Breaking bad, episode 306
As Hank closes in on Jesse's RV, Walt resorts to desperate measures to protect his secret, jeopardizing his relationship with his family and pushing him further down a dark path.
See other logline suggestionsOverview

Unique Selling Point
This script stands out from others in its genre with its unique elements, such as the use of a souvenir medallion as a symbol, the introduction of the Cousins as antagonists, and the unexpected discovery of a murder. The script also showcases distinctive characters, innovative storytelling techniques, and a compelling narrative. With its exploration of complex relationships, high-stakes conflicts, and intense tension, this script will captivate its target audience and offer a fresh and compelling piece of storytelling.
AI Verdict & Suggestions
Ratings are subjective. So you get different engines’ ratings to compare.
Highly Recommend
Consider
Story Facts
Genres: Crime, Drama, Thriller
Setting: Contemporary, New Mexico, USA
Themes: Identity and Heritage, Suspense and Danger, Family and Relationships, Ambition and Success, Guilt and Consequences, Science and Knowledge, Power and Control, Desperation and Survival, Justice and Morality, Betrayal and Loyalty
Conflict & Stakes: The primary conflicts in this story include the investigation of Mrs. Peyketewa's death, the conflict between Walt and Skyler regarding their divorce and the meth business, the conflict between Jesse and his crew over the new approach to selling meth, and the conflict between Walt and Hank as Hank suspects Walt's involvement in the meth business. The stakes include the safety and reputation of the characters, their relationships, and their freedom.
Mood: Dark, intense, and suspenseful
Standout Features:
- Unique Hook: Exploration of the moral complexities of its characters and the consequences of their actions
- Major Twist: The Cousins killing the Deputy and the negotiation between Gus and the Cousins
- Distinctive Setting: The New Mexico desert and the tribal police cruiser
Comparable Scripts: No Country for Old Men, Breaking Bad, Better Call Saul, No Country for Old Men
Script Level Analysis
This section delivers a top-level assessment of the screenplay’s strengths and weaknesses — covering overall quality (P/C/R/HR), character development, emotional impact, thematic depth, narrative inconsistencies, and the story’s core philosophical conflict. It helps identify what’s resonating, what needs refinement, and how the script aligns with professional standards.
Screenplay Insights
Story Critique
Characters
Emotional Analysis
Goals and Philosophical Conflict
Logic & Inconsistencies
Scene Analysis
All of your scenes analyzed individually and compared, so you can zero in on what to improve.
Other Analyses
This section looks at the extra spark — your story’s voice, style, world, and the moments that really stick. These insights might not change the bones of the script, but they can make it more original, more immersive, and way more memorable. It’s where things get fun, weird, and wonderfully you.
Unique Voice
Writer's Craft
Memorable Lines
World Building
Unique Voice
Writer's Craft
Memorable Lines
World Building
Engine: Gemini
Highly Recommend
Executive Summary
Breaking Bad, episode 306, is a masterfully crafted episode that showcases the show's strengths in character development, plot, dialogue, and thematic exploration. The episode's pacing is excellent, building tension and suspense throughout. While there are minor opportunities to further develop supporting characters, the episode's overall impact is undeniable.
- Exceptional character development, particularly Walt's internal conflict and Jesse's growth. high
- Masterful use of contrasting scenes and montages to highlight the differences between Walt's partnerships with Jesse and Gale. high ( Scene 7 Scene 14 )
- Intense and suspenseful plot that keeps the audience on the edge of their seats. high ( Scene 1 Scene 2 Scene 11 Scene 14 )
- Sharp and witty dialogue that reveals character motivations and adds depth to the story. high
- Exploration of moral ambiguity and the consequences of Walt's choices. high ( Scene 3 Scene 9 Scene 13 )
- Walt's use of Saul to manipulate Hank highlights the depths of his descent into darkness. high ( Scene 13 )
- The symbolism of the RV's destruction represents the end of an era for Walt and Jesse. high ( Scene 11 Scene 14 )
- The ending scene with Gus and the Cousins sets the stage for a new conflict and raises questions about Gus's past. high ( Scene 14 )
Engine: Claude
Consider
Executive Summary
Overall, this Breaking Bad episode is a solid continuation of the series, with strong character development, tense plot progressions, and visually striking sequences. The screenplay effectively balances the ongoing storylines, introducing new elements while advancing the overarching narrative. While there are a few areas that could be tightened or more seamlessly integrated, the episode showcases the show's strong writing and direction, making it a worthy consideration for the series.
