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Scene Map 45
# PG SLUGLINE
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Scene Map
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# PG SLUGLINE
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INT. LIGHTSPEED — SAN FRANCISCO — DAY SUPER: YEAR 2164 DANA HAINLEY (30s, determined, well-dressed, and adorned with jewelry), shows her ID and security badge to TWO ARMED GUARDS, then passes through a DNA and weapon’s scanner before
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INT. POLICE HEADQUARTERS — DIRECTOR'S OFFICE - DAY Chad Hainley is escorted to the DIRECTOR, who controls all law enforcement and is a leader in an international consortium (50s, stoic expression and rigid demeanor), by two officers.
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INT. DIRECTOR’S OFFICE — CONTINUOUS After Chad exits, the Director picks up the phone. TUNG ZHAO (V.O.) (speaking Chinese) You have news?
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EXT. BODEGA — NORTH SAN FRANCISCO — NIGHT SUPER: 2176 ASD (assassin detective) TRANG LIEU (50s, but looks to be 30s, female, athletic build, stoic expression), descends to the ground in the newest hovercar — the Wasp 500. She exits
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INT. BODEGA — NORTH SAN FRANCISCO — NIGHT She gets the items she needs and stands in line behind FIVE or SIX OTHERS waiting to check out. All the while, she glances from side to side, though slowly. A DEVICE at her side (a probability sensor, size of a phone)
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EXT. BODEGA — NORTH SAN FRANCISCO — NIGHT Trang leaves the store, gets in her Wasp 500, and starts the engine. TRANG Set destination for 'home.'
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INT. LIEU HOUSE - CONTINUOUS Trang steps out of the shower and dries herself, then wraps the towel tightly around her and walks into the hall. UPSTAIRS HALLWAY — CONTINUOUS She walks to the railing and leans over, listening to the
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EXT. POLICE HEADQUARTERS — DAY Trang parks on the seventy-fifth floor of the garage, then walks across a connecting walkway. She stops at the screening station and submits to DNA and face-recognition security, then she heads to her office.
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EXT. MISSION DISTRICT — DAY The Wasp slows as it crosses the wall surrounding the Mission District, its floodlights scouring the ground. It lands in the center of a street with a church on one side and four-story apartments on the other. Hovercars block the
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INT. HOUSE WITH HOSTAGES — DAY Trang enters the front door with her scanner activated. The jamming device is temporarily off so she can communicate with the rescue team. SECOND FLOOR — CONTINUOUS
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EXT. HOUSE WITH HOSTAGES — CONTINUOUS She escorts the hostages out and turns them over to Bikken. As she walks to her hovercar, an EMT stops her. EMT Not so fast, Detective. I
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INT. HOVERCAR — CONTINUOUS As the hovercar takes off, she records a message. TRANG Director, this message contains information regarding Hainley. I
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INT. POLICE HEADQUARTERS — DIRECTOR’S OFFICE — DAY The Director sips his coffee, then dials the phone. DIRECTOR Mrs. Hainley, this is the Director. We have confirmed reports that Chad
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INT. LIGHTSPEED HEADQUARTERS — DAY Dana places a call to the head of LightSpeed’s security. DANA Roger, I want all access codes changed immediately, and I want the
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INT. LIGHTSPEED — FOURTEENTH FLOOR VAULT — DAY Chad walks the room’s perimeter, examining the material on the shelves. He occasionally picks something up and studies it. He opens his briefcase and is about to put a package inside
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INT. FAIRMONT HOTEL — RESTAURANT — NIGHT Chad Hainley sits at a table with FIVE TEAM MEMBERS. A WAITRESS brings drinks and takes orders. When she leaves, Chad speaks. CHAD
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EXT. FAIRMONT HOTEL — NIGHT Chad, KENDRA (30s, alert, loyal, nattily dressed), and CHERRAM (40, wary, untrusting), cross the street, heading toward Chad’s car. MYRA (35, serious, soldier-like), and the others wait for PARKING ATTENDANTS.
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INT. LIEU HOUSE — BEDROOM — DAY Trang hears the unmistakable patter of little feet racing across the hardwood floors. TRANG What time is it?
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INT. HOVERCAR — DAY Loren looks out the window, then to the other side, then she screeches. LOREN The park! We're skipping school and
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EXT. GOLDEN GATE PARK — DAY Trang lies on the grass and smiles as the girls enjoy themselves. They climb trees and run up and down the hills, playing tag. Loren climbs about twenty feet up a tree and jumps to the ground. She then teases Newella.
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INT. POLICE HEADQUARTERS — DAY Trang enters the building and makes her way to the Director's office. She sits in a chair by his desk. DIRECTOR Congratulations on a job well done.
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INT. LIEU HOUSE — NIGHT Trang and Gavin sit at the table and are joined by Loren and Newella while Margaret serves the meal — scallops and fried potatoes. Afterward, the family plays board games: Anagram Logic and
