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Scene Map 60
# PG SLUGLINE
1 1
INT JIM'S BEDROOM NIGHT
2 4
EXT EAST GREAT FALLS DAY
3 5
EXT EAST GREAT FALLS HIGH - COURTYARD MORNING
4 6
INT EAST GREAT FALLS HIGH - MAIN HALL NEAR POP MACHINE DAY
5 7
INT EAST GREAT FALLS - SENIOR LOCKERS DAY
6 9
INT KEVIN'S BEDROOM DAY
7 13
INT STIFLER'S HOUSE NIGHT
8 16
EXT STIFLER'S HOUSE - FRONT DOOR NIGHT
9 17
INT CAR NIGHT
10 19
INT STIFLER'S HOUSE - MASTER BEDROOM NIGHT
11 23
EXT STIFLER'S HOUSE - BACK PORCH, BY THE KEG NIGHT
12 24
INT STIFLER'S HOUSE - HALLWAY LATER
13 25
INT STIFLER'S HOUSE DAY
14 29
INT DOG DAYS DAY
15 30
INT EAST GREAT FALLS HIGH - SENIOR LOCKERS DAY
16 33
INT EAST GREAT FALLS HIGH - NEAR THE HALL OF FAME DAY
17 34
INT EAST GREAT FALLS HIGH - LITTLE AUDITORIUM - MOMENT LATER
18 36
EXT EAST GREAT FALLS HIGH - COURTYARD LATER
19 37
INT KEVIN'S BEDROOM DAY
20 39
INT EAST GREAT FALLS HIGH - BACK OF LIBRARY DAY
21 39
INT JIM'S HOUSE - KITCHEN DAY
22 40
INT KEVIN'S BEDROOM NIGHT
23 43
EXT EAST GREAT FALLS HIGH DAY
24 45
INT JIM'S HOUSE - HALLWAY NIGHT
25 46
EXT FOOTBALL FIELD DAY
26 49
INT EAST GREAT FALLS HIGH - CLASSROOM DAY
27 51
INT EAST GREAT FALLS HIGH - SENIOR HIGH LOCKERS - CONTINUING
28 52
EXT RAST GREAT FALLS - SIDE OF SCHOOL DAY
29 54
INT EAST GREAT FALLS - LIBRARY DAY
30 56
INT STIFLER'S HOUSE - BROTHER'S BEDROOM SAME TIME
31 57
INT JIM'S BEDROOM SAME TIME
32 58
INT STIFLER'S HOUSE - BROTHER'S BEDROOM SAME TIME
33 60
INT COMPUTER NERD'S BEDROOM - DAY SAME TIME
34 62
INT JIM'S BEDROOM - DAY - CONTINUING
35 63
INT GIRL'S BEDROOM SAME TIME
36 64
INT KEVIN'S BEDROOM DAY
37 66
INT ANOTHER BEDROOM DAY
38 67
EXT EAST GREAT FALLS HIGH - COURTYARD DAY
39 68
INT EAST GREAT FALLS HIGH - CLASSROOM DAY
40 70
INT VICKY'S BEDROOM DAY
41 72
INT SUBWAY NIGHT
42 75
INT EAST GREAT FALLS HIGH - MURAL STAIRCASE DAY
43 77
INT EAST GREAT FALLS HIGH - GUY'S SHOWERS/LOCKER ROOM DAY
44 78
EXT EAST GREAT FALLS HIGH - ENTRANCE TO SENIOR LOCKERS DAY
45 80
INT BATHROOM DAY
46 81
EXT LACROSSE FIELD (MSU) DAY
47 84
EXT MSU CAMPUS DAY
48 85
INT EAST GREAT FALLS - CLASSROOM DAY
49 86
EXT EAST GREAT FALLS HIGH NIGHT
50 87
INT EAST GREAT FALLS HIGH - A CORNER OF THE GYM NIGHT
51 90
EXT EAST GREAT FALLS HIGH NIGHT
52 92
EXT STIFLER'S COTTAGE NIGHT
53 93
EXT BEACH NIGHT
54 95
INT STIFLER'S COTTAGE - BASEMENT NIGHT
55 96
INT STIFLER'S COTTAGE - BEDROOM NIGHT
56 98
EXT BEACH NIGHT
57 100
EXT BEACH NIGHT
58 102
INT STIFLER'S COTTAGE - STIFLER'S BROTHER'S BEDROOM DAY
59 103
EXT DOG DAYS DAY
60 105
INT KEVIN'S BEDROOM DAY
Scene Map
60
# PG SLUGLINE
1 1
INT JIM'S BEDROOM NIGHT
INT. JIM'S BEDROOM - NIGHT
INT. JIM'S BEDROOM - NIGHT PAN across details in a bedroom...we see discarded shirts...pants...socks...and hear PORNO-CHANNEL CHICK (V.O.) Oooh, yeah. Oh, baby, you're so good.
2 4
EXT EAST GREAT FALLS DAY
EXT. EAST GREAT FALLS - DAY
EXT. EAST GREAT FALLS - DAY We see a Honda Accord drive by a sign at the city limits: "Welcome to East Great Falls, Michigan -- A Great Place To Be" EXT. FRONT OF SCHOOL - DAY
3 5
EXT EAST GREAT FALLS HIGH - COURTYARD MORNING
EXT. EAST GREAT FALLS HIGH - COURTYARD - MORNING
EXT. EAST GREAT FALLS HIGH - COURTYARD - MORNING Jim has met up with CHRIS OSTREICHER -- "OZ" -- a cocky senior with a football-player build. He cradles a ball in a lacrosse stick. OZ
4 6
INT EAST GREAT FALLS HIGH - MAIN HALL NEAR POP MACHINE DAY
INT. EAST GREAT FALLS HIGH - MAIN HALL NEAR POP MACHINE - DAY
INT. EAST GREAT FALLS HIGH - MAIN HALL NEAR POP MACHINE - DAY Vicky is talking with JESSICA, a friend of hers, getting a pop (we're in the Midwest now, gang) from the machine. VICKY