- The meth cooking montage sequence is visually striking and effectively conveys the collaborative chemistry between Walt and Gale. The use of classical/jazz music creates a celebratory tone around their work, highlighting the scientific artistry. high ( Scene 6 (INT. SUPERLAB - MORNING - LATER) )
- The dialogue between Walt and Gale reveals their shared passion for chemistry and their differing perspectives on the morality of their work. This scene effectively develops their relationship and provides insight into Gale's backstory and motivations. medium ( Scene 7 (INT. SUPERLAB - AFTERNOON - LATER) )
- The tense standoff between Walt, Jesse, and Hank in the RV is well-executed, with strong character moments and a palpable sense of danger. The use of suspense and the introduction of Old Joe as a legal foil adds complexity to the situation. high ( Scene 12 (INT. RV - AFTERNOON - OUR BOYS) )
- The conversation between Walt and Skyler feels a bit expository and could be streamlined to maintain a faster pace. Some of the dialogue could be made more natural and less on-the-nose. medium ( Scene 3 (INT. WELL-APPOINTED CONDO - DAY) )
- While the scene with Jesse, Badger, and Skinny Pete establishes the new business plan, it could be tightened up to avoid repetition and maintain momentum. Some of the character interactions feel a bit forced. medium ( Scene 4 (INT. JESSE'S HOUSE - LIVING ROOM - DAY) )
- The opening sequence with the tribal police officer and the subsequent events at Mrs. Peyketewa's house feel somewhat disconnected from the rest of the episode. More could be done to integrate these plot points and establish their significance to the overall narrative. medium ( Scene 1 (INT. TRIBAL POLICE CRUISER - DAY) Scene 2 (EXT./INT. MRS. PEYKETEWA'S HOUSE - DAY) )
- Walt's decision to call Saul and use his resources to create a false emergency situation to distract Hank is a notable and morally questionable move that further develops Walt's character arc. high ( Scene 13 (INT. RV - AFTERNOON - LATER) )
- The final scene with Gus and the Cousins sets up an intriguing conflict and power struggle, hinting at larger forces at play beyond Walt and Jesse's immediate predicament. high ( Scene 14 (EXT. EMPTY DESERT PLAIN - SUNSET) )
Screenplay Insights:
Characters: 9.1, The screenplay effectively develops its characters, showcasing their depth, complexity, and transformation throughout the narrative. The well-written characters drive the story forward and enhance the screenplay's emotional resonance. See More
Premise: 7.9, This screenplay's premise has a compelling and clear setup, establishing a potentially engaging narrative. However, there are areas where it could be further enhanced to strengthen its originality and overall intrigue. See More
Structure: 8.0, The screenplay exhibits a solid narrative structure and plot development with compelling character arcs. However, there are some areas where the plot could be further refined to enhance overall clarity and impact. See More
Theme: 9.0, The screenplay effectively conveys its themes of morality, ambition, and the corrupting influence of power. The exploration of these themes is nuanced and interwoven with the characters' choices and actions, resulting in a powerful and thought-provoking narrative. The emotional impact of the story is heightened by the characters' struggles and the consequences of their decisions. See More
Visual Impact: 7.1, This screenplay showcases effective visual imagery in depicting the stark landscapes, intense emotions, and dramatic confrontations that drive the narrative. The use of symbolic motifs, such as the souvenir medallion and the RV, adds depth to the story and visually represents the characters' inner struggles and motivations. See More
Emotional Impact: 7.5, The screenplay exhibits a solid grasp of storytelling techniques to elicit emotional responses from the audience, particularly through its realistic character portrayals and intense scenes. However, enhancing the emotional depth and complexity could elevate the screenplay's overall impact. See More
Conflict: 8.9, The screenplay effectively presents conflict and stakes, capturing the audience's attention and driving the narrative forward. The conflict escalates steadily, with high stakes for the protagonist, making the viewer invested in the outcome. See More
Originality: 8.5, Overall, this screenplay is a solid example of creative storytelling with its unique exploration of themes and innovative plot structure. The introduction of the Cousins as menacing and enigmatic figures adds an element of tension and unpredictability, driving the narrative forward in a compelling way. See More
Screenplay Story Analysis
Note: This is the overall critique. For scene by scene critique click here
Summaries
- Officer Kee, a young Native American deputy, receives a call from the dispatcher asking him to check on Mrs. Peyketewa. The scene opens with a souvenir medallion hanging from the rearview mirror of a tribal police cruiser. The medallion twists in the wind, revealing an old photograph of an armed band of Apache warriors. The cruiser makes its way towards a small house in the New Mexico desert. No conflicts arise in this scene, and the tone is calm and reflective.
- The Deputy arrives at Mrs. Peyketewa's deserted house and discovers a shrine with offerings and a steaming cup of coffee. He then finds Mrs. Peyketewa's body rolled up in a rug. The Deputy confronts the Cousins, one of whom is holding a red apple, and the other with a fire axe. The Cousins kill the Deputy, leaving the scene ominous and suspenseful.
- Walt and Skyler discuss their divorce and their son, but tension arises when they argue about the child support worksheet. Meanwhile, the Cousins wait for Walt at Los Pollos Hermanos, putting pressure on Gus. Badger admires a chunk of blue crystal, adding to the foreboding tone of the scene.
- Jesse, Skinny Pete, and Badger sit around a coffee table admiring Jesse's blue crystal meth. Badger hesitates to snort it due to Jesse's recent rehab stint, but eventually gives in and becomes ecstatic. Jesse proposes a new, safer approach to selling meth and assigns tasks to his crew. The conflict in this scene is resolved when Badger gives in and becomes ecstatic. The tone of this scene is lighthearted and optimistic. Key pieces of dialogue include Jesse proposing a new, safer approach to selling meth and assigning tasks to his crew. The scene ends with Jesse assigning tasks to his crew for their new approach to selling meth.
- Jesse bids farewell to his crew as Hank watches from afar. Walt prepares for his day and has a tense conversation with his son on the way to school. Meanwhile, Gus enters Los Pollos Hermanos and encounters the Cousins, hinting at a potential conflict. The scene is filled with anticipation, tension, and unease as the characters navigate their respective conflicts.
- Walt walks through an industrial laundry and enters the superlab where he meets his new lab assistant, Gale. They bond over coffee and begin a montage of cooking meth together. The scene takes place in the morning and there are no conflicts. The tone is positive and uplifting as Walt and Gale bond over their shared passion for chemistry. Gale introduces himself and shares his qualifications with Walt. They bond over coffee and discuss the process of making meth. The montage of cooking meth is visually stunning with slow-mo shots, split-screens, and fancy dissolves. The scene ends with Walt and Gale beginning their meth-cooking montage.
