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Scene Map 42
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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EXT. CEMETERY - MORNING The PRIEST, amidst the burial proceedings under heavy, gray skies, delivers his sermon. ANNE MARTIN, mid 40s, stands in somber black attire, clutching a single rose, her unwavering gaze fixed on the closed casket.
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INT. SCHOOL HALLWAY - DAY The gun's barrel ascends, aiming amid the relentless chaos. END INTERCUT EXT. CEMETERY - DAY A gunshot cracks the silence, jolting Anne's eyes open, the
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EXT. CAPITOL BUILDING - DAY Anne's gaze shifts upward to a towering capitol building. Across the street, a large crowd piques her interest. On the monumental concrete steps, a podium stands prominently. Ruth stands confidently, delivering a speech to the gathered
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EXT. BEAVERTON HIGH SCHOOL - DAY As the bell rings, students scatter across the yard, engaged in various activities, playing catch, sharing notes, and chatting away in small groups. INT. GUIDANCE COUNSELOR'S OFFICE - DAY
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INT. SCHOOL HALLWAY - DAY The bell rings, and Anne slowly makes her way through the hallway. Students whisper and shoot odd looks her way. She spots a taped off locker that grabs her attention. Anne stares at it for a moment before continuing on her way.
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EXT. MAIN STREET - DAY Anne moves along the street, a singular figure amidst the flow of pedestrians. The stares and hushed conversations persist. EXT. ANNE'S HOUSE - DAY
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INT. ETHAN'S ROOM - DAY The door creaks open, revealing Anne as she steps into the room. The space feels frozen in time, Ethan's sanctuary preserved meticulously. Movie posters adorn the walls, an array of video games
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INT. MARK'S BEDROOM - MORNING Mark stands before the mirror, buttoning up his shirt. Soft morning light streams through the window, bathing the room in a serene glow. He fastens the last button, revealing a delicate pink friendship bracelet on his wrist.
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EXT. MARKS HOUSE - MORNING Mark maneuvers his patrol car out of the driveway, heading off for the day. INT. MARK'S PATROL CAR - MORNING Mark cruises through the streets, acknowledging waves from
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INT. ANNE'S KITCHEN - MORNING Emily offers her explanation, regret lacing her words. 19. EMILY I should've been there. He's my
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EXT. SAINT FRANCIS CHURCH - DAY Mark's vehicle smoothly pulls into the parking lot, finding a secluded spot amidst a few pedestrians strolling past the church. INT. MARK'S PATROL CAR - DAY
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INT. SCHOOL HALLWAY - DAY The haunting image of legs maneuvering with a gun barrel along the corridor, screams piercing the air INT. SAINT FRANCIS CHURCH BASEMENT - DAY Mark is lost in a daze, closing his eyes.
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EXT. ROAD - DAY Cars weave through the midday traffic, casting fleeting shadows over the asphalt. Mark's patrol car glides along the thoroughfare, tailing the procession of vehicles. INT. MARK'S PATROL CAR - DAY
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INT. ANNE'S HOUSE - DAY Anne walks into the house, sighing as she shuts the door. She drops her things on the floor and heads directly to the kitchen. INT. ANNE'S KITCHEN - DAY
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INT. RAY'S OFFICE - DAY RAY Do you need help, Anne? I can send some money. END INTERCUT
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EXT. OFFICE BUILDING - MORNING Amidst the bustle of cars and passersby, we hear a voice. NICK (V.O.) Are you absolutely certain about this?
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EXT. CITY BUILDING - AFTERNOON The lively hum of the city fills the air as cars and people traverse the streets, the atmosphere charged with anticipation. INT. BATHROOM - AFTERNOON
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INT. SCHOOL HALLWAY - DAY Legs advance ominously down a hallway, a gun barrel following suit. INT. AUDITORIUM - AFTERNOON Mark's eyes are fixed on the hooded young man, the crowd
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EXT. NEWS STUDIO - NIGHT Traffic speeds along the street in the darkness. INT. NEWS DESK AREA - NIGHT Reporters focus on their desks as GAVIN BLACKWOOD, the lead anchor, strolls through the area, accompanied by TYLER, a
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INT. GREEN ROOM - NIGHT Anne, with Emily by her side, sits anxiously. Her phone rings, Nick's face pops up. EMILY You okay?
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INT. NEWS STUDIO - NIGHT Gavin sits poised for the live segment, addressing the camera. 43. GAVIN
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INT. NEWS STUDIO NIGHT Gavin sifts through his notes, glancing up at the split screen that features him and Anne. GAVIN It must have been incredibly
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INT. PETEY'S PUB - NIGHT Patrons anxiously watch the TV in the corner, their eyes fixed on Anne as they await her response. Mark occupies the secluded corner booth, discreetly observing the screen along with the others.
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EXT. LITTLE LEAGUE FIELD - DAY The bustling park is filled with families, eagerly watching their children play baseball. Anne sits in the stands, passionately cheering for ten year old Ethan positioned in the outfield.
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INT. PETEY'S PUB - NIGHT They take a second as Mark can see Anne is struggling. MARK I'm sorry if my questions made you uncomfortable. Just part of the job,
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EXT. PETEY'S PUB - NIGHT Mark assists Anne down the stairs, and she notices a patrol car. ANNE I don't have to get in the back of
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EXT. ANNE'S HOUSE - NIGHT Mark pulls into the driveway and switches off the car. INT. MARK'S PATROL CAR - NIGHT Mark tries to rouse Anne gently. MARK
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INT. SCHOOL HALLWAY - DAY Teenager's screams echo as the legs continue their ominous stroll with the gun. END INTERCUT INT. ETHAN'S ROOM - NIGHT
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INT. POLICE STATION - MORNING Mark rushes through the station. He pushes open the door, departing for the last time. INT. ANNE'S BEDROOM - AFTERNOON Groggy from the night before, Anne slowly awakens, squinting
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INT. SHERIFF'S OFFICE - AFTERNOON Tom, Ruth, and the tension filled atmosphere inside catch Anne by surprise as Tom invites her in. 68. TOM
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EXT. POLICE STATION - AFTERNOON Anne storms out of the building, heading straight to her car. She gets in and drives off hastily, her departure marked by the screech of tires and a cloud of dust. INT. ANNE'S CAR - AFTERNOON
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INT. WAITING ROOM - AFTERNOON Anne occupies a corner, solitary in her worry, her gaze fixed on the sluggish movement of the clock. Leaning against the wall, she waits in an almost unbearable silence. Anne notices a YOUNG BOY with a cast on his arm, his MOTHER
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INT. HOSPITAL ROOM - AFTERNOON The room is softly lit by medical monitors, casting a gentle glow over Mark as he lies connected to the rhythmic beeping of machines. Anne steps in quietly, trailed by the Doctor. She stands at
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INT. MARK'S LIVING ROOM - DAY Mark lies sprawled on the couch, unconscious, an empty vodka bottle on the coffee table. MARK (V.O.) I blacked out from drinking the night
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INT. HOSPITAL ROOM - AFTERNOON Anne's eyes widen, registering the intense narrative unfolding in her mind. INT. SCHOOL HALLWAY - DAY Mark appears a few paces behind ETHAN, whose figure is
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INT. HOSPITAL HALLWAY - AFTERNOON Anne, holding back tears, hastily navigates through the corridor. Rounding a corner, she's met by the two POLICE OFFICERS. OFFICER 1
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INT. ANNE'S LIVING ROOM - NIGHT Anne enters, shutting the door behind her. The room is enveloped in darkness as she sinks to the floor. Struggling to compose herself, she surveys the room, her mind whirring with possibilities. A glance reveals an empty
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EXT. ANNE'S HOUSE - DAY Mark and Brody walk up to Anne's house. The realty sign has disappeared, and the yard looks neat and tidy compared to before. He takes a deep breath, clutching a small tin of coffee, and
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INT. ANNE'S LIVING ROOM - DAY Anne moves away from the door and watches Mark's retreating figure through the window. She then returns to the front door. EXT. ANNE'S HOUSE - DAY
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INT. SCHOOL HALLWAY - DAY The school bell echoes through the bustling hallway as students flock to their classes. INT. GUIDANCE COUNSELOR'S OFFICE - DAY The instrumental of the song continues to echoes.
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INT. RUTH'S OFFICE - DAY Ruth sits on a sizable couch, the weight of the letter palpable as she reads through its contents. ANNE (V.O.) But I had to bury someone too. My
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INT. NICK'S OFFICE - DAY Nick sits at his desk, solemnly engrossed in the letter's words. ANNE (V.O.) I wasn't a flawless parent. No one

