Before We Knew
After a late-night glitch turns into something that literally eats space and breath, a tight-knit group of friends and a skeptical school custodian are drawn into a mystery that will force the town to reckon with what’s missing—and what it takes to get it back.
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Unique Selling Point
The script's unique selling proposition is its sophisticated approach to supernatural horror through the lens of mundane teenage life, creating terror through the subtle manipulation of reality (dust suspension, spatial anomalies, sound compression) rather than traditional monsters. It blends authentic Gen-Z dialogue and group dynamics with cosmic horror elements, creating a fresh take on the 'teens vs. the unknown' genre that feels both contemporary and timeless.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines' ratings to compare.
Hover over verdict cards for Executive Summaries
Recommend
Consider
Consider
Recommend
Consider
Key Takeaways
For the Writer:
For Executives:
Story Facts
Genres:Setting: Contemporary, Stonegrove, a suburban town with a high school, residential areas, and outdoor spaces like The Loop and a strip mall.
Themes: The Supernatural Unknown, Loss of Innocence and Growing Up, Breakdown of Normalcy and Routine, Suspicion and Unseen Threats, Familial Bonds and Friendship, Bravery and Quick Thinking
Conflict & Stakes: The group faces supernatural phenomena that create tension and fear, while personal conflicts about responsibility and relationships also arise, culminating in Mr. Thomas's life-threatening encounter with an unseen force.
Mood: A blend of light-heartedness and tension, with moments of humor interspersed with eerie supernatural elements.
Standout Features:
- Unique Hook: The integration of supernatural events into the mundane lives of teenagers, creating a relatable yet eerie atmosphere.
- Major Twist: The sudden and unexplained death of Mr. Thomas Reed, which raises the stakes and adds a layer of horror to the narrative.
- Distinctive Setting: The suburban town of Stonegrove, which contrasts the normality of teenage life with the encroaching supernatural elements.
- Innovative Ideas: The use of everyday settings like a high school and a strip mall to ground the supernatural occurrences in reality.
- Unique Characters: A diverse group of friends with distinct personalities that contribute to both humor and tension.
Comparable Scripts: It Follows, Stranger Things, The Haunting of Hill House, Super 8, The Cabin in the Woods, A Quiet Place, The Conjuring, Ghostbusters, The Goonies
Data Says…
Feature in Alpha - Could have inaccuraciesOur stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.
- This is currently your highest-impact lever. Improving Theme (Script Level) is most likely to move the overall rating next.
- What writers at your level usually do: Writers at a similar level usually raise Theme (Script Level) by about +0.7 in one rewrite.
- Why it matters: At your level, improving this one area alone can cover a meaningful slice of the climb toward an "all Highly Recommends" script.
- This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
- What writers at your level usually do: Writers at a similar level usually raise Emotional Impact (Script Level) by about +0.7 in one rewrite.
- Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.
- This is another meaningful lever. After you work on the higher-impact areas, this can still create a noticeable lift.
- What writers at your level usually do: Writers at a similar level usually raise Visual Impact (Script Level) by about +0.4 in one rewrite.
- Why it matters: After you address the top item, gains here are still one of the levers that move you toward that "all Highly Recommends" zone.
🧬 Your Script's DNA Profile
This is your script's "fingerprint." The recommender uses this profile to understand the context of your writing.
Your Core Strengths
These factors measure overall quality. Higher is better.
Core Scene Quality
54th PercentileMain Ingredients: Plot, Concept, Story Forward, Character Changes, Unpredictability
Script-Level Polish
19th PercentileMain Ingredients: Structure (Script Level), Emotional Impact (Script Level), Theme (Script Level), Premise (Script Level), Visual Impact (Script Level)
Your Stylistic Profile
These factors are sliders, not scores. They show your script's unique style choices and trade-offs.
Style: Script-Level Originality vs. Scene-Level Execution
Style: Visuals/Conflict vs. Premise/Originality
Style: High-Conflict Premise vs. Structure/Theme
Style: Strong Structure/Concept vs. Emotion/Theme
Style: Plot-Driven vs. Character/Conflict
Format: Feature Film vs. TV Pilot
Style: Action/Conflict vs. Character/Dialogue
Style: Emotional Journey vs. Pacing/Originality
Style: Paced Character Study vs. Originality/Visuals
Style: Internal Emotion vs. External Conflict/Dialogue
Style: Talky Character Piece vs. Pacing/Structure
Style: High Concept/Visuals vs. Thematic Depth
Style: Thematic Depth vs. Originality/Structure
Screenplay Video
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Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Breaks down your script along various categories.
Exec Summary:
Key Suggestions:
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Exec Summary:
Key Suggestions:
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Exec Summary:
Key Suggestions:
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Exec Summary:
Key Suggestions:
Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Exec Summary:
Key Suggestions:
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Exec Summary:
Key Suggestions:
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.
Exec Summary:
Key Suggestions:
Screenplay Insights
Breaks down your script along various categories.
Story Critique
Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.
Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis
Breaks down the emotional journey of the audience across the script.
Goals and Philosophical Conflict
Evaluates character motivations, obstacles, and sources of tension throughout the plot.
Themes
Analysis of the themes of the screenplay and how well they’re expressed.
Logic & Inconsistencies
Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Analysis of the Scene Percentiles
- High dialogue rating (80.91) indicates strong character interactions and engaging conversations.
- Strong external goal score (76.60) suggests that the script has a clear and compelling objective for the characters.
- High structure score (75.86) reflects a well-organized narrative that likely follows a coherent arc.
- Low internal goal score (17.73) suggests a need for deeper character motivations and personal stakes.
- Conflict level (44.32) is below average, indicating that the script may benefit from more tension and challenges.
- Originality score (18.72) is quite low, suggesting the need for more unique concepts or twists in the story.
The writer appears to be more intuitive, with strengths in dialogue and character development but lower scores in concept and plot.
Balancing Elements- Enhance internal goals to complement the strong external goals, creating more layered characters.
- Increase conflict levels to elevate tension and engagement throughout the narrative.
- Work on originality to differentiate the script from existing works and enhance its appeal.
Intuitive
Overall AssessmentThe script shows potential with strong character dialogue and structure, but it requires improvements in conflict, originality, and internal character motivations to elevate its overall impact.
How scenes compare to the Scripts in our Library
| Percentile | Before | After | ||
|---|---|---|---|---|
| Scene Overall | 8.6 | 74 | Casablanca : 8.5 | the black list (TV) : 8.7 |
| Scene Concept | 8.3 | 66 | face/off : 8.2 | fight Club : 8.4 |
| Scene Plot | 8.2 | 62 | Breaking Bad : 8.1 | the boys (TV) : 8.3 |
| Scene Characters | 8.6 | 68 | fight Club : 8.5 | Easy A : 8.7 |
| Scene Emotional Impact | 7.9 | 45 | Blade Runner : 7.8 | the dark knight rises : 8.0 |
| Scene Conflict Level | 7.5 | 44 | Labyrinth : 7.4 | Titanic : 7.6 |
| Scene Dialogue | 8.3 | 81 | The good place draft : 8.2 | a few good men : 8.4 |
| Scene Story Forward | 8.1 | 46 | severance (TV) : 8.0 | True Blood : 8.2 |
| Scene Character Changes | 7.3 | 55 | Erin Brokovich : 7.2 | Terminator 2 : 7.4 |
| Scene High Stakes | 7.2 | 39 | The wild robot : 7.1 | severance (TV) : 7.3 |
| Scene Unpredictability | 7.64 | 66 | Argo : 7.63 | Ghostbusters : 7.65 |
| Scene Internal Goal | 8.00 | 18 | Schindler's List : 7.98 | the pursuit of happyness : 8.02 |
| Scene External Goal | 7.55 | 77 | Narcos : 7.54 | the boys (TV) : 7.56 |
| Scene Originality | 8.36 | 19 | Stranger Things : 8.35 | Witness : 8.38 |
| Scene Engagement | 8.95 | 46 | the boys (TV) : 8.94 | Rambo : 8.96 |
| Scene Pacing | 8.50 | 82 | Interstellar : 8.49 | V for Vendetta : 8.53 |
| Scene Formatting | 8.27 | 70 | Good Will Hunting : 8.26 | 500 days of summer : 8.28 |
| Script Structure | 8.27 | 76 | Bad Boy : 8.26 | Coco : 8.28 |
| Script Characters | 7.40 | 8 | Pawn sacrifice : 7.30 | John wick : 7.50 |
| Script Premise | 7.30 | 9 | Sorry to bother you : 7.20 | the 5th element : 7.40 |
| Script Structure | 7.20 | 7 | Boyz n the hood : 7.10 | Requiem for a dream : 7.30 |
| Script Theme | 7.20 | 1 | - | the pursuit of happyness : 7.40 |
| Script Visual Impact | 7.50 | 29 | Vice : 7.40 | the 5th element : 7.60 |
| Script Emotional Impact | 7.20 | 11 | True Blood : 7.10 | Rambo : 7.30 |
| Script Conflict | 7.40 | 47 | Rick and Morty : 7.30 | Casablanca : 7.50 |
| Script Originality | 7.30 | 12 | The good place draft : 7.20 | Terminator 2 : 7.40 |
| Overall Script | 7.31 | 3 | The good place draft : 7.25 | Le souvenir des belles choses : 7.35 |
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Exec Summary:
Key Suggestions:
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Exec Summary:
Key Suggestions:
Memorable Lines
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Exec Summary:
Key Suggestions:
Correlations
Identifies patterns in scene scores.
Exec Summary:
Key Suggestions:
Unique Voice
Assesses the distinctiveness and personality of the writer's voice.
Writer's Craft
Analyzes the writing to help the writer be aware of their skill and improve.
Memorable Lines
World Building
Evaluates the depth, consistency, and immersion of the story's world.
Correlations
Identifies patterns in scene scores.
Comparison with Previous Draft
See how your script has evolved from the previous version. This section highlights improvements, regressions, and changes across all major categories, helping you understand what revisions are working and what may need more attention.
Summary of Changes
Improvements (2)
- Theme Integration - originalityOfTheme: 6.0 → 8.0 +2.0
- Character Complexity - characterRelatability: 7.0 → 8.0 +1.0
Areas to Review (3)
- Character Complexity - characterArcs: 8.0 → 7.0 -1.0
- Character Complexity - characterConsistency: 9.0 → 8.0 -1.0
- Premise - premiseClarity: 7.0 → 6.0 -1.0
Comparison With Previous Version
Changes
Table of Contents
- Theme Integration - originalityOfTheme 2
- Character Complexity - characterArcs 1
- Character Complexity - characterRelatability 1
- Character Complexity - characterConsistency 1
- Premise - premiseClarity 1
Theme Integration - originalityOfTheme
Score Change: From 6 to 8 (2)
Reason: The new revision enhances the originality of the theme by integrating the supernatural elements more seamlessly into the characters' emotional journeys. The recurring motif of 'absence' and the exploration of how it affects the characters' lives create a more cohesive thematic experience. The original version had a more fragmented approach to the theme, lacking the depth and connection that the new revision provides.
Examples:- Scene: Scene 1 - In the new revision, the introduction of the 'absence' motif in Scene 1 is more pronounced, with clearer implications for the characters' emotional states, enhancing the thematic depth.
- Scene: Scene 11 - The climax in Scene 11 now ties the supernatural events directly to the characters' fears and vulnerabilities, making the thematic exploration of friendship and facing the unknown more impactful.
- Type: general - Overall, the new revision weaves the theme of friendship amidst supernatural occurrences more tightly into the narrative, enhancing its originality and emotional resonance.
Character Complexity - characterArcs
Score Change: From 8 to 7 (1)
Reason: While the new revision maintains strong character arcs, some of the emotional depth and complexity present in the old revision has been diluted. The new version introduces more supernatural elements but at the cost of fully exploring the characters' internal struggles and transformations. The original version allowed for more nuanced character development, particularly in moments of vulnerability.
Examples:- Scene: Scene 3 - In the old revision, Summer's interactions with her mother provide a deeper insight into her emotional state, which is less pronounced in the new revision.
- Scene: Scene 10 - The new revision's focus on supernatural events overshadows the characters' personal growth, particularly in scenes where their vulnerabilities could be more explicitly explored.
- Type: general - The overall character arcs in the new revision feel less pronounced due to the increased emphasis on supernatural elements, which detracts from the emotional journeys of the characters.
Character Complexity - characterRelatability
Score Change: From 7 to 8 (1)
Reason: The new revision enhances character relatability by providing more authentic dialogue and interactions among the characters. The humor and camaraderie are more effectively portrayed, making the characters feel more relatable to the audience. The original version had relatable moments but lacked the depth of connection that the new revision achieves.
Examples:- Scene: Scene 1 - The banter in Scene 1 is sharper and more engaging in the new revision, showcasing the characters' dynamics and making them feel more relatable.
- Scene: Scene 10 - The interactions during the food scene in the new revision highlight the characters' personalities and relationships more effectively, enhancing their relatability.
- Type: general - Overall, the new revision's focus on authentic dialogue and character interactions fosters a stronger connection with the audience, improving relatability.
Character Complexity - characterConsistency
Score Change: From 9 to 8 (1)
Reason: The new revision maintains character consistency but introduces some moments that feel slightly out of character due to the increased focus on supernatural elements. The original version had a clearer portrayal of each character's traits and motivations, which sometimes gets overshadowed in the new revision.
Examples:- Scene: Scene 1 - In the old revision, the characters' reactions to the supernatural events were more consistent with their established traits, while the new revision occasionally shifts focus away from their core personalities.
- Scene: Scene 11 - The new revision's climax introduces a level of panic that feels slightly inconsistent with the characters' established behaviors, particularly in how they respond to Mr. Thomas's death.
- Type: general - Overall, while the characters remain consistent in their actions, the new revision's emphasis on supernatural elements sometimes detracts from their established personalities.
Premise - premiseClarity
Score Change: From 7 to 6 (1)
Reason: The new revision introduces more supernatural elements but lacks clarity in how these elements connect to the characters and the overall narrative. The original version provided a clearer understanding of the stakes and the nature of the supernatural occurrences, while the new version feels more abstract and less defined.
Examples:- Scene: Scene 1 - In the old revision, the supernatural occurrences were more clearly defined, allowing the audience to grasp the stakes involved, whereas the new revision introduces ambiguity that may confuse viewers.
- Scene: Scene 11 - The climax in the new revision lacks a clear explanation of the supernatural threat, making it harder for the audience to understand the implications of Mr. Thomas's death.
- Type: general - Overall, the new revision's premise feels less clear due to the increased focus on supernatural elements without sufficient context or explanation.
