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Scene Map 60
# PG SLUGLINE
1 1
BECOMING BEN
2 3
INT DEXTER HIGH SCHOOL - SWIMMING POOL DAY
3 5
EXT CATHY’S HOUSE MORNING
4 6
EXT STREETS CONTINUOUS
5 6
INT DEXTER HIGH - HALLWAY CONTINUOUS
6 7
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
7 8
INT DEXTER HIGH - HALLWAY AFTERNOON
8 12
EXT FOX PARK AFTERNOON
9 13
INT CATHY'S HOUSE - KITCHEN EVENING
10 15
EXT MOVIE THEATER NIGHT
11 18
EXT SIDEWALK CONTINUOUS
12 19
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
13 21
INT FRAT HOUSE NIGHT
14 22
INT BEN'S CAR CONTINUOUS
15 22
EXT FOX PARK DAY
16 25
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
17 26
INT DEXTER HIGH - SWIMMING POOL AFTERNOON
18 27
INT DEXTER HIGH - HISTORY CLASSROOM AFTERNOON
19 30
INT DEXTER HIGH - HALLWAY CONTINUOUS
20 31
INT DEXTER HIGH - PRINCIPAL'S OFFICE AFTERNOON
21 33
EXT SCHOOL COUNSELOR'S OFFICE AFTERNOON
22 34
EXT FINN AND DYLAN’S HOUSE EVENING
23 37
INT CATHY'S HOUSE - KITCHEN SAME TIME
24 37
INT FINN'S HOUSE - KITCHEN EVENING
25 39
INT FINN'S HOUSE - KITCHEN MORNING
26 40
INT DEXTER HIGH - PRINCIPAL'S OFFICE MORNING
27 42
INT DEXTER HIGH - SWIMMING POOL AFTERNOON
28 42
INT DEXTER HIGH - PRINCIPAL'S OFFICE AFTERNOON
29 46
EXT PETER'S OFFICE CONTINUOUS
30 49
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
31 50
INT DEXTER HIGH - PRINCIPAL'S OFFICE LATER
32 51
INT CATHY'S HOUSE - KITCHEN SAME TIME
33 52
INT CATHY'S OFFICE MORNING
34 53
INT CATHY'S HOUSE - KITCHEN LATER
35 56
INT CATHY'S HOUSE - BEN'S BEDROOM CONTINUOUS
36 56
INT CATHY'S HOUSE - BATHROOM EVENING
37 57
INT DEXTER HIGH - LOCKER ROOM SHOWERS DAY
38 58
INT CATHY'S HOUSE - HALLWAY CONTINUOUS
39 58
INT FINN'S HOUSE - BEDROOM NIGHT
40 59
INT HOSPITAL CORRIDOR CONTINUOUS
41 63
INT HOSPITAL ROOM CONTINUOUS
42 66
INT HOSPITAL PSYCH UNIT - DR. CARSON'S OFFICE AFTERNOON
43 71
INT HOSPITAL LOCKED PSYCH UNIT - BEN'S ROOM CONTINUOUS
44 71
EXT CATHY'S HOUSE AFTERNOON
45 72
EXT CITY STREETS CONTINUOUS
46 73
EXT FOX PARK CONTINUOUS
47 77
INT FINN'S HOUSE - KITCHEN EVENING
48 78
INT HOSPITAL CORRIDOR AFTERNOON
49 79
INT DEXTER HIGH - HALLWAY AFTERNOON
50 80
INT FINN'S HOUSE - KITCHEN EVENING
51 81
INT HOSPITAL PSYCH UNIT - BEN'S ROOM AFTERNOON
52 93
INT HOSPITAL PSYCH UNIT - BEN'S ROOM CONTINUOUS
53 94
INT HOSPITAL CORRIDOR AFTERNOON
54 96
INT HOSPITAL PSYCH UNIT - GROUP THERAPY ROOM AFTERNOON
55 98
EXT OFFICE BUILDING AFTERNOON
56 100
EXT COFFEE SHOP - MORNING - SUMMER 2018
57 102
EXT SIDEWALK CONTINUOUS
58 104
EXT STANFORD UNIVERSITY - QUAD AFTERNOON
59 105
EXT CITY STREET CORNER DAY
60 106
INT STANFORD UNIVERSITY - SWIMMING POOL DAY
Scene Map
60
# PG SLUGLINE
1 1
BECOMING BEN
BECOMING BEN
BECOMING BEN David Goldstein 2025 David Goldstein 1201 Yale Place #1808 Minneapolis, MN 55403
2 3
INT DEXTER HIGH SCHOOL - SWIMMING POOL DAY
INT. DEXTER HIGH SCHOOL - SWIMMING POOL - DAY
INT. DEXTER HIGH SCHOOL - SWIMMING POOL - DAY A high school SWIM MEET between DEXTER HIGH SCHOOL and PARK HIGH SCHOOL is in full swing. The CROWD buzzes with energy. The SIX SWIMMERS in the 100-meter freestyle stand on the pool deck next to the STARTING BLOCKS.