- Gale and Walt celebrate the end of their first day in the superlab with wine and discuss their work. They share a moment of appreciation for chemistry. Meanwhile, Hank watches Jesse's house from his car and receives a call from Marie. The tone of this scene is reflective and contemplative. There are no conflicts or significant visual elements or actions. The scene ends with Hank talking to Marie on the phone about his work.
- Marie talks to Hank about finding the RV and suggests someone who might know something. Hank calls Walt and asks if Jesse ever had an RV, indicating his suspicion of Jesse selling crystal meth. Walt is shocked and hangs up. He then calls Saul to ask for a secure line. The scene ends with Walt calling Saul to ask for a secure line.
- Saul lies on the floor with a Chinese massage machine while talking on the phone with Walt, who informs him about a DEA problem. Walt's brother-in-law knows about their RV, which contains a meth lab and is covered with Walt's fingerprints. Saul suggests getting rid of it before the feds do, but Walt is unsure how to make an RV disappear. The scene ends with Walt hanging up on Saul, realizing he's gotten all the help he's going to get.
- Walt arrives at the tow yard to find the RV being worked on by Badger's cousin, Clovis. He demands that they wipe the RV clean and destroy the evidence before the DEA finds it. Clovis agrees to help and calls a guy who can make the RV disappear. Meanwhile, Jesse receives a call from Badger and rushes to find out where the RV is being taken. The Cousins are still haunting Gus at Los Pollos Hermanos, but Gus handles the situation calmly and speaks to them in Spanish. They leave without incident. The scene ends with Walt and Clovis heading to call the guy who can make the RV disappear, and the Cousins leaving Los Pollos Hermanos without incident.
- Walt pays Old Joe to crush the RV, but Jesse barges in angry and confused. They both panic when they see Hank's Commander approaching and blocking them in. The conflict arises when Jesse accuses Walt of trying to get rid of the RV without him. The scene takes place in a crusher yard filled with scrap metal and a massive car crusher. The tone of this scene is tense and panicked. The visual elements include the massive car crusher devouring a vehicle, the RV parked between piles of crushed cars, and Hank's Commander blocking them in. The scene ends with Hank approaching and blocking them in, leaving Walt and Jesse panicked and trapped.
- Walt and Jesse are hiding inside an RV in a junkyard, afraid of being discovered by Hank. Hank approaches the RV and tries to break in, but Old Joe, the owner of the lot, confronts him and argues that he needs a warrant. Hank decides to wait for a warrant and calls his colleague, buying Walt and Jesse some time. The emotional tone of the scene is tense and fearful, with Hank threatening Jesse with arrest and Old Joe challenging Hank's authority. The scene ends with Hank calling his colleague and deciding to wait for a warrant.
- Walt and Jesse are trapped in an RV and contemplate their options. Hank receives a distressing call about his wife's accident. Walt comes up with a plan and makes a phone call for help. Officer Tanner delivers the news to Hank, and Saul and Francesca are involved in a phone call related to Walt's plan. The emotional tone of this scene is tense, desperate, and filled with guilt and fear. The scene ends with the RV being forcefully pierced by steel forks, causing chaos inside.
- Walt and Jesse watch as their RV is crushed in a car crusher at a yard during sunset. Meanwhile, Gus negotiates with the Cousins in an empty desert plain at sunset, offering them Hank Schrader's life instead of Walter's. The emotional tone of the scene is sad and melancholy as the RV is destroyed and tense as Gus negotiates in Spanish. The scene ends with the Cousins considering Gus's offer.
Walt - Score: 88/100
Role
Protagonist
Character Analysis Overview
Jesse - Score: 82/100
Role
Protagonist
Character Analysis Overview
Gale - Score: 73/100
Character Analysis Overview
Hank - Score: 79/100
Character Analysis Overview
Theme | Theme Details | Theme Explanation |
---|---|---|
Identity and Heritage | The scene opens with a souvenir medallion hanging from the rearview mirror of a tribal police cruiser, revealing an old photograph of Apache warriors. Officer Kee, a young Native American deputy, is the main character in this scene. | The theme of identity and heritage is present in the scene through the visual representation of the Apache warriors on the medallion and Officer Kee's Native American background. This theme may explore the struggle of maintaining cultural identity in a modern world or the connection between one's heritage and their actions. |
Suspense and Danger | The scene ends with the Cousins killing the Deputy with a fire axe. | The theme of suspense and danger is evident in this scene as the conflict escalates and leads to the Deputy's death. This theme may explore the consequences of being involved in dangerous situations or the unpredictability of life and the potential dangers that can arise. |
Family and Relationships | Walt and Skyler discuss their divorce and their son. The scene ends with the Cousins waiting for Walt at Los Pollos Hermanos, putting pressure on Gus. | The theme of family and relationships is present in this scene through the discussion between Walt and Skyler about their divorce and their son. This theme may explore the complexities of family dynamics, the impact of personal relationships on one's actions, or the struggle to balance personal and professional responsibilities. |
Ambition and Success | Jesse proposes a new, safer approach to selling meth and assigns tasks to his crew. | The theme of ambition and success is evident in this scene as Jesse proposes a new approach to selling meth and assigns tasks to his crew. This theme may explore the pursuit of success and the lengths people are willing to go to achieve their goals, or the consequences of ambition and the potential dangers it can bring. |