Script Level Percentiles
Current Version
Previous Version
Sequence Level Percentiles
Current Version
Previous Version
Scene Level Percentiles
Current Version
Previous Version
Pass / Consider / Recommend Analysis
Top Takeaways from This Section
GPT5
Executive Summary
- Powerful, cinematic set pieces. The pilot opens and closes with sequences that are vividly staged, sensory, and memorable—the living room ‘split’ and the methodical death of Mr. Thomas—both of which deliver immediate emotional and visual impact. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE — NIGHT) )
- Natural, distinct teen voices and ensemble chemistry. Dialogue feels contemporary and believable, creating quick empathy for the group and making the characters feel like a real friend group rather than archetypal placeholders. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 5 (EXT. SIDEWALK — CONTINUOUS) Scene 8 (EXT. THE LOOP — LATE AFTERNOON) )
- Consistent sensory motif and tone. Recurring physical sensations—pressure, suspended dust, dulling sound—create a coherent and unsettling language for the phenomenon that makes the world feel rules-based even when the rules aren’t fully disclosed. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 4 (EXT. DRIVEWAY — MORNING) Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE — NIGHT) )
- Grounded secondary world/slice-of-life detail. The high school environment, family beats (Summer’s mom, Hendrix’s brother), and logistical beats (drop-off, Sadie driving) give the supernatural moments a sharper contrast and make the stakes feel intimate. medium ( Scene 6 (INT. STONEGROVE HIGH – HALLWAY – MORNING) Scene 7 (INT. STONEGROVE HIGH – MAIN HALL – MORNING) )
- Ambition in concept: quiet but lethal cosmic horror. The idea of 'absence' as an antagonist (space failing to exist, breath being denied) is fresh and can sustain serialized mystery/horror if rules and escalation are mapped out. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE — NIGHT) )
- Unclear protagonist and dramatic throughline. The pilot presents a strong ensemble but lacks a clearly defined point-of-view character whose emotional journey we follow from the first frame through the final scene. That weakens emotional investment and leaves the viewer without a clear guide for future episodes. high ( Scene 2 (INT. UPSTAIRS BATHROOM – SAME TIME) Scene 9 (INT. SADIE’S CAR – LATE AFTERNOON) Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE — NIGHT) )
- Rules of the phenomenon are evocative but underdefined. The script gives strong sensory cues (pressure, suspended dust, missing floor) but doesn’t provide constraints, triggers, or escalation mechanics—information necessary to sustain a series and to justify characters’ choices. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 4 (EXT. DRIVEWAY — MORNING) Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE — NIGHT) )
- Uneven pacing—middle requires tightening. Early and final acts hit hard; middle sections (school/strip/social beats) sometimes flatten into set-up without advancing the larger mystery or deepening personal stakes. Trim or repurpose to build momentum toward the finale. medium ( Scene 3 (INT. KITCHEN – MOMENTS LATER) Scene 6 (INT. STONEGROVE HIGH – HALLWAY – MORNING) )
- Secondary characters (adults, Sadie, Summer’s mom) are hinted at but not leveraged. Their emotional arcs or practical roles in the town are opportunities to raise stakes and create adult conflict; right now they’re mostly functional props. medium ( Scene 9 (INT. SADIE’S CAR – LATE AFTERNOON) Scene 10 (EXT. STRIP / MALL AREA – DUSK) )
- Clear protagonist POV/arc: who changes and why. The pilot hints at individual traits but lacks a driving internal need (e.g., guilt, quest, responsibility) that will sustain a season-long arc for one central teen. high ( Scene 1 (INT. LIVING ROOM — NIGHT) )
- A defined mythology or hypothesis about the phenomenon. To carry serialized narrative, the show needs at least one plausible theory or direction (science, supernatural, human agency) that characters can test and audience can follow. high ( Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE — NIGHT) Scene 4 (EXT. DRIVEWAY — MORNING) )
- Immediate emotional stakes for the teens. Beyond being unsettled, what do these events threaten in their lives (relationships, safety, future plans)? Make consequences personal and concrete. high ( Scene 6 (INT. STONEGROVE HIGH – HALLWAY – MORNING) )
- A single, clear antagonist or forcing function. The 'absence' is atmospheric, but the pilot lacks a human or institutional antagonist that complicates the teens’ options (e.g., adults who deny the danger, a local power with its own agenda). medium ( Scene 7 (INT. STONEGROVE HIGH – MAIN HALL – MORNING) )
- Serialized plan/beat sheet. For a pilot, an attached series bible outline or at least a season arc would help buyers see how the mystery escalates and how character arcs resolve. medium
- The motif 'It didn’t finish' is a strong thematic throughline that can function as a season-long metaphor (unfinished grief, incomplete perceptions). It’s a recurring thesis worth leaning into storywise and visually. high ( Scene 1 (INT. LIVING ROOM — NIGHT) )
- The Mr. Thomas death is a clean, unsettling third-act payoff—it demonstrates the threat’s lethality and can act as a catalytic incident for investigators. Cinematically, it’s one of the script’s best beats. high ( Scene 11 (INT. FOREST / MR. THOMAS) )
- Attention to physical sensory description (pressure, dulling sound, suspended dust) is a distinctive stylistic choice that allows the phenomenon to be experienced rather than explained. medium ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 8 (EXT. THE LOOP — LATE AFTERNOON) )
- The social dynamics (Sadie as reluctant driver, group hierarchies) are believable and can support long-term relational drama within the ensemble. medium ( Scene 9 (INT. SADIE’S CAR – LATE AFTERNOON) )
- The juxtaposition of ordinary teen rituals with cosmic horror (games -> dinner -> mall -> forest death) is handled well and gives the show a compelling tonal balance between slice-of-life and dread. medium ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 10 (EXT. STRIP / MALL AREA – DUSK) )
- Unclear protagonist / arc The pilot treats the ensemble democratically but never designates a primary protagonist whose need and change we can track. Examples: Summer, Hendrix, and Vera all get moments but no single character is given an inciting personal dilemma this episode that escalates by the final act. This leaves the emotional center diffuse and makes serialized narrative planning harder. high
- Underdefined worldbuilding/rules The script invents a compelling phenomenon but hesitates to offer constraints or testable mechanics. Without at least provisional rules (what triggers the absence, range, who’s vulnerable), later reveals risk feeling arbitrary. Example: the living room event, the fence hole, and Mr. Thomas’s death all show effects but don’t give the team anything to investigate besides raw fear. high
- Reluctance to lean into consequences Adult reactions and institutional responses are underplayed—there’s an opportunity to create friction (authorities who deny, cover-up, or weaponize the phenomenon). The lack of adult antagonism or procedural obstacles means teens can move toward answers too easily in subsequent episodes unless the writer adds barriers. medium
- Inconsistent formatting and metadata noise The script contains non-standard markings (■, repeated ## lines, capitalized directives like CUT TO THEME) and sporadic prose-style aside lines that read more like a treatment than a finished shooting script. These elements distract readers and can give the impression of an early draft rather than a polished pilot. medium
- Scene transitions and beats that tell rather than show Occasional stage directions explain the feeling instead of dramatizing it—e.g., 'The moment he’s fully past the fence—Sound dulls.' While the sensory language is effective, some beats overlay interpretation on action rather than letting behavior and visuals convey the same idea. low
- Diffuse character stakes Characters often act as commentors on the phenomenon instead of being forced into consequential choices. Example: Sadie’s ambivalence and Summer’s mother's exhaustion are hinted at but not used to deepen immediate stakes in the episode. medium
Grok
Executive Summary
- The opening sequence masterfully establishes the core horror theme of subtle, reality-warping disturbances through vivid, sensory descriptions like 'pressure on space' and suspended dust, hooking the audience immediately without relying on clichés. high ( Scene 1 )
- Consistent portrayal of the supernatural as an insidious 'pressure' or 'absence' builds a cohesive motif that escalates tension across key horror beats, creating a unified eerie atmosphere. high ( Scene 1 Scene 10 Scene 11 )
- Natural, banter-filled dialogue among the teen ensemble reveals group dynamics and individual personalities efficiently, fostering quick audience investment in their relationships. high ( Scene 5 Scene 8 )
- Effective juxtaposition of mundane teen activities (e.g., hanging out, eating) with creeping anomalies heightens the horror by contrasting normalcy with the uncanny, making the supernatural feel invasive. medium ( Scene 8 Scene 10 )
- The finale delivers a visceral, character-driven death scene that raises stakes and teases larger mysteries, providing a strong cliffhanger for serialization. high ( Scene 11 )
- Transitional morning scenes feel somewhat rushed and expository, with family dynamics (e.g., Summer's distant mom) introduced abruptly without deeper emotional beats to ground them. medium ( Scene 2 Scene 3 )
- School hallway interactions, while establishing social hierarchies, could benefit from sharper conflicts or more distinct motivations to differentiate secondary characters like Hendrix's brother. medium ( Scene 6 Scene 7 )
- Sadie's role as the reluctant guardian adds tension but her dialogue occasionally veers into cliché frustration without revealing unique backstory, diluting her potential as a recurring ally/antagonist. low ( Scene 9 )
- Mr. Thomas's forest edge scene introduces adult perspective effectively but could tighten pacing by trimming repetitive 'stillness' descriptions to maintain momentum. low ( Scene 4 )
- Overall, the script could deepen character motivations beyond group loyalty, such as exploring why specific teens (e.g., Max's anxiety) are more attuned to the anomalies. medium
- Lacks a clearer inciting incident tying the house event directly to the town's history or the forest anomaly, leaving the supernatural's origin somewhat vague for pilot setup. medium
- Hendrix's physical mark from the event is shown but not explored emotionally or with group reaction beyond brief concern, missing an opportunity for early arc development. medium ( Scene 1 Scene 10 )
- No explicit setup for diverse character backstories (e.g., cultural or socioeconomic hints for Gio or Vera), which could enrich the ensemble in a coming-of-age context. low
- The phone recording in Mr. Thomas's death hints at evidence but doesn't connect back to the teens, missing a thread to pull them into the larger mystery immediately. medium ( Scene 11 )
- Absence of a teaser or voiceover to frame the pilot's theme ('It didn’t finish') more explicitly, potentially aiding viewer orientation in a subtle horror format. low
- The 'BOOM' interruptions and reality glitches innovatively use sound and visual cues to convey disorientation, enhancing the script's immersive quality. high ( Scene 1 )
- The 'Loop' hangout scene captures authentic teen inertia and reluctance to acknowledge unease, subtly advancing the theme of denial. medium ( Scene 8 )
- The mid-rib mark reveal is a clever, body-horror-lite escalation that personalizes the threat without over-explaining. high ( Scene 10 )
- Recurring motif of 'pressure' (on space, ribs, breath) ties physical and emotional tensions, symbolizing the weight of unspoken family issues. medium
- Mr. Thomas's mundane authority figure arc subverts expectations by ending in vulnerability, broadening the horror beyond the teens. high ( Scene 11 )
- Underdeveloped adult perspectives The writer focuses heavily on teen dynamics but overlooks opportunities to flesh out adult characters like Summer's mom or Sadie with motivations beyond surface-level annoyance or distance; for example, in Sequence 3, the mom's 'distant' gaze hints at trauma but isn't echoed in later family interactions, potentially missing emotional depth for the ensemble's world. medium
- Subtlety over clarity in supernatural rules While the ambiguous horror is a strength, it borders on vagueness without hints of rules or triggers for the anomalies; in Sequence 1 and 11, events like the floor vanishing or pressure building occur without clear patterns, which might confuse viewers on rewatch without series context. medium
- Inconsistent formatting and annotations The script mixes standard screenplay elements with non-standard notes like '■' breaks, 'EERIE BEAT (DO NOT OVERPLAY)', and abrupt cuts (e.g., '## CUT TO THEME ##'), which feel like draft remnants rather than polished choices; in Sequence 1, the '## A lie. ## Small. ## Human.' annotations disrupt flow and suggest over-directing for directors. medium
- Repetitive descriptive phrasing Phrases like 'not loud', 'not pressure on ears', and 'just…' recur to emphasize subtlety (e.g., in Sequences 1 and 11), which can read as hesitant writing rather than intentional minimalism, potentially signaling inexperience in varying vocabulary for tension. low
Gemini
Executive Summary
- The opening sequence masterfully builds atmospheric tension and dread through subtle, escalating anomalies. The 'BOOM' beats and the description of space tightening create a palpable sense of unease, setting a strong tone for the series. high ( Scene 1 )
- The dialogue feels incredibly authentic and specific to teenagers. The banter, the use of slang, and the way characters interact feel natural and grounded, making them relatable. high ( Scene 1 Scene 5 Scene 8 Scene 10 )
- The script excels at creating a sense of mystery and the unknown. The unexplained phenomena in Sequence 1, and the chilling death of Mr. Thomas in Sequence 11, leave the audience with more questions than answers, compelling them to seek resolution. high ( Scene 1 Scene 11 )
- The script effectively contrasts moments of normalcy and camaraderie with creeping dread. The ease of the friends' interactions in Sequence 8, after the unsettling events of Sequence 1, highlights the precariousness of their reality. medium ( Scene 1 Scene 8 )
- The climax of the pilot, the death of Mr. Thomas, is a powerful and horrifying sequence. The gradual escalation of physical constraint and the chilling description of his denial of air create a deeply unsettling and memorable horror moment. high ( Scene 11 )
- While the characters are relatable, their individual motivations and backstories beyond their group dynamic are not fully explored. Understanding their individual fears and desires could deepen their arcs. medium ( Scene 1 Scene 8 )
- The nature of the 'BOOMs' and the 'splitting' of space, while atmospheric, remain quite abstract. More concrete visual cues or hints about the source or mechanism of these phenomena could add clarity to the central mystery. medium ( Scene 1 Scene 11 )
- Sadie's role as the responsible older sister figure feels somewhat underutilized after the initial car scene. Her eventual compliance in Sequence 9 and 10 could be explored further to understand her motivations or any potential connections to the events. low ( Scene 9 Scene 10 )
- Mr. Reed's suspicion of Gio feels a bit arbitrary. While it serves to create unease, the reasoning behind his suspicion could be made clearer or more impactful. low ( Scene 6 )
- The 'Interruption' by Summer's Sister in Sequence 1 provides a moment of relief but also momentarily diffuses the tension. While necessary for realism, its placement could be adjusted to maintain the heightened state of unease slightly longer. low ( Scene 1 )
- While the script introduces intriguing supernatural elements, the 'why' behind them remains entirely elusive, which is appropriate for a pilot but needs a roadmap for future exploration. medium
- Beyond their immediate reactions to the supernatural events, the individual character arcs are nascent. The pilot sets the stage but doesn't deeply explore how these characters will evolve through their experiences. medium
- A more concrete connection or foreshadowing of Mr. Thomas's fate, beyond his general unease with the hole in the fence, could enhance the impact of his death. low ( Scene 6 )
- The motivations for Summer asking Sadie to stay longer at the Strip are not fully clear. Is it for the group's safety, or does she suspect something specific related to the supernatural events? low ( Scene 9 )
- The exact nature and purpose of the 'BOOMs' are unexplained, leaving a significant gap in understanding the mechanics of the phenomenon. medium ( Scene 1 )
- The use of 'BOOM' as sound cues is an effective and unique way to punctuate moments of escalating supernatural activity. high ( Scene 1 )
- Hendrix's physical mark ('pressure, like something remembers where his arm was') is a subtle but chilling foreshadowing of the physical toll the phenomena can take. high ( Scene 1 )
- The phone recording as Mr. Thomas dies is a classic and effective horror trope, grounding the supernatural in a relatable, modern medium. high ( Scene 11 )
- The 'dust is already there' moment with Hendrix and Max is a subtle but effective way to show the phenomena re-emerging, even in a mundane setting. medium ( Scene 10 )
- The final 'It didn't finish.' logline for the pilot is a powerful and evocative statement that perfectly captures the essence of the escalating, unresolved mystery. high ( Scene 1 )
- Underdeveloped Antagonist/Force The script excels at creating a sense of dread from an unknown force, but the nature, origin, and ultimate goals of this force are completely absent. While this is intentional for a pilot to build mystery, a clearer thematic direction for the antagonist or force will be crucial to avoid it feeling arbitrary in later episodes. medium
- Consistency of Phenomenon Mechanics The script presents several unsettling phenomena (stuck TV loop, space tightening, floor failing, dust suspension). While atmospheric, the connection between these events and their specific manifestations could become muddled if not carefully managed. Ensuring a consistent 'logic' (even an alien one) for these occurrences will be key. medium
- Over-reliance on Internal Action Descriptions Phrases like 'The dark doesn't pull. It waits. Like it already knows.' or 'It feels like he’s holding her against *absence*.' in Sequence 1, while evocative, border on describing internal feelings rather than purely observable action. Screenplays should ideally show, not tell, internal states through external actions or dialogue. low
- Excessive Parentheticals While not egregious, some parentheticals like '(muffled)' in Sequence 1 or '(quiet, to Summer)' in Sequence 3 are standard, but occasionally less is more. The instruction '(muttering)' and '(into phone, strained but steady)' in Sequence 11 are appropriate for the context, but overuse can clutter the script. low
Claude
Executive Summary
- The script excels at establishing a strong ensemble of characters, each with distinct personalities, relationships, and motivations. The interactions between the group of friends feel authentic and natural, drawing the reader into their world. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 7 (INT. STONEGROVE HIGH – MAIN HALL – MORNING) )
- The script effectively introduces an intriguing supernatural mystery, hinting at unseen forces and unexplained phenomena that create a sense of unease and anticipation. The gradual escalation of these events keeps the reader engaged and invested in the story. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE – NIGHT) )
- The script demonstrates a strong understanding of pacing, with well-timed moments of respite and character development interspersed between the more intense, supernatural-tinged sequences. This balance helps to ground the story and make the more fantastical elements feel more impactful. medium ( Scene 8 (EXT. THE LOOP – LATE AFTERNOON) Scene 9 (INT. SADIE'S CAR – LATE AFTERNOON) )
- The script could benefit from more consistent thematic development, particularly in regards to the characters' personal lives and the underlying tensions or challenges they face. The hints at Summer's mother's emotional state and the mysterious hole in the fence could be more deeply explored and integrated into the overall narrative. medium ( Scene 3 (INT. KITCHEN – MOMENTS LATER) Scene 4 (EXT. DRIVEWAY – MORNING) )