3 5
EXT CATHY’S HOUSE MORNING
EXT. CATHY’S HOUSE - MORNING
EXT. CATHY’S HOUSE - MORNING It is a standard, post war, two story white house in an affluent suburban neighborhood. We hear the sounds of someone cooking breakfast. INT. CATHY'S HOUSE - KITCHEN - MORNING
4 6
EXT STREETS CONTINUOUS
EXT. STREETS - CONTINUOUS
EXT. STREETS - CONTINUOUS Ben rides his bike "no hands," speeding down quiet tree-lined streets, a piece of toast in one hand, the carton of orange juice in the other. He takes a last bite of toast followed by a final gulp of juice.
5 6
INT DEXTER HIGH - HALLWAY CONTINUOUS
INT. DEXTER HIGH - HALLWAY - CONTINUOUS
INT. DEXTER HIGH - HALLWAY - CONTINUOUS Ben walks confidently down the crowded hallway "dabbing up" and high five-ing MALE STUDENTS. Two FEMALE STUDENTS (#1 and 2#) walk toward Ben. Student #1 elbows student #2 to notice Ben. Student #2 gives Ben a big
6 7
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING A typical school classroom--plain white walls, adorned with posters related to American history. Finn's desk has an open laptop, notebook, papers, and books on it. The STUDENTS are sitting at desks arranged in neat rows. Ben
7 8
INT DEXTER HIGH - HALLWAY AFTERNOON
INT. DEXTER HIGH - HALLWAY - AFTERNOON
INT. DEXTER HIGH - HALLWAY - AFTERNOON Students are scattered around, rushing to their next classes. Ben walks up to his locker and opens it. He removes his JOURNAL and laptop from the backpack and slams the locker shut. EMMA (18), a senior and Ben's oldest friend, is large,
8 12
EXT FOX PARK AFTERNOON
EXT. FOX PARK - AFTERNOON
EXT. FOX PARK - AFTERNOON A warm afternoon sun shines on a secluded, wooded area of Fox Park. There is a large pond with walking and biking trails surrounding the peaceful setting. Ben, wearing a hoodie, sits under a large shade tree writing in his journal.
9 13
INT CATHY'S HOUSE - KITCHEN EVENING
INT. CATHY'S HOUSE - KITCHEN - EVENING
INT. CATHY'S HOUSE - KITCHEN - EVENING Cathy is in the kitchen making dinner. Ben enters the kitchen through the door to the garage carrying his backpack. CATHY Hi, Ben.
10 15
EXT MOVIE THEATER NIGHT
EXT. MOVIE THEATER - NIGHT
EXT. MOVIE THEATER - NIGHT Ben and Emma walk down a sidewalk toward a multiplex movie theater. One theater is showing The Rocky Horror Picture Show. Emma is dressed like the character Columbia. A group of other YOUNG PEOPLE wearing costumes also hang around outside
11 18
EXT SIDEWALK CONTINUOUS
EXT. SIDEWALK - CONTINUOUS
EXT. SIDEWALK - CONTINUOUS Finn and Dylan walk down the sidewalk in an uncomfortable silence. Dylan sensing tension, slips an arm around Finn, drawing him close. DYLAN
12 19
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING Finn is writing on the whiteboard with his back to the students. Ben, out-of-breath and carrying his backpack, enters quickly and goes to his desk at the back of the class. He intently
13 21
INT FRAT HOUSE NIGHT
INT. FRAT HOUSE - NIGHT
INT. FRAT HOUSE - NIGHT A party is in full swing. Loud music thumps, filling the room with vibrant energy. The living room and dining areas are packed with people dancing or gathered around a keg of beer and a table with an array of Jello-shots on it.
