNING A humid sunrise. Sprinklers hiss across the Garden District lawns. Students hustle to class, laughing, earbuds in, coffee cups in hand. Hannah steps out of her dorm, backpack slung, sunglasses on -
11 18
EXT ST. DISMAS UNIVERSITY -- BREEZEWAY DUSK
EXT. ST. DISMAS UNIVERSITY -- BREEZEWAY -- DUSK
EXT. ST. DISMAS UNIVERSITY -- BREEZEWAY -- DUSK Warm air drifts through the old brick arches. Hanging lamps buzz. A few students wander by, laughter fading toward the dorms. Hannah sits alone on a stone bench, phone pressed to her ear.
12 20
EXT ST. DISMAS HALL NIGHT
EXT. ST. DISMAS HALL -- NIGHT
EXT. ST. DISMAS HALL -- NIGHT The door waits at the edge of the campus, half hidden by vines. A single light burns above it. Hannah steps into frame - and hesitates. The silver sigil from the card is carved faintly into the wood. She pushes it open.
13 22
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER NIGHT
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- NIGHT
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- NIGHT A cavernous brick hall lit by lanterns and hanging Edison bulbs. Weapon racks gleam against murals of saints and spirits. A
14 25
INT ST. DISMAS UNIVERSITY -- HISTORY LECTURE HALL DAY
INT. ST. DISMAS UNIVERSITY -- HISTORY LECTURE HALL -- DAY
INT. ST. DISMAS UNIVERSITY -- HISTORY LECTURE HALL -- DAY Late morning sunlight filters through tall windows. Ceiling fans hum lazily. The chalkboard reads: The Colonial Myths of New Orleans. Students file in, chatting and half-awake. Monica slides into
15 26
EXT GARDEN DISTRICT -- ABANDONED TOWNHOUSE NIGHT
EXT. GARDEN DISTRICT -- ABANDONED TOWNHOUSE -- NIGHT
EXT. GARDEN DISTRICT -- ABANDONED TOWNHOUSE -- NIGHT Thunder rumbles low over the city. The magnolias drip with humidity and rain. The black NIGHT SOCIETY VAN sits under the shadow of an oak, lights dimmed, radio static whispering like distant spirits.
16 28
INT TOWNHOUSE -- FOYER CONTINUOUS
INT. TOWNHOUSE -- FOYER -- CONTINUOUS
INT. TOWNHOUSE -- FOYER -- CONTINUOUS Dust floats in candlelight. A grand staircase curls upward into shadow. A portrait of a weeping woman hangs crooked above the mantle. Hannah steps forward, her boots creaking.
17 30
EXT TOWNHOUSE -- FRONT STEPS LATER
EXT. TOWNHOUSE -- FRONT STEPS -- LATER
EXT. TOWNHOUSE -- FRONT STEPS -- LATER Rain falls soft and steady now. The Society gathers under the porch awning, catching their breath. Dash approaches from the van, laptop bag over one shoulder, grin fully earned.
18 31
INT ST. DISMAS UNIVERSITY -- UNDERGROUND CHAPEL NIGHT
INT. ST. DISMAS UNIVERSITY -- UNDERGROUND CHAPEL -- NIGHT
INT. ST. DISMAS UNIVERSITY -- UNDERGROUND CHAPEL -- NIGHT A flickering corridor beneath the old campus chapel open into a vaulted chamber lit by candles and low-burning oil lamps. The air hums faintly with power - chalk sigils on stone, relics in glass cases, a steady pulse from wards embedded in
19 33
INT ST. DISMAS UNIVERSITY -- DORM ROOM MORNING
INT. ST. DISMAS UNIVERSITY -- DORM ROOM -- MORNING
INT. ST. DISMAS UNIVERSITY -- DORM ROOM -- MORNING Sunlight spills through half-closed blinds. The storm is gone, but the air feels heavy, humid. Hannah stirs awake at her desk, still in yesterday’s clothes, her phone dead beside a pile of half-finished notes.
20 34
INT NEW ORLEANS MUSEUM OF CULTURE – NIGHT