- The pacing of the script could be tightened in certain sections, particularly the transition from the group's time at the Strip back to the more supernatural-focused elements. The script may benefit from a more seamless integration of these narrative threads. medium ( Scene 10 (EXT. STRIP / MALL AREA – DUSK) )
- While the script effectively introduces the supernatural mystery, it could benefit from more explicit connections or foreshadowing of the larger narrative implications. The fate of Mr. Thomas Reed, while impactful, could be more clearly tied to the experiences of the main characters. medium ( Scene 11 (EXT. SCHOOL FENCE / FOREST EDGE – NIGHT) )
- The script demonstrates a strong command of visual storytelling, with well-crafted descriptions that evoke a vivid sense of place and atmosphere. The transitions between the more grounded, character-driven scenes and the supernatural-tinged moments are particularly effective. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 10 (EXT. STRIP / MALL AREA – DUSK) )
- The script's dialogue is a standout strength, with each character having a distinct voice and manner of speaking that feels authentic and natural. The banter and interactions between the group of friends are particularly well-written and engaging. high ( Scene 1 (INT. LIVING ROOM — NIGHT) Scene 10 (EXT. STRIP / MALL AREA – DUSK) )
- Character Motivations While the script does an excellent job of establishing the core group of characters and their relationships, there are a few instances where their motivations or reactions could be more clearly defined. For example, in Sequence 3, the script could delve deeper into Summer's mother's emotional state and how it affects the character's perspective and decision-making. medium
- Pacing Inconsistencies The script generally maintains a strong sense of pacing, but there are a few moments where the transitions between scenes or narrative beats could be tightened. For instance, the shift from the group's time at the Strip back to the more supernatural-focused elements in Sequence 10 could be smoother and more seamless. medium
DeepSeek
Executive Summary
- Exceptional atmospheric tension and unique horror mechanics. The script creates dread through subtle environmental manipulation (dust stopping, sound dulling, spatial anomalies) rather than traditional jump scares, establishing a distinct and sophisticated horror vocabulary. high ( Scene 1 (Living Room Night) Scene 11 (School Fence/Forest Edge) )
- Authentic, economical teen dialogue and group dynamics. The banter feels natural and unforced, establishing character relationships through subtext and shared history rather than exposition. high ( Scene 1 (Living Room Night) Scene 8 (The Loop) )
- Strong visual storytelling with minimal dialogue. Scenes like Vera's foot dropping into non-existence and Hendrix's rib mark reveal use visual cues to convey supernatural elements effectively. high ( Scene 1 (Living Room Night) Scene 10 (Strip/Mall Area) )
- Compelling final scene that escalates stakes effectively. Mr. Thomas's death scene is tense, methodical, and establishes the threat as both intelligent and merciless, providing a strong hook for future episodes. medium ( Scene 11 (School Fence/Forest Edge) )
- Effective use of domestic spaces as sites of horror. The transformation of familiar environments (living room, school, suburban neighborhood) into uncanny spaces creates psychological resonance. medium ( Scene 1 (Living Room Night) Scene 3 (Kitchen) )
- Uneven character development. While Hendrix and Vera have clear traits, characters like Max, Gio, and Summer feel underdeveloped and lack distinct motivations beyond group dynamics. high ( Scene 4 (Driveway) Scene 6 (Stonegrove High Hallway) )
- Pacing issues in middle section. The script loses momentum between the initial supernatural event and the final scene, with too much mundane teen activity that doesn't advance plot or character. high ( Scene 8 (The Loop) Scene 9 (Sadie's Car) )
- Underutilized supporting characters. Sadie and Summer's mother are introduced with intriguing hints of depth (the mother's distant behavior, Sadie's tension) but aren't developed enough to justify their screen time. medium ( Scene 3 (Kitchen) Scene 9 (Sadie's Car) )
- Inconsistent character reactions to supernatural events. The group's response to Hendrix's mysterious rib mark feels underwhelming given the life-threatening experience of the previous night. medium ( Scene 10 (Strip/Mall Area) )
- Some dialogue scenes feel overly functional. While most banter is strong, certain exchanges (like the bathroom scene) serve primarily to establish location rather than character or plot. low ( Scene 2 (Upstairs Bathroom) Scene 5 (Sidewalk) )
- Clear character goals and motivations beyond survival. The teens react to events but lack proactive desires that would drive the narrative forward and create deeper investment. high
- Sufficient world-building rules for the supernatural phenomena. While the ambiguity creates mystery, the script needs more hints about the 'rules' governing the anomalies to prevent frustration. medium
- Stronger narrative engine for the series. The pilot establishes mystery but doesn't clearly indicate what the ongoing investigation or quest will be in subsequent episodes. medium
- Clear establishment of character relationships beyond the group. We get little sense of family dynamics, romantic tensions, or social hierarchies that would enrich the characters. low ( Scene 1 (Living Room Night) )
- Innovative use of formatting and typography to convey supernatural effects (BOOM headers, bolded words, unconventional spacing) creates a distinct reading experience. high ( Scene 1 (Living Room Night) )
- The 'pressure on space' concept as a horror mechanism is fresh and psychologically unsettling, distinguishing it from more conventional supernatural threats. high ( Scene 1 (Living Room Night) )
- Mr. Thomas's introduction as both authority figure and eventual victim creates effective dramatic irony and establishes that adults are not safe from the threat. medium ( Scene 6 (Stonegrove High Hallway) )
- Subtle class/social dynamics are hinted at through Hendrix's brother and the teammate interactions, suggesting unexplored layers to the setting. low ( Scene 7 (Stonegrove High Main Hall) )
- The decision to kill an adult character in the pilot establishes real stakes and prevents the story from falling into predictable 'teens in peril' tropes. medium ( Scene 11 (School Fence/Forest Edge) )
- Character Interiority The writer excels at external behavior and group dynamics but often neglects character interiority. We see how characters act and speak together, but get limited insight into their individual fears, desires, or internal conflicts beyond immediate reactions to supernatural events. For example, Summer's relationship with her distant mother is shown but not explored emotionally, and Hendrix's rib mark is presented as a physical mystery rather than an opportunity for psychological exploration. medium
- Plot Momentum The writer seems more interested in atmosphere and character moments than forward plot propulsion. After the strong opening sequence, the script meanders through school and hangout scenes without advancing the central mystery significantly until the final scene. The tension between 'normal life' scenes and supernatural elements isn't always effectively balanced to maintain narrative drive. high
- Overly Stylized Formatting While often effective, some formatting choices (like '## A lie. ## Small. ## Human.' in Sequence 1) border on pretentious or overly literary for a screenplay. The script occasionally prioritizes poetic effect over clarity, which could confuse readers expecting more conventional screenplay formatting. low
- Underdeveloped Scene Transitions Some scene transitions feel abrupt or unmotivated (e.g., the sudden cut from Mr. Thomas in the forest to the teens on the sidewalk in Sequence 4/5). While this can create stylistic energy, it sometimes sacrifices narrative clarity and smooth pacing. low
Summary
High-level overview
Summary of TV Pilot: Before We Knew
Before We Knew is a supernatural drama that follows a group of friends—Gio, Vera, Hendrix, Max, and Summer—navigating the complexities of adolescence against the backdrop of eerie happenings in their small town of Stonegrove.
The pilot opens with the group at a casual gaming night which takes a turn when mysterious supernatural phenomena disrupt their evening. As they watch a movie, eerie booms and unsettling occurrences lead to a moment of tension when the floor seems to vanish beneath Vera, only to be interrupted by a humorous bathroom delay involving Gio.
The narrative contrasts light-hearted family dynamics and teenage friendships with underlying tensions, as seen in a subsequent scene where Summer and Vera confront their impatient sister, Sadie, highlighting struggles around timeliness and expectations. Within the bustling halls of Stonegrove High School, Gabe has an uncomfortable encounter with Mr. Thomas Reed, hinting at an unsettling undercurrent of authority and suspicion about the back fence.
As the friends hang out at The Loop after school, relaying casual banter about school stressors, they face hints of foreboding with Max sensing something amiss. Their carefree outing to The Strip is interrupted by a disturbing supernatural dust phenomenon impacting Hendrix, surfacing new and unexplained physical marks on him, leading the group into a tense collective denial.
The pilot culminates with Mr. Thomas’s chilling final scenes—lost and immobilized within the forest's supernatural grip—revealing the stark horror at the play's core. As his life fades, the narrative evokes a haunting atmosphere of impending dread, leaving viewers questioning the forces at play in this small town.
Overall, Before We Knew expertly weaves themes of friendship, familial expectations, and eerie mystery, setting the stage for deeper explorations of the characters' fears and the uncanny realities surrounding their lives.
Before We Knew
Synopsis
In the pilot episode of 'Before We Knew', we are introduced to a group of high school friends navigating the complexities of adolescence while grappling with an inexplicable supernatural phenomenon. The story begins in a cozy living room where GIO, VERA, HENDRIX, MAX, and SUMMER are gathered for a night of gaming. Their banter is light-hearted, but an unsettling event disrupts their evening. As they play, the TV screen freezes, and an eerie pressure fills the room, causing dust to hover in the air. This moment of tension is punctuated by a scratching sound at the door, which leads to a brief moment of relief when a small dog enters, only to dash away in fear.
The atmosphere shifts dramatically when VERA, attempting to confront the source of their unease, steps forward and unexpectedly falls into a void that seems to defy the laws of physics. HENDRIX manages to pull her back just in time, but the experience leaves everyone shaken. The tension dissipates when Summer's sister enters, dismissing their fears and urging them to go to sleep. However, the incident lingers in the air, hinting at something deeper and more sinister at play.
The next day, the group prepares for their first day of school, showcasing their dynamic personalities and relationships. VERA and MAX share a playful exchange, while HENDRIX appears more introspective, hinting at underlying issues. As they arrive at Stonegrove High, the atmosphere is charged with the excitement and anxiety of a new school year. They navigate the bustling hallways, where they encounter familiar faces and the social hierarchy of high school.
As the day progresses, the group experiences a sense of normalcy, but MAX's comment about feeling 'off' after the previous night's events introduces a subtle tension. The friends brush it off, but the audience senses that something is amiss. They spend time together at a local hangout spot, the Strip, where they enjoy food and laughter, momentarily forgetting the strange occurrences. However, HENDRIX's discomfort resurfaces when he reveals a mysterious mark on his side, suggesting that the supernatural event from the night before has left a physical mark on him.
The episode culminates in a chilling scene where MR. THOMAS, a school maintenance worker, investigates a hole in the school fence that leads to the ominous forest. As he steps through, the atmosphere shifts again, and he becomes trapped in a suffocating pressure that mirrors the earlier experiences of the teens. His struggle is palpable, and the audience is left with a sense of dread as he succumbs to the unseen force, leaving behind only the sound of crickets and rustling leaves.
The pilot sets the stage for a series of supernatural events that will challenge the characters' friendships and force them to confront their fears. The blend of teenage drama with supernatural elements creates a compelling narrative that explores themes of friendship, fear, and the unknown. As the characters navigate their everyday lives, they must also grapple with the inexplicable forces that threaten to disrupt their world, leading to a thrilling exploration of what lies beyond the veil of reality.
Scene by Scene Summaries
Scene by Scene Summaries
- In a living room at night, friends Gio, Vera, Hendrix, Summer, and Max enjoy gaming and watching Tron: Legacy. Their evening takes a turn when mysterious booms disrupt the atmosphere, causing glitches on the TV and unsettling phenomena like a vanishing floor. Vera's defiance leads to a moment of danger, but Hendrix saves her just in time. The tension breaks when Summer's sister interrupts, restoring normalcy and prompting nervous laughter among the group. Despite the light-hearted banter that follows, Hendrix feels a lingering unease, while Gio's prolonged bathroom visit becomes the source of humor, contrasting the earlier eerie events.
- In a cramped upstairs bathroom, Summer is preoccupied with her hair while Vera ties her shoes, and Sadie stands at the doorway, frustrated by their habitual lateness. Sadie questions why they are always late, and Vera defends it as a tradition, prompting Sadie's sarcastic retort about Vera's true respect for tardiness. As Sadie expresses her panic about driving six teenagers to school, Summer tries to reassure her that they are almost ready. However, Sady's skeptical glance at the clock reveals ongoing tension, leaving the conflict unresolved.
- In a bustling kitchen, Summer's Mom stands emotionally distant with an untouched cup of coffee, while Max and Vera express concern about her well-being to Summer, who dismisses it. The scene shifts to the hallway where Sadie urges the group to hurry to avoid drop-off traffic, quipping at Hendrix when he suggests stopping for food. The tension of the morning routine is palpable as the group prepares to leave, ending with them heading outside.
- In the early morning, Sadie and Summer leave for an unknown destination, sharing a poignant silent farewell with Summer's mom. As they drive away, Sadie's tension is palpable. The scene shifts to Mr. Thomas Reed, who inspects a mysterious hole in the school fence, leading to a dark forest. His investigation is interrupted by distant, chaotic voices, heightening the suspense before the scene abruptly cuts.
- In this scene, a group of five teenagers—Hendrix, Gio, Max, Vera, and Summer—walks along a sidewalk, engaging in a lively argument about Gio's perceived animosity from teachers. Their playful banter is energetic and chaotic, showcasing their close-knit friendship. Meanwhile, Mr. Thomas observes them from the edge of a forest, feeling unsettled as he focuses on a mysterious hole. He takes notes and adjusts a fence tag before walking away, leaving the hole undisturbed, contrasting the teenagers' vibrant interactions with his solitary unease.
- In the bustling hallway of Stonegrove High School, students Max, Vera, Hendrix, Summer, and Gio navigate their morning routines. Max and Vera engage in playful banter about their shared class, while Gio finds himself in an awkward encounter with Mr. Thomas Reed, a maintenance worker who questions him about cutting through the back fence. Gio denies the accusation, but Mr. Reed remains skeptical, creating an atmosphere of unease. The scene captures the lively chaos of school life, juxtaposed with the tension of Gio's unsettling interaction.
- In the bright and bustling main hall of Stonegrove High School, Hendrix's Brother greets him with an affectionate headlock, showcasing their close sibling relationship. As they chat, Summer, Hendrix's companion, is drawn into the friendly banter when a teammate asks about her chemistry class. The Brother reminds Hendrix to relay a message to their mom, emphasizing the familial connection amidst the relaxed school atmosphere. The scene concludes with Hendrix and Summer walking away, highlighting the warmth of their interactions.
- In scene 8, set in the late afternoon at The Loop, friends Gio, Vera, Max, Summer, and Hendrix relax together, discussing the draining nature of school and hinting at underlying tensions. Max expresses discomfort about the day, referencing a previous night’s event, but the group quickly shifts focus to lighter topics, deciding to go to the Strip. Sadie briefly interrupts, teasing them about their lethargy before leaving. As the cicadas hum and the sun shifts, the group stands up in unison, leaving the warm, empty Loop behind, emphasizing a bittersweet moment of transition.
- In Sadie's car, the group experiences a mix of tension and humor as Sadie expresses her frustration about being treated like a chauffeur. As they approach The Strip, Sadie insists on going home, but after Summer's hesitant request to stay longer, she reluctantly agrees to pick them up later, warning them not to make things weird. The scene captures the dynamics of the group, highlighting Sadie's weariness and the underlying conflicts as they idle in a parking spot.
- In a strip mall at dusk, friends Vera, Max, Summer, Gio, and Hendrix enjoy a casual outing filled with laughter and light-hearted banter. However, a subtle supernatural event disrupts their normalcy when dust suspends in the air, and Hendrix reveals a mysterious mark on his rib cage, causing concern among the group. Despite the tension, they attempt to maintain a facade of normalcy as they walk back to Sadie's car, dismissing the unease and focusing on their conversation.
- In the final scene, Mr. Thomas stands at the school fence, torn between the safety of the school and the eerie forest. Frustrated, he steps into the woods, only to be ensnared by an invisible force that immobilizes and suffocates him. As panic sets in, he records a desperate message on his phone, identifying himself and warning that something is wrong. Ultimately, he succumbs to the pressure and dies, leaving the forest eerily unchanged as normal sounds return, and the screen fades to black.
📊 Script Snapshot
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Analysis: The screenplay effectively develops its characters, showcasing their complexities and arcs while maintaining relatability. However, there are opportunities to deepen character interactions and emotional resonance, particularly in moments of vulnerability and conflict.
Key Strengths
- The characters exhibit strong personalities and humor, particularly in their interactions, which create a relatable and engaging dynamic. For example, Gio's playful banter and Vera's sharp wit add depth to their friendship.
Areas to Improve
- Some character arcs, particularly in moments of vulnerability, could be more explicitly explored to deepen emotional engagement. For instance, Hendrix's internal struggles could be highlighted more to enhance his transformation.
Analysis: The screenplay effectively establishes a compelling premise that blends supernatural elements with relatable teenage experiences. However, enhancing the clarity of the supernatural occurrences and their implications could strengthen audience engagement.
Key Strengths
- The blend of supernatural elements with relatable teenage experiences creates a unique narrative that stands out.
Areas to Improve
- The supernatural occurrences need clearer exposition to enhance audience understanding and engagement.
Analysis: The screenplay effectively establishes a compelling blend of supernatural tension and relatable teenage dynamics, showcasing strong character interactions and a gradual build-up of suspense. However, it could benefit from refining pacing and enhancing clarity in plot developments to maintain audience engagement throughout.
Key Strengths
- The gradual build-up of supernatural tension effectively engages the audience, particularly in the initial scenes where the group dynamics are established.