14 22
INT BEN'S CAR CONTINUOUS
INT. BEN'S CAR - CONTINUOUS
INT. BEN'S CAR - CONTINUOUS EMMA (a little drunk) That party was awesome. BEN
15 22
EXT FOX PARK DAY
EXT. FOX PARK - DAY
EXT. FOX PARK - DAY Finn and Ben are standing shirtless in Fox Park, their body's glistening with sweat. They are kissing deeply. Ben’s head drops back and Finn gently kisses his neck, Ben’s face showing his ecstasy.
16 25
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING Finn walks around the classroom, handing out blue books with graded tests. The students anxiously await their results. FINN Remember we're going to be watching
17 26
INT DEXTER HIGH - SWIMMING POOL AFTERNOON
INT. DEXTER HIGH - SWIMMING POOL - AFTERNOON
INT. DEXTER HIGH - SWIMMING POOL - AFTERNOON A swim meet is in full swing. The 100-meter freestyle event is going on. The crowd is cheering as the swimmers come down the homestretch. Ben is struggling. His strokes are choppy, and he is losing
18 27
INT DEXTER HIGH - HISTORY CLASSROOM AFTERNOON
INT. DEXTER HIGH - HISTORY CLASSROOM - AFTERNOON
INT. DEXTER HIGH - HISTORY CLASSROOM - AFTERNOON The room is quiet. Finn sits at his desk grading papers. The door is slightly ajar. Ben, wearing his letter jacket and backpack, stands in the doorway holding his helmet. He hesitates, then knocks softly.
19 30
INT DEXTER HIGH - HALLWAY CONTINUOUS
INT. DEXTER HIGH - HALLWAY - CONTINUOUS
INT. DEXTER HIGH - HALLWAY - CONTINUOUS Ben runs down the hallway, dropping his helmet. He abruptly stops in front of a row of lockers, breathing heavily. He slams his fist into the lockers again and again. We see blood on his knuckles.
20 31
INT DEXTER HIGH - PRINCIPAL'S OFFICE AFTERNOON
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - AFTERNOON
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - AFTERNOON Finn stands at the open door of PRINCIPAL TOM PETERS'S (50's) office. Peters is dressed conservatively and professional. He is kind and caring, but firm as well. The office has a drab, uninviting vibe. Peters sits at his desk typing.
21 33
EXT SCHOOL COUNSELOR'S OFFICE AFTERNOON
EXT. SCHOOL COUNSELOR'S OFFICE - AFTERNOON
EXT. SCHOOL COUNSELOR'S OFFICE - AFTERNOON On the outside door there is a sign that says Counseling Center. INT. SCHOOL COUNSELOR'S OFFICE - CONTINUOUS MARGARET BLACK. (50s), the school counselor is sitting at her
22 34
EXT FINN AND DYLAN’S HOUSE EVENING
EXT. FINN AND DYLAN’S HOUSE - EVENING
EXT. FINN AND DYLAN’S HOUSE - EVENING It’s a modest, one story house from the 60-70’s in an older neighbor. There is a driveway with a side door that goes into the kitchen. We hear the rap music.
23 37
INT CATHY'S HOUSE - KITCHEN SAME TIME
INT. CATHY'S HOUSE - KITCHEN - SAME TIME
INT. CATHY'S HOUSE - KITCHEN - SAME TIME Cathy and Ben are sitting at the table eating dinner. Ben picks at his food. CATHY You're not eating.