INT. NEW ORLEANS MUSEUM OF CULTURE –- NIGHT
INT. NEW ORLEANS MUSEUM OF CULTURE –- NIGHT A string quartet plays softly under a vaulted ceiling. Chandeliers flicker gold over oil portraits and glass cases of relics taken from empires long dead. The air hums with wealth, perfume, and politics.
21 36
EXT GARDEN DISTRICT CEMETARY NIGHT
EXT. GARDEN DISTRICT CEMETARY -- NIGHT
EXT. GARDEN DISTRICT CEMETARY -- NIGHT Gas lamps glow between rows of white tombs, cracked and moss- stained. Cicadas hum in the thick air. Mambo Celeste stands before an above-ground crypt, setting down a candle. Her posture is regal, he expression calm - but
22 39
EXT ST. DISMAS UNIVERSITY –- CAMPUS – NIGHT
EXT. ST. DISMAS UNIVERSITY –- CAMPUS –- NIGHT
EXT. ST. DISMAS UNIVERSITY –- CAMPUS –- NIGHT Late night. The live oaks whisper. Campus is mostly quiet now — a few lights glowing in dorm windows. Hannah and Monica walk side by side, eating powdered donuts from a gas station bag. Their laughter is low and easy.
23 39
EXT CAMPUS GROUNDS – CONTINUOUS
EXT. CAMPUS GROUNDS –- CONTINUOUS
EXT. CAMPUS GROUNDS –- CONTINUOUS The chase is on. The Night Walker darts between live oaks, vaults a bench, scales a wall like smoke. Hannah follows — fast, athletic — cutting across lawns, vaulting planters, never losing ground.
24 40
EXT SCULPTURE GARDEN -– CONTINUOUS
EXT. SCULPTURE GARDEN -– CONTINUOUS
EXT. SCULPTURE GARDEN -– CONTINUOUS It weaves through glowing modern art installations — color and shadow flashing across its skin. Hannah dives after it — tackles — they hit the wet grass, rolling. The dagger still juts from its shoulder.
25 41
INT IVY’S DORM ROOM — NIGHT
INT. IVY’S DORM ROOM —- NIGHT
INT. IVY’S DORM ROOM —- NIGHT A single lamp and several candles cast a warm, flickering glow. The room is a collage of contradictions — a U2 poster, an
26 43
EXT FRENCH QUARTER — DAY
EXT. FRENCH QUARTER —- DAY
EXT. FRENCH QUARTER —- DAY A brass band blares down Royal Street. Hannah and Monica wander through the Quarter like ordinary college girls. INT. ROYAL STREET -- ANTIQUE SHOP -- DAY Hannah examines a silver cross pendant; the shopkeeper eyes
27 45
EXT FRENCH QUARTER -- LA CROIX’S TOWNHOUSE NIGHT
EXT. FRENCH QUARTER -- LA CROIX’S TOWNHOUSE -- NIGHT
EXT. FRENCH QUARTER -- LA CROIX’S TOWNHOUSE -- NIGHT A perfect New Orleans postcard - at first glance. Gas lamps flicker along a narrow cobblestone street, throwing amber halos across wrought-iron balconies and hanging ferns. Tourists laugh two blocks away, their voices just faint
28 47
EXT INDUSTRIAL DISTRICT – NIGHT
EXT. INDUSTRIAL DISTRICT –- NIGHT
EXT. INDUSTRIAL DISTRICT –- NIGHT Thunder rolls across the Lower Ninth. A tangle of rusted freight lines and overgrown lots, where the city’s lights fade into swamp-dark. Rain streaks down the windshield of the Society’s black van
29 48
INT ABANDONED WAREHOUSE – CONTINUOUS
INT. ABANDONED WAREHOUSE –- CONTINUOUS
INT. ABANDONED WAREHOUSE –- CONTINUOUS A gulf-coast storm beats against the corrugated roof. Rain filters through the holes like silver needles. Flashlight beams slice the darkness as the team fans out. Stacks of mildewed crates, rusted machinery, and strange
30 50
INT CHURCH BASEMENT – NIGHT
INT. CHURCH BASEMENT –- NIGHT