Areas to Improve
- Some scenes disrupt pacing, particularly where supernatural elements are introduced without sufficient context, potentially confusing the audience.
Analysis: The screenplay effectively conveys themes of friendship, vulnerability, and the tension between normalcy and the supernatural. The characters' interactions and the unfolding events create a relatable narrative that resonates with the audience. However, there are opportunities to deepen the exploration of these themes, particularly in how they relate to the characters' emotional journeys and the supernatural elements at play.
Key Strengths
- The screenplay effectively captures the dynamics of teenage friendships, showcasing how humor and banter serve as coping mechanisms for deeper issues.
Analysis: The screenplay 'Before We Knew' effectively utilizes visual imagery to create a compelling atmosphere that balances light-hearted moments with underlying tension. The vivid descriptions of supernatural occurrences and character interactions enhance the storytelling, drawing the audience into the world of Stonegrove. However, there are opportunities to deepen the visual storytelling by incorporating more dynamic imagery and symbolism.
Key Strengths
- The vivid descriptions of supernatural occurrences, particularly in Scene 1, effectively create a sense of tension and intrigue, drawing the audience into the story's eerie atmosphere.
Analysis: The screenplay effectively elicits emotional responses through its relatable characters and their interactions, particularly in moments of tension and humor. However, there are opportunities to deepen emotional arcs and enhance the overall emotional journey, particularly by exploring the characters' vulnerabilities and the consequences of their experiences more thoroughly.
Key Strengths
- The dynamic interactions among the group create a relatable and engaging atmosphere, particularly in scenes filled with humor and camaraderie, such as the gaming scene and the banter in the car.
Areas to Improve
- The emotional depth could be enhanced by exploring the characters' vulnerabilities and the consequences of the supernatural events more thoroughly, particularly in how these experiences affect their relationships.
Analysis: The screenplay effectively presents a blend of supernatural conflict and the relatable struggles of adolescence, creating a compelling narrative tension. However, there are opportunities to enhance the stakes and deepen character arcs, particularly in how the supernatural elements impact the characters' relationships and personal growth.
Key Strengths
- The supernatural elements create a strong sense of tension and intrigue, particularly in scenes like the living room anomaly and Mr. Reed's fatal encounter.
Analysis: The screenplay 'Before We Knew' showcases a compelling blend of supernatural elements and relatable teenage dynamics, creating a unique narrative that balances humor with tension. The characters are well-defined, each bringing distinct personalities and arcs that contribute to the overall originality of the story. The incorporation of eerie moments amidst everyday life effectively enhances the creative atmosphere, making it a standout piece in the genre.
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View Complete AnalysisTop Takeaways from This Section
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Top Takeaways from This Section
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Character Hendrix
Description Hendrix consistently downplays his experiences (e.g., lying about feeling fine after the event in Scene 1 and showing the rib cage mark in Scene 10 without emotional buildup), which feels more driven by plot needs to maintain mystery than by his established character traits of protectiveness and reluctance to show vulnerability. This could make his actions seem contrived rather than organic.
( Scene 1 (Scene number 1) Scene 10 (Scene number 10) ) -
Character Vera
Description Vera's defiant behavior in Scene 1 (stepping forward during the crisis) contrasts with her more passive or dismissive reactions in Scene 10 (shutting down discussion about odd feelings), which might stem from her personality but feels inconsistent without clearer character development, potentially appearing as plot-driven to escalate or de-escalate tension.
( Scene 1 (Scene number 1) Scene 10 (Scene number 10) ) -
Character Mr. Thomas Reed
Description Mr. Thomas is cautious and observational in Scene 4 (examining the fence hole without entering), but in Scene 11, he enters the forest despite apparent unease, which seems unjustified by his established routine-oriented and irritated demeanor, suggesting it's more plot-driven to advance the mystery than character-authentic.
( Scene 4 (Scene number 4) Scene 11 (Scene number 11) )
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Description After the strange events in Scene 1 (booms, dust splitting, floor disappearing), the interruption by Summer's sister causes everything to reset instantly to normal without explanation, creating a coherence issue as it undermines the buildup of tension and makes the supernatural elements feel arbitrarily controlled rather than part of a logical narrative progression.
( Scene 1 (Scene number 1) ) -
Description The recurrence of similar symptoms (e.g., dust suspending, sound dulling) in Scene 10 without direct reference to the events in Scene 1 disrupts story coherence, as characters do not acknowledge or connect these incidents, making the narrative feel disjointed and lacking in causal links.
( Scene 1 (Scene number 1) Scene 10 (Scene number 10) )
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Description The origin and nature of the supernatural phenomena (e.g., booms, pressure changes, floor disappearance in Scene 1 and Mr. Thomas's death in Scene 11) are not hinted at, leaving a significant plot hole that affects believability, as there's no foreshadowing or explanation for why these events occur or how they are connected, potentially alienating viewers in a pilot episode.
( Scene 1 (Scene number 1) Scene 11 (Scene number 11) ) -
Description The dog that appears and runs away in Scene 1 is never referenced again, creating a loose end that could be a plot hole if it's intended to be significant, as it might imply a connection to the events but is abandoned, disrupting narrative flow.
( Scene 1 (Scene number 1) ) -
Description The hole in the fence discovered by Mr. Thomas in Scene 4 is described as clean and unexplained, but in Scene 11, he enters it and dies without any clarification on how the hole was created or its purpose, which could be a plot hole if not addressed in future episodes, as it raises questions about the world's logic that aren't resolved.
( Scene 4 (Scene number 4) Scene 11 (Scene number 11) )
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Description Vera's line 'If that’s another damn dog—' feels slightly forced and stereotypical for a character meant to be defiant and sarcastic, as it introduces a false sense of normalcy before the horror escalates, potentially lacking authenticity in how it contrasts with the immediate supernatural shift.
( Scene 1 (Scene number 1) ) -
Description Mr. Thomas's recording 'Thomas Reed. I’m— I’m behind the school. Something’s—' comes across as overly expository and clichéd, not fully authentic to a maintenance worker in a moment of panic, as it mirrors common horror tropes rather than a natural reaction, which could feel scripted rather than genuine.
( Scene 11 (Scene number 11) ) -
Description Mr. Reed's dialogue 'You one of the kids who cuts through the back fence?' and Gio's denial feels somewhat unnatural and interrogative, as it lacks subtlety and comes across as a forced way to introduce the fence element, not fully aligning with casual school hallway interactions.
( Scene 6 (Scene number 6) )
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Element Atmospheric descriptions
( Scene 1 (Scene number 1) Scene 10 (Scene number 10) Scene 11 (Scene number 11) )
Suggestion The repeated descriptions of pressure changes, sound dulling, and dust suspending (e.g., in Scenes 1, 10, and 11) could be streamlined by varying the language or consolidating into fewer instances, such as using a motif in Scene 1 and referencing it subtly in later scenes to avoid repetition and maintain narrative efficiency. -
Element Character group dynamics
( Scene 1 (Scene number 1) Scene 6 (Scene number 6) Scene 10 (Scene number 10) )
Suggestion The repeated actions of characters splitting up and regrouping (e.g., gathering in Scene 1, splitting for classes in Scene 6, and splitting at the mall in Scene 10) feel redundant; consider reducing these instances or combining them with key plot developments to cut down on repetitive beats and improve pacing. -
Element Dialogue about unease
( Scene 8 (Scene number 8) Scene 10 (Scene number 10) )
Suggestion Max's lines about things feeling 'off' in Scenes 8 and 10 are similar and could be consolidated into a single, more impactful moment to avoid redundancy, such as expanding on it in one scene to build character depth without repeating the sentiment.
Characters in the screenplay, and their arcs:
| Character | Arc | Critique | Suggestions |
|---|---|---|---|
| Gio | Throughout the pilot, Gio's character arc revolves around his journey from being a carefree jokester to confronting the deeper issues that lie beneath his playful exterior. Initially, he uses humor and sarcasm to deflect serious conversations and avoid vulnerability. However, as the story progresses, he faces challenges that force him to confront his insecurities and the secrets he harbors. By the end of the pilot, Gio learns the importance of honesty and vulnerability in his relationships, leading to a more profound connection with his friends and a stronger sense of self. This transformation sets the stage for further character development in future episodes. | Gio's character is engaging and relatable, but his arc could benefit from clearer stakes and a more defined conflict. While the hints of discomfort and secrets add depth, they need to be more explicitly tied to the plot to create a stronger narrative drive. Additionally, the balance between his light-heartedness and serious moments could be better calibrated to ensure that the audience understands the significance of his transformation. | To improve Gio's character arc, consider introducing a specific event or challenge that directly forces him to confront his secrets and insecurities. This could be a pivotal moment in the pilot that highlights the consequences of his avoidance behavior. Additionally, incorporating a subplot that showcases the impact of his humor on his relationships could provide a more nuanced exploration of his character. Finally, ensure that his growth is reflected in his interactions with others, allowing for moments of vulnerability that resonate with the audience. |
| Vera | Throughout the pilot, Vera begins as a skeptical and carefree character who uses humor as a defense mechanism against the supernatural events unfolding around her. As the story progresses, she is forced to confront her skepticism and the reality of the situation, leading to moments of self-reflection. By the end of the pilot, Vera evolves from a detached, sarcastic observer to someone who acknowledges the seriousness of their circumstances and begins to embrace her role within the group. This transformation allows her to balance her humor with a newfound sense of responsibility and connection to her friends, setting the stage for further character development in future episodes. | Vera's character is well-defined with a strong voice and personality, but her arc could benefit from deeper emotional stakes. While her humor is a great asset, it risks overshadowing her growth if not balanced with moments of genuine vulnerability. The pilot should ensure that her defiance and sarcasm do not become one-dimensional traits, but rather serve as a facade for deeper fears or insecurities that can be explored as the story unfolds. | To improve Vera's character arc, consider incorporating a subplot that reveals her backstory or personal struggles, which can add depth to her character. For instance, exploring a past trauma or a significant relationship could provide context for her defiance and humor. Additionally, include pivotal moments where her sarcasm fails to mask her true feelings, allowing for emotional breakthroughs. This will create a more nuanced character who can evolve in a meaningful way throughout the series, making her journey relatable and engaging for the audience. |
| Hendrix | Throughout the pilot, Hendrix begins as a laid-back observer who uses humor to cope with the group's dynamics and the emerging supernatural threats. As the story progresses, he is forced to confront his protective instincts and take on a more active leadership role when the group faces danger. This shift challenges his casual attitude and pushes him to embrace his responsibilities, ultimately leading to a moment of self-realization where he understands the importance of his role in the group. By the end of the pilot, Hendrix evolves from a passive participant to a proactive protector, setting the stage for further development in future episodes. | Hendrix's character arc is compelling as it showcases his growth from a laid-back observer to a protective leader. However, the transition may feel abrupt if not properly developed. The pilot should ensure that his motivations for stepping up are clear and relatable to the audience. Additionally, while his humor is a strong trait, it should not overshadow the seriousness of the supernatural events, as this could undermine the stakes of the narrative. | To improve Hendrix's character arc, consider incorporating moments that highlight his internal conflict between his laid-back nature and the need to take action. This could involve flashbacks to his relationship with his brother, revealing why he feels a strong sense of responsibility. Additionally, introduce a pivotal moment where his humor fails to defuse a situation, forcing him to confront the reality of their circumstances. This would create a more gradual and believable transition into his leadership role, allowing the audience to connect with his journey more deeply. |
| Max | Throughout the pilot, Max begins as a calm observer, primarily focused on analyzing the supernatural events and the emotional dynamics within the group. As the story progresses, he faces challenges that test his rationality and emotional resilience. He gradually learns to embrace vulnerability, allowing himself to express his fears and uncertainties about the supernatural occurrences and their implications. By the end of the pilot, Max evolves from a detached observer to an active participant in the group's journey, using his insights to help others confront their own emotions and fears, ultimately fostering a deeper sense of connection and teamwork among the group. | Max's character arc is compelling, as it showcases his growth from an analytical observer to a more emotionally engaged participant. However, the arc could benefit from clearer stakes and personal challenges that directly impact him. While his introspection is valuable, it may risk making him feel passive if not balanced with active decision-making or conflict. Additionally, the pilot could explore how his analytical nature sometimes clashes with the more emotional responses of other characters, creating tension that drives his development. | To enhance Max's character arc, consider introducing a personal conflict or backstory that ties into the supernatural events, giving him a more immediate stake in the unfolding drama. This could involve a past trauma or a personal connection to the supernatural occurrences that forces him to confront his fears. Additionally, incorporating moments where Max's rationality is challenged by emotional situations could create opportunities for growth, allowing him to learn the value of vulnerability and emotional expression. Finally, ensure that Max has moments of active decision-making that influence the group's direction, reinforcing his transition from observer to participant. |
| Sadie | Throughout the pilot, Sadie begins as a frustrated and overwhelmed figure, constantly trying to manage her family's chaos while feeling unappreciated. As the story progresses, she faces challenges that force her to confront her need for control and the importance of allowing others to take responsibility. By the end of the pilot, Sadie learns to balance her authoritative nature with a willingness to trust her family members, leading to a more harmonious dynamic. This growth allows her to embrace vulnerability and recognize that it's okay to lean on others, ultimately strengthening her relationships. | While Sadie's character is well-defined as the responsible older sister, her arc could benefit from deeper emotional exploration. The pilot primarily showcases her frustration, but it may lack moments that reveal her vulnerabilities or motivations beyond her role as a caregiver. This could make her character feel one-dimensional and less relatable to the audience. Additionally, her sarcasm, while effective, might overshadow her emotional depth if not balanced with moments of sincerity. | To improve Sadie's character arc, consider incorporating scenes that reveal her backstory or personal struggles, such as her own experiences with feeling overwhelmed or her aspirations outside of her family responsibilities. Introducing a subplot where she faces a significant challenge that tests her leadership could provide opportunities for growth and self-discovery. Additionally, allowing her to have moments of genuine connection with her family, where she expresses her feelings openly rather than relying solely on sarcasm, would create a more nuanced character. This balance would make her journey more relatable and engaging for the audience. |
| Summer | Throughout the pilot, Summer evolves from a cheerful and optimistic friend to a more reflective and grounded individual. Initially, she tries to maintain harmony and lighten the mood, but as tensions rise within the group, she begins to confront her own emotional complexities. By the end of the pilot, Summer learns to embrace her vulnerabilities and express her needs, fostering deeper connections with her friends. This journey allows her to transition from being merely a supportive figure to someone who actively participates in the emotional dynamics of the group, ultimately leading to a more authentic and fulfilling friendship. | While Summer's character arc shows potential for depth, it may feel somewhat gradual and understated for a pilot episode. The transition from her cheerful persona to a more reflective character could benefit from more pronounced moments of conflict or revelation. Additionally, her emotional complexities could be explored more explicitly to create a stronger impact on the audience. As it stands, her character may come across as too passive, lacking agency in her own narrative. | To improve Summer's character arc, consider introducing a pivotal moment that forces her to confront her emotional struggles more directly, such as a conflict with another character or a personal crisis that challenges her calm demeanor. This could serve as a catalyst for her growth, allowing her to express her feelings and desires more openly. Additionally, incorporating flashbacks or dialogues that reveal her backstory could enhance her depth and provide context for her emotional hesitations. Finally, ensuring that her journey is interwoven with the main plot will help maintain audience engagement and highlight her evolution as a key member of the group. |
Top Takeaways from This Section
Theme Analysis Overview
Identified Themes
| Theme | Theme Details | Theme Explanation | Primary Theme Support | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Supernatural Unknown
90%
|
Begins with subtle anomalies like TV glitches, unusual dust behavior, and a mysteriously appearing dog. Escalates to a physical void appearing and swallowing Vera, only to be resolved by an outside interruption. The disturbances continue with Mr. Reed's observation of a clean hole in the fence, the unexplained voices, and the dust and mark experienced by Hendrix and his friends. Culminates in the terrifying, fatal encounter of Mr. Reed with an invisible force in the forest.
|
This theme explores the emergence of inexplicable and increasingly dangerous supernatural phenomena that intrude upon the mundane. It shifts from unsettling oddities to direct physical threats and ultimately, death, suggesting a powerful, malevolent entity or force at play. |
This is the core theme that drives the narrative and impacts all other elements. The other themes serve to establish the normalcy that the supernatural disrupts.
|
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Strengthening The Supernatural Unknown
|
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|
Loss of Innocence and Growing Up
75%
|
Depicted through the interactions of the friend group. Initially, they engage in casual video games and movie nights. As strange events occur, there are moments of fear, quick thinking (Vera, Hendrix), and attempts to rationalize or downplay. The school setting scenes show them navigating social dynamics, class schedules, and sibling relationships. The final scenes show them experiencing unease and hinting at unseen consequences, but still attempting to maintain normalcy (eating at the strip mall).