5 7
INT EAST GREAT FALLS - SENIOR LOCKERS DAY
INT. EAST GREAT FALLS - SENIOR LOCKERS - DAY
INT. EAST GREAT FALLS - SENIOR LOCKERS - DAY Kevin, Jim, and Oz are still walking down the hall. PAUL FINCH, preppy, eccentric, is sitting on a bench. JIM There's our man.
6 9
INT KEVIN'S BEDROOM DAY
INT. KEVIN'S BEDROOM - DAY
INT. KEVIN'S BEDROOM - DAY Kevin is on the phone. Hanging near his closet is a tuxedo. INTERCUT with KEVIN'S OLDER BROTHER -- 25, on his cell phone, traveling down a California road. KEVIN'S BROTHER
7 13
INT STIFLER'S HOUSE NIGHT
INT. STIFLER'S HOUSE - NIGHT
INT. STIFLER'S HOUSE - NIGHT For a high-school party, it's pretty good. The house is peppered with ALL TYPES OF HIGH-SCHOOL STUDENTS. MUSIC blends with the din of excited conversation.
8 16
EXT STIFLER'S HOUSE - FRONT DOOR NIGHT
EXT. STIFLER'S HOUSE - FRONT DOOR - NIGHT
EXT. STIFLER'S HOUSE - FRONT DOOR - NIGHT A group of band dorks is on the porch, including Michelle. Stifler stands in the doorway, staring at them in disbelief. MICHELLE
9 17
INT CAR NIGHT
INT. CAR - NIGHT
INT. CAR - NIGHT Oz is in the passenger seat, making out with the aforementioned COLLEGE CHICK. She's attractive and older- looking (from a high-school perspective). They are parked near the river that flows through downtown Great
10 19
INT STIFLER'S HOUSE - MASTER BEDROOM NIGHT
INT. STIFLER'S HOUSE - MASTER BEDROOM - NIGHT
INT. STIFLER'S HOUSE - MASTER BEDROOM - NIGHT Vicky is pleasuring Kevin...you know. VICKY (brief pause)
11 23
EXT STIFLER'S HOUSE - BACK PORCH, BY THE KEG NIGHT
EXT. STIFLER'S HOUSE - BACK PORCH, BY THE KEG - NIGHT
EXT. STIFLER'S HOUSE - BACK PORCH, BY THE KEG - NIGHT Jessica and Vicky are refilling their beers at the keg. Nadia waits patiently beside them with an empty cup. VICKY He likes it.
12 24
INT STIFLER'S HOUSE - HALLWAY LATER
INT. STIFLER'S HOUSE - HALLWAY - LATER
INT. STIFLER'S HOUSE - HALLWAY - LATER Kevin and Jim are looking at a PICTURE OF STIFLER'S MOM on the wall. Very attractive, late 30's. JIM Shit, I can't believe a fine woman
13 25
INT STIFLER'S HOUSE DAY
INT. STIFLER'S HOUSE - DAY
INT. STIFLER'S HOUSE - DAY The next morning. The party is long over. Plastic beer cups and various bottles litter the house, but it's not trashed. Jim is wandering around in a daze, holding his head. He
14 29
INT DOG DAYS DAY
INT. DOG DAYS - DAY
INT. DOG DAYS - DAY The guys are finishing up breakfast. Hot dogs & eggs. KEVIN Now, the sex -- it's got to be valid, consensual sex. No funny stuff. And
15 30
INT EAST GREAT FALLS HIGH - SENIOR LOCKERS DAY
INT. EAST GREAT FALLS HIGH - SENIOR LOCKERS - DAY
INT. EAST GREAT FALLS HIGH - SENIOR LOCKERS - DAY Kevin, Oz, and Jim are closely gathered around Kevin's locker, holding their backpacks open. Kevin holds a big shopping bag, which he turns over, and a box of condoms falls out. He hands it over to Jim...and we see that the
16 33
INT EAST GREAT FALLS HIGH - NEAR THE HALL OF FAME DAY
INT. EAST GREAT FALLS HIGH - NEAR THE HALL OF FAME - DAY
INT. EAST GREAT FALLS HIGH - NEAR THE HALL OF FAME - DAY Kevin is trying to talk to Vicky. KEVIN Did you get the flowers? (no response)
17 34
INT EAST GREAT FALLS HIGH - LITTLE AUDITORIUM - MOMENT LATER
INT. EAST GREAT FALLS HIGH - LITTLE AUDITORIUM - MOMENT LATER
INT. EAST GREAT FALLS HIGH - LITTLE AUDITORIUM - MOMENT LATER The VOCAL JAZZ GROUP is practicing, singing one of those doo-wop, Acapella love songs (i.e. "Love You Like I Do"). Singing with the group is none other than Oz. He's not doing too badly, but mainly he's checking out the various
18 36