Guilt and Consequences | The conflict in this scene arises between Walt and Walter Jr. as they discuss Walt's guilt and the impact it has on their relationship. | The theme of guilt and consequences is present in this scene through the conflict between Walt and Walter Jr. This theme may explore the emotional and psychological impact of guilt, the consequences of one's actions, or the struggle to reconcile with past mistakes. |
Science and Knowledge | Walt and Gale bond over their shared love of chemistry. | The theme of science and knowledge is evident in this scene as Walt and Gale bond over their shared passion for chemistry. This theme may explore the power of knowledge, the pursuit of scientific discovery, or the ethical implications of using scientific knowledge for personal gain. |
Power and Control | The conflict in this scene arises when Jesse barges in and accuses Walt of trying to get rid of the RV without him. | The theme of power and control is present in this scene through the conflict between Jesse and Walt. This theme may explore the dynamics of power and control in relationships, the struggle for dominance, or the consequences of seeking control over others. |
Desperation and Survival | Walt and Jesse are trapped in an RV and contemplating their options. | The theme of desperation and survival is evident in this scene as Walt and Jesse find themselves in a desperate situation and must come up with a plan to survive. This theme may explore the lengths people are willing to go to in order to survive, the psychological and emotional toll of desperation, or the resilience of the human spirit in the face of adversity. |
Justice and Morality | The conflict in this scene arises when Hank asks Walt about Jesse's RV, indicating that he suspects Jesse of selling crystal meth. | The theme of justice and morality is present in this scene through the conflict between Hank and Walt. This theme may explore the concepts of right and wrong, the pursuit of justice, or the moral dilemmas faced by individuals in difficult situations. |
Betrayal and Loyalty | The conflict in this scene is whether or not the Cousins will spare Walter's life. | The theme of betrayal and loyalty is evident in this scene as the Cousins consider whether or not to spare Walter's life. This theme may explore the complexities of loyalty and betrayal, the consequences of betrayal, or the sacrifices made for loyalty. |
Screenwriting Resources on Themes
Articles
Site | Description |
---|---|
Studio Binder | Movie Themes: Examples of Common Themes for Screenwriters |
Coverfly | Improving your Screenplay's theme |
John August | Writing from Theme |
YouTube Videos
Title | Description |
---|---|
Story, Plot, Genre, Theme - Screenwriting Basics | Screenwriting basics - beginner video |
What is theme | Discussion on ways to layer theme into a screenplay. |
Thematic Mistakes You're Making in Your Script | Common Theme mistakes and Philosophical Conflicts |
Goals and Philosophical Conflict | |
---|---|
internal Goals | The protagonist's internal goals evolved throughout the script, reflecting his desire to fulfill his duty as a police officer, protect and serve his community, maintain a sense of control and dignity in his crumbling marriage, regain a sense of pride and accomplishment, assess and evaluate his new lab assistant, establish a connection and bond with his lab assistant, find evidence against Jesse, protect himself and his associates from the DEA's investigation, ensure there is no incriminating evidence left behind, remain hidden and avoid being discovered by Hank, come up with a plan to escape their current situation, and come to terms with the destruction of the RV and the end of their meth lab. |
External Goals | The protagonist's external goals evolved throughout the script, reflecting the immediate challenges he faced in investigating Mrs. Peyketewa's well-being, solving a homicide case, finalizing his divorce and discussing arrangements for his son, convincing his friends to join him in selling meth, starting his new job at the industrial laundry, continuing the meth cooking operation, gathering information about Gale's background, finding Jesse's RV, getting rid of the RV before the authorities find it, ensuring no evidence is left behind in the RV, remaining hidden and avoiding detection, finding a way to escape their current location, and witnessing the destruction of the RV. |
Philosophical Conflict | The overarching philosophical conflict in the screenplay revolves around the protagonist's belief in his ability to provide for his family and be a good father despite the divorce, his belief in the magic and beauty of chemistry, and his attachment to his old life as a meth producer. These conflicts intertwine with the protagonist's journey as he navigates the challenges of his personal and criminal life, questions the purpose and value of his work, and grapples with the consequences of his actions. |
Character Development Contribution: The protagonist's internal goals and the philosophical conflicts he faces contribute to his character development by challenging his beliefs, values, and worldview. They force him to confront his fears, desires, and flaws, and ultimately shape his transformation throughout the screenplay.
Narrative Structure Contribution: The protagonist's internal and external goals provide a framework for the narrative structure of the screenplay. They drive the plot forward, create tension and conflict, and guide the protagonist's actions and decisions. The philosophical conflicts add depth and complexity to the narrative, exploring larger themes and ideas.
Thematic Depth Contribution: The protagonist's internal and external goals, as well as the overarching philosophical conflicts, contribute to the thematic depth of the screenplay by exploring themes of duty, protection, control, pride, validation, fear, self-preservation, identity, survival, closure, and the purpose and value of one's work. They raise questions about morality, responsibility, and the consequences of one's actions, and invite reflection on the nature of power, ambition, and the pursuit of happiness.