|
This theme examines the transition from carefree youth to the anxieties and responsibilities of adolescence and young adulthood, often under the shadow of an emerging threat. The ordinary teenage experiences are juxtaposed with extraordinary, unsettling events. |
This theme provides the relatable human element that the supernatural threat targets. The innocence of the youth makes the encroaching darkness more impactful and their attempts to rationalize it more poignant.
|
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|
Breakdown of Normalcy and Routine
70%
|
The initial scenes establish a comfortable routine (game night, movie night). This is shattered by the booms and environmental shifts. The morning rush to school and the school day itself represent another layer of routine that is disrupted by Mr. Reed's suspicious behavior and the group's subtle unease. The final outing to the strip mall is an attempt to recapture normalcy, but even that is tainted by the lingering supernatural effects.
|
This theme highlights how established patterns of life and predictability are fractured by external forces. The comfortable world the characters inhabit begins to unravel, revealing underlying fragility. |
The disruption of normalcy is a direct consequence of the supernatural unknown. The more stable the established routines, the more impactful their breakdown becomes.
|
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|
Suspicion and Unseen Threats
65%
|
Mr. Thomas Reed embodies this theme. He notices the hole in the fence, hears the mysterious voices, and becomes suspicious of Gio, questioning him about cutting through the back fence. His subsequent investigation and death underscore that there are hidden dangers and entities at play, particularly in the liminal spaces like the forest behind the school.
|
This theme explores the emergence of distrust and the feeling that something dangerous is lurking just out of sight, often associated with specific individuals or locations that become focal points for suspicion. |
This theme serves as a harbinger of the larger supernatural threat, personified by Mr. Reed's investigation and eventual demise. His suspicion is validated by the ultimate supernatural manifestation.
|
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|
Familial Bonds and Friendship
50%
|
Seen in the casual banter between friends (Gio, Vera, Hendrix, Summer, Max) during games and outings. The interaction between Hendrix and his brother shows a supportive, affectionate familial bond. Summer and her mom share a silent, meaningful nod, hinting at an unspoken understanding or concern. Sadie's role as a reluctant driver shows a complicated but present connection to the group.
|
This theme focuses on the relationships between characters, showcasing support systems, casual camaraderie, and familial connections that provide a sense of grounding amidst the unfolding chaos. |
These relationships provide the emotional stakes. The threat to these bonds and individuals makes the supernatural unknown more terrifying. However, these bonds are also tested and strained by the encroaching darkness.
|
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|
Bravery and Quick Thinking
40%
|
Hendrix quickly pulls Vera out of the void. Vera steps forward defiantly when the floor vanishes. The friends attempt to downplay events and maintain a sense of normalcy even when uneasy.
|
This theme highlights moments of courage and decisive action in the face of danger or fear, demonstrating the characters' capacity to act under pressure. |
These moments of bravery offer brief reprieves and demonstrate the characters' agency, but ultimately, they are insufficient to overcome the overarching supernatural threat, thus reinforcing the power of the primary theme.
|
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Screenwriting Resources on Themes
Articles
| Site | Description |
|---|---|
| Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
| Coverfly | Improving your Screenplay's theme |
| John August | Writing from Theme |
YouTube Videos
| Title | Description |
|---|---|
| Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
| What is theme | Discussion on ways to layer theme into a screenplay. |
| Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Top Takeaway from This Section
Emotional Analysis
Emotional Variety
Critique
- The script demonstrates strong emotional variety in its overall arc, moving from lighthearted banter (Scenes 1, 7, 8) to supernatural tension (Scenes 1, 4, 10) to outright horror (Scene 11). However, there's a noticeable gap in the middle section (Scenes 2, 3, 6) where emotions become somewhat repetitive, primarily cycling between mild frustration, routine anxiety, and subtle unease without significant variation.
- The emotional palette leans heavily on suspense-related emotions (foreboding, apprehension, unease) throughout, with joy and positive emotions primarily confined to brief moments of lightheartedness and camaraderie. This creates a consistent tone but risks emotional monotony, particularly in scenes like 2 and 3 where the same low-level tension persists without meaningful variation.
- While the script effectively contrasts normalcy with supernatural dread, it misses opportunities to incorporate other emotional colors like genuine warmth beyond camaraderie, intellectual curiosity about the phenomena, or deeper interpersonal conflicts that would create more varied emotional textures. The emotional journey feels somewhat binary: either 'normal teenage life' or 'supernatural threat,' with limited blending of these states.
Suggestions
- Introduce a scene of genuine, uncomplicated joy or accomplishment early in the script (perhaps between Scenes 7 and 8) to establish a stronger emotional baseline. This could be a small victory for one character—Summer acing a test, Gio fixing something, Hendrix achieving something with his brother—that creates emotional contrast before the supernatural elements intensify.
- In Scene 3, when Max and Vera notice Summer's mom's distance, add a moment of genuine warmth or connection. Instead of Summer just shrugging, she could share a private smile or inside joke with her mom, showing their relationship has positive dimensions beyond the melancholy. This adds emotional complexity beyond just 'sad mom, resigned daughter.'
- During the school hallway scenes (6 and 7), incorporate moments of intellectual curiosity about the strange events. Instead of just dismissing or avoiding discussion, have one character (perhaps Max, who shows sensitivity) actively try to research or theorize about what happened, introducing emotions of curiosity, determination, and intellectual engagement to break the pattern of fear/denial.
Emotional Intensity Distribution
Critique
- The emotional intensity follows a 'spike-valley-spike' pattern that risks audience fatigue: Scene 1 delivers high intensity (suspense 9, fear 7), followed by a significant drop in Scenes 2-3 (suspense 4, fear 1-2), another spike in Scene 4 (suspense 9, fear 7), then moderate levels through Scenes 5-9 before the final intense climax in Scenes 10-11. The prolonged moderate section (Scenes 5-9, approximately 5 scenes) may cause disengagement as intensity remains relatively flat.
- Scene 11's extreme intensity (suspense 10, fear 10) feels somewhat disconnected from the preceding scene's moderate levels. While Scene 10 builds effectively (suspense 9, fear 8), the jump to maximum terror with a secondary character's death creates an emotional whiplash that might feel unearned rather than cathartic.
- The distribution creates 'emotional plateaus' where intensity remains static for too long. Scenes 5 through 8 all hover around suspense levels 5-7 without significant progression, creating a sense of narrative stalling rather than building tension organically toward the climax.
Suggestions
- Increase emotional intensity more gradually in the middle section. In Scene 6, instead of just an awkward encounter, have Mr. Reed show Gio something disturbing related to the fence—a strange marking, an unusual animal behavior—that raises the stakes and intensity earlier. This creates a rising line rather than plateau.
- Add a moderate-intensity supernatural moment in Scene 8 at The Loop. Instead of just discussing feeling 'off,' have the group witness something subtle but undeniable—a shared auditory hallucination, a brief time distortion—that raises fear intensity to 5-6 rather than remaining at 3-4. This maintains tension through the middle section.
- Consider restructuring to create two smaller intensity peaks before the final climax. Scene 4's discovery could be followed by a more immediate consequence in Scene 5 (perhaps Mr. Thomas finds something disturbing in his notes), and Scene 8 could include a more direct supernatural encounter (the mark appearing on Hendrix here rather than in Scene 10) to create better rhythm.
Empathy For Characters
Critique
- Empathy is strongest for the teenage friend group (consistently 5-7 across scenes) but unevenly distributed among them. Hendrix garners significant empathy due to his protective actions (Scene 1) and mysterious affliction (Scene 10), while characters like Gio and Max receive less emotional depth. Sadie elicits good empathy (6-7) in her frustrated caregiver role, but Mr. Thomas's empathy spikes only in his death scene (9), making his demise feel more like plot device than tragic character moment.
- Key empathy-building opportunities are missed: Summer's relationship with her distant mother (Scene 3) gets only surface treatment, Gio's encounter with Mr. Reed (Scene 6) focuses on suspicion rather than exploring Gio's internal experience, and the group's dynamics in stressful situations (Scene 9 car tension) prioritize conflict resolution over emotional vulnerability.
- The script relies heavily on 'situational empathy' (feeling for characters in scary situations) rather than 'character empathy' (caring about who they are as people). We empathize with their fear but don't develop deep emotional investment in their personal journeys, dreams, or relationships beyond the surface level shown.
Suggestions
- In Scene 3, add a brief moment where Summer shares something personal with Max about her mom—a specific worry, a memory of when things were different—that deepens our understanding of both characters. This could be as simple as 'She hasn't touched that coffee mug since dad left' while looking at the untouched cup.
- During Gio's encounter with Mr. Reed in Scene 6, show his internal reaction more clearly. Instead of just feeling 'unsettled,' have him recall a specific memory of being falsely accused in the past, or show him nervously checking his phone for support from the group, making his vulnerability more personal and relatable.
- Before Mr. Thomas's death in Scene 11, add a brief moment humanizing him—perhaps he looks at a photo on his phone of family, or mutters something about plans for the weekend. This small character detail would make his death land with more emotional weight, transforming it from plot point to personal tragedy.
Emotional Impact Of Key Scenes
Critique
- Scene 1's supernatural events are emotionally impactful (surprise 8, fear 7) but the resolution—dismissal as tiredness—somewhat undercuts the emotional punch. The audience's genuine fear and astonishment aren't fully validated by the characters' responses, creating emotional dissonance rather than shared experience.
- Scene 10's reveal of Hendrix's mark should be a major emotional beat, but it's somewhat diluted by the group's quick dismissal and forced normalcy. The emotional impact (shock 8, fear 8) is strong initially but doesn't resonate because characters immediately suppress rather than process it, denying the audience emotional catharsis.
- Scene 11's climax is emotionally powerful (fear 10, sadness 7) but feels somewhat disconnected from the main characters' emotional journeys. Mr. Thomas's death is terrifying and tragic, but because he's a secondary character with limited prior emotional investment, it functions more as world-building horror than character-driven emotional climax for our protagonists.
Suggestions
- In Scene 1, instead of nervous laughter and dismissal, have one character (perhaps Summer, who shows observational skills) insist something real happened. She could point to physical evidence—a crack in the floor where it vanished, a strange residue—that validates the audience's experience and creates shared emotional reality between characters and viewers.
- For Scene 10's mark reveal, don't let the group dismiss it so quickly. Have at least two characters react strongly—Max insisting they tell an adult, Vera demanding to see it again, Summer connecting it to something she read. Let the emotional impact (fear, concern, bewilderment) play out for 30-60 seconds of screen time before they decide to suppress it, giving the audience emotional processing time.
- Connect Scene 11's climax more directly to the main characters. Perhaps Mr. Thomas is investigating because of Gio's earlier encounter, or he finds something belonging to one of the teens near the fence. Alternatively, intercut his death with the group obliviously enjoying themselves, creating dramatic irony that heightens emotional impact by contrasting safety with danger.
Complex Emotional Layers
Critique
- Many scenes rely on primary emotions without sufficient sub-emotional layering. Scene 2 shows frustration but misses opportunities for sub-emotions like guilt (Vera knowing she's making Sadie late), affection (Sadie's frustration masking concern), or nostalgia (the 'every year' tradition hinting at deeper history).
- The supernatural scenes often evoke fear/suspense without exploring accompanying sub-emotions. Scene 4's discovery could include curiosity alongside foreboding, intellectual fascination alongside dread. Scene 10's mark revelation focuses on shock and concern but misses sub-emotions like betrayal (the body turning against itself), violation (something marking him without consent), or morbid curiosity.
- Character interactions frequently stay at surface emotional levels. Scene 7's brotherly affection is warm but one-dimensional—missing sub-emotions like protectiveness, pride, or subtle competition. Scene 9's car tension shows frustration but not the underlying sub-emotions of loyalty conflict, guilt about burdening Sadie, or anxiety about impending separation.
Suggestions
- In Scene 2, add layers to Sadie's frustration. When she says 'I'm not driving six teenagers to school smelling like panic,' follow it with a moment where she looks genuinely worried about being late for her own responsibilities, showing her frustration stems from anxiety about consequences, not just irritation. This adds emotional depth.
- During Scene 4's fence investigation, have Mr. Thomas show not just unease but scientific curiosity. He could pull out a small measuring tape, take a soil sample, or make specific observations in his notes that show he's both frightened and intellectually engaged with the anomaly, creating a more complex emotional response.
- In Scene 9's car scene, when Summer asks to stay longer, show the sub-emotions at play: Hendrix's subtle protectiveness toward Summer, Gio's discomfort at being the cause of tension, Vera's conflict between supporting Summer and understanding Sadie's position. A brief exchange of glances among the group could communicate these layered dynamics without additional dialogue.
Additional Critique
Emotional Payoff and Resolution
Critiques
- The script establishes numerous emotional threads that don't receive adequate payoff: Max's sensitivity and unease (Scenes 3, 8) never culminates in meaningful action or revelation; Summer's concern for her mother (Scenes 3, 4) remains static without development; the group's dismissal of supernatural events creates emotional frustration for the audience that isn't acknowledged or resolved.
- Scene 11's emotional climax with Mr. Thomas's death provides horror payoff but leaves character emotional arcs incomplete. The audience experiences terror and tragedy but doesn't get emotional resolution regarding the main characters' journeys, creating a sense of emotional abandonment rather than satisfying conclusion to the episode.
- The emotional structure favors setup over payoff—we get repeated establishment of unease, foreboding, and mysterious phenomena but limited emotional resolution even within individual scenes. This can create emotional fatigue as the audience accumulates unresolved emotional tension without release.
Suggestions
- Create at least one emotional payoff per character in this episode. For Max, have his sensitivity lead to him noticing something crucial others miss by Scene 10. For Summer, show a small moment of connection with her mother by the end—a text exchange, a shared look that suggests understanding. These don't need to resolve the larger mystery but should provide emotional satisfaction.
- Add a brief 'emotional decompression' scene after Scene 10's mark reveal. Before Scene 11, show the group arriving home and having a genuine, vulnerable conversation—not solving anything, but acknowledging their fear and confusion together. This provides emotional release and strengthens character bonds.
- Consider ending the episode with an emotional button connected to the main characters rather than Mr. Thomas's death. Perhaps show Hendrix lying awake, touching his mark; or Summer checking on her sleeping mother; or the group group-chatting nervously. This maintains the horror but grounds it in characters we care about.
Emotional Contrast and Pacing
Critiques
- The script misses opportunities for emotional contrast that would heighten impact. The transition from Scene 1's intense supernatural events to Scene 2's mundane morning routine is effective, but subsequent transitions lack similar sharp contrasts, creating emotional homogeneity across scenes.
- Emotional pacing suffers from inconsistent rhythm. Some scenes (1, 4, 11) have strong emotional build and release, while others (2, 3, 5) maintain steady emotional states without progression. This creates a stop-start emotional experience rather than a smoothly evolving emotional journey.
- The balance between 'normal life' emotions and 'supernatural threat' emotions becomes predictable: school scenes = mild stress/frustration, friend hangouts = camaraderie/unease, supernatural moments = fear/suspense. More blending of these emotional states would create richer, less formulaic emotional experiences.
Suggestions
- Create sharper emotional contrasts between scenes. Follow Scene 4's eerie discovery with Scene 5's teenage banter, but make the banter particularly loud, joyful, or absurd—heightening the contrast between mundane life and lurking danger. This makes both emotional states more vivid.
- Improve emotional pacing by ensuring each scene has at least a minor emotional arc. Scene 3 could start with routine chaos, build to the moment of noticing Summer's mom, and end with a decision to address or ignore it—creating a complete emotional mini-journey rather than static observation.
- Blend emotional states more deliberately. In Scene 6's school hallway, amidst the normal social anxiety, have a subtle supernatural element—a flickering light only Max notices, a strange echo in the noise—that injects unease into the mundane. This creates layered emotions rather than segregated emotional experiences.
Character-Specific Emotional Development
Critiques
- Secondary characters suffer from emotional underdevelopment. Summer's mom is a 'sad presence' without emotional specificity; Mr. Thomas transitions abruptly from irritated worker to terror victim without emotional bridge; Sadie's frustration lacks emotional backstory that would make it more resonant.
- Within the friend group, emotional roles become stereotypical: Hendrix as protector/sufferer, Vera as sarcastic deflector, Max as sensitive observer, Gio as comic relief, Summer as peacemaker. These roles limit emotional range and prevent characters from surprising us emotionally.
- Character emotions often react to plot rather than driving it. They respond to supernatural events but rarely make emotional choices that advance the narrative. This creates passive emotional experiences rather than active emotional engagement with the story.
Suggestions
- Give secondary characters one specific emotional detail that makes them memorable. Summer's mom could have one recurring action—always organizing something obsessively, or humming a specific tune—that communicates her emotional state more vividly than just 'distant.' Mr. Thomas could mention a specific reason he needs to get home (feeding a pet, calling his daughter) before entering the forest, making his death more personally tragic.