EXT EAST GREAT FALLS HIGH - COURTYARD LATER
EXT. EAST GREAT FALLS HIGH - COURTYARD - LATER
EXT. EAST GREAT FALLS HIGH - COURTYARD - LATER Finch is sitting on a bench, reading the paper, carefree. Kevin and Jim approach. KEVIN This is your plan, Finch?
19 37
INT KEVIN'S BEDROOM DAY
INT. KEVIN'S BEDROOM - DAY
INT. KEVIN'S BEDROOM - DAY Kevin is on the phone. KEVIN'S BROTHER (V.O.) Say that again, Kevin?
20 39
INT EAST GREAT FALLS HIGH - BACK OF LIBRARY DAY
INT. EAST GREAT FALLS HIGH - BACK OF LIBRARY - DAY
INT. EAST GREAT FALLS HIGH - BACK OF LIBRARY - DAY Kevin is walking through the "Religion" Section. He carefully looks about, making sure nobody's watching. KEVIN'S BROTHER (V.O.) It originally started as a sex manual,
21 39
INT JIM'S HOUSE - KITCHEN DAY
INT. JIM'S HOUSE - KITCHEN - DAY
INT. JIM'S HOUSE - KITCHEN - DAY Jim enters his house, slinging his backpack off his shoulder. JIM (yells)
22 40
INT KEVIN'S BEDROOM NIGHT
INT. KEVIN'S BEDROOM - NIGHT
INT. KEVIN'S BEDROOM - NIGHT Late. Kevin sits on his bed, reading a book -- the Bible. If all students studied the way Kevin's studying this book, we'd have a nation of geniuses. He's scrutinizing
23 43
EXT EAST GREAT FALLS HIGH DAY
EXT. EAST GREAT FALLS HIGH - DAY
EXT. EAST GREAT FALLS HIGH - DAY Kevin is walking home with Vicky. He's a couple paces behind her, almost tagging along. KEVIN I was being selfish. And majorly
24 45
INT JIM'S HOUSE - HALLWAY NIGHT
INT. JIM'S HOUSE - HALLWAY - NIGHT
INT. JIM'S HOUSE - HALLWAY - NIGHT Jim's door opens...he winces...REVERSE to see Jim's dad looking at the family portrait of Jim's family in the hallway outside Jim's room, his back turned to Jim's door.
25 46
EXT FOOTBALL FIELD DAY
EXT. FOOTBALL FIELD - DAY
EXT. FOOTBALL FIELD - DAY The football field also doubles as the lacrosse field. East Great Falls is battling Central. It's a rough game, muddy, brutal. We see Oz grunting and groaning, playing very tough.
26 49
INT EAST GREAT FALLS HIGH - CLASSROOM DAY
INT. EAST GREAT FALLS HIGH - CLASSROOM - DAY
INT. EAST GREAT FALLS HIGH - CLASSROOM - DAY English class. The TEACHER is wrapping up a lecture. TEACHER So once Hal becomes king, he has to take on the responsibilities of
27 51
INT EAST GREAT FALLS HIGH - SENIOR HIGH LOCKERS - CONTINUING
INT. EAST GREAT FALLS HIGH - SENIOR HIGH LOCKERS - CONTINUING
INT. EAST GREAT FALLS HIGH - SENIOR HIGH LOCKERS - CONTINUING OZ Okay, explain. KEVIN I can't, I have no idea how he's doing
28 52
EXT RAST GREAT FALLS - SIDE OF SCHOOL DAY
EXT. RAST GREAT FALLS - SIDE OF SCHOOL - DAY
EXT. RAST GREAT FALLS - SIDE OF SCHOOL - DAY After school. Oz is there as Heather pulls up in a new Saab. OZ Nice car.
29 54
INT EAST GREAT FALLS - LIBRARY DAY
INT. EAST GREAT FALLS - LIBRARY - DAY
INT. EAST GREAT FALLS - LIBRARY - DAY Jim, Kevin, Oz, and Stifler. STIFLER Fuck me! You're gonna have a naked Eastern-European chick in your house,
30 56
INT STIFLER'S HOUSE - BROTHER'S BEDROOM SAME TIME
INT. STIFLER'S HOUSE - BROTHER'S BEDROOM - SAME TIME
INT. STIFLER'S HOUSE - BROTHER'S BEDROOM - SAME TIME STIFLER'S YOUNGER BROTHER, 11, a monster, is tugging at Stifler, who sits at the computer, watching Jim's room. STIFLER'S BROTHER Steve! Steve! It's my computer and I
31 57
INT JIM'S BEDROOM SAME TIME
INT. JIM'S BEDROOM - SAME TIME
INT. JIM'S BEDROOM - SAME TIME Nadia unzips her duffel, pulling some clothes out. EXT. KEVIN'S HOUSE - CONTINUING Jim trucks across the lawn to the door. INT. KEVIN'S BEDROOM - DAY
32 58
INT STIFLER'S HOUSE - BROTHER'S BEDROOM SAME TIME
INT. STIFLER'S HOUSE - BROTHER'S BEDROOM - SAME TIME