24 37
INT FINN'S HOUSE - KITCHEN EVENING
INT. FINN'S HOUSE - KITCHEN - EVENING
INT. FINN'S HOUSE - KITCHEN - EVENING Finn is at the stove making dinner. Dylan enters wearing sweats. DYLAN
25 39
INT FINN'S HOUSE - KITCHEN MORNING
INT. FINN'S HOUSE - KITCHEN - MORNING
INT. FINN'S HOUSE - KITCHEN - MORNING Finn sits at the dining room table in sweats grading papers and drinking coffee. Dylan enters in sneakers and running clothes. DYLAN
26 40
INT DEXTER HIGH - PRINCIPAL'S OFFICE MORNING
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - MORNING
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - MORNING Peters is sitting at his desk reviewing documents. Finn appears at his doorway. FINN (serious)
27 42
INT DEXTER HIGH - SWIMMING POOL AFTERNOON
INT. DEXTER HIGH - SWIMMING POOL - AFTERNOON
INT. DEXTER HIGH - SWIMMING POOL - AFTERNOON The pool area is filling up with students and spectators before a meet. Some swimmers are in the pool practicing strokes and flip turns. INT. DEXTER HIGH - LOCKER ROOM - SAME TIME
28 42
INT DEXTER HIGH - PRINCIPAL'S OFFICE AFTERNOON
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - AFTERNOON
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - AFTERNOON Principal Peters sits at his desk typing. Ben knocks on the door frame looking tired and appears edgy. PETERS
29 46
EXT PETER'S OFFICE CONTINUOUS
EXT. PETER'S OFFICE - CONTINUOUS
EXT. PETER'S OFFICE - CONTINUOUS He leans against the wall dropping his head back. He clutches the neck of his shirt hardly able to breathe. CATHY’S HOUSE – KITCHEN – EVENING Cathy is at the stove making dinner. The table is set.
30 49
INT DEXTER HIGH - HISTORY CLASSROOM MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING
INT. DEXTER HIGH - HISTORY CLASSROOM - MORNING The students sit at their desks waiting for an exam to begin. Ben looking tired and a little disheveled enters late. FINN (gently)
31 50
INT DEXTER HIGH - PRINCIPAL'S OFFICE LATER
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - LATER
INT. DEXTER HIGH - PRINCIPAL'S OFFICE - LATER Peters sits at his desk typing. Finn knocks on his door. Peters looks up. FINN (his face troubled)
32 51
INT CATHY'S HOUSE - KITCHEN SAME TIME
INT. CATHY'S HOUSE - KITCHEN - SAME TIME
INT. CATHY'S HOUSE - KITCHEN - SAME TIME Ben is in the kitchen drinking from a carton of orange juice. Cathy's phone is sitting on the counter. The cell phone rings. CATHY (O.S.)
33 52
INT CATHY'S OFFICE MORNING
INT. CATHY'S OFFICE - MORNING
INT. CATHY'S OFFICE - MORNING Cathy is sitting at her desk in a stylish, contemporary office looking over some papers. Her cell rings. She glances at the caller ID and sees "Dexter High School." She answers it.
34 53
INT CATHY'S HOUSE - KITCHEN LATER
INT. CATHY'S HOUSE - KITCHEN - LATER
INT. CATHY'S HOUSE - KITCHEN - LATER Ben, looking more unkempt, enters into the kitchen through the outside door, closing it quietly behind him. He throws his backpack on the counter, goes to the refrigerator, takes out a carton of orange juice, and drinks
35 56
INT CATHY'S HOUSE - BEN'S BEDROOM CONTINUOUS
INT. CATHY'S HOUSE - BEN'S BEDROOM - CONTINUOUS
INT. CATHY'S HOUSE - BEN'S BEDROOM - CONTINUOUS Ben bursts into the room slamming the door behind him. He collapses onto the bed, staring blankly at the ceiling. He tries to steady himself, but he is at the point of almost hyperventilating, his agitation growing by the second.