A Letter from a Mother

After her son Ethan commits a devastating school shooting, a grieving mother must navigate the aftermath and confront her own role in the tragedy while fighting to clear her son's name and find redemption.

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Overview

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Unique Selling Point

This screenplay stands out for its raw emotional depth and its nuanced portrayal of a mother's struggle to reconcile her love for her son with the horror of his actions. It offers a unique perspective on the aftermath of gun violence, focusing not just on the victims but also on the families left behind, making it compelling for audiences seeking both drama and social commentary.

AI Verdict & Suggestions

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Claude
 Recommend
Gemini
 Consider
GPT4
 Recommend
Story Facts
Genres:
Drama 65% Thriller 35%

Setting: Contemporary, A small town in the United States, primarily in a school, cemetery, police station, and various homes.

Themes: Grief and Loss, Trauma and Healing, Community and Connection, Responsibility and Accountability, Media Manipulation and Public Perception, Justice and Forgiveness

Conflict & Stakes: The primary conflict revolves around Anne's struggle to cope with her son's actions and the community's judgment, while Mark grapples with his own guilt and the implications of his role in the tragedy. The stakes include personal redemption, community healing, and the quest for understanding amidst grief.

Mood: Somber and reflective, with moments of tension and emotional vulnerability.

Standout Features:

  • Unique Hook: The juxtaposition of personal grief with broader societal issues surrounding gun violence and community response.
  • Plot Twist: The revelation that Mark's gun was the one that killed the victim, complicating the narrative of blame and guilt.
  • Innovative Idea: The exploration of how a single tragic event ripples through a community, affecting various characters in interconnected ways.
  • Distinctive Setting: The small-town backdrop serves as a microcosm for larger societal issues, enhancing the emotional stakes.

Comparable Scripts: We Need to Talk About Kevin, The Virgin Suicides, 13 Reasons Why, A Mother's Reckoning: Living in the Aftermath of Tragedy, The Perks of Being a Wallflower, Dead Poets Society, The Lovely Bones, The Outsiders, The Glass Castle

Script Level Analysis

Writer Exec

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Overall Score: 7.56
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Writer Exec

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Loglines
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