Screenwriting Resources on Goals and Philosophical Conflict
Articles
Site | Description |
---|---|
Creative Screenwriting | How Important Is A Character’s Goal? |
Studio Binder | What is Conflict in a Story? A Quick Reminder of the Purpose of Conflict |
YouTube Videos
Title | Description |
---|---|
How I Build a Story's Philosophical Conflict | How do you build philosophical conflict into your story? Where do you start? And how do you develop it into your characters and their external actions. Today I’m going to break this all down and make it fully clear in this episode. |
Endings: The Good, the Bad, and the Insanely Great | By Michael Arndt: I put this lecture together in 2006, when I started work at Pixar on Toy Story 3. It looks at how to write an "insanely great" ending, using Star Wars, The Graduate, and Little Miss Sunshine as examples. 90 minutes |
Tips for Writing Effective Character Goals | By Jessica Brody (Save the Cat!): Writing character goals is one of the most important jobs of any novelist. But are your character's goals...mushy? |
Story Content | Character Development | Scene Elements | Audience Engagement | Technical Aspects | |||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Click for Full Analysis | Tone | Overall | Concept | Plot | Originality | Characters | Character Changes | Internal Goal | External Goal | Conflict | Opposition | High stakes | Story forward | Twist | Emotional Impact | Dialogue | Engagement | Pacing | Formatting | Structure | |
1 - Officer Kee Responds to a Call | Ironic, Mysterious | 8 | 7 | 7 | 9 | 7 | 5 | 8 | 7 | 6 | 7 | 6 | 7 | 7 | 5 | 6 | 8 | 8 | 9 | 9 | |
2 - Murder at Mrs. Peyketewa's House | Suspenseful, Creepy, Intense | 9 | 8 | 9 | 6 | 8 | 7 | 7 | 6 | 9 | 8 | 10 | 9 | 7 | 8 | 7 | 8 | 9 | 9 | 8 | |
3 - Tension and Pressure | Resigned, Bitter, Sarcastic, Polite, Tense | 8 | 7 | 8 | 7 | 9 | 7 | 8 | 7 | 8 | 7 | 8 | 8 | 6 | 7 | 9 | 8 | 8 | 9 | 9 | |
4 - Jesse's New Approach to Selling Meth | Pride, Excitement, Cautious | 8 | 7 | 7 | 6 | 8 | 5 | 8 | 7 | 5 | 6 | 6 | 8 | 7 | 6 | 9 | 9 | 8 | 9 | 8 | |
5 - Goodbyes and Tension | Tense, Anxious, Nostalgic | 8 | 7 | 8 | 2 | 9 | 7 | 0 | 5 | 7 | 6 | 6 | 8 | 4 | 7 | 8 | 6 | 7 | 9 | 8 | |
6 - Walt meets his new lab assistant | Serious, Intense, Professional, Friendly | 9 | 8 | 8 | 7 | 9 | 5 | 8 | 7 | 6 | 7 | 5 | 8 | 6 | 6 | 9 | 8 | 8 | 9 | 9 | |
7 - Chemistry and Surveillance | Educational, Reflective, Intimate | 9 | 8 | 7 | 9 | 9 | 4 | 8 | 7 | 3 | 6 | 2 | 5 | 7 | 7 | 10 | 9 | 8 | 9 | 8 | |
8 - Hank Suspects Jesse of Selling Meth | Frustration, Exasperation, Curiosity, Tension | 8 | 7 | 8 | 5 | 7 | 5 | 8 | 7 | 7 | 8 | 7 | 8 | 6 | 6 | 9 | 7 | 9 | 9 | 8 | |
9 - Dealing with the DEA | Tense, Panicked, Sarcastic | 9 | 8 | 9 | 7 | 9 | 7 | 8 | 9 | 9 | 8 | 10 | 9 | 8 | 8 | 10 | 9 | 9 | 9 | 9 | |
10 - Walt demands the RV be wiped clean | Tense, Intense, Threatening | 9 | 8 | 9 | 7 | 9 | 7 | 8 | 9 | 10 | 8 | 10 | 9 | 8 | 8 | 10 | 9 | 9 | 9 | 9 | |
11 - Walt and Jesse Panic as Hank Blocks Them In | Tense, Anxious, Fearful, Reflective | 9 | 8 | 9 | 6 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 9 | 8 | 9 | 9 | 9 | 8 | |
12 - Hank Confronts Walt and Jesse in the RV | Tense, Anxious, Intense | 9 | 8 | 9 | 6 | 9 | 7 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 10 | 9 | 9 | 9 | 8 | |
13 - Trapped in the RV | Despair, Nervous, Desperate, Scared, Reluctant, Bitterness, Anger, Defeated | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 7 | 9 | 8 | 9 | 9 | 8 | 9 | 8 | 9 | 9 | 9 | 8 | |
14 - The Crushing of the RV and Negotiations in the Desert | Sad, Melancholy, Tense | 9 | 8 | 9 | 7 | 9 | 8 | 8 | 7 | 9 | 8 | 10 | 9 | 7 | 8 | 9 | 8 | 8 | 9 | 9 |
Summary of Scene Level Analysis
Here are insights from the scene-level analysis, highlighting strengths, weaknesses, and actionable suggestions.
Some points may appear in both strengths and weaknesses due to scene variety.
Tip: Click on criteria in the top row for detailed summaries.
Scene Strengths
- Engaging dialogue
- Tension-building
- Character development
- Effective setting establishment
- Intriguing use of the medallion as a symbol
Scene Weaknesses
- Limited character development
- Lack of strong emotional moments
- Limited dialogue interactions
- Lack of conflict
- Lack of high stakes
Suggestions
- Explore the characters more deeply to increase their emotional impact
- Increase the frequency and depth of dialogue interactions
- Introduce more conflict and high stakes to drive the plot forward
- Create stronger emotional moments to resonate with the audience
- Use the medallion as a more prominent symbol throughout the screenplay to reinforce the theme and engage the audience
Scene 1 - Officer Kee Responds to a Call
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 2 - Murder at Mrs. Peyketewa's House
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 3 - Tension and Pressure
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 4 - Jesse's New Approach to Selling Meth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 5 - Goodbyes and Tension
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 6 - Walt meets his new lab assistant
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 7 - Chemistry and Surveillance
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 8 - Hank Suspects Jesse of Selling Meth
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 9 - Dealing with the DEA
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 10 - Walt demands the RV be wiped clean
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 11 - Walt and Jesse Panic as Hank Blocks Them In
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 12 - Hank Confronts Walt and Jesse in the RV
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 13 - Trapped in the RV
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
Scene 14 - The Crushing of the RV and Negotiations in the Desert
The #1 Rule of Screenwriting: Make your reader or audience compelled to keep reading.