36 56
INT CATHY'S HOUSE - BATHROOM EVENING
INT. CATHY'S HOUSE - BATHROOM - EVENING
INT. CATHY'S HOUSE - BATHROOM - EVENING YOUNG BEN #1 (12) with an innocent, yet knowing stare, is sitting in the bathtub, his arms crossed hiding his torso. BILL (40s), Ben's step-father, is an attractive man dressed
37 57
INT DEXTER HIGH - LOCKER ROOM SHOWERS DAY
INT. DEXTER HIGH - LOCKER ROOM SHOWERS - DAY
INT. DEXTER HIGH - LOCKER ROOM SHOWERS - DAY Ben (17) is about to enter the showers when he sees Finn showering. He's stopped cold and looks dumbstruck. His breath catches in his throat. Ben stares at Finn. Finn looks up and sees Ben. Ben looks down and realizes he's
38 58
INT CATHY'S HOUSE - HALLWAY CONTINUOUS
INT. CATHY'S HOUSE - HALLWAY - CONTINUOUS
INT. CATHY'S HOUSE - HALLWAY - CONTINUOUS Cathy approaches Ben's closed bedroom door carrying his backpack. She knocks on the door, but there is no response. She opens the door. INT. CATHY'S HOUSE - BEN'S BEDROOM - CONTINUOUS
39 58
INT FINN'S HOUSE - BEDROOM NIGHT
INT. FINN'S HOUSE - BEDROOM - NIGHT
INT. FINN'S HOUSE - BEDROOM - NIGHT Finn and Dylan are in bed sleeping when Finn's cell phone rings waking them both. Finn rolls over and turns on the lamp on the bedside table, then he picks up his phone and looks at the screen.
40 59
INT HOSPITAL CORRIDOR CONTINUOUS
INT. HOSPITAL CORRIDOR - CONTINUOUS
INT. HOSPITAL CORRIDOR - CONTINUOUS The hospital elevator doors open and Finn rushes out into the sterile environment of the hospital floor. There is large desk where nurses and aides sit.
41 63
INT HOSPITAL ROOM CONTINUOUS
INT. HOSPITAL ROOM - CONTINUOUS
INT. HOSPITAL ROOM - CONTINUOUS The door to the room is slightly ajar. The small room has a sterile look and feel without even a picture. Ben is hooked up to medical equipment. He lies motionless, staring blankly at the ceiling.
42 66
INT HOSPITAL PSYCH UNIT - DR. CARSON'S OFFICE AFTERNOON
INT. HOSPITAL PSYCH UNIT - DR. CARSON'S OFFICE - AFTERNOON
INT. HOSPITAL PSYCH UNIT - DR. CARSON'S OFFICE - AFTERNOON Ben sits rigidly in a comfortable chair in DR. MARK CARSON'S office at the hospital. The office is warm and serene. Dr. Carson (40's) has a demeanor that is calm, and soft- spoken, but professional. He sits in a comfortable chair
43 71
INT HOSPITAL LOCKED PSYCH UNIT - BEN'S ROOM CONTINUOUS
INT. HOSPITAL LOCKED PSYCH UNIT - BEN'S ROOM - CONTINUOUS
INT. HOSPITAL LOCKED PSYCH UNIT - BEN'S ROOM - CONTINUOUS The room is small and spare. A single bed is pushed against a wall. A very small bedside table is next to it. A single plastic chair is in a corner. There is nothing in the room that could be used for self-harm.
44 71
EXT CATHY'S HOUSE AFTERNOON
EXT. CATHY'S HOUSE - AFTERNOON
EXT. CATHY'S HOUSE - AFTERNOON A taxi pulls up in front of Cathy’s house. Ben gets out and walks to the front door. He removes a house key from a small box buried under a pile of stones next to the front door, and lets himself in.
45 72
EXT CITY STREETS CONTINUOUS
EXT. CITY STREETS - CONTINUOUS
EXT. CITY STREETS - CONTINUOUS Ben swigs vodka as he furiously rides his bike, weaving recklessly in and out of traffic until he gets to Fox Park. EXT. FOX PARK - CONTINUOUS Ben arrives at Fox Park and rides his bike to his usual spot.
46 73
EXT FOX PARK CONTINUOUS
EXT. FOX PARK - CONTINUOUS
EXT. FOX PARK - CONTINUOUS Finn arrives at Fox Park and parks his car. He gets out and sprints to where he knows he will find Ben. He sees Ben slumped against the tree, drunk. The bottle of vodka lies next to him.
47 77
INT FINN'S HOUSE - KITCHEN EVENING
INT. FINN'S HOUSE - KITCHEN - EVENING
INT. FINN'S HOUSE - KITCHEN - EVENING Finn walks from the kitchen into the living room wearing sweatpants and a T-shirt, drinking a beer. Dylan enters the room wearing a business suit. He walks over to Finn and gives him a quick kiss.