- Break character emotional patterns in key moments. Have Vera drop her sarcasm to show genuine fear in Scene 10 when she sees Hendrix's mark. Have Gio show unexpected seriousness when discussing the phenomena. Have Max take decisive action based on his observations rather than just noting them. These emotional surprises create depth.
- Create at least one scene where character emotions directly drive the plot. Perhaps Summer's concern for her mother leads her to investigate something related to the supernatural. Or Hendrix's protective instinct toward Vera makes him return to the house in Scene 1 to check for evidence. Emotional motivation creates stronger audience connection than plot convenience.
Top Takeaway from This Section
| Goals and Philosophical Conflict | |
|---|---|
| internal Goals | The protagonist's internal goals evolve from maintaining control and a sense of normalcy among friends to grappling with feelings of anxiety and the need for acceptance in the face of supernatural occurrences and personal conflicts within the group. |
| External Goals | The protagonist's external goals evolve from navigating daily routines and social dynamics to confronting the unknown and ensuring safety amidst bizarre supernatural events, culminating in a desire to maintain camaraderie through shared experiences. |
| Philosophical Conflict | The overarching philosophical conflict revolves around the tension of confronting the unknown (bravery) versus retreating into the familiar (fear). This conflict intertwines with the protagonist's journey as they navigate moments of uncertainty, seeking to balance personal desires for autonomy and connection with their friends amidst inexplicable events. |
Character Development Contribution: The goals and conflicts drive the protagonist's development, enabling them to grow from a place of control to embracing uncertainty, which fosters deeper relationships with their friends and a better understanding of themselves.
Narrative Structure Contribution: The goals and conflicts create a structured narrative progression that interweaves personal and supernatural elements, escalating tension and allowing for character arcs to unfold through interactions and experiences.
Thematic Depth Contribution: The complexities of the goals and conflicts contribute to the thematic depth by exploring themes of friendship, identity, and the human response to uncertainty, ultimately presenting a nuanced view of bravery, fear, and the importance of connection.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
| Site | Description |
|---|---|
| Creative Screenwriting | How Important Is A Character’s Goal? |
| Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
| Title | Description |
|---|---|
| How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
| Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
| Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Scene Analysis
📊 Understanding Your Percentile Rankings
Your scene scores are compared against professional produced screenplays in our vault (The Matrix, Breaking Bad, etc.). The percentile shows where you rank compared to these films.
Example: A score of 8.5 in Dialogue might be 85th percentile (strong!), while the same 8.5 in Conflict might only be 50th percentile (needs work). The percentile tells you what your raw scores actually mean.
Hover over each axis on the radar chart to see what that category measures and why it matters.
Scenes are rated on many criteria. The goal isn't to try to maximize every number; it's to make you aware of what's happening in your scenes. You might have very good reasons to have character development but not advance the story, or have a scene without conflict. Obviously if your dialogue is really bad, you should probably look into that.
| Compelled to Read | Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Click for Full Analysis | Page | Tone | Overall | Clarity | Scene Impact | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
| 1 - Night Terrors and Bathroom Banter Improve | 1 | Eerie, Tense, Suspenseful, Mysterious | 8.7 | 9.5 | 9 | 9 | 9 | 8.5 | 9 | 8 | 8 | 7.5 | 9 | 8 | 9 | 9 | 9 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
| 2 - Morning Mayhem Improve | 7 | Sarcastic, Light-hearted, Annoyed | 8.2 | 9.5 | 5 | 8 | 8 | 8 | 9 | 6 | 8 | 7.5 | 7 | 8 | 6 | 7 | 7 | 7 | 8 | 9 | 8.5 | 8 | 8 | |
| 3 - Morning Rush and Unspoken Worries Improve | 7 | Tension, Humor, Resignation | 8.5 | 9.5 | 5 | 8 | 8 | 8 | 9 | 7 | 8 | 7 | 7 | 7 | 6 | 7 | 7 | 8 | 8 | 9 | 8 | 8 | 8 | |
| 4 - Silent Departures and Eerie Discoveries Improve | 8 | Tense, Mysterious, Anxious, Intriguing | 8.7 | 9.5 | 8 | 9 | 9 | 8 | 9 | 8 | 8 | 7 | 8 | 8 | 8 | 8 | 8 | 9 | 8 | 9 | 8.5 | 9 | 9 | |
| 5 - Echoes of Youth and Solitude Improve | 10 | Tense, Unsettled, Mysterious, Realistic | 8.5 | 9.5 | 7 | 8 | 9 | 8.5 | 8 | 7 | 8 | 7.5 | 8 | 8 | 7 | 8 | 8 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
| 6 - Morning Tensions at Stonegrove High Improve | 11 | Tense, Unsettling, Awkward, Measuring | 8.5 | 10 | 7 | 8 | 8 | 8.5 | 9 | 7 | 8 | 7.5 | 8 | 8 | 8 | 8 | 7 | 8 | 8 | 9 | 8.5 | 8 | 8 | |
| 7 - Brotherly Bonds in the Hallway Improve | 13 | Tense, Affectionate, Light-hearted | 8.5 | 10 | 6 | 8 | 8 | 7.5 | 9 | 7 | 8 | 7.5 | 7 | 7 | 6 | 8 | 7 | 8 | 9 | 8.5 | 8.5 | 9 | 9 | |
| 8 - A Last Chill Day Improve | 14 | Reflective, Casual, Light-hearted | 8.5 | 9.5 | 6 | 8 | 8 | 9 | 9 | 7 | 8 | 7.5 | 8 | 7 | 7 | 8 | 8 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
| 9 - Tension on The Strip Improve | 17 | Tense, Reflective, Resigned | 8.5 | 10 | 7 | 8 | 8 | 8.5 | 9 | 8 | 8 | 7.5 | 7 | 8 | 6 | 8 | 7 | 9 | 9 | 9 | 8.5 | 8 | 8 | |
| 10 - Dusk at the Strip Mall Improve | 19 | Tension, Casual, Suspense, Light-hearted | 8.5 | 9.5 | 8 | 8 | 9 | 8.5 | 8 | 7 | 8 | 7.5 | 7 | 8 | 7 | 9 | 9 | 8 | 9 | 9 | 8.5 | 8 | 8 | |
| 11 - The Forest's Grip Improve | 23 | Tense, Mysterious, Foreboding | 9.2 | 10 | 10 | 9 | 9 | 9 | 9 | 8 | 8 | 9 | 9 | 8 | 9 | 9 | 9 | 10 | 8 | 9 | 9 | 9 | 9 | |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Effective tension-building
- Strong character dynamics
- Innovative use of supernatural elements
- Realistic dialogue
- Engaging character interactions
Scene Weaknesses
- Limited plot progression
- Low stakes
- Limited character development in certain scenes
- Potential need for clearer character motivations
- Lack of overt conflict
Suggestions
- Consider increasing the stakes throughout the screenplay to heighten tension and engagement.
- Focus on developing character arcs more deeply to ensure they have clear, pronounced changes by the end of the story.
- Revise dialogue to ensure it resonates on a deeper emotional level and enhances character motivations.
- Introduce more overt conflicts or challenges to add urgency to the plot and keep the audience engaged.
- Ensure that supernatural elements are woven seamlessly into the narrative, enhancing both character development and plot progression.
Scene 1 - Night Terrors and Bathroom Banter
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene masterfully sets a tone of unsettling mystery and escalating dread. The introduction of the three distinct 'booms' with increasingly bizarre and tangible effects (glitching TV, spatial pressure, floor vanishing) creates immediate questions about what is happening. The brief moment of relief with the dog is quickly subverted by the third boom and Vera's near-fall, culminating in a cliffhanger moment where Hendrix saves her. The abrupt interruption by the sister, while restoring normalcy, only amplifies the unease by highlighting the abnormality of what just occurred and leaving the audience wondering if it was real or imagined, especially with Hendrix's lingering physical sensation.
This scene is a powerful hook that immediately establishes a supernatural or reality-bending element into the narrative. The contrast between the mundane activity of gaming and watching a movie, and the sudden, terrifying phenomena, makes the events feel more impactful. It leaves the reader with several open questions: What caused the booms? What is the nature of the darkness/floor phenomenon? Is Hendrix experiencing a lasting effect? These mysteries, combined with the strong character dynamics already established, create a high level of anticipation for how the story will unfold and address these strange occurrences.
Scene 2 - Morning Mayhem
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene provides a functional shift in location and introduces a new character dynamic (Sadie's frustration), but it doesn't offer significant hooks to propel the reader forward. The primary tension is Sadie's impatience, which is a low-stakes conflict compared to the supernatural events of the previous scene. While it sets up the morning rush, the lack of immediate threat or unresolved mystery from this specific scene limits its compulsion factor.
The overarching narrative still holds interest due to the lingering questions from the previous scene's supernatural events, particularly Hendrix's ribs and the unexplained booms. The introduction of Sadie's panic about driving six teenagers also hints at potential future complications or stresses. However, this scene itself doesn't add new mysteries or escalate existing ones, relying on the momentum built prior.
Scene 3 - Morning Rush and Unspoken Worries
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene shifts the focus from the immediate aftermath of the supernatural event to the mundane reality of getting ready for school. While it introduces a subtle point of interest with Summer's mom's distant demeanor, it doesn't directly propel the plot forward from the previous scene's unsettling events. The primary driver of continuation here is the ongoing tension with Sadie's impatience, which creates a low-level urgency to move on, but it doesn't leave the reader with burning questions about the supernatural elements or character motivations introduced earlier.
The previous scene's supernatural occurrences have created a significant hook, and while this scene momentarily grounds the narrative in reality, the lingering unease from the living room event, combined with Hendrix's subtle discomfort and the odd phenomenon of the floor vanishing, keeps the reader invested. The introduction of Summer's mom's distant behavior adds a layer of character mystery. The tension with Sadie, while ordinary, serves to move the characters towards the next plot development. The script is still holding its momentum, with the supernatural elements poised to resurface.
Scene 4 - Silent Departures and Eerie Discoveries
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene masterfully builds intrigue by juxtaposing mundane routines with unsettling anomalies. The silent, loaded nod between Summer and her mom provides an emotional hook, hinting at unspoken complexities. The introduction of the perfectly clean hole in the fence, especially after the strange phenomena in Scene 1, immediately raises questions. The abrupt shift from Mr. Thomas's calm observation to the sudden, loud, and messy teen voices creates a jarring contrast and a strong sense of anticipation, making the reader eager to see who these teens are and what they're doing.
The script continues to weave a tapestry of escalating mystery. The strange events of Scene 1, though dismissed by the characters, are now echoed in the peculiar hole and the unsettling silence of the forest observed by Mr. Thomas. The introduction of Mr. Thomas himself, a seemingly ordinary school staff member encountering an anomaly, adds a new perspective and potential protagonist. The immediate cut to loud teen voices after the silence suggests these are the same group from the earlier scenes, connecting the supernatural unease to their everyday lives and promising further developments regarding their involvement.
Scene 5 - Echoes of Youth and Solitude
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene effectively uses juxtaposition to build intrigue. The vibrant energy of the teenagers arguing on the sidewalk creates a stark contrast with Mr. Thomas's solitary investigation and unease at the forest edge. While the teenagers' argument itself isn't a cliffhanger, their boisterousness and the immediate cut back to Mr. Thomas's unsettling actions after their voices fade create a sense of foreboding. The lingering shot of the undisturbed hole suggests that something significant was missed or is about to be revealed, making the reader want to know what Mr. Thomas will do next.
The overall script is building significant momentum. The mysterious events of Scene 1, the mounting domestic tension in Scenes 2 & 3, and the introduction of the supernatural element with Mr. Thomas's discovery in Scene 4 have laid a strong foundation. This scene continues the pattern of subtle unease by showing the teenagers oblivious to the potential danger Mr. Thomas is investigating. The unresolved mystery of the hole and Mr. Thomas's suspicion, coupled with the introduction of the group's dynamic and their normal teenage lives, creates a compelling narrative push for the reader to see how these disparate threads will eventually connect and what the true nature of the threat is.
Scene 6 - Morning Tensions at Stonegrove High
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene effectively builds intrigue by introducing a direct, albeit brief, interaction between Gio and Mr. Thomas Reed. The subtle suspicion Mr. Reed harbors, coupled with Gio's unsettling reaction, creates a small hook. The audience is left wondering if Mr. Reed's suspicions are justified, what the significance of the back fence is, and how this might connect to the earlier events. The scene also establishes a sense of routine school life with Max and Vera's banter, providing a contrast that makes the encounter with Mr. Reed feel more pointed.
The script continues to build momentum by weaving together the mundane school interactions of the main group with the subtle, underlying mysteries. The encounter between Gio and Mr. Reed directly links to the previous scene's investigation of the hole in the fence and Mr. Thomas's suspicion, deepening the sense of a hidden threat or secret activity connected to the school. This adds a layer of procedural tension to the overall narrative, making the reader want to see how these threads will converge.
Scene 7 - Brotherly Bonds in the Hallway
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene serves as a character-building interlude, showcasing Hendrix's place within his social hierarchy and family. While it provides a glimpse into his life, it doesn't introduce immediate plot progression or pressing questions that demand the reader jump to the next scene. The familial interaction is pleasant and normalizes Hendrix, but the overarching narrative's urgency is temporarily paused.
The overall script continues to build intrigue, particularly with the lingering mystery surrounding the events from Scene 1 and Mr. Reed's growing suspicion of Gio. Scene 6 directly links the mysterious forest hole to the school's students through Mr. Reed's questioning of Gio. While Scene 7 provides a breather, it doesn't entirely erase the unease established earlier. The reader is still curious to see how the supernatural elements will intersect with the students' lives and if Mr. Reed's suspicions will lead to any concrete developments.
Scene 8 - A Last Chill Day
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene provides a necessary moment of respite and character interaction, grounding the story after the escalating tension of the previous day. The dialogue about school being draining and the discussion about last night create a relatable, low-stakes environment. However, it doesn't end with a significant hook that makes the reader *need* to know what happens next. The mention of "last night" and Max's feeling that "something felt off" are intriguing but are quickly diffused by the suggestion of food and a trip to the Strip. The abrupt departure of Sadie and the subsequent decision to leave "before it gets dark" provide a gentle push, but it lacks the urgency or mystery of earlier scenes.
The screenplay maintains a good level of reader compulsion due to the unresolved threads from the previous night's bizarre events and the ongoing, albeit subtle, mystery surrounding Mr. Thomas Reed. The characters' attempts to dismiss or rationalize the unusual occurrences (Max's unease, Hendrix's 'first day' explanation) only serve to heighten the reader's suspicion that something significant is being ignored. Furthermore, Mr. Thomas's investigation at the school fence and his interaction with Gio in Scene 6 have planted seeds of distrust and foreshadowing. This scene, by offering a brief return to normalcy, ironically makes the reader more eager to see how this normalcy will be inevitably shattered again, especially given the hint that the previous night's events might have had an impact.
Scene 9 - Tension on The Strip
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene effectively builds tension through dialogue and character interactions, creating a desire to see what happens next. Sadie's clear frustration and explicit statement of her responsibilities as a driver, not an "Uber," establishes a boundary and hints at potential conflict. The subsequent negotiation from Summer, and Sadie's reluctant agreement, introduces an unresolved element: will Summer's desire to stay lead to "weirdness" or further complications? The scene ends on a note of anticipation as the car idles, leaving the reader wondering about the group's plans at The Strip, the nature of Summer's hesitation, and Sadie's underlying mood. This creates a subtle cliffhanger, pushing the reader to want to know what happens immediately after they get out of the car.
The screenplay continues to build intrigue from earlier scenes, particularly the mysterious events of Scene 1 and Mr. Thomas's suspicious observations in Scenes 4 and 6. While this scene itself doesn't introduce new supernatural elements, it deepens the characters' relationships and establishes the immediate context for their potential separation at The Strip. The undercurrent of Max's unease from the previous scene (Scene 8), though quickly dismissed, lingers, and the unresolved nature of the earlier phenomena still hangs over the narrative. The decision for the group to split up, with Summer wanting to stay behind, creates a new avenue for potential individual peril or discovery, which is a strong hook. The contrast between the casual banter and the underlying tension with Sadie, coupled with the lingering mystery of the supernatural occurrences, keeps the reader invested in seeing how these disparate elements will eventually converge.
Scene 10 - Dusk at the Strip Mall
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene does an excellent job of building intrigue by juxtaposing a normal, pleasant social interaction with subtle supernatural occurrences and a new, concerning mystery. The mundane act of eating and chatting sets a relatable baseline, making the subsequent subtle dust phenomenon and Hendrix's revealed mark all the more impactful. The scene ends with the group's energy shifting, and them actively trying to cover up the unease, leaving the reader with pressing questions about what happened, why it happened, and what it means for Hendrix.