“Grab ‘em by the throat and never let ‘em go.”
The scene level score is the impact on the reader or audience to continue reading.
The Script score is how compelled they are to keep reading based on the rest of the script so far.
- Physical environment: The world depicted in the screenplay is a mix of different settings, including a New Mexico reservation characterized by its barren and beautiful landscape, a small suburban neighborhood, a well-appointed condo in Albuquerque, Jesse's house with its spacious living room, an industrial laundry facility serving as a front for a meth lab, a superlab used for illegal drug production, Saul Goodman's quirky office, a cluttered auto repair spot called the tow yard, a crusher yard filled with scrap metal, and an RV in a junkyard. Each setting contributes to the overall world-building by creating distinct atmospheres and reflecting the characters' experiences and actions.
- Culture: The cultural elements in the screenplay are primarily represented through the Native American community in the New Mexico reservation, as seen through the presence of a tribal police car, the mention of Mrs. Peyketewa, and the use of a shrine with offerings. The screenplay also explores the criminal culture surrounding the production and distribution of crystal meth, as depicted through the characters' drug use, their involvement in illegal activities, and the tension between different criminal factions. These cultural elements shape the characters' experiences and actions by influencing their motivations, relationships, and conflicts.
- Society: The societal structure in the screenplay is primarily characterized by criminality and secrecy. The characters operate within a world where illegal drug production and distribution are prevalent, and they face immediate challenges and dangers related to their involvement in criminal activities. The screenplay also touches on societal issues such as divorce, child support, and the impact of illegal drug use on families. These societal structures contribute to the narrative by creating conflicts, tensions, and moral dilemmas for the characters to navigate.
- Technology: The technological elements in the screenplay are primarily represented through the use of police radios, satellite dishes, high-tech lab equipment, and advanced chemicals for drug synthesis. These technological aspects contribute to the overall world-building by creating a sense of realism and specificity in the depiction of the characters' environments and activities. They also shape the characters' experiences and actions by providing them with tools and resources that enable their criminal activities and influence their interactions with the world around them.
- Characters influence: The unique physical environment, culture, society, and technology in the screenplay shape the characters' experiences and actions in various ways. The physical environment, such as the barren landscape of the New Mexico reservation or the gritty and dangerous settings of the meth labs, creates a sense of place and influences the characters' behaviors and decisions. The cultural elements, such as the Native American community or the criminal culture surrounding drug production, shape the characters' identities, motivations, and relationships. The societal structures, such as the prevalence of criminality and secrecy, create conflicts, tensions, and moral dilemmas for the characters to navigate. The technology, such as the advanced lab equipment or the use of police radios, provides the characters with tools and resources that enable their actions and influence their interactions with the world. Overall, these world elements contribute to the complexity and depth of the characters' experiences and actions.
- Narrative contribution: The world elements in the screenplay contribute to the narrative by creating distinct settings, conflicts, and tensions that drive the story forward. The physical environment, culture, society, and technology provide the backdrop and context for the characters' actions and decisions. They create obstacles, challenges, and opportunities for the characters to navigate, leading to dramatic and suspenseful moments. The world elements also contribute to the pacing and structure of the screenplay, as the characters move between different settings and interact with different cultural and technological elements. Additionally, the world elements contribute to the development of the plot and the resolution of conflicts, as the characters' experiences and actions are shaped by the unique aspects of their world.
- Thematic depth contribution: The world elements in the screenplay contribute to the thematic depth by exploring themes such as identity, morality, power, and the consequences of one's actions. The physical environment, culture, society, and technology shape the characters' experiences and actions in ways that reflect and explore these themes. For example, the barren landscape of the New Mexico reservation and the gritty settings of the meth labs reflect the characters' struggles with their own identities and the moral implications of their actions. The cultural elements, such as the Native American community and the criminal culture, raise questions about power dynamics and the impact of societal structures on individuals. The technological elements, such as the advanced lab equipment and the use of police radios, highlight the consequences of using technology for illegal activities. Overall, the world elements contribute to the thematic depth of the screenplay by providing a rich and nuanced exploration of these themes.
Voice Analysis | |
---|---|
Summary: | The writer's voice is characterized by a blend of descriptive language, realistic dialogue, and concise narrative description. They have a talent for creating tension and suspense through their writing, as well as conveying emotional depth and authenticity in their characters. |
Voice Contribution | The writer's voice contributes to the script by creating a distinct atmosphere, highlighting cultural elements, and adding depth to the characters and their interactions. Their unique style enhances the mood, themes, and overall depth of the screenplay. |
Best Representation Scene | 6 - Walt meets his new lab assistant |
Best Scene Explanation | This scene is the best representation because it showcases the writer's ability to create vivid and engaging visual and sensory descriptions, as well as their talent for crafting natural and authentic dialogue that reveals character traits and dynamics. |
Style and Similarities
The writing style of the screenplay is characterized by a focus on tension, suspense, and character-driven storytelling. The dialogue is often concise and impactful, revealing the characters' professionalism and commitment. There is also a strong emphasis on realism and authenticity in the portrayal of characters and their actions.