INT. STIFLER'S HOUSE - BROTHER'S BEDROOM - SAME TIME Stifler and his brother are awestruck. STIFLER'S BROTHER This is like the coolest thing I've ever seen.
33 60
INT COMPUTER NERD'S BEDROOM - DAY SAME TIME
INT. COMPUTER NERD'S BEDROOM - DAY - SAME TIME
INT. COMPUTER NERD'S BEDROOM - DAY - SAME TIME A COMPUTER NERD, 14, is at his computer. Watching NadiaVision. Mouth open. Braces shining. INT. BASEMENT - DAY - SAME TIME A GROUP OF STONERS log onto the page. A LITTLE MONKEY
34 62
INT JIM'S BEDROOM - DAY - CONTINUING
INT. JIM'S BEDROOM - DAY - CONTINUING
INT. JIM'S BEDROOM - DAY - CONTINUING Nadia leans over to Jim's clock radio. Turns it on. We hear COUNTRY MUSIC. She flips the dial, and we hear A FEW STATIONS FLIP BY. Then a DRIVING, EURO-TECHNO SONG. NADIA
35 63
INT GIRL'S BEDROOM SAME TIME
INT. GIRL'S BEDROOM - SAME TIME
INT. GIRL'S BEDROOM - SAME TIME A GROUP OF GIRLS watches in amusement. GIRL IN BEDROOM Work it, baby! The LAUGH and dance mockingly along with Jim.
36 64
INT KEVIN'S BEDROOM DAY
INT. KEVIN'S BEDROOM - DAY
INT. KEVIN'S BEDROOM - DAY KEVIN Ho-lee shit. INT. STIFLER'S HOUSE - BROTHER'S BEDROOM - DAY - SAME TIME STIFLER
37 66
INT ANOTHER BEDROOM DAY
INT. ANOTHER BEDROOM - DAY
INT. ANOTHER BEDROOM - DAY GUY #1 He's re-engaging! A CHEER goes up as the guys CELEBRATE. INT. JIM'S BEDROOM - DAY
38 67
EXT EAST GREAT FALLS HIGH - COURTYARD DAY
EXT. EAST GREAT FALLS HIGH - COURTYARD - DAY
EXT. EAST GREAT FALLS HIGH - COURTYARD - DAY Jim is walking through the courtyard, a bit dazed. A COUPLE GIRLS pass by him, giggling. He trudges along...noticing a CLIQUE OF GIRLS staring at him as he passes by...and Stoner #1 giving him a peace sign...and
39 68
INT EAST GREAT FALLS HIGH - CLASSROOM DAY
INT. EAST GREAT FALLS HIGH - CLASSROOM - DAY
INT. EAST GREAT FALLS HIGH - CLASSROOM - DAY Jim sits, waiting for class to start. Miserable. Some students are obviously talking about him in the background. Others study and chat.
40 70
INT VICKY'S BEDROOM DAY
INT. VICKY'S BEDROOM - DAY
INT. VICKY'S BEDROOM - DAY Vicky is doing calculus homework, as Kevin looks on, rubbing her shoulders. KEVIN You're not doing the extra credit
41 72
INT SUBWAY NIGHT
INT. SUBWAY - NIGHT
INT. SUBWAY - NIGHT Oz is closing up the store. He looks up to see Heather at the door. Oz goes and opens it, surprised, embarrassed. The air is awkward between them. HEATHER
42 75
INT EAST GREAT FALLS HIGH - MURAL STAIRCASE DAY
INT. EAST GREAT FALLS HIGH - MURAL STAIRCASE - DAY
INT. EAST GREAT FALLS HIGH - MURAL STAIRCASE - DAY A GIRL HOLDING OUT FOR FINCH talks to Stifler. GIRL HOLDING OUT FOR FINCH I'm sorry, I really can't go with you...I'm holding out for someone
43 77
INT EAST GREAT FALLS HIGH - GUY'S SHOWERS/LOCKER ROOM DAY
INT. EAST GREAT FALLS HIGH - GUY'S SHOWERS/LOCKER ROOM - DAY
INT. EAST GREAT FALLS HIGH - GUY'S SHOWERS/LOCKER ROOM - DAY Toweled guys exit the steamy showers, doing a macho GREAT FALLS LACROSSE CHANT. They exit frame, and we remain on the showers, to hear -- OZ
44 78
EXT EAST GREAT FALLS HIGH - ENTRANCE TO SENIOR LOCKERS DAY
EXT. EAST GREAT FALLS HIGH - ENTRANCE TO SENIOR LOCKERS - DAY
EXT. EAST GREAT FALLS HIGH - ENTRANCE TO SENIOR LOCKERS - DAY Kevin is at his locker, getting ready for class. Stifler comes running up with a wicked grin on his face. STIFLER Kevin! You seen Shitbreak lately?
45 80
INT BATHROOM DAY
INT. BATHROOM - DAY
INT. BATHROOM - DAY GIRL #2 Do you think that "older woman" thing is true?
46 81
EXT LACROSSE FIELD (MSU) DAY
EXT. LACROSSE FIELD (MSU) - DAY