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INT. DIRECTOR’S OFFICE — DAY Trang reports to the Director first thing in the morning. He sits behind his desk, drinking tea. TRANG I’m ready to go, sir.
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INT. POLICE HEADQUARTERS - DAY Trang doesn't run, but she walks quickly, and she calls her team as she moves toward her Wasp. TRANG Bikken, bring the team to the café
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EXT. LIGHTSPEED — SAN FRANCISCO — DAY Hainley leads them toward the LightSpeed building at a steady pace. A couple of the team members cast suspicious glances, then point to a van parked near the entrance. THREE YOUNG MEN carrying canvas tool bags step out of the van
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INT. LIGHTSPEED HEADQUARTERS — DAY Chad enters, sidestepping, the tools and equipment lying on the floor. REPAIRMAN ONE Sorry, sir, but there’s no
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INT. COFFEE SHOP WEST OF LIGHTSPEED — DAY Trang sits at a corner table with Bikken, both of them dressed in black and heavily armed. Bikken has an LSG (Laser Scatter Gun) draped over her back, and Trang has two weapons in the front of her waistband and
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EXT. LIGHTSPEED BUILDING — DAY Trang creeps toward the front of the building, her team a few steps behind her. She stops behind a large pillar in front of the building and turns to face the team. TRANG
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INT. LOBBY OF LIGHTSPEED BUILDING — DAY Trang steps carefully across the lobby floor, looking in all directions. She sees nothing, but the SCANNER sends a silent alert. Trang continues as she listens to the report.
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INT. VAULT — CONTINUOUS Chad takes what he needs from the shelves. He then presses a button on the time-travel device and a warp opens in the room. Chad sets his GPS coordinates and enters the year he wants:
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EXT. POLICE HEADQUARTERS — DAY Trang parks her car, exits, and crosses the walkway to the 75th floor. INT. POLICE HEADQUARTERS — DAY She steps into the corridor leading to the Director's office.
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INT. LIEU HOUSE — DAY Trang plays with her daughters, rough-housing with them and the dog. Afterward, they play board games and help Margaret prepare dinner. Gavin enters the door, carrying two bags from the store.
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INT. DIRECTOR'S OFFICE — DAY The Director presses a button on the intercom, and a few seconds later, JENNA, his admin (50, professional, arrogant air), walks in. JENNA
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INT. LIEU HOUSE — UPSTAIRS BEDROOM — NIGHT Trang puts the girls to bed, tucks them in, and kisses them goodnight. She then heads to the living room, where Gavin is watching the nightly news. LIVING ROOM — CONTINUOUS
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INT. LIEU HOUSE — DAY Gavin helps Loren put on her coat while Trang dresses Newella. TRANG I think your Daddy and I make a
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EXT. LIEU HOUSE — DAY THREE MEN (30s, hooded sweatshirts), fire at Gavin and the girls from behind a hovercar parked at the curb. Gavin and the girls take cover behind the concrete stoop, but a shot hits his leg before he’s protected. Blood runs down
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INT. HOVERCAR — DAY Trang situates Gavin and covers him with a blanket. TRANG Destination — St. Mary's Hospital. And hurry. Have EMTs meet us at the
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INT. POLICE HEADQUARTERS LOBBY — DAY Trang steps confidently across the lobby, the girls hanging onto her coattails. When they reach the front desk, Trang introduces them to the DESK SERGEANT, RICK, (50, friendly). TRANG
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INT. APARTMENT ON GEARY STREET — DAY SUPER — YEAR 2044 A man who looks similar to Chad Hainley appears in an apartment on Geary Street in San Francisco. He walks to the window, opens the curtains, and looks outside.
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INT. DETECTIVE LIEU'S APARTMENT — DAY SUPER — YEAR 2044 Trang appears inside a small apartment near California Street. On the bed is a gun along with a note and a small package. She is about to open the package, then stops.
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EXT. DETECTIVE LIEU’S APARTMENT — DAY Some people are wearing masks to cover their mouth and nose. She places her communications device to her ear and listens to the Director’s instructions. DIRECTOR
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EXT. STREET OUTSIDE APARTMENT — DAY Trang hears a loud honking sound, and when she turns in that direction, a car hits her and knocks her down. She gets up slowly and brushes herself off, then limps toward a cafe. INT. CAFE - DAY
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EXT. STREET OUTSIDE CAFE - DAY She exits the shop, continues her walk along the sidewalk, and marvels at all the cars on the streets. The Director's voice echoes in her ear. DIRECTOR
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INT. SAN FRANCISCO POLICE HEADQUARTERS — DAY Detective DEVIN COMEGYS (30s, fit, doggedly persistent, optimistic) walks into CAPTAIN RON SCHUMACHER'S office. DEVIN Captain, we just got a call on a
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INT. DIRECTOR'S OFFICE — DAY SUPER: PRESENT DAY The Director locks his door, sits at his desk, then dials the phone. Shousa appears on screen. SHOUSA (V.O.)