Style Similarities:
Writer | Explanation |
---|---|
Vince Gilligan | Vince Gilligan's writing style is the most dominant throughout the screenplay, as it is frequently cited as a point of comparison in multiple scenes. His ability to create tension and suspense through concise and descriptive narrative description, as well as his focus on character conflicts and emotional depth, are both evident in the screenplay. |
David Simon | David Simon's writing style is also prominent in the screenplay, particularly in its focus on realistic and gritty dialogue, as well as its attention to detail in character interactions. Both writers prioritize authenticity and depth in their storytelling. |
Other Similarities: The screenplay also incorporates elements of Native American culture and explores themes of duty and justice, which is reminiscent of Taylor Sheridan's writing style. Additionally, the use of naturalistic dialogue and exploration of complex relationships is similar to Noah Hawley's writing style. The inclusion of dark humor and the way the characters' personalities are reflected in their dialogue is reminiscent of Martin McDonagh's writing style. Finally, the focus on intellectual banter and the expertise of the characters is similar to Aaron Sorkin's writing style.
Top Correlations and patterns found in the scenes:
Pattern | Explanation |
---|---|
Tone and Emotional Impact | There is a strong correlation between the tone of the scene and its emotional impact. Scenes with tense or anxious tones tend to have higher emotional impact scores. |
Dialogue and Character Changes | Scenes with higher dialogue scores tend to have more significant character changes. This suggests that dialogue is an effective tool for character development. |
Conflict and High Stakes | Scenes with higher conflict scores tend to have higher stakes. This makes sense, as higher conflict often leads to higher stakes. |
Concept and Plot | There is a moderate correlation between the concept and plot scores. This suggests that a strong concept can lead to a stronger plot. |
Overall Grade and Move Story Forward | Scenes with higher overall grades tend to do a better job of moving the story forward. This suggests that a well-written scene is more effective at advancing the plot. |
Tone and Character Changes | Scenes with more intense or serious tones tend to have more significant character changes. This suggests that tone can be an effective tool for character development. |
Dialogue and Emotional Impact | Scenes with higher dialogue scores tend to have higher emotional impact scores. This suggests that well-written dialogue can be an effective tool for eliciting an emotional response from the audience. |
Character Changes and Emotional Impact | Scenes with more significant character changes tend to have higher emotional impact scores. This suggests that character development can be an effective tool for eliciting an emotional response from the audience. |
Tone and Conflict | Scenes with more intense or serious tones tend to have higher conflict scores. This suggests that tone can be an effective tool for creating conflict in a scene. |
Dialogue and Conflict | Scenes with higher dialogue scores tend to have higher conflict scores. This suggests that well-written dialogue can be an effective tool for creating conflict in a scene. |
Writer's Craft Overall Analysis
The overall writing style of the screenplay is effective in creating tension, suspense, and atmosphere. The writer demonstrates a strong command of dialogue, character development, and narrative description. The scenes effectively convey the emotions and conflicts of the characters, and the pacing and structure contribute to the overall effectiveness of the screenplay.
Key Improvement Areas
Suggestions
Type | Suggestion | Rationale |
---|---|---|
Book | Save the Cat! Writes a Novel by Jessica Brody | This book provides insights and exercises to improve the craft of screenwriting, including character development and plot structure. |
Video | MasterClass: Aaron Sorkin Teaches Screenwriting | This video course by Aaron Sorkin offers valuable lessons on dialogue writing and storytelling techniques. |
Screenplay recommendation | Read 'Pulp Fiction' by Quentin Tarantino | This screenplay is a great example of how to effectively use dialogue and create engaging characters. |
Exercise | Write a scene with a different character dynamic and conflictPractice In SceneProv | This exercise will help the writer explore different character interactions and conflicts, further developing their skills in creating engaging scenes. |
Screenplay recommendation | Save the Cat! by Blake Snyder | This book provides valuable insights and techniques for developing engaging and well-structured scenes. |
Exercise | Write a scene with only subtextual dialoguePractice In SceneProv | This exercise can help the writer practice conveying emotions and conflicts through subtext, which could add depth to their scenes. |
Screenplay recommendation | Read 'No Country for Old Men' by Cormac McCarthy | This screenplay is known for its tense and suspenseful writing style, which could provide inspiration for the writer to further develop their craft. |
Exercise | Write a scene with a philosophical conflict between two charactersPractice In SceneProv | This exercise could help the writer explore new aspects of their writing style and develop their ability to create complex and thought-provoking scenes. |
Here are different Tropes found in the screenplay
Trope | Trope Details | Trope Explanation |
---|---|---|
Mysterious Past | The souvenir medallion hanging from the rearview mirror of the tribal police cruiser, which twists in the wind to reveal an old photograph of Apache warriors. | The Mysterious Past trope is used to create intrigue and curiosity about a character's background or history. In this scene, the medallion hints at Officer Kee's connection to the Apache warriors and suggests that there may be more to his story. |
Foreshadowing | The scene ends with the cruiser making its way towards a small house in the New Mexico desert. | Foreshadowing is a literary device used to hint at future events or outcomes. In this scene, the cruiser heading towards the small house in the desert foreshadows a significant event or conflict that may occur there. |
Suspenseful Death | The Deputy finds Mrs. Peyketewa's body rolled up in a rug. The Deputy calls for backup and confronts one of the Cousins, who is holding a red apple. The other Cousin approaches with a fire axe and kills the Deputy. | The Suspenseful Death trope is used to create tension and anticipation around a character's death. In this scene, the discovery of Mrs. Peyketewa's body and the confrontation between the Deputy and the Cousins build suspense, leading to the Deputy's eventual death. |