INT. CHURCH BASEMENT –- NIGHT A narrow stone staircase descends into a subterranean chapel lit by candles and gaslight. Walls lined with crosses, masks, relics, and jars of river salt. The faint hum of jazz filters through the vents above — faint, ghostlike.
31 52
INT UNIVERSITY LIBRARY -- RARE MANUSCRIPTS ROOM NIGHT
INT. UNIVERSITY LIBRARY -- RARE MANUSCRIPTS ROOM -- NIGHT
INT. UNIVERSITY LIBRARY -- RARE MANUSCRIPTS ROOM -- NIGHT Rows of locked glass cases gleam in candlelight. Hannah, Jake, and Ivy stand around Professor Lemaire, who’s sliding a centuries-old grimoire across the table. PROF. LEMAIRE
32 53
EXT METAIRIE -- BOUDREAUX HOME AFTERNOON
EXT. METAIRIE -- BOUDREAUX HOME -- AFTERNOON
EXT. METAIRIE -- BOUDREAUX HOME -- AFTERNOON Hannah’s car pulls into the driveway of a middle-class two- story home. There are already a few cars parked in the driveway and the street in front of the house. Hannah and Monica exit the car and head for the front door.
33 55
INT BOUDREAUX HOUSE -- KITCHEN LATER
INT. BOUDREAUX HOUSE -- KITCHEN -- LATER
INT. BOUDREAUX HOUSE -- KITCHEN -- LATER Dinner’s done. Empty plates, pie crumbs, and half-finished wine glasses crowd the counter. From the adjoining dining room, laughter echoes - Remy leans
34 57
EXT ALLEY BEHIND THE FRENCH MARKET NIGHT
EXT. ALLEY BEHIND THE FRENCH MARKET -- NIGHT
EXT. ALLEY BEHIND THE FRENCH MARKET -- NIGHT Steam rises from a storm grate. Neon flickers off puddles. Hannah and Ivy move like shadows - fast, professional, in sync. IVY
35 58
INT ST. DISMAS HALL -- COUNCIL CHAMBER NIGHT
INT. ST. DISMAS HALL -- COUNCIL CHAMBER -- NIGHT
INT. ST. DISMAS HALL -- COUNCIL CHAMBER -- NIGHT A candle-lit room lined with portraits of long-dead members. At a central table sit Mambo Celeste, Professor Lemaire, and two other elites. Hannah stands before them, bruised but defiant. Jake stands beside her, calm but coiled.
36 60
INT ST. DISMAS HALL -- HALLWAY CONTINUOUS
INT. ST. DISMAS HALL -- HALLWAY -- CONTINUOUS
INT. ST. DISMAS HALL -- HALLWAY -- CONTINUOUS Ivy leans against the corridor wall, her arm bandaged, a fresh line of stitches visible beneath gauze. She’s been listening. Hannah steps out, startled to find her there. A long beat.
37 62
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER NIGHT
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- NIGHT
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- NIGHT The room normally dedicated to combat training has been transformed into a makeshift dressing area. Mirrors lean against concrete walls. Garment bags hang from pipe racks. Ivy straightens the lapels of Jake’s tux, smirking. Dash, in
38 63
EXT HOTEL MONTECLARE -– FRENCH QUARTER – NIGHT
EXT. HOTEL MONTECLARE -– FRENCH QUARTER –- NIGHT
EXT. HOTEL MONTECLARE -– FRENCH QUARTER –- NIGHT A historic hotel bathed in Christmas lights. Carriages roll by on slick cobblestones. Jazz drifts through the open doors as guests in evening wear glide inside, their laughter echoing under gas lamps. Thunder rumbles far off the river.
39 65
EXT ST. DISMAS UNIVERSITY -- QUAD NIGHT
EXT. ST. DISMAS UNIVERSITY -- QUAD -- NIGHT
EXT. ST. DISMAS UNIVERSITY -- QUAD -- NIGHT The humid night air is a stark contrast to the ballroom’s chilled opulence. The campus is silent, deserted. Gas lamps push back against the mist, their light catching the dew on the magnolias.
40 67
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER DAY