The script continues to weave together supernatural elements with everyday teenage life, creating a growing sense of unease. The earlier mysterious booms from Scene 1, while not directly referenced here, have clearly left an impact. Mr. Reed's suspicion of Gio in Scene 6, coupled with this new, tangible evidence of something wrong happening to Hendrix, suggests a pattern is emerging. The introduction of the mark on Hendrix's rib cage directly ties into the earlier unexplained phenomena, making the reader eager to understand the connection and the overarching threat. With only one scene left, the urgency to resolve these mysteries is high.
Scene 11 - The Forest's Grip
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
This scene is a brutal and effective conclusion to the episode, delivering a shocking death that immediately makes the reader desperate to know the consequences. Mr. Thomas's demise is visceral and terrifying, leaving no doubt about the danger and the stakes. The abruptness of his death, followed by the return to normalcy and the still-recording phone, creates an immediate and intense desire to understand what happened, why, and if anyone else will be affected.
This final scene provides a powerful and terrifying payoff that elevates the entire episode. The subtle supernatural occurrences and growing unease from earlier scenes coalesce into a lethal threat, leaving the audience with a profound sense of dread and a multitude of questions. The death of Mr. Thomas, especially after his skepticism towards Gio, directly links the unfolding mystery to the characters and their environment, creating a strong hook for future episodes.
Scene 1 — Night Terrors and Bathroom Banter — Clarity
Surface Clarity
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9.5/10Intent/Mechanics Clarity
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9/10Scene 2 — Morning Mayhem — Clarity
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9.5/10Intent/Mechanics Clarity
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7.5/10Scene 3 — Morning Rush and Unspoken Worries — Clarity
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9.5/10Intent/Mechanics Clarity
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8/10Scene 4 — Silent Departures and Eerie Discoveries — Clarity
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9.5/10Intent/Mechanics Clarity
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9/10Scene 5 — Echoes of Youth and Solitude — Clarity
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8.5/10Scene 6 — Morning Tensions at Stonegrove High — Clarity
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10/10Intent/Mechanics Clarity
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9.5/10Scene 7 — Brotherly Bonds in the Hallway — Clarity
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8.5/10Scene 8 — A Last Chill Day — Clarity
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7.5/10Scene 9 — Tension on The Strip — Clarity
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10/10Intent/Mechanics Clarity
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9/10Scene 10 — Dusk at the Strip Mall — Clarity
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9.5/10Intent/Mechanics Clarity
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8.5/10Scene 11 — The Forest's Grip — Clarity
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10/10- Physical environment: The world is primarily set in a modern suburban American landscape, encompassing domestic spaces like living rooms, bathrooms, and kitchens; school environments such as hallways and fields; recreational areas like parks and strip malls; and natural elements like forests. These settings are depicted as familiar and routine, with supernatural distortions (e.g., vanishing floors, suspended dust, and distorted distances in the forest) introducing elements of unease and mystery, creating a contrast between the ordinary and the eerie.
- Culture: The culture reflects contemporary youth and family dynamics in a suburban setting, emphasizing casual friendships, banter, and shared traditions (e.g., habitual lateness for school). There is a strong undercurrent of denial and humor in response to discomfort, with characters engaging in everyday activities like gaming, social outings, and family routines, highlighting a laid-back, relatable American lifestyle that values camaraderie but often avoids confronting deeper issues.
- Society: Society is structured around middle-class suburban life, with clear hierarchies in high school settings (e.g., cliques, upperclassmen vs. underclassmen) and familial roles (e.g., parents as authority figures, siblings with affectionate teasing). Authority figures like teachers and maintenance workers enforce order, while social dynamics among friends and family reveal tensions from routine pressures, such as timeliness and social expectations, fostering a sense of normalcy that can be disrupted by external forces.
- Technology: Technology is seamlessly integrated into daily life, including video games, smartphones for communication and organization, televisions, cars, and recording devices. It facilitates social interactions and routines but also serves as a conduit for supernatural events (e.g., TV glitching or phone recordings), reflecting a modern dependency that can amplify vulnerability and mystery.
- Characters influence: The physical environment shapes characters' experiences by providing familiar settings that are suddenly disrupted by supernatural elements, prompting reactions like denial, bravery (e.g., Hendrix saving Vera), or avoidance, which reveal their coping mechanisms. Cultural elements influence actions through humorous banter and group dynamics, encouraging characters to dismiss fears to maintain bonds. Societal structures, such as high school hierarchies and family pressures, drive interpersonal conflicts and decisions, like adhering to routines despite unease. Technology influences experiences by enabling communication and entertainment but also heightening isolation or fear when it malfunctions, collectively pushing characters to navigate a blend of normalcy and terror, affecting their relationships and personal growth.
- Narrative contribution: The world elements build a relatable foundation of everyday suburban life that contrasts with escalating supernatural intrusions, creating suspense and driving the plot forward. The physical and cultural familiarity makes the mysterious events (e.g., booms, forest distortions) more impactful, while societal and technological aspects facilitate character interactions and revelations, such as the hole in the fence or Hendrix's mark, which advance the mystery and connect scenes, ultimately contributing to a narrative arc that blends horror with realism.
- Thematic depth contribution: The world elements deepen themes of vulnerability and the fragility of reality by showing how ordinary environments can harbor unseen dangers, emphasizing the tension between denial and confrontation. Culturally, the avoidance of discomfort underscores themes of escapism and the human need for normalcy. Societally, hierarchies and routines highlight how social structures can blind individuals to threats, while technology's role amplifies themes of disconnection and the unreliability of modern tools. Overall, these elements enhance the script's exploration of fear, resilience, and the unknown within mundane life, adding layers of psychological depth and social commentary.
| Voice Analysis | |
|---|---|
| Summary: | The writer's voice is characterized by a blend of sharp, realistic dialogue that subtly conveys underlying tension and unspoken emotions, coupled with concise yet evocative narrative descriptions that capture mundane details to reveal deeper emotional layers. This is further enhanced by observational narrative descriptions that highlight subtle character interactions and moments. The voice is adept at creating an authentic feel, infusing scenes with a sense of realism and emotional depth, particularly in exploring family dynamics and internal struggles. |
| Voice Contribution | The writer's voice contributes to the script by grounding the narrative in authenticity and emotional depth, making the characters and their relationships relatable. The subtle yet evocative descriptions build atmosphere and hint at deeper themes, while the realistic dialogue creates believable interactions. This approach enhances the mood by infusing scenes with a palpable sense of foreboding, curiosity, unease, and anticipation, drawing the audience into the unfolding mystery and the complexities of human connection. |
| Best Representation Scene | 3 - Morning Rush and Unspoken Worries |
| Best Scene Explanation | Scene 3 best showcases the author's unique voice due to its blend of sharp, realistic dialogue that conveys underlying tension and emotions through subtle interactions ('Max quietly asks Summer if her mom is okay, and Summer hesitates before responding; Vera also notices and comments that Summer’s Mom looks tired, to which Summer shrugs and simply says 'Yeah,' suggesting she is accustomed to her mom's state'). The narrative descriptions are concise yet evocative, capturing the mundane details that reveal deeper emotional layers ('Summer’s Mom is standing at the counter holding an untouched cup of coffee, appearing dressed and composed but emotionally distant'). This scene effectively captures the author's talent for portraying authentic family dynamics and internal struggles through understated yet powerful storytelling. |
Style and Similarities
The writing style across the script is characterized by a strong focus on authentic character dynamics, sharp and witty dialogue, and the exploration of nuanced emotional layers within everyday and often familial settings. There's a recurring theme of blending the ordinary with elements of mystery, suspense, or the supernatural, creating an atmosphere of intrigue and unease. The script excels at capturing realistic interactions, subtle tensions, and the complexities of relationships, often infused with humor.
Style Similarities:
| Writer | Explanation |
|---|---|
| Greta Gerwig | Greta Gerwig's influence is apparent across multiple scenes due to the consistent emphasis on authentic character dynamics, witty dialogue, and the exploration of interpersonal relationships and subtle emotional nuances within everyday and family settings. Her style is reflected in the naturalistic portrayals and the focus on the complexities of human interaction. |
| M. Night Shyamalan | The recurring presence of M. Night Shyamalan in the analyses points to a consistent element of blending everyday environments with supernatural, mysterious, or unsettling elements. This suggests a deliberate use of suspense, psychological tension, and an underlying atmosphere of the uncanny within ordinary scenarios. |
| Noah Baumbach | Noah Baumbach's comparable style highlights the script's adeptness at portraying realistic family dynamics and subtle emotional tensions that arise from everyday interactions. This indicates a keen observation of human behavior and the undercurrents of feeling within close relationships. |
| Jordan Peele | Jordan Peele's thematic resonance suggests that the script effectively uses a mix of humor and horror, infusing everyday situations with a sense of unease and potentially social commentary, driven by character dynamics. |
Other Similarities: The script demonstrates a versatile approach, capable of weaving together realistic familial and social dramas with elements of suspense and mystery. The dialogue appears to be a significant strength, contributing to both humor and tension. There's a clear interest in exploring the intricacies of human connection and the subtle ways in which ordinary lives can be touched by the extraordinary or the unsettling.
Top Correlations and patterns found in the scenes:
| Pattern | Explanation |
|---|---|
| Light-Hearted Tones Reduce Conflict and Stakes | Scenes with 'Light-hearted' in the tone consistently show lower Conflict scores (all rated 7) and High Stakes scores (averaging 6.5) compared to scenes without this tone, which average a Conflict score of 8. This pattern suggests that the author's use of humor may unintentionally dilute tension and stakes, potentially affecting narrative pacing; the author could explore ways to integrate humor while maintaining higher conflict to keep readers engaged. |
| Intense Tones Enhance Character Development | Scenes featuring tones like 'Tense' or 'Mysterious' have higher Character Changes scores (averaging 7.6) than those without such tones (averaging 6.8), indicating that the author excels at depicting character growth during high-tension moments. However, this reliance on intense scenes for development might mean that calmer scenes lack depth, and the author may benefit from distributing character arcs more evenly to create a more balanced progression. |
| Foreboding Tone Leads to Emotional Peaks | The presence of 'Foreboding' in the tone (as in Scene 11) correlates with the highest Emotional Impact score of 10, showing that elements of dread and anticipation significantly amplify emotional resonance. This highlights an unconscious strength in building suspense for emotional highs, which the author could consciously leverage in other key scenes to heighten overall impact, especially in moments meant to be climactic. |
Writer's Craft Overall Analysis
The screenplay demonstrates a strong ability to create engaging character interactions, build tension, and explore emotional depth. The writer effectively blends humor, mystery, and suspense, showcasing a nuanced understanding of character dynamics and thematic exploration. However, there are opportunities for improvement in pacing, dialogue refinement, and the development of subtext.
Key Improvement Areas
Suggestions
| Type | Suggestion | Rationale |
|---|---|---|
| Book | 'Save the Cat!' by Blake Snyder | This book provides valuable insights into screenplay structure and character development, which can enhance the writer's ability to craft compelling narratives. |
| Book | 'The Anatomy of Story' by John Truby | This book offers in-depth analysis and practical tools for developing character-driven narratives and enhancing emotional depth in scenes. |
| Exercise | Practice writing dialogue-only scenesPractice In SceneProv | This exercise can help refine the writer's ability to convey character relationships and conflicts through dialogue, enhancing authenticity and subtext. |
| Exercise | Write scenes with conflicting character goalsPractice In SceneProv | This exercise will deepen emotional complexity and explore character motivations, enhancing the richness of interactions. |
| Exercise | Write a scene with only non-verbal communication between charactersPractice In SceneProv | This exercise can help the writer explore subtext and emotional expression through gestures and actions, enriching character dynamics. |
| Video | Watch analysis videos on creating tension and unpredictability in screenwriting | These videos can provide insights into crafting compelling and engaging scenes, particularly in building suspense. |
Here are different Tropes found in the screenplay
| Trope | Trope Details | Trope Explanation |
|---|---|---|
| Supernatural Occurrences | ||
| Group of Friends | ||
| The Reluctant Hero | ||
| The Skeptical Friend | ||
| The Overbearing Parent | ||
| The Calm Before the Storm | ||
| The Unseen Threat | ||
| The Last-Minute Rescue | ||
| The Mysterious Stranger |
Memorable lines in the script:
Logline Analysis
Top Performing Loglines
Creative Executive's Take
Logline_4 is the top choice for its exceptional commercial appeal, masterfully blending the relatable chaos of teenage life with a chilling supernatural mystery that echoes the script's core events. By focusing on the group's 'banter and small loyalties' being tested by an 'invisible force erasing parts of the physical world,' it directly references accurate details from the script, such as the floor vanishing in scene 1 and dust suspending in scene 10, while highlighting the disbelief from adults, as seen in Mr. Thomas's skeptical interaction with Gio in scene 6. This logline's strength lies in its marketability, tapping into the lucrative YA horror genre with a hook that emphasizes emotional stakes and isolation, making it irresistible for film or TV adaptations that target teen audiences seeking stories of friendship under siege. Its concise yet evocative language not only ensures factual accuracy but also creates a compelling narrative promise that could drive high viewership by balancing horror with character-driven drama.
Strengths
This logline excellently integrates both the teenage protagonists and the custodian, highlighting the mystery's escalation and thematic depth, which aligns closely with the script's progression.
Weaknesses
It could be more concise and specific about the characters' goals or the initial event, as the phrasing is slightly wordy and doesn't fully capture the personal stakes for individuals like Hendrix.
Suggested Rewrites
Detailed Scores
| Criterion | Score | Reason | Evidence |
|---|---|---|---|
| Hook | 10 | The transformation from a 'glitch' to a life-threatening force is compelling and immediately grabs attention with its unique premise. | "Starting from a TV glitch in Scene 1 escalating to the custodian's death in Scene 11, the script provides a clear hook that the logline effectively summarizes." |
| Stakes | 10 | Stakes are clearly high, with the force causing physical and existential threats, and the town's need to confront losses adding emotional weight. | "Scene 11's fatal encounter for the custodian and the teenagers' near-miss in Scene 1 illustrate the deadly consequences, while the script's theme of 'what's missing' is evident in character dynamics and supernatural events." |
| Brevity | 8 | At 32 words, it's slightly longer than ideal, with some redundancy in phrasing that could be tightened for better impact. | "The logline covers multiple elements efficiently, but compared to the script's concise scene descriptions, it could be more streamlined without losing essence." |
| Clarity | 9 | The logline is mostly clear, but the phrase 'eats space and breath' might be abstract, potentially confusing readers unfamiliar with the concept. | "The script's Scene 1 describes the force dulling sound and making the room feel thinner, and Scene 11 shows the custodian's death by pressure, directly supporting the 'eats space and breath' idea." |
| Conflict | 9 | Conflict is strong, involving the supernatural force, skepticism from adults, and internal group tensions, though it could emphasize the custodian's role more distinctly. | "The script shows conflict in the teenagers' dismissal of events (Scene 1) and the custodian's suspicious interactions (Scene 6), aligning with the logline's portrayal of a drawn-out mystery." |
| Protagonist goal | 9 | The goal of unraveling the mystery and reckoning with what's missing is implied, with good inclusion of multiple protagonists, but it's not explicitly detailed. | "Hendrix's lingering unease (Scene 1 and 10) and the custodian's investigation (Scene 4 and 11) suggest a shared goal of understanding the force, which the logline captures but could specify more." |
| Factual alignment | 10 | It accurately reflects the script's events, characters, and themes, including the glitch, force, and involvement of both teens and custodian. | "Details like the late-night event in Scene 1, the custodian's role in Scenes 4 and 11, and the mystery's impact on the town (implied throughout) are faithfully represented." |
Creative Executive's Take
Ranking second, logline_1 excels in commercial viability by framing the story as a escalating mystery that starts with a 'late-night glitch' and evolves into a force that 'eats space and breath,' accurately drawing from the script's opening scene with the TV malfunction and subsequent booms, as well as Mr. Thomas's suffocating death in scene 11. It cleverly includes the 'tight-knit group of friends and a skeptical school custodian,' mirroring the dynamics shown in scenes like the living room gathering and Mr. Thomas's forest encounter, which adds depth and broadens the appeal to include adult perspectives. This logline's creative hook lies in its progression from subtle anomalies to a town-wide reckoning, making it highly marketable for genres like cosmic horror mixed with coming-of-age tales, as it builds tension and stakes that could attract a wide demographic. Its factual accuracy is spot-on, avoiding exaggeration while delivering a punchy, engaging summary that positions the story for successful pitching in the competitive supernatural thriller market.
Strengths
It pinpoints a specific inciting incident and character (Hendrix), building tension effectively to the custodian's fate, which mirrors the script's structure and escalating dread.
Weaknesses
The logline could better integrate the group's dynamics and the broader thematic elements, as it focuses heavily on the mystery without fully conveying the personal stakes or town-wide implications.