EXT. LACROSSE FIELD (MSU) - DAY Oz is playing in the final lacrosse game. The team scores -- they're beating Central. Everyone cheers, except Oz. We see Jim and Kevin in the stands, CHEERING.
47 84
EXT MSU CAMPUS DAY
EXT. MSU CAMPUS - DAY
EXT. MSU CAMPUS - DAY Oz runs through a gate. INT. BACKSTAGE - DAY The vocal jazz group is on their feet, lined up, waiting to go onstage. Oz bursts into the room, still in his
48 85
INT EAST GREAT FALLS - CLASSROOM DAY
INT. EAST GREAT FALLS - CLASSROOM - DAY
INT. EAST GREAT FALLS - CLASSROOM - DAY Class has just ended, students are filing out of the classroom. A teacher grades papers in the back of the room, routinely writing "A, A-, A, A-" on each paper. Vicky is studying a pull-down map hanging over the
49 86
EXT EAST GREAT FALLS HIGH NIGHT
EXT. EAST GREAT FALLS HIGH - NIGHT
EXT. EAST GREAT FALLS HIGH - NIGHT The parking lot is full. VARIOUS FORMALLY DRESSED STUDENTS make their way into the school. One group piles out of a stretch limo. We see a STEALTHY STUDENT slip a
50 87
INT EAST GREAT FALLS HIGH - A CORNER OF THE GYM NIGHT
INT. EAST GREAT FALLS HIGH - A CORNER OF THE GYM - NIGHT
INT. EAST GREAT FALLS HIGH - A CORNER OF THE GYM - NIGHT Kevin, Oz, Jim, and Finch are hanging out. Finch is drunk. FINCH Okay. I'm here for your dumb...dumb
51 90
EXT EAST GREAT FALLS HIGH NIGHT
EXT. EAST GREAT FALLS HIGH - NIGHT
EXT. EAST GREAT FALLS HIGH - NIGHT Kevin still sits there. Jim, Oz, and Finch come out of the school. Slowly they walk up to Kevin. OZ ...Guess what?
52 92
EXT STIFLER'S COTTAGE NIGHT
EXT. STIFLER'S COTTAGE - NIGHT
EXT. STIFLER'S COTTAGE - NIGHT A beautiful cottage on the shore of Lake Michigan. Students are filing out of the charter bus. Jim and Michelle are walking up to the cottage. JIM
53 93
EXT BEACH NIGHT
EXT. BEACH - NIGHT
EXT. BEACH - NIGHT Oz and Heather are walking down the beach. Holding hands. Deep in the background, we see kids partying. OZ There's something I've been meaning to
54 95
INT STIFLER'S COTTAGE - BASEMENT NIGHT
INT. STIFLER'S COTTAGE - BASEMENT - NIGHT
INT. STIFLER'S COTTAGE - BASEMENT - NIGHT The party rages in the rest of the cottage, but the basement is empty. STIFLER'S MOM sits in the corner, smoking a cigarette. She's as attractive as her photo we once saw, but the divorce has replaced her sexy smile
55 96
INT STIFLER'S COTTAGE - BEDROOM NIGHT
INT. STIFLER'S COTTAGE - BEDROOM - NIGHT
INT. STIFLER'S COTTAGE - BEDROOM - NIGHT The lights are down. Vicky and Kevin are in bed. KEVIN You comfortable? VICKY
56 98
EXT BEACH NIGHT
EXT. BEACH - NIGHT
EXT. BEACH - NIGHT Oz and Heather lay in a secluded spot in the dunes, surrounded by tall beach grass that swishes in the spring breeze. Stars and a lustrous moon above. The silence speaks. We can see it in their eyes.
57 100
EXT BEACH NIGHT
EXT. BEACH - NIGHT
EXT. BEACH - NIGHT Oz and Heather. Souls entwined. Making love. INT. STIFLER'S COTTAGE - STIFLER'S BROTHER'S BEDROOM - NIGHT We can hear Jim and Michelle going at it like a couple of HOWLING BANSHEES over a SERIES OF SHOTS:
58 102
INT STIFLER'S COTTAGE - STIFLER'S BROTHER'S BEDROOM DAY
INT. STIFLER'S COTTAGE - STIFLER'S BROTHER'S BEDROOM - DAY
INT. STIFLER'S COTTAGE - STIFLER'S BROTHER'S BEDROOM - DAY Jim wakes up in bed, alone. He looks around. JIM She's gone. He considers this.
59 103
EXT DOG DAYS DAY
EXT. DOG DAYS - DAY
EXT. DOG DAYS - DAY A sign on the window reads, "Congratulations Seniors!" INT. DOG DAYS - DAY The four, newly non-virgins munch on hot dogs. Kevin's
60 105
INT KEVIN'S BEDROOM DAY
INT. KEVIN'S BEDROOM - DAY
INT. KEVIN'S BEDROOM - DAY Kevin is on the phone. KEVIN (into phone) Hey. I got another question for you.