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- DAY
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- DAY A long table buried in maps, relic sketches, and glowing laptop screens. The air hums with low jazz bleeding from someone’s phone speaker. Jake, Ivy, Hannah, and Dash sit around the table. Dash spins
41 68
INT ROYAL ORLEANS HOTEL -- LOBBY NIGHT
INT. ROYAL ORLEANS HOTEL -- LOBBY -- NIGHT
INT. ROYAL ORLEANS HOTEL -- LOBBY -- NIGHT A thin jazz trio plays in the corner. Tourists laugh over cocktails. The lobby glows with antique chandeliers and the tired charm of old money. At the bar, Hannah sits in a corner booth, trying to look
42 70
EXT FRENCH QUARTER -- ST. PETERS STREET CONTINUOUS
EXT. FRENCH QUARTER -- ST. PETERS STREET -- CONTINUOUS
EXT. FRENCH QUARTER -- ST. PETERS STREET -- CONTINUOUS Hannah pauses at the edge of the Bourbon crowd. Neon and chaos. Music pounds from every doorway. A tourist in a feathered mask stumbles into her. She catches herself - and spots the tall man again, cutting
43 71
EXT BOURBON STREET -– CONTINUOUS
EXT. BOURBON STREET -– CONTINUOUS
EXT. BOURBON STREET -– CONTINUOUS This is chaos. The target barrels straight through a PACK OF TOURISTS wearing feathered masks, sending them spinning. Hannah shoulders through after him — slipping on spilled
44 71
EXT SERVICE ALLEY – CONTINUOUS
EXT. SERVICE ALLEY –- CONTINUOUS
EXT. SERVICE ALLEY –- CONTINUOUS Instant tone shift, from neon and brass and heat to stone and shadow and the buzz of one weak security light. The sound of the party drops out like someone closed a door on it. The alley is narrow, wet, hemmed in by old brick and rattling
45 74
EXT JACKSON SQUARE / ST. LOUIS CATHEDRAL COURTYARD –
EXT. JACKSON SQUARE / ST. LOUIS CATHEDRAL COURTYARD –-
EXT. JACKSON SQUARE / ST. LOUIS CATHEDRAL COURTYARD –- MOMENTS LATER They break out of the alley and into open space — and it’s like stepping into a painting. The ST. LOUIS CATHEDRAL looms over them, lit pale against a
46 84
EXT JACKSON SQUARE -- MINUTES LATER
EXT. JACKSON SQUARE -- MINUTES LATER
EXT. JACKSON SQUARE -- MINUTES LATER The storm is breaking. Steam is starting to rise off the pavement. The cathedral sits white and silent behind them. Hannah, Ivy, and Dash move in a slow stagger across the
47 85
INT THE SANCTUM NIGHT
INT. THE SANCTUM -- NIGHT
INT. THE SANCTUM -- NIGHT The air in the underground chamber is thick with incense and silence. The usual hum of purpose has been replaced by a heavy, mournful stillness. Every candle is lit, their flames casting long, dancing
48 87
INT LA CROIX’S STUDY NIGHT
INT. LA CROIX’S STUDY -- NIGHT
INT. LA CROIX’S STUDY -- NIGHT A clock ticks softly in the background. A thousand candles' cast an amber glow across bookshelves, relics, and the faint smoke of incense. The room feels suspended in time - part cathedral, part tomb.
49 89
INT DORM ROOM – NIGHT
INT. DORM ROOM –- NIGHT
INT. DORM ROOM –- NIGHT The lights are dim. A thunderstorm rumbles far off. Monica is curled up on her bed, a half-eaten granola bar on the nightstand. She watches Hannah from across the room. Hannah sits on her own bed, back turned, still wearing Jake’s
50 91
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER DAY
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- DAY