Tomorrow Was a Long Time Ago

In a future where time travel is possible, a detective must pursue a wealthy heir who plans to alter the past, even as she grapples with the personal tragedy of losing her husband.

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Overview

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Unique Selling Point

This screenplay uniquely blends science fiction with deep emotional stakes, focusing on the personal consequences of technological advancements and time travel. It appeals to audiences interested in character-driven stories set against a backdrop of speculative technology, making it a compelling piece for both sci-fi enthusiasts and drama lovers.

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Story Facts

Genres: Thriller, Action, Sci-Fi, Drama, Family, Crime, Science Fiction, Slice of Life, Family Drama, Mystery

Setting: 2164 and 2176, San Francisco, primarily at LightSpeed Headquarters and various locations around the city

Themes: Obsession and Sacrifice, Family Dynamics, Authority and Control, Morality and Ethics, The Impact of Technology

Conflict & Stakes: The central conflict revolves around Chad's dangerous time travel experiments and the ensuing chaos, which threatens both his family and the stability of society. The stakes include personal loss, the potential for catastrophic consequences from time travel, and the safety of the community.

Mood: Tense and suspenseful, with moments of emotional depth.

Standout Features:

  • Unique Hook: The integration of time travel with personal family drama creates a compelling narrative that explores the consequences of altering the past.
  • Major Twist: Chad's transformation from a desperate son to a potential villain as he pursues his father's legacy through dangerous means.
  • Distinctive Setting: A futuristic San Francisco with advanced technology and societal challenges, providing a rich backdrop for the story.
  • Innovative Ideas: The use of time travel as a means to explore themes of grief, loss, and the ethical implications of technology.
  • Unique Characters: Complex characters like Trang, who balances her duties as a detective with her family life, adding depth to the narrative.

Comparable Scripts: Back to the Future, The Time Traveler's Wife, Terminator 2: Judgment Day, Fringe (TV Series), Inception, Looper, Dark (TV Series), The Butterfly Effect, 12 Monkeys

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

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Overall Score: 7.33
Story Critique
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Characters
Explores the depth, clarity, and arc of the main and supporting characters.
Emotional Analysis

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Goals and Philosophical Conflict
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Themes
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Logic & Inconsistencies
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Scene Analysis

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Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice
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Memorable Lines
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World Building
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Correlations
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Loglines
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