American Pie

A raucously crude yet surprisingly tender coming-of-age comedy follows four friends through the rituals of senior year — prom, pacts, and spectacular sexual humiliation — arriving at something that feels less like conquest and more like growing up.

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Overview

Poster
Unique Selling Proposition

Balances outrageous, cringe-comedy set pieces with genuine emotional authenticity about male friendship and the awkward transition from adolescence to adulthood.

AI Verdict & Suggestions

Ratings are subjective. So you get different engines' ratings to compare.

Hover over verdict cards for Executive Summaries

GPT5
 Recommend
Grok
 Recommend
Gemini
 Highly Recommend
Claude
 Recommend
DeepSeek
 Recommend
Average Score: 7.9
Note: As Neil Gaiman says, ”People are usually right about what's wrong, and usually wrong about how to fix it.” Consider the suggestions in this analysis as potential catalysts: adopt what strengthens your vision, and let the rest deepen your understanding of what the story wants to become.
Model Upgrade — March 31, 2026
Our AI readers were upgraded — the verdicts and written analysis on this page are from our newer, significantly stronger models.
For comparison with earlier revisions of your script, here's how it scores under our previous models:
R GPT5 7.5
HR Grok 9.3
R Gemini 7.8
R Claude 7.5
R DeepSeek 8.3
The scoring scale changed with the upgrade. Use these legacy numbers only to compare against your script's earlier revisions — not against the new scores at the top of this page.
Key Takeaways
For the Writer:
To elevate this script, focus on transforming the central pact from a static framing device into a dynamic engine that drives character evolution and escalating stakes. Strengthen emotional arcs by ensuring key relationships face meaningful conflicts and resolutions that build progressively, rather than relying on reactive humiliations or rushed payoffs, to create deeper character growth and more satisfying comedic and heartfelt moments.
For Executives:
This script offers strong commercial potential as a raunchy, ensemble-driven teen comedy with memorable set pieces and broad appeal, but it carries risks from underdeveloped emotional payoffs and a reactive central engine that could leave audiences feeling the story lacks depth, potentially impacting critical reception and word-of-mouth despite its humor.
Story Facts
Genres:
Comedy 65% Romance 30% Drama 25%

Setting: Contemporary, modern-day high school setting, East Great Falls, Michigan, primarily in high school, homes, and a lakeside cottage

Themes: Sexual Awakening and Exploration, The Quest for Romantic Connection and Validation, Social Pressure and Peer Acceptance, Humor and Absurdity in Adolescent Life, Identity and Self-Discovery, The Imperfection of Relationships and Growing Up

Conflict & Stakes: The main conflicts revolve around the characters' struggles with sexual experiences, relationships, and the pressures of adolescence, with stakes including personal embarrassment, social acceptance, and the dynamics of friendships.