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- DAY The air is thick with silence and incense. The usual hum of purpose is gone. Hannah is alone, meticulously cleaning a blade at a wooden table. Her movements are sharp and efficient. Jake’s crucifix
51 94
INT DORM ROOM NIGHT
INT. DORM ROOM -- NIGHT
INT. DORM ROOM -- NIGHT The room is dim. One small desk lamp burns, casting long shadows. Hannah pushes the door open, looking drained. She’s still wearing Jake’s crucifix, her knuckles white from clenching
52 95
EXT OLD WAREHOUSE – NIGHT
EXT. OLD WAREHOUSE –- NIGHT
EXT. OLD WAREHOUSE –- NIGHT The air smells of rust and river mud. A single bulb swings over a loading dock, casting frantic shadows. Duvall leans against a rusted shipping container, binding a wound on his arm with a torn shirt. He’s pale, his
53 98
INT VAN -- MOVING NIGHT
INT. VAN -- MOVING -- NIGHT
INT. VAN -- MOVING -- NIGHT The van hums down a narrow two-lane highway cutting through the flooded outskirts of the city. Rain still falls in sheets, blurring the lights of passing trucks. Inside, it’s dim - the only light comes from the dashboard
54 99
INT MAISON LA CROIX -- PARLOR DAWN
INT. MAISON LA CROIX -- PARLOR -- DAWN
INT. MAISON LA CROIX -- PARLOR -- DAWN A grand parlor lit only by candlelight. The ceiling fans turn lazily, stirring humid air. Monica sits in an old armchair, wrists bound but not cruelly. A glass of water sweats on the table beside her - untouched.
55 101
EXT GAS STATION NIGHT
EXT. GAS STATION -- NIGHT
EXT. GAS STATION -- NIGHT An old Louisiana highway, miles outside the city. The team’s van sits parked next to the gas pumps as they fill it up. Cicadas hum. The air hangs heavy with swamp mist. Inside the van, Dash works on his laptop - fingers moving
56 103
EXT HIGHWAY TO THE BAYOU NIGHT
EXT. HIGHWAY TO THE BAYOU -- NIGHT
EXT. HIGHWAY TO THE BAYOU -- NIGHT The rain has eased to mist. Spanish moss sways from the trees as the van hums down the empty road. Headlights carve pale ribbons through fog that clings low to the waterline.
57 105
INT VAN MOMENTS LATER
INT. VAN -- MOMENTS LATER
INT. VAN -- MOMENTS LATER They pop open Duvall’s bag. Hannah pulls out the blood- stained dagger, its silver dulled by swamp moisture. She wipes it once with her sleeve, studies her reflection in the blade.
58 106
INT MAISON LA CROIX –- RITUAL HALL -– NIGHT
INT. MAISON LA CROIX –- RITUAL HALL -– NIGHT
INT. MAISON LA CROIX –- RITUAL HALL -– NIGHT The storm outside is relentless — wind shrieking through broken shutters, thunder rolling like drums of war. Candlelight flickers across a vast chamber lined with crumbling portraits and half-melted saints.
59 115
INT ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER DAY
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- DAY
INT. ST. DISMAS HALL -- SOCIETY TRAINING CHAMBER -- DAY Soft lamplight glows across the old oak-paneled chamber. The Night Society’s crest gleams faintly above the long table where professors and senior members gather. Candles burn low. The air feels sacred - not mournful, but settled.
60 118
INT BOUDREAUX HOUSE -- KITCHEN DAY
INT. BOUDREAUX HOUSE -- KITCHEN -- DAY
INT. BOUDREAUX HOUSE -- KITCHEN -- DAY The sunlight is golden and thick. The kitchen looks lived-in again - half-washed dishes, a radio playing faint zydeco, a dog barking somewhere outside. Monica is trying (and failing) to chop okra properly while