48 78
INT HOSPITAL CORRIDOR AFTERNOON
INT. HOSPITAL CORRIDOR - AFTERNOON
INT. HOSPITAL CORRIDOR - AFTERNOON CHAD (40s) is a group therapist. He is a gentle giant who looks imposing, and is anything but. He walks down the corridor to Ben's room. INT. HOSPITAL PSYCH UNIT - BEN'S ROOM - AFTERNOON
49 79
INT DEXTER HIGH - HALLWAY AFTERNOON
INT. DEXTER HIGH - HALLWAY - AFTERNOON
INT. DEXTER HIGH - HALLWAY - AFTERNOON The hallway is empty. Peters is walking down the hallway looking at papers. Finn approaches him. FINN Hi, Tom. I was just coming to see you.
50 80
INT FINN'S HOUSE - KITCHEN EVENING
INT. FINN'S HOUSE - KITCHEN - EVENING
INT. FINN'S HOUSE - KITCHEN - EVENING Dylan and Finn are sitting at the dining room table eating. DYLAN You're pretty quiet tonight. What's going on?
51 81
INT HOSPITAL PSYCH UNIT - BEN'S ROOM AFTERNOON
INT. HOSPITAL PSYCH UNIT - BEN'S ROOM - AFTERNOON
INT. HOSPITAL PSYCH UNIT - BEN'S ROOM - AFTERNOON Ben sits at his desk writing in his journal. He is wearing ear phones and is listening to music. He is unconsciously shaking his leg. EXT. HOSPITAL - SAME TIME
52 93
INT HOSPITAL PSYCH UNIT - BEN'S ROOM CONTINUOUS
INT. HOSPITAL PSYCH UNIT - BEN'S ROOM - CONTINUOUS
INT. HOSPITAL PSYCH UNIT - BEN'S ROOM - CONTINUOUS Ben sits on this bed, hugging his knees with his head bowed. Cathy enters hesitantly. Her eyes are red and puffy from crying. CATHY
53 94
INT HOSPITAL CORRIDOR AFTERNOON
INT. HOSPITAL CORRIDOR-AFTERNOON
INT. HOSPITAL CORRIDOR-AFTERNOON Emma walks down the corridor to the nurse's desk. The nurse points to Ben's room. She goes to Ben's room. She hesitates then knocks quietly on the door. INT. HOSPITAL PSYCH UNIT - BEN'S ROOM - CONTINUOUS
54 96
INT HOSPITAL PSYCH UNIT - GROUP THERAPY ROOM AFTERNOON
INT. HOSPITAL PSYCH UNIT - GROUP THERAPY ROOM - AFTERNOON
INT. HOSPITAL PSYCH UNIT - GROUP THERAPY ROOM - AFTERNOON Chad and a group of TEENAGE PATIENTS, sit in a circle on folding chairs. The room is welcoming, calming, and private. One of the teens is speaking, but we don't hear her. We see Ben sitting quietly listening, a serious expression on his
55 98
EXT OFFICE BUILDING AFTERNOON
EXT. OFFICE BUILDING - AFTERNOON
EXT. OFFICE BUILDING - AFTERNOON Ben walks up to and enters a modern high rise building where Dr. Carson offices. INT. DR. CARSON'S PRIVATE PRACTICE OFFICE - CONTINUOUS Dr. Carson's office has a warm and inviting atmosphere.
56 100
EXT COFFEE SHOP - MORNING - SUMMER 2018
EXT. COFFEE SHOP - MORNING - SUMMER 2018
EXT. COFFEE SHOP - MORNING - SUMMER 2018 Three years have past. Ben is now 21 years old. He sits in a coffee shop that is bright, contemporary and has an upbeat vibe. From outside the front window, we see him sitting at a table talking lightheartedly with someone. We discover it's
57 102
EXT SIDEWALK CONTINUOUS
EXT. SIDEWALK - CONTINUOUS
EXT. SIDEWALK - CONTINUOUS NORMAL SOUND. FINN I’m this way. They walk in the direction of Finn's car.