Mood: Comedic and awkward, with moments of heartfelt sincerity.

Standout Features:

  • Unique Hook: The pact among friends to lose their virginity before graduation creates a relatable and humorous premise.
  • Character Dynamics: The contrasting personalities of the friends provide comedic tension and depth to the story.
  • Raunchy Humor: The screenplay features a mix of crude humor and heartfelt moments, appealing to a broad audience.
  • Coming-of-Age Journey: Each character experiences personal growth and self-discovery throughout the story.

Comparable Scripts: American Pie, Superbad, The 40-Year-Old Virgin, Porky's, Can't Hardly Wait, Booksmart, The Edge of Seventeen, Mean Girls, Ferris Bueller's Day Off

How 5 AI Readers Scored You

Claude GPT5 Gemini DeepSeek Grok Average Row tint: weak mid strong excellent
Premise i
8.0
Plot i
7.0
Structure i
7.8
Character i
7.2
Dialogue i
7.8
Tone / Voice i
8.2
Theme i
7.0
Marketability i
8.8
Hover any dot or mean pin for that cell's reasoning. Click to lock it.
🎯 Your Top Priorities

Our stats model looked at how your scores work together and ranked the changes most likely to move your overall rating next draft. Ordered by the most reliable gains first.

You have more than one meaningful lever.

Improving Emotional Impact (Script Level) and Conflict (Script Level) will have the biggest impact on your overall score next draft.

1. Emotional Impact (Script Level)
Big Impact Script Level
Your current Emotional Impact (Script Level) score: 7.3
Expected gain: ~8% closer to an "all Highly Recommends" score
Moves easily Writers at your level typically gain +0.6 per rewrite — a realistic improvement.
Confidence: High (based on ~1,157 similar revisions)
  • This is your top opportunity right now. Focusing your rewrite energy here gives you the best realistic shot at raising the overall rating.
  • What writers at your level usually do: Writers at a similar level usually raise Emotional Impact (Script Level) by about +0.6 in one rewrite.
2. Conflict (Script Level)
Big Impact Script Level
Your current Conflict (Script Level) score: 7.2
Expected gain: ~6% closer to an "all Highly Recommends" score
Moves easily Writers at your level typically gain +0.5 per rewrite — a realistic improvement.
Confidence: High (based on ~1,745 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Conflict (Script Level) by about +0.5 in one rewrite.
3. Originality (Script Level)
Moderate Impact Script Level
Your current Originality (Script Level) score: 7.8
Expected gain: ~4% closer to an "all Highly Recommends" score
Moves easily Writers at your level typically gain +0.45 per rewrite — a realistic improvement.
Confidence: High (based on ~1,298 similar revisions)
  • This is another strong option. If the top item doesn't fit your rewrite plan, this is a solid alternative.
  • What writers at your level usually do: Writers at a similar level usually raise Originality (Script Level) by about +0.45 in one rewrite.
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Skills Worth Developing

These have high model impact but rarely improve through rewrites alone — they're craft investments. Studying these areas through courses, mentorship, or focused reading could unlock gains that a normal rewrite won't.

Pacing Scene Level 1.5× leverage

1.5× more model leverage than your top pick above, but writers at your level typically only gain +0.11 per rewrite. (Your score: 8.3)

View Pacing analysis
Scene Structure Scene Level

Strong model leverage, but writers at your level typically only gain +0.13 per rewrite. (Your score: 8.1)

View Scene Structure analysis

Script Level Analysis

Writer Exec

This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.

Screenplay Insights

Breaks down your script along various categories.

Overall Score: 7.40
Key Suggestions:
To improve the script creatively, focus on enhancing character depth and emotional resonance by developing secondary characters like Stifler and Finch with more nuanced backstories and vulnerabilities, and incorporate introspective moments to explore themes of adolescence and relationships more deeply. This will make the narrative more engaging and relatable, balancing the humor with genuine emotional growth.
Story Critique

Big-picture feedback on the story’s clarity, stakes, cohesion, and engagement.

Key Suggestions:
To refine the script, emphasize building deeper character backstories and motivations to enhance emotional investment and reduce reliance on crude humor, which often overshadows growth. Balancing comedic elements with sincere, reflective moments will create a more nuanced narrative, making the story less predictable and more relatable, ultimately strengthening the overall craft and audience connection.
Characters

Explores the depth, clarity, and arc of the main and supporting characters.