The Night Society

When freshman Hannah Boudreaux survives an otherworldly attack on her New Orleans campus, she’s recruited into a secret society of monster hunters — but when their charismatic mentor dies defending her, she must embrace the dark legacy she was born into to stop an ancient nobleman from ripping the veil between life and death.

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Overview

Poster
Unique Selling Point

The screenplay's unique selling proposition lies in its authentic New Orleans setting combined with a fresh take on supernatural societies. Unlike typical vampire/werewolf stories, it creates a sophisticated mythology around 'The Veil' and features a diverse, culturally-grounded cast of characters. The blend of Creole traditions, academic setting, and supernatural action creates a distinctive identity that sets it apart from similar genre works.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

GPT5
 Recommend
Gemini
 Recommend
Grok
 Recommend
Claude
 Recommend
DeepSeek
 Recommend
Average Score: 8.1
Key Takeaways
For the Writer:
You have a vivid, cinematic world and a strong emotional spine (Hannah’s arc and Jake’s sacrifice). The most effective rewrites will focus on tightening how the story tells its mythology: show rather than lecture. Reduce on-the-nose exposition in library/lecture scenes by moving key information into artifacts, consequences, and character action. Crucially, deepen and sharpen La Croix and Duvall’s motivations and methods so their threats feel personal and inevitable rather than abstract. Give Monica and a few Society figures one clear, earned beat after the climax so collateral damage doesn’t read as mere plot fuel. Trim or combine mid‑act reconnaissance beats to keep momentum and let scares and rituals reveal rules organically.
For Executives:
This is a marketable supernatural-action property: strong heroine, regionally specific worldbuilding (New Orleans), and high-concept hooks (Veil, blood-myth, secret society) that will play well to horror/fantasy audiences and streaming platforms. Key risks for buyers: an under-specified antagonist and repetitive exposition that blunts suspense and could reduce critical traction. A focused rewrite to clarify La Croix’s personal stakes, streamline middle-act pacing, and give secondary characters meaningful payoffs will substantially raise commercial value and lower execution risk without changing the core premise.
Story Facts
Genres:
Fantasy 45% Horror 35% Action 30% Drama 30% Thriller 25% Comedy 15%

Setting: Contemporary, New Orleans, primarily at St. Dismas University and surrounding areas, including the Garden District, the French Quarter, and the bayou.

Themes: Embracing Destiny and Courage, The Duality of Worlds: The Mundane and the Supernatural, Found Family and Belonging, The Nature of Sacrifice and Loss, Inner Strength and Identity, The Conflict Between Order and Chaos, The Burden of Knowledge and Choice, Legacy and Remembrance, Cultural Identity and Roots, The Nature of Belief and Faith

Conflict & Stakes: The main conflict revolves around Hannah's struggle against supernatural threats, particularly Baron La Croix and his minions, while also dealing with personal loss and the responsibility of protecting her friends. The stakes include the safety of her loved ones and the balance between the living and the dead.

Mood: Suspenseful and ominous, with moments of humor and warmth.

Standout Features:

  • Unique Hook: The protagonist's connection to her heritage and the supernatural elements tied to New Orleans folklore.
  • Major Twist: The revelation of Hannah's unique bloodline and its significance in the battle against La Croix.
  • Distinctive Setting: The vibrant and atmospheric backdrop of New Orleans, enhancing the supernatural elements.
  • Innovative Ideas: The integration of local myths and legends into the narrative, providing depth and cultural relevance.
  • Unique Characters: A diverse cast with distinct backgrounds and motivations, particularly strong female leads.

Comparable Scripts: Buffy the Vampire Slayer, The Secret History by Donna Tartt, The Mortal Instruments: City of Bones, The Witcher (TV Series), Supernatural, The Raven Boys by Maggie Stiefvater, The Craft, The Haunting of Hill House, The Chilling Adventures of Sabrina

Data Says…
Feature in Alpha - Could have inaccuracies

Our stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.