58 104
EXT STANFORD UNIVERSITY - QUAD AFTERNOON
EXT. STANFORD UNIVERSITY - QUAD - AFTERNOON
EXT. STANFORD UNIVERSITY - QUAD - AFTERNOON The University's Quad is a wide, open, green space lined with palm trees. STUDENTS relax on the grassy lawns, some reading, some chatting in small groups, and some throwing frisbees. The
59 105
EXT CITY STREET CORNER DAY
EXT. CITY STREET CORNER - DAY
EXT. CITY STREET CORNER - DAY Emma stands on a city street corner and calls Ben. INTERCUT: EXT. STANFORD UNIVERSITY - QUAD - SAME TIME Ben sits on the Quad journaling. His phone rings and he
60 106
INT STANFORD UNIVERSITY - SWIMMING POOL DAY
INT. STANFORD UNIVERSITY - SWIMMING POOL - DAY
INT. STANFORD UNIVERSITY - SWIMMING POOL - DAY The pool arena is empty. Ben walks slowly to the starting blocks with a serious look on his face. He hesitantly climbs up on to one and assumes the starting crouch. He closes his eyes, hesitates, then launches himself off the

Becoming Ben

A high-achieving gay teen swimmer's hidden trauma from childhood abuse erupts when he confesses his crush on his teacher, spiraling into a suicide attempt that forces him to confront his identity and seek healing.

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Overview

Poster
Unique Selling Point

This script offers a rare, psychologically nuanced portrait of adolescent male sexuality and trauma that avoids sensationalism while maintaining dramatic tension. Its authentic depiction of how educational systems handle student mental health crises, combined with its non-judgmental approach to all characters (including well-meaning but limited adults), sets it apart from typical coming-of-age or trauma narratives. The script's clinical accuracy, informed by mental health professionals, gives it both educational value and emotional credibility.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

GPT5
 Recommend
Grok
 Recommend
Gemini
 Recommend
Claude
 Recommend
DeepSeek
 Consider
Average Score: 8.2
Key Takeaways
For the Writer:
Focus on refining the script's pacing in Act Two by consolidating repetitive scenes of Ben's emotional spiral, such as multiple panic attacks and performance declines, to maintain tension and momentum. Additionally, deepen underdeveloped character arcs, like Cathy's maternal journey and Emma's friendship, and integrate flashbacks more seamlessly to avoid abruptness, ensuring a tighter, more emotionally resonant narrative that enhances the story's authenticity and impact.
For Executives:
The script has solid value as a festival darling with authentic LGBTQ+ and mental health themes, offering emotional depth and educational relevance that could attract niche audiences and awards. However, risks include pacing issues in the middle act that may cause viewer disengagement, potential controversy from sensitive topics like suicide and abuse, and underdeveloped institutional responses that could weaken realism, limiting broader commercial appeal without careful directorial and editorial refinements.
Story Facts
Genres:
Drama 75% Romance 15% Comedy 10% Thriller 15%

Setting: 2014-2018, Dexter High School, Cathy's house, Fox Park, Stanford University, and a hospital psychiatric unit

Themes: Overcoming Trauma and Mental Health Struggles, Self-Acceptance and Identity Formation (Sexual Orientation), The Importance of Support Systems and Connection, Hidden Struggles and the Facade of Success, The Stigma Surrounding Mental Health and Sexuality, Consequences of Neglect and Misunderstanding, The Complexity of Teacher-Student Relationships, Redemption and Resilience in Adulthood

Conflict & Stakes: Ben's struggle with mental health, trauma from past abuse, and his sexual identity, with his life and future at stake.

Mood: Reflective and somber, with moments of hope and humor.

Standout Features:

  • Unique Hook: The exploration of a high-achieving student's internal collapse and the impact of trauma on mental health.
  • Character Development: Ben's journey from despair to resilience, showcasing his growth and healing process.
  • Emotional Depth: The screenplay tackles heavy themes such as abuse, identity, and suicide with sensitivity and authenticity.
  • Diverse Perspectives: The inclusion of various characters who represent different aspects of support and struggle in Ben's life.