Suggested Rewrites
Detailed Scores
| Criterion | Score | Reason | Evidence |
|---|---|---|---|
| Hook | 10 | The contrast between a 'casual movie night' and 'brush with non-existence' is a strong, attention-grabbing hook that promises intrigue. | "Scene 1's transition from gaming to supernatural terror provides a clear hook, amplified by the custodian's fate in Scene 11, as described." |
| Stakes | 10 | Stakes are vividly portrayed through the threat of non-existence and the maintenance man's death, emphasizing irreversible consequences. | "The script's Scene 11 fatality and near-misses in Scene 1 highlight high stakes, which the logline captures with 'doom' and 'can't ignore' phrasing." |
| Brevity | 10 | At 24 words, it's highly concise, delivering key elements without fluff. | "The logline mirrors the script's efficient scene pacing, such as the quick escalation in Scene 1, making it appropriately brief." |
| Clarity | 10 | The logline is very clear, with a logical progression from the movie night to the fatal event, making the plot easy to follow. | "Scene 1's movie night and supernatural booms directly correspond to the 'brush with non-existence,' while Scene 11's death event is clearly referenced." |
| Conflict | 9 | Conflict is well-depicted with the supernatural events and denial versus reality, though the custodian's arc could be more integrated. | "Eerie echoes in the script (e.g., booms in Scene 1 and forest silence in Scene 4) lead to conflict, supporting the logline's narrative flow." |
| Protagonist goal | 9 | Hendrix's initial denial and the eventual ignition of the mystery imply a goal to investigate, but it's not as explicitly stated for the group. | "Hendrix's role in dismissing events (Scene 1) and noticing marks (Scene 10) shows his personal involvement, aligning with the logline but lacking depth in group goals." |
| Factual alignment | 8 | It aligns well with major events but omits some details, like the force's effects on the teenagers beyond Hendrix, and slightly misrepresents the 'echoes' as not explicitly detailed in the script. | "The movie night in Scene 1 and custodian's death in Scene 11 are accurate, but the 'eerie echoes' aren't a direct script element, though implied in sound dulling across scenes." |
Creative Executive's Take
As the third-best selection, logline_18 captivates with its clear inciting incident and progression, starting from a 'casual movie night' that 'turns into a brush with non-existence,' which is faithfully supported by the script's scene 1 events, including the Tron viewing and floor vanishing, and culminating in Mr. Thomas's death in scene 11. The logline's reference to the friends 'chalk[ing] it up to fatigue' accurately reflects their denial in scenes like the relief after the first boom and Hendrix's dismissal in scene 10, adding a layer of realism that enhances its commercial appeal by grounding the supernatural in relatable teen behavior. This approach makes it highly marketable as a slow-burn horror story with emotional resonance, appealing to audiences who enjoy narratives that build from everyday moments to terrifying revelations, much like successful shows such as Stranger Things. While solid in accuracy, it could be more expansive, but its focused hook ensures it remains engaging and true to the script's tone.
Strengths
This logline effectively captures the supernatural mystery and the interpersonal dynamics among the teenagers, drawing attention to the sensory details and theme of disbelief that align with the script's eerie events.
Weaknesses
It lacks specificity about key characters like Hendrix or the custodian and doesn't clearly outline a central goal, making it somewhat vague in terms of protagonist motivation and broader stakes beyond the group's immediate experiences.
Suggested Rewrites
Detailed Scores
| Criterion | Score | Reason | Evidence |
|---|---|---|---|
| Hook | 10 | The concept of an invisible force erasing reality and the irony of child witnesses being dismissed is highly engaging and intriguing. | "The script's mysterious booms and vanishing floor in Scene 1, combined with the custodian's fate in Scene 11, provide a strong hook that the logline accurately reflects." |
| Stakes | 9 | High stakes are suggested through the erasure of the physical world and the risk of not being believed, creating a sense of danger and isolation. | "Scene 11 depicts the custodian's death due to the force, and the teenagers' experiences in Scene 1 show personal risk, emphasizing the consequences of ignoring the supernatural events." |
| Brevity | 9 | At 28 words, it's concise and to the point, avoiding unnecessary details while covering key elements. | "The logline efficiently summarizes the core mystery without delving into specifics, mirroring the script's focus on key events like the supernatural occurrences." |
| Clarity | 9 | The logline is clear in describing the genre and central conflict, but the phrasing could be more precise about the force's effects. | "The script's Scene 1 shows the invisible force causing the floor to vanish and sound to dull, mirroring the 'erasing parts of the physical world' description." |
| Conflict | 9 | Conflict is well-represented with the invisible force testing the group's loyalties and the societal disbelief adding external tension. | "The script features banter among friends (Scene 1) and the custodian's skeptical investigation (Scene 6), aligning with the logline's portrayal of internal and external conflicts." |
| Protagonist goal | 8 | The goal is implied as dealing with the force and overcoming disbelief, but it's not explicitly stated, leaving room for ambiguity. | "In the script, the teenagers dismiss the events as tiredness (Scene 1) and continue daily routines, but the logline doesn't highlight their evolving need to investigate or confront the phenomenon." |
| Factual alignment | 10 | It accurately reflects the script's themes and events, including the supernatural force and the teenagers as primary witnesses. | "Details like the force erasing parts of the world (e.g., floor vanishing in Scene 1) and adults' potential disbelief (implied in Summer's mom's distance and the custodian's solo investigation) are well-represented." |
Creative Executive's Take
Fourth in the ranking, logline_19 stands out for its innovative blend of 'everyday teen rituals' with 'creeping voids in space,' accurately capturing the script's juxtaposition of normal activities—like the group's banter in school hallways (scene 6) and outings to the Strip (scene 10)—against supernatural elements such as the dust events and Mr. Thomas's recorded death. By highlighting the 'denial of the unnatural' that 'shatters' with 'physical scars and a recorded death,' it directly references Hendrix's rib mark and the phone recording in scene 11, providing a factual foundation that underscores the story's thematic depth. Commercially, this logline is appealing for its genre fusion, positioning the pilot as a fresh take on suburban horror that could attract viewers interested in psychological thrillers, similar to series like The X-Files, by emphasizing the banality of terror. However, its strength is slightly diminished by a more descriptive style that, while accurate, might not hook as immediately as others, making it a solid but not standout choice for broader marketability.
Strengths
It skillfully blends the mundane with the supernatural, highlighting the theme of denial and key revelatory moments that tie into the script's atmospheric tension.
Weaknesses
The logline is somewhat generic in character description and could specify protagonists more, as well as clarify the 'pilot' aspect, which might not resonate universally.
Suggested Rewrites
Detailed Scores
| Criterion | Score | Reason | Evidence |
|---|---|---|---|
| Hook | 9 | The blend of teen life and supernatural voids is intriguing, with the 'recorded death' adding a strong hook, though it might not be as immediate as other loglines. | "The script's contrast between school routines (Scene 6) and supernatural events (Scene 1) provides a hook, enhanced by the custodian's phone recording in Scene 11." |
| Stakes | 9 | Stakes are high with physical scars and death, indicating personal and fatal risks, though the town-wide impact could be emphasized more. | "Scene 11's recorded death and Scene 10's scar revelation underscore the dangers, fitting the logline's portrayal of escalating threats." |
| Brevity | 10 | At 22 words, it's very concise, packing in genre, conflict, and key events without excess. | "The logline's brevity mirrors the script's scene efficiency, such as the quick cuts and focused interactions." |
| Clarity | 9 | The logline is clear in its premise, but 'creeping voids in space' might need context for immediate understanding. | "Script elements like the floor vanishing in Scene 1 and dust suspension in Scene 10 support the voids, but the phrasing could be more straightforward." |
| Conflict | 8 | Conflict is present in the denial versus reality and supernatural elements, but it could better integrate external conflicts like adult skepticism. | "The script shows internal conflict in group dynamics (Scene 1) and external threats (Scene 11), but the logline focuses more on the internal shatter than broader clashes." |
| Protagonist goal | 8 | The goal of confronting denial is implied, but it's not sharply defined, focusing more on the group's reaction than active pursuit. | "The teenagers' denial in Scene 1 and shattering moment in Scene 10 (with Hendrix's scar) align, but the logline doesn't explicitly state what they aim to achieve post-revelation." |
| Factual alignment | 9 | It accurately reflects the script's themes and events, including denial and revelations, but 'pilot' might imply a series context not directly evident in the summary. | "Elements like physical scars (Scene 10) and the 'unforgiving night side' (referenced in Scene 1 and 11) are well-aligned, though the pilot aspect is a meta-reference." |
Creative Executive's Take
Rounding out the top five, logline_16 effectively sets up the story's premise with a focus on the 'lingering unease from a sleepover gone wrong' and the 'floor literally vanished,' which is supported by the script's scene 1 events and the transition to school life in scene 2, while foreshadowing the forest dangers with Mr. Thomas's death. Its accuracy is evident in detailing the 'five teens' and the 'mysterious death' of the caretaker, aligning with the core group's experiences and the script's conclusion. Commercially, it appeals by framing the narrative as a coming-of-age horror with immediate stakes, drawing in audiences who enjoy stories that start with mundane teen life before escalating, akin to IT or The Conjuring. However, its slightly formulaic structure and lack of emphasis on character dynamics make it less dynamically engaging than higher-ranked loglines, positioning it as a reliable but less innovative option for market appeal.
Strengths
It effectively sets up the timeline and connects the sleepover incident to ongoing unease, building suspense with the forest's role and the caretaker's fate.
Weaknesses
The logline could better define the protagonists' goals and the supernatural conflict, as it focuses on unease without specifying how they actively engage with the mystery.
Suggested Rewrites
Detailed Scores
| Criterion | Score | Reason | Evidence |
|---|---|---|---|
| Hook | 9 | The contrast between a normal school day and a supernatural sleepover, plus the forest's menace, creates a strong hook, though it might not be as punchy as others. | "Starting with school dawn in Scene 2 and referencing the sleepover's vanish in Scene 1, the logline hooks into the script's escalating mystery." |
| Stakes | 9 | Stakes are conveyed through the vanishing floor and the caretaker's implied doom, suggesting growing danger, though not fully exploring emotional or town-wide consequences. | "Scene 11's custodian death and the forest's role in Scene 4 highlight stakes, aligning with the logline but not emphasizing the personal toll on characters." |
| Brevity | 10 | At 24 words, it's concise and focused, delivering essential plot points efficiently. | "The logline's brevity matches the script's scene structure, such as the quick cuts between locations and events." |
| Clarity | 9 | The logline is clear in establishing the setting and inciting incident, but 'swallowing secrets' is somewhat vague. | "Scene 1's sleepover with the vanishing floor and Scene 4's forest hole examination support the events, providing a solid foundation." |
| Conflict | 8 | Conflict is present in the unease and the forest's threat, but it could better integrate group dynamics and external skepticism. | "The script's transition from sleepover (Scene 1) to forest events (Scene 4) shows conflict, but the logline underplays interpersonal tensions like those in Scene 8." |
| Protagonist goal | 8 | The goal is implied through grappling with unease, but it's not explicitly stated, leaving the characters' actions somewhat passive. | "The teenagers' hesitation and dismissal in Scene 1 and 3 show unease, but the logline doesn't convey their potential shift to investigation as seen in later scenes." |
| Factual alignment | 9 | It accurately depicts the sleepover incident and forest elements, but 'five teens' slightly overlooks the custodian's parallel story, which is crucial. | "Scene 1's floor vanishing and Scene 4's forest hole are well-represented, with the caretaker's fate in Scene 11 implied, though the group focus might undervalue his role." |
Other Loglines
- When ordinary teenagers in a small town begin encountering inexplicable ‘absences’—floors that stop existing, dust that hangs in the air, and a fatal silence in the woods—they must decide whether to band together and investigate the force erasing their world before it finishes them.
- A quiet suburban high school becomes the epicenter of a subtle, cosmic threat that steals sensation and kills without a trace; as the phenomenon escalates, the town’s teens must grow up fast to protect each other from a force that knows exactly where they stand.
- When sound softens and floors blink out in their hometown, a teen clique's routine summer nights fracture—pushing one of them to choose between ignoring the danger to keep life normal or confronting an absence that threatens to erase everything they love.
- Five teenagers' lives are irrevocably altered when a series of inexplicable cosmic anomalies bleed into their ordinary world, forcing them to confront a reality that is literally falling apart.
- After a night of bizarre, reality-bending events, a group of high school friends must navigate the everyday pressures of school while unraveling the terrifying truth behind the forces that are subtly dismantling their world.
- When the fabric of reality begins to fray around a close-knit group of teenagers, they must find a way to understand and survive the encroaching unknown before it consumes them entirely.
- A single night of inexplicable phenomena leaves a group of friends questioning their sanity and the very laws of physics, as the cracks in reality grow wider and deadlier with each passing day.
- In a town where the ordinary hides the extraordinary, five teenagers discover that the 'booms' and 'splits' they experienced are just the beginning of a much larger, and far more dangerous, unraveling of existence.
- When a group of high school friends experience a series of unexplained and unsettling events, they must confront the supernatural forces that threaten to unravel the fabric of their reality.
- A tight-knit group of teenagers discover that the boundaries between the known and unknown are more fragile than they ever imagined, forcing them to question the nature of their world and their place within it.
- In a small town, a group of high school friends stumble upon a supernatural mystery that challenges their understanding of reality, leading them on a journey of self-discovery and the exploration of the unseen forces that shape their lives.
- A coming-of-age drama with a supernatural twist, 'Before We Knew' follows a group of teenagers as they navigate the complexities of adolescence while confronting the inexplicable phenomena that threaten to upend their lives.
- When a group of high school friends experience a series of unsettling events that defy explanation, they must band together to uncover the truth and confront the supernatural forces that have invaded their world.
- In a sleepy town where reality frays at the edges, a group of high school friends dismiss a night of impossible glitches—until one of them bears a mysterious mark and a janitor vanishes into the woods, pulling them into a web of hidden horrors.
- A tight-knit crew of friends navigates senior year banter and family strains, but subtle rips in reality—like suspended dust and breathless panic—force them to confront whether their hometown is unraveling from within.
- When a group of teenagers experiences a reality-bending event in their suburban home, they must navigate high school life while uncovering the terrifying truth about their town's hidden anomalies.
- A subtle cosmic horror invades mundane teenage existence as friends discover their reality is unraveling, starting with suspended dust and ending with a maintenance man's mysterious death.
- In a town where space itself can betray you, six teens bond over shared trauma after witnessing impossible physics, only to realize their experience was just the beginning.
- The terrifying banality of the supernatural: a group of friends confronts a threat that doesn't scream or chase, but quietly removes the rules of reality around them.
- After a night of video games turns into a confrontation with impossible physics, teenagers must decode the rules of their new reality before their town consumes them.
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Scene by Scene Emotions
suspense Analysis
Executive Summary
Suspense is effectively built throughout the pilot, particularly in Scene 1 and Scene 11, by gradually introducing unexplained phenomena that escalate in intensity. The 'booms,' the looping TV, the vanishing floor, and the final horrifying demise of Mr. Thomas all contribute to a palpable sense of dread and anticipation. The contrast between mundane teenage life and encroaching danger is a key driver of suspense.
Usage Analysis
Critique
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fear Analysis
Executive Summary
Fear is primarily evoked in the supernatural encounters of Scene 1 and the horrific demise of Mr. Thomas in Scene 11. The fear is visceral and deeply unsettling, stemming from inexplicable, overwhelming forces that threaten physical safety and existence. The contrast between the teenagers' attempts at normalcy and the underlying terror is a key element.
Usage Analysis
Critique
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joy Analysis
Executive Summary
Joy in this script is primarily found in fleeting moments of camaraderie and lightheartedness among the friends, serving as a stark contrast to the encroaching supernatural dread. These moments are crucial for establishing the characters' bond and making the audience care about them before the true horror unfolds.
Usage Analysis
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sadness Analysis
Executive Summary
Sadness in the script is subtle but significant, primarily conveyed through the depiction of Summer's Mom's emotional distance and the tragic finality of Mr. Thomas's death. These instances of sadness add depth to the narrative, suggesting underlying personal struggles and the devastating consequences of the supernatural threat.
Usage Analysis
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surprise Analysis
Executive Summary
Surprise in the script is used effectively to introduce the inexplicable and unsettling supernatural events, particularly in Scene 1. The final scene also delivers a shocking and brutal surprise with Mr. Thomas's death, leaving a lasting impact. The effectiveness lies in the unexpected nature of these events within a seemingly normal context.
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empathy Analysis
Executive Summary
Empathy is strongly evoked through the relatable characters, their camaraderie, and their shared experiences of fear and confusion. The audience connects with their struggle to understand the inexplicable and their attempts to maintain normalcy in the face of overwhelming terror. The tragedy of Mr. Thomas's death also elicits profound empathy.
Usage Analysis
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