Key Suggestions:
The character analysis reveals that while the script effectively uses humor and relatability in depicting adolescent struggles, it could benefit from deeper emotional layers and clearer character arcs to elevate it beyond typical teen comedy tropes. Focusing on enhancing internal conflicts, such as Jim's insecurity and Kevin's fear of commitment, and ensuring that characters like Oz and Heather have more transformative moments would add nuance and resonance, making the story more engaging and memorable for audiences seeking both laughs and heart.
Emotional Analysis

Breaks down the emotional journey of the audience across the script.

Key Suggestions:
To improve the script's emotional depth and engagement, focus on diversifying the emotional palette by incorporating more moments of genuine joy, vulnerability, and positive interactions early on, balancing the heavy reliance on embarrassment and humor. This will reduce emotional fatigue, strengthen character empathy, and create a more nuanced narrative arc, making the story more relatable and resonant beyond its comedic elements.
Goals and Philosophical Conflict

Evaluates character motivations, obstacles, and sources of tension throughout the plot.

Key Suggestions:
The script's exploration of teenage goals and conflicts provides a solid foundation for character growth, but to elevate the craft, focus on refining the philosophical conflict resolution to ensure it feels deeply personal and earned, rather than relying on stereotypical teen comedy tropes. This could involve adding more subtle internal monologues or nuanced interactions that highlight the characters' emotional journeys, making the transition from superficial desires to genuine connections more compelling and authentic.
Themes

Analysis of the themes of the screenplay and how well they’re expressed.

Key Suggestions:
From a creative perspective, the script effectively uses humor and crude scenarios to depict the awkwardness of adolescence, but to enhance its craft, focus on deepening emotional arcs, particularly in romantic subplots like Oz and Heather's relationship, to provide more nuance and balance against the comedy. This would make the coming-of-age theme more impactful and less reliant on shock value, allowing for stronger character development and a more resonant narrative that explores the complexities of growth beyond just sexual exploration.
Logic & Inconsistencies

Highlights any contradictions, plot holes, or logic gaps that may confuse viewers.

Key Suggestions:
To enhance the script's creative integrity and craft, focus on developing characters more organically, such as Michelle's abrupt shift from awkward band geek to sexually confident, by adding subtle hints of her depth earlier on. Address key plot holes and redundancies, like the viral email spread and repeated pact discussions, to improve narrative flow and authenticity, ensuring humor arises from genuine character moments rather than contrived setups for better audience engagement and emotional resonance.

Scene Analysis

All of your scenes analyzed individually and compared, so you can zero in on what to improve.

Scene-Level Percentile Chart
Hover over the graph to see more details about each score.
Go to Scene Analysis

Other Analyses

Writer Exec

This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.

Unique Voice

Assesses the distinctiveness and personality of the writer's voice.

Key Suggestions:
The writer's voice excels in blending sharp humor with authentic emotional depth, making the script highly relatable for a teenage audience. To improve, focus on refining the balance between crude comedic elements and heartfelt moments, ensuring that character development and themes like friendship and growth are given equal weight to avoid over-reliance on shock value, which could enhance the script's emotional resonance and broaden its appeal.
Writer's Craft

Analyzes the writing to help the writer be aware of their skill and improve.

Key Suggestions:
The screenplay effectively portrays teenage humor and dynamics but can be enhanced by focusing on authentic dialogue with deeper subtext, richer character development to explore internal motivations, and refined pacing to better balance comedic and emotional elements, ultimately creating a more engaging and nuanced story.
Memorable Lines
Spotlights standout dialogue lines with emotional or thematic power.
Tropes
Highlights common or genre-specific tropes found in the script.
World Building

Evaluates the depth, consistency, and immersion of the story's world.

Key Suggestions:
The script's world building effectively creates a relatable, humorous coming-of-age story by grounding it in familiar American suburban settings, which enhances character development and thematic depth. To improve creatively, focus on refining the use of technology, like the webcam incident, to avoid dating the story too heavily in a pre-smartphone era; consider updating or abstracting these elements for timelessness while preserving the awkward, authentic teen experiences that drive the comedy and emotional arcs.
Correlations

Identifies patterns in scene scores.

Key Suggestions:
The scene pattern analysis highlights that while humor and sarcasm drive engagement, they often undermine conflict and story progression, leading to pacing issues and reduced emotional depth. To strengthen the script, focus on weaving higher stakes into comedic moments and ensuring dialogue advances the plot and character arcs, transforming awkward and light-hearted scenes into opportunities for genuine growth and tension without losing the script's comedic charm.
Loglines
Presents logline variations based on theme, genre, and hook.