Comparable Scripts: Dead Poets Society, The Perks of Being a Wallflower, A Star is Born, Boy Erased, 13 Reasons Why, Love, Simon, The Fault in Our Stars, To the Bone, The Edge of Seventeen

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 8.09
Key Suggestions:
To elevate 'Becoming Ben,' focus on deepening the emotional arcs of supporting characters like Finn and Cathy by integrating more backstory and nuanced motivations, which will enhance overall character relatability and emotional resonance. Additionally, tighten pacing in emotional confrontation scenes by refining dialogue and focusing on key beats to maintain tension and audience engagement, drawing from successful examples in similar coming-of-age dramas.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
The script 'Becoming Ben' excels in portraying deep emotional struggles and character growth, but to enhance its craft, focus on refining pacing to avoid uneven sections, making dialogue less expository for greater authenticity, and incorporating subtle visual cues to build tension gradually. Strengthening Finn's perspective and adding external conflicts could provide a more dynamic arc, ensuring the story's powerful themes of identity and trauma resonate more effectively with audiences.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analysis highlights that while Ben's arc is strong and central, supporting characters like Cathy and Dylan lack sufficient depth, which could undermine the script's emotional resonance. To improve, focus on incorporating more internal monologues and backstory exploration, particularly for Cathy, to better illustrate her guilt and growth, and for Dylan, to add layers to his supportive role. Enhancing these elements will make the story more nuanced, ensuring that relationships feel authentic and drive the narrative forward with greater impact.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
The script's emotional arc is compelling but could be enhanced by adding more nuanced emotional transitions, such as incorporating moderate anxiety and frustration in Ben's early struggles, to create a more gradual and believable descent into crisis. Diversifying the emotional palettes of supporting characters like Cathy and Finn would deepen audience engagement, while refining key scenes for better pacing and layered emotions would strengthen the overall narrative impact and thematic resonance.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The script's exploration of Ben's internal and external goals effectively drives character development and thematic depth, but to enhance emotional resonance and pacing, consider introducing key conflicts earlier in the narrative. This would allow for a more gradual buildup of tension, making Ben's journey from denial to acceptance feel less abrupt and more immersive, ultimately strengthening the overall craft and audience connection.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
From a creative perspective, the script effectively portrays Ben's internal struggles and growth, but to enhance its craft, focus on deepening the emotional authenticity of key scenes, such as the therapy sessions and Ben's interactions with Finn, by incorporating more subtle, nuanced dialogue and sensory details to avoid melodrama. Additionally, balancing the heavy themes with moments of levity or secondary character development could improve pacing and prevent audience fatigue, ensuring the story remains engaging and resonant without overwhelming viewers.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
To strengthen the script's emotional authenticity and narrative flow, focus on resolving key inconsistencies by ensuring character actions stem from believable motivations rather than plot convenience, such as Finn's boundary-crossing and Ben's rapid emotional shifts. Streamline redundancies, like repeated journal-writing scenes and clichéd dialogue, to enhance pacing and depth, allowing for a more nuanced exploration of themes like adolescent mental health and identity.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
The writer's strength in capturing authentic emotional depth and realistic dialogue is a core asset, but to elevate the script, focus on diversifying pacing and incorporating more varied scene structures to prevent emotional intensity from becoming repetitive. Enhancing moments of levity and external conflict could balance the internal focus, making the narrative more dynamic and accessible while preserving the empathetic voice that defines the story.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
The screenplay excels in emotional depth and character dynamics but can be enhanced by focusing on adding subtext to dialogue, deepening character backstories, and refining pacing to better convey internal conflicts and maintain engagement, ultimately creating a more resonant and impactful narrative.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The script's world-building effectively grounds the story in realistic, relatable settings that mirror Ben's emotional journey, such as the contrast between confining high school spaces and liberating parks, enhancing themes of isolation and recovery. To improve, focus on deepening sensory details in key environments—like the sterile hospital or buzzing high school halls—to heighten emotional resonance and avoid over-reliance on dialogue for conveying internal conflict, ensuring the world actively supports character development and thematic depth without feeling expository.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
The scene pattern analysis highlights your strength in crafting intense, emotionally charged scenes that drive character development, but suggests refining the integration of light-hearted moments to avoid diluting tension and ensure smoother tonal transitions. By focusing on pacing and leveraging your consistent dialogue strengths, you can enhance the script's emotional arc and thematic depth, making the story more compelling and resonant.
Loglines
Presents logline variations based on theme, genre, and hook.