1. Theme (Script Level)
Big Impact Script Level
Your current Theme (Script Level) score: 7.8
Typical rewrite gain: +0.5 in Theme (Script Level)
Gets you ~9% closer to an "all Highly Recommends" score
Confidence: High (based on ~3,464 similar revisions)
  • This is currently your highest-impact lever. Improving Theme (Script Level) is most likely to move the overall rating next.
  • What writers at your level usually do: Writers at a similar level usually raise Theme (Script Level) by about +0.5 in one rewrite.
  • Why it matters: At your level, improving this one area alone can cover a meaningful slice of the climb toward an "all Highly Recommends" script.
2. Structure (Script Level)
Light Impact Script Level
Your current Structure (Script Level) score: 7.8
Typical rewrite gain: +0.5 in Structure (Script Level)
Gets you ~1% closer to an "all Highly Recommends" score
Confidence: High (based on ~2,863 similar revisions)
  • This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
  • What writers at your level usually do: Writers at a similar level usually raise Structure (Script Level) by about +0.5 in one rewrite.
  • Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.
3. Visual Impact (Script Level)
Light Impact Script Level
Your current Visual Impact (Script Level) score: 8.8
Gets you ~2% closer to an "all Highly Recommends" score
Note: Not enough revision data for scripts at this high level
  • This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
  • Why this is flagged: We don't have enough revision data for scripts at this high score, but our model knows this is still a high-impact area to focus on for refinement.
  • Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.34
Key Suggestions:
The screenplay’s biggest lever for improving emotional and dramatic payoff is to deepen the antagonists—especially Baron La Croix and Marcel Duvall—so their motivations, histories, and personal ties to the Night Society (and to characters like Mambo Celeste and Jake) feel as lived-in as Hannah’s arc. Give La Croix a tragic or philosophic backstory, build a clearer, personal through-line between him and Celeste/Jake, and make Duvall more than a stooge (ambition, moral compromises, or a secret soft spot). This will raise stakes, make confrontations meaningful instead of procedural, and let the final ritual and Jake’s death land with greater resonance. As you do that, trim heavy-handed exposition (lecture/lecture-like scenes) and add short, quiet aftermath beats after major losses so the audience has space to feel the cost of these conflicts. Finally, give Monica a small but active arc beat (agency in one scene that meaningfully affects plot or Hannah) so the ensemble feels balanced and more emotionally compelling.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
The script has a rich setting and a strong heroine arc, but the emotional and thematic payoff would be far stronger if the antagonistic stakes and supernatural mechanics were deepened in the middle act. Prioritize scenes that reveal La Croix’s true aims and Duvall’s personal motives, and expand the Veil mythology with concrete consequences so the climax feels earned rather than sudden. Tighten pacing by inserting a meaningful setback mid‑act and a few connective beats that show how the Society’s history, its internal politics, and Hannah’s personal life are being reshaped by the rising threat. These changes will make character choices more believable and the final confrontation more satisfying.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
Center the screenplay's emotional throughline on Hannah by explicitly linking her Creole backstory (Mémère's folklore, family rituals) to the key choices and turning points—especially the fight sequences and Jake's death—so her transformation feels earned. Add quiet, character-building beats (small flashbacks, one-on-one conversations, or interior moments) that show how specific stories, rituals, or family values inform her tactics, instincts, and moral choices. At the same time, tighten supporting arcs (Ivy, Monica, Dash, Mambo Celeste) so they each have a clear mid-point change or payoff that echoes Hannah's growth rather than merely servicing plot mechanics.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
The script has a strong emotional core and vivid New Orleans atmosphere, but the middle act leans heavily into sustained high-intensity fear and action with too few emotional breathers. To improve audience engagement, insert targeted quieter beats—brief camaraderie, nostalgia, or reflective moments—between action sequences (especially scenes 15–35) and add a paced emotional decompression after major beats (Jake’s death and the final fight). Also deepen secondary arcs (Ivy, Dash, Monica) a little earlier so their choices land emotionally and expand Jake’s vulnerability before his sacrifice to increase payoff.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The analysis shows a strong, emotionally resonant hero journey but one that would benefit from tightened focus: make Hannah’s internal arc (from self-doubt to sentinel) more visible and causally tied to the plot earlier, and let the screenplay’s philosophical conflict (ordinary safety vs. embracing the dark truths) play out in concrete choices across scenes. Right now much of Hannah’s growth is earned, but unevenly distributed—move key turning points (her resolve, Jake’s influence, the Veil’s stakes) earlier and ensure every action scene advances her inner change. Also lean into the distinct New Orleans cultural voice (Mambo Celeste, Creole lore) as a thematic spine while avoiding exposition dumps; show rather than tell how faith, ritual, and community shape her choices.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