Tense Conversation | Walt and Skyler discuss their divorce and their son. The Cousins wait for Walt at Los Pollos Hermanos. Badger admires a chunk of blue crystal. | The Tense Conversation trope is used to create a sense of unease and conflict between characters. In this scene, the tension arises from Walt and Skyler's discussion about their divorce and their son, as well as the presence of the Cousins waiting for Walt at Los Pollos Hermanos. |
Lighthearted Moment | Jesse, Skinny Pete, and Badger sit around a coffee table admiring Jesse's blue crystal meth. Badger hesitates to snort it due to Jesse's recent rehab stint, but eventually gives in and becomes ecstatic. Jesse proposes a new, safer approach to selling meth and assigns tasks to his crew. | The Lighthearted Moment trope is used to provide a break from tension and create a moment of levity or humor. In this scene, the lighthearted moment occurs when Badger hesitates to snort the meth but eventually gives in and becomes ecstatic, leading to Jesse proposing a new approach to selling meth. |
Anticipation | Walt waits anxiously for the time to go to his new lab. The scene ends with Gus entering Los Pollos Hermanos and encountering the Cousins. | The Anticipation trope is used to build suspense and create a sense of expectation for future events. In this scene, Walt's anxious waiting and Gus's encounter with the Cousins generate anticipation for what will happen next. |
Montage | Walt and Gale bond over coffee and begin a montage of cooking meth together. | The Montage trope is used to condense a series of events or actions into a short sequence, often accompanied by music. In this scene, the montage showcases Walt and Gale's collaboration in cooking meth, highlighting their growing partnership. |
Reflective Moment | Gale and Walt celebrate the end of their first day in the superlab with wine and discuss their work. Meanwhile, Hank watches Jesse's house from his car and receives a call from Marie. | The Reflective Moment trope is used to provide a pause in the action and allow characters to reflect on their experiences or emotions. In this scene, Gale and Walt's celebration and discussion of their work, as well as Hank watching Jesse's house and receiving a call from Marie, create a reflective moment for the characters. |
Suspicion | Hank asks Walt if Jesse ever had an RV. Walt is shocked and hangs up. He then calls Saul to ask for a secure line. | The Suspicion trope is used to create doubt or mistrust between characters. In this scene, Hank's question about Jesse's RV and Walt's shocked reaction hint at suspicion and potential conflict between them. |
Desperate Situation | Walt and Jesse are trapped in an RV and contemplating their options. Walt comes up with a plan and makes a phone call for help. Meanwhile, Hank receives a call about his wife being in an accident. The scene ends with the RV being forcefully pierced by steel forks. | The Desperate Situation trope is used to create a sense of urgency and danger for the characters. In this scene, Walt and Jesse's trapped situation, Hank's distressing call about his wife, and the RV being pierced by steel forks all contribute to the desperate situation they find themselves in. |
Negotiation | Gus meets with the Cousins in the desert to negotiate Walter's fate. | The Negotiation trope is used to depict a discussion or bargaining between parties to reach an agreement. In this scene, Gus negotiates with the Cousins to spare Walter's life, showcasing his diplomatic skills and the high stakes involved. |
Memorable lines in the script:
Scene Number | Line |
---|---|
12 | Jesse: THIS IS MY OWN PRIVATE DOMICILE AND I WILL NOT BE HARASSED! BITCH! |
2 | Officer Kee: HOLD IT RIGHT THERE!! |
14 | GUS: I told you before. You will not kill Walter White. Not until my business with him has concluded. |
1 | DISPATCHER: KDK-12, come in... KDK-12... |
9 | SAUL: what do I look like, the RV disposal people? Did you not plan for this contingency? |
Some Loglines to consider:
As Hank closes in on Jesse's RV, Walt resorts to desperate measures to protect his secret, jeopardizing his relationship with his family and pushing him further down a dark path. |
Walt finds an unlikely kindred spirit in his new lab assistant, Gale, but their idyllic partnership is threatened by Hank's investigation and the looming threat of the Cousins. |
Jesse's attempt to rebuild his drug empire puts him in Hank's crosshairs, forcing Walt to make a difficult choice between his partner and his freedom. |
A seemingly mundane visit to Los Pollos Hermanos turns into a tense standoff between Gus and the Cousins, revealing a hidden conflict and raising questions about Gus's past. |
The destruction of the RV marks the end of an era for Walt and Jesse, as they face the consequences of their actions and the uncertainty of their future. |
A high school chemistry teacher's decision to cook meth leads him down a dark path of moral compromise and increasingly dangerous criminal activities. |
When a terminally ill teacher turns to cooking meth to secure his family's financial future, he becomes entangled in a web of secrets, betrayal, and deadly consequences. |
A mild-mannered family man transforms into a ruthless drug kingpin, risking everything he holds dear in a high-stakes battle for survival. |
Faced with a terminal diagnosis, a teacher resorts to manufacturing crystal meth, setting off a chain of events that pits him against a DEA agent who happens to be his own brother-in-law. |
Trapped between his desire to provide for his family and the moral descent into the criminal underworld, a teacher must navigate a treacherous landscape of drug lords, law enforcement, and his own conscience. |
Help & FAQ
Frequently Asked Questions
After that, the high-level menu will offer insights into the story, themes, and characters.
The scene-by-scene analysis will demonstrate how each scene performs across various criteria, summarized in the column headings.
Click on any scene title to view the full analysis, including critiques and suggestions for improvement.
'Other Analyses' provides various insights into your writing and different perspectives, although it might not lead to significant rewrites of your script.
You can play it for free. If you have scripts analyzed, the AI might recommend exercises from SceneProv to help you improve your writing. Go to the craft tab to see what it recommended.
Let the AI take a turn when you're blocked or you want to riff on a scene. Each scene you create in SceneProv gets graded at the end.
- The email might have gone to your spam folder or is hidden in an email thread.
- The process might still be ongoing. Register/Login with the email you used during upload and look at the status. It sometimes takes as long as a couple hours. If it's been longer than that email us at [email protected]
Feature Request
Got an idea to improve our service? We'd love to hear it!
Scene by Scene Emotions