This screenplay has a strong central myth (the Veil, a blood‑moon-born heroine, New Orleans' folkloric texture) and an emotionally compelling core in Hannah's transformation from local college kid to sentinel. To strengthen the script, focus on clarifying and tightening Hannah’s emotional throughline: make her personal stakes (family, legacy, why she must fight) explicit earlier and let every action scene serve that inner journey. Trim or merge scenes that repeat exposition about the Veil or the Society, deepen cultural specificity through lived details and consult local/Creole cultural advisors, and ensure Jake’s mentorship is emotionally paid off so his death lands as the crucible that forces Hannah’s final choice rather than merely a plot catalyst.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
Fix the narrative logic that currently breaks audience trust: the biggest structural problem is La Croix’s motive and method around the ritual (he needs Hannah’s blood but abducts Monica without adequate foreshadowing or justification). Resolve this by either (A) changing the ritual mechanics so the kidnapping makes sense (e.g., Monica is a necessary component, a blood-relay, or a pawn used to force Hannah to give herself willingly), or (B) rewriting La Croix/Duvall’s plan so they attempt to take Hannah directly and only later take Monica as contingency — and add earlier hints showing why Hannah is difficult to seize. While you’re at it, tighten Hannah’s decision-making so her repeated “I’ll do it alone” beats come from established emotional logic (grief, guilt, need to prove herself) rather than plot convenience, and consolidate repetitive nighttime confrontations to strengthen pacing and escalation.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
Your voice—richly atmospheric, character-forward, and steeped in local lore—is a major asset. To sharpen the script, focus on anchoring the supernatural rules and stakes earlier and more economically, and let character decisions reveal exposition instead of stand-alone info-dumps. Keep the tonal balance (humor, grief, menace) that scene 18 demonstrates, but tighten pacing in the first act so the audience quickly understands what’s at risk and why Hannah matters beyond genre beats.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
The script's atmosphere, premise, and set pieces are strong—New Orleans and your Night Society hook are vivid and cinematic—but the emotional engine needs sharpening. Prioritize deepening character interiority (especially Hannah) and tightening thematic throughlines so that every supernatural set piece advances inner stakes. Make dialogue carry more subtext and use small, specific beats (family moments, relic motifs like the gumbo/blue-light images, the blood‑moon history) to reveal motivation and choice. Finally, run a focused pass on overall plot pacing so each complication escalates the protagonist's moral and emotional cost rather than merely delivering another monster beat.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The screenplay’s strength is its vivid Southern Gothic world and a compelling protagonist arc rooted in local culture. To sharpen impact, clarify the supernatural rules (the Veil, blood-moon resonance, limits/costs of power) and make those mechanics drive emotional stakes and character decisions rather than long exposition. Streamline info-dumps by revealing lore through conflict and sensory detail; tighten pacing around key reveals (Jake’s role/death, La Croix’s goal) so each escalation feels earned. Finally, deepen villain motivation beyond abstract hunger—give La Croix a tangible, personal rationale tied to the city’s history to raise thematic resonance and audience investment.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
Your screenplay’s strongest engine is its mystery—scenes tagged 'Mysterious' consistently deliver the highest engagement and push plot momentum. Action and foreboding sequences give you emotional peaks and clear character movement; quieter, warmer scenes currently read as craft-strong but emotionally muted. Lean into the mystery + foreboding backbone while tightening the emotional resonance of non-action beats: give quieter scenes a small, concrete choice or an echo of the dark stakes so the audience feels the cost of the supernatural through character interiority rather than exposition alone. Also keep exploiting your clear strength in dialogue and ritualized, instructive beats to reveal stakes without info-dumps.
Loglines
Presents logline variations based on theme, genre, and hook.

Comparison with Previous Draft

See how your script has evolved from the previous version. This section highlights improvements, regressions, and changes across all major categories, helping you understand what revisions are working and what may need more attention.

Version Comparison Analysis
Summary of Changes
Improvements (1)
  • Emotional Impact - emotionalVariety: 7.5 → 9.0 +1.5
Areas to Review (4)
  • Theme Integration - integrationWithPlot: 9.0 → 7.0 -2.0
  • Story Structure - plotComplexity: 8.8 → 7.5 -1.3
  • Character Complexity - antagonistDevelopment: 8.5 → 7.5 -1.0
  • Premise - premiseDepth: 8.0 → 7.